Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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VIOLONCELLE
XYLOPHONE
August Enna
Non classifié
5
Piano & claviers
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1
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Guitare
3
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Vents
Quatuor de Saxophones: 4 saxophones
2
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1
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Quintette de Clarinettes: 5 clarinettes
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+ 1 instrumentations
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Partitions Gratuites
72
▽ INSTRUMENTS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Crtitères actifs :
August Enna
Partitions à imprimer
36 partitions trouvées
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1
26
Das Streichholzmädel, The little match girl
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August Enna
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Pierre Penisson
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Das Streichholzmädel, The li
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Éditions du Vieux Moulin
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1510717 Composed by August Enna. Arranged by Pierre Penisson. 19th Century,Opera. 368 pages. Éditions du Vieux Mo...
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Chamber Orchestra - Level 4 - SKU: A0.1510717 Composed by August Enna. Arranged by Pierre Penisson. 19th Century,Opera. 368 pages. Éditions du Vieux Moulin #1085919. Published by Éditions du Vieux Moulin (A0.1510717). Full score of the opera in its chamber orchestra version (flute, oboe, 2 A/B flat clarinets, bassoon, horn, timpani, triangle, piano/harmonium, 2 violins, viola, cello, double bass), 136 pages.
$110.60
Mozart - String Quartet No.8 in F major, K.168
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
#
Wolfgang Amadeus Mozart
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J
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Mozart - String Quartet No.8 i
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J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1115403 Composed by Wolfgang Amadeus Mozart. Arranged by J.G. Cucó Barber. Chamber,Classical. 27 pages. J.G. ...
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String Quartet String Quartet - SKU: A0.1115403 Composed by Wolfgang Amadeus Mozart. Arranged by J.G. Cucó Barber. Chamber,Classical. 27 pages. J.G. Cuco Barber #717194. Published by J.G. Cuco Barber (A0.1115403). Work Title String Quartet No.8 Alternative Title Quartet Composer Mozart, Wolfgang Amadeus Opus/Catalogue Number K.168 Key F major Movements/Sections 4 movements: 1. Allegro 2. Andante 3. Menuetto and Trio 4. Allegro Year/Date of Composition 1773 August, Vienna First Publication 1800/1801 – Offenbach: Johann Anton André (part of Op.94, with K.169, 170) Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Mozart - String Quartet No.9 in A major, K.169 ; Op.94 No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
#
Wolfgang Amadeus Mozart
#
J
#
Op
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Mozart - String Quartet No.9 i
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J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1115591 Composed by Wolfgang Amadeus Mozart. Arranged by J.G. Cucó Barber. Chamber,Classical. 30 pages. J.G. ...
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String Quartet String Quartet - SKU: A0.1115591 Composed by Wolfgang Amadeus Mozart. Arranged by J.G. Cucó Barber. Chamber,Classical. 30 pages. J.G. Cuco Barber #717360. Published by J.G. Cuco Barber (A0.1115591). Work Title String Quartet No.9 Composer Mozart, Wolfgang Amadeus Opus/Catalogue Number K.169 ; Op.94 No.2 Key A major Movements/Sections 4 movements: 1. Molto allegro 2. Andante 3. Menuetto and Trio 4. Rondeau. Allegro Year/Date of Composition 1773 August, Vienna First Publication 1800-01 ca. – Offenbach: Johann Anton André, Plate 1509 Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Psalm 23: The Lord is My Shepherd
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Patti Drennan
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Patti Drennan
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Psalm 23: The Lord is My Sheph
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Patti Drennan
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SheetMusicPlus
SKU: A0.1471902 By Patti Drennan. By Patti Drennan. Arranged by Patti Drennan. 21st Century,Christian,Jazz,Religious,Sacred. Accompaniment. Duration 194...
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SKU: A0.1471902 By Patti Drennan. By Patti Drennan. Arranged by Patti Drennan. 21st Century,Christian,Jazz,Religious,Sacred. Accompaniment. Duration 194. Patti Drennan #1049535. Published by Patti Drennan (A0.1471902). This accompaniment track corresponds to the vocal solo, Psalm 23: The Lord is My Shepherd written by Patti Drennan. (ArrangeMe ID 1049532) Recorded with piano, bass, acoustic guitar and light drums, the track adds to the serenity of this flowing jazz-flavored arrangement.Patti Drennan is a well-published composer of over 850 choral, vocal and piano works and is a former choral director. She is currently a director of church music. More works can be found on www.pattidrennan.com and her music can be found on Spotify and Apple Music. Her choral music album, Echoes of Grace will be available on August 9, 2024.
$10.00
Vals No 2 - Guitar
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Guitare
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Luigi Legnani
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Arte Nova Music Lab
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Vals No 2 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte N...
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Solo Guitar - SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008973. Published by Arte Nova Music Lab (A0.742405). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]Legnani is perhaps best known for his 36 Caprices op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's 24 Caprices for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837),[4] there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The Legnani model guitar was popular in Central Europe through the middle of the nineteenth century.Legnani composed some 250 works, which were published in his lifetime throughout many of the major publishing houses in Europe. He died in Ravenna.
$5.00
Vals No 8 - Guitar
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Guitare
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FACILE
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Luigi Legnani
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Arte Nova Music Lab
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Vals No 8 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.742406 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual p...
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Solo Guitar - Level 2 - SKU: A0.742406 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3008979. Published by Arte Nova Music Lab (A0.742406). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]
$5.00
Vals No 14 - Guitar
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Guitare
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Luigi Legnani
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Arte Nova Music Lab
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Vals No 14 - Guitar
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Arte Nova Music Lab
#
SheetMusicPlus
Solo Guitar - SKU: A0.742407 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Instructional,Romantic Period,World. Individual part. 2...
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Solo Guitar - SKU: A0.742407 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Instructional,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008983. Published by Arte Nova Music Lab (A0.742407). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]
$5.00
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Contemporain
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Josef Weinberger
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arr
#
later additions included
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Hermine - Josef Weinberger arr
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contempo...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00
Air Varie for Treble or Bass Recorder
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H
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Barbara Brennan
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Air Varie for Treble or Bass R
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Piano - Level 3 - SKU: A0.842578 Composed by H.E. Klose. Arranged by Barbara Brennan. Concert,Graduation,...
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Small Ensemble Alto Recorder,Baritone Recorder,Piano - Level 3 - SKU: A0.842578 Composed by H.E. Klose. Arranged by Barbara Brennan. Concert,Graduation,Instructional,Romantic Period,Standards. Score and parts. 22 pages. Bl_music #6672429. Published by bl_music (A0.842578). Hyacinthe Eléonore Klosé (11 October 1808 – 29 August 1880) was a French clarinet player, professor at the Conservatoire de Paris, and composer. Klosé was also noted for his design improvements to the clarinet using the principles laid down by Theobald Boehm in his innovative work on the flute keywork. His Air Varie has become a favourite for clarinet and another unexpected contender: the ophicleide! The introduction, theme and 3 variations, followed by a rond are so charming and highly suitable for Treble or Bass recorders that – having performed the piece on the ophicleide ourselves- we felt this edition could make a great concert piece and addition to the repertoire for recorder players on the hunt for new music. This edition includes solo parts for recorders in F in Treble and Bass clef.
$18.99
Radetzky March for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Johann Strauss Sr
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Diego Marani
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Radetzky March for Clarinet Qu
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527745 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instru...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527745 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 21 pages. Diego Marani #3369355. Published by Diego Marani (A0.527745). Radetzky March, Op. 228, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed on 31 August 1848 in Vienna, it soon became quite popular among regimented marching soldiers. It has been remarked that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. It is always played as the last piece at the New Year's Concert (Neujahrskonzert) of the Vienna Philharmonic.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$12.99
Radetzky March for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Johann Strauss Sr
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Diego Marani
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Radetzky March for Brass Quart
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527749 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instruct...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527749 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. Score and parts. 19 pages. Diego Marani #3372839. Published by Diego Marani (A0.527749). Radetzky March, Op. 228, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed on 31 August 1848 in Vienna, it soon became quite popular among regimented marching soldiers. It has been remarked that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. It is always played as the last piece at the New Year's Concert (Neujahrskonzert) of the Vienna Philharmonic.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn or Trombone, Tuba.
$12.99
Radetzky March for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Johann Strauss Sr
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Diego Marani
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Radetzky March for Saxophone Q
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527744 Composed by Johann Str...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527744 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 17 pages. Diego Marani #3368437. Published by Diego Marani (A0.527744). Radetzky March, Op. 228, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed on 31 August 1848 in Vienna, it soon became quite popular among regimented marching soldiers. It has been remarked that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. It is always played as the last piece at the New Year's Concert (Neujahrskonzert) of the Vienna Philharmonic.This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
$12.99
Radetzky March for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Johann Strauss Sr
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Diego Marani
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Radetzky March for Brass Quint
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527748 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instruct...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527748 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. Score and parts. 23 pages. Diego Marani #3371949. Published by Diego Marani (A0.527748). Radetzky March, Op. 228, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed on 31 August 1848 in Vienna, it soon became quite popular among regimented marching soldiers. It has been remarked that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. It is always played as the last piece at the New Year's Concert (Neujahrskonzert) of the Vienna Philharmonic.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$14.99
Eine Kleine Nachtmusik (Serenade in G) K 525
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Arte Nova Music Lab
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Eine Kleine Nachtmusik
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742450 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Score and...
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String Orchestra - Level 4 - SKU: A0.742450 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Score and parts. 75 pages. Arte Nova Music Lab #3878777. Published by Arte Nova Music Lab (A0.742450). Eine kleine Nachtmusik, (German: A Little Night Music) by name of Serenade No. 13 in G Major, K 525, serenade for two violins, viola, cello, and double bass by Wolfgang Amadeus Mozart, admired for its lively, joyful quality and its memorable melodies. The piece was completed on August 10, 1787, but was published posthumously. In present-day practice, it is typically performed in orchestral arrangement.Although it originally denoted an evening song for courtship, the term serenade by the late 18th century was used broadly to describe a chamber work intended for light entertainment on a social occasion. Serenades enjoyed great popularity in south-central Europe, particularly in Vienna, where Mozart spent the last decade of his life. At that time, it was customary for ensembles to perform serenades in Vienna’s parks and gardens, and the creation of such pieces became a lucrative source of income for composers.Taken from https://www.britannica.com/topic/Eine-kleine-Nachtmusik
$50.00
Radetsky March for 6-part Trombone Ensemble
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Johann Strauss Sr
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David Fetter
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Radetsky March for 6-part Trom
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.811075 Composed by Johann Strauss Sr. Arranged by David Fetter. Classical,Holiday,Romantic Period. Score and...
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Brass Ensemble Trombone - Level 4 - SKU: A0.811075 Composed by Johann Strauss Sr. Arranged by David Fetter. Classical,Holiday,Romantic Period. Score and parts. 20 pages. Gordon Cherry #4984777. Published by Gordon Cherry (A0.811075). Radetzky March, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed in August 1848 in Vienna, it soon became quite popular among regimented marching soldiers. It has been remarked that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. This fun arrangement by David Fetter has moderate range requirements, all parts are in bass clef and can be performed by moderately advanced performers.
$22.50
"Allegro" from Eine Klein Nachtmusik (K. 525) - W. A. Mozart - Arranged by John M. Licari (Clarinet
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart
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John M
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"Allegro" from Eine
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Music Preparation Services
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.908411 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Licari. Classical,Concert,Standards. 33 p...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.908411 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Licari. Classical,Concert,Standards. 33 pages. Music Preparation Services #5735847. Published by Music Preparation Services (A0.908411). Allegro from Eine Klein NachtmusikBy Wolfgang Amadeus MozartArranged for Clarinet Choir by John M. LicariMusic Preparation Serviceswww.musicprepservices.comEine kleine Nachtmusik (K. 525), is a 1787 composition by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally as a little night music. The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras. The work was completed in Vienna on 10 August 1787,[2] around the time Mozart was working on the second act of his opera Don Giovanni. This first movement is in sonata-allegro form. It opens with an ascending Mannheim rocket theme. The second theme is more graceful and in D major, the dominant key of G major. The exposition closes in D major and is repeated. The development section begins on D major and touches on D minor and C major before the work returns to G major for the recapitulation.This arrangement has been adapted to accommodate a clarinet choir - 3 Bb Clarinets, and a Bass Clarinet.
$12.99
Impromptu
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Alto, Piano
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INTERMÉDIAIRE
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Hans Gal
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Julia Mueller-Runte
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Impromptu
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - intermediate - SKU: S9.Q6907 Composed by Hans Gal. Arranged by Julia Mueller-Runte. This edition: Sheet music. Viola Library. Download...
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Viola and piano - intermediate - SKU: S9.Q6907 Composed by Hans Gal. Arranged by Julia Mueller-Runte. This edition: Sheet music. Viola Library. Downloadable. Duration 3 minutes. Schott Music - Digital #Q6907. Published by Schott Music - Digital (S9.Q6907). Key: C major.Hans Gál wrote 'Impromptu' in Edinburgh in August 1940 for his then 15-year-old son Peter. His son had already taken several violin lessons and now wanted to try to play the viola in order to join a youth orchestra. As a consequence, 'Impromptu' is easy to play, and its Romantic harmonies in the equally easy piano accompaniment make the piece a well sounding duo that can even be performed by beginners. The Austrian composer and musicologist Hans Gál (1890-1987) composed operas, orchestral works, concertos, vocal music and, especially in the last decades of his life, numerous chamber music works. In addition, he published books (Brahms, Schubert, Verdi) and essays. When Gál was forced to leave Germany in 1933, he first moved to Vienna and finally settled in Edinburgh where he composed and taught at the university until his death.
$11.99
Jockey Polka (Josef Strauss) - for Horn Quintet (5 French Horns)
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Ensemble de Cors
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INTERMÉDIAIRE/AVANCÉ
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Josef Strauss
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Raymond Fenech
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Jockey Polka
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.759895 Composed by Josef Strauss. Arranged by Raymond Fenech. Classical,Contest,Easter,Festival,Holiday,Wedding....
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Brass Ensemble Horn - Level 4 - SKU: A0.759895 Composed by Josef Strauss. Arranged by Raymond Fenech. Classical,Contest,Easter,Festival,Holiday,Wedding. Score and parts. 17 pages. Raymond Fenech #3435159. Published by Raymond Fenech (A0.759895). Josef Strauss (20 August 1827 – 22 July 1870) was an Austrian composer. He was born in Mariahilf (now Vienna), the son of Johann Strauss I and Maria Anna Streim, and brother of Johann Strauss II and Eduard Strauss. His father wanted him to choose a career in the Austrian Habsburg military. He studied music with Franz Dolleschal and learned to play the violin with Franz Anton Ries.The level is Advanced Intermediate and the duration is 2.03 minutes.
$9.95
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