English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
16
Partitions
Numériques
17
Librairie
Musicale
12
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
4
PIANO & CLAVIERS
Piano, Voix
1
Orgue
1
GUITARES
VOIX
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Alto et Piano
1
Clarinette et Piano
1
Saxophone Tenor et Piano
1
Flûte traversière et Piano
1
CUIVRES
Euphonium, Piano (duo)
1
CORDES
Violoncelle
3
Violon et Piano
1
Violoncelle, Piano
1
PERCUSSIONS & ORCHESTRES
AUTRES
Vous avez sélectionné:
Ave Maria - Schubert for Cello solo - Bb major
Partitions à imprimer
17 partitions trouvées
<
1
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
(+)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.13 €
#
Flûte traversière et Piano
#
J
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Flute and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
(+)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.13 €
#
Saxophone Alto et Piano
#
J
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
(+)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.13 €
#
Saxophone Tenor et Piano
#
J
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
(+)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.13 €
#
Clarinette et Piano
#
J
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Clarinet and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Ave Maria (Gounod) in G Major for 2 voices & quintet
Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Piano,Tenor Saxophone,Trumpet,Violin,Vo…
(+)
Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Piano,Tenor Saxophone,Trumpet,Violin,Voice - Level 3 - Digital Download SKU: A0.843102 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 27 pages. Dico #6607241. Published by Dico (A0.843102). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Gounod) for 2 soloist and quintet - in the 1st time, the voice 1 sings the traditional part of the solo. In the 2nd time, the voice 2 sings the solo part and the voice 1 sings the vocalise part. Obviously, roles can be switched. The vocalise part can be singed with any consonant phoneme or bocca chiusa. Provided in many keys in my catalogue for various voice ranges.- Voices- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Flute | Oboe | Clarinet | Sop sax | Alto sax | Tenor sax)- Piano- Violin- Cello
$18.00
16.13 €
#
Bach - Gounod
#
Dico
#
Ave Maria
#
Dico
#
SheetMusicPlus
Ave Maria (Gounod) in C Major for 2 voices & quintet
Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Oboe,Piano,Tenor Saxophone,Trumpet,Viol…
(+)
Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Oboe,Piano,Tenor Saxophone,Trumpet,Violin,Voice - Level 3 - Digital Download SKU: A0.843099 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 26 pages. Dico #6606669. Published by Dico (A0.843099). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA in C (Gounod) for 2 soloist and quintet - in the 1st time, the voice 1 sings the traditional part of the solo. In the 2nd time, the voice 2 sings the solo part and the voice 1 sings the vocalise part. Obviously, roles can be switched. The vocalise part can be singed with any consonant phoneme or bocca chiusa. Provided in many keys in my catalogue for various voice ranges.- Voices- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Flute | Oboe | Clarinet | Sop sax | Alto sax | Tenor sax)- Piano- Violin- Cello
$18.00
16.13 €
#
Bach - Gounod
#
Dico
#
Ave Maria
#
Dico
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.13 €
#
Euphonium, Piano (duo)
#
J S Bach-Gounod
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Baritone
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Ave Maria (Gounod) for Cello Solo with Chords (C Major)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.687163 Composed by Charles Gounod, …
(+)
Cello Solo - Level 4 - Digital Download SKU: A0.687163 Composed by Charles Gounod, Johann Sebastian Bach. Arranged by Fernando Britto. Baroque,Praise & Worship,Sacred,Spiritual,Wedding. Individual part. 1 pages. Minhas Partituras #6562361. Published by Minhas Partituras (A0.687163). Arrangement of the song Ave Maria (Gounod) for Cello Solo with Chords (C Major).
$4.99
4.47 €
#
Violoncelle
#
Charles Gounod, Johann Sebastian Bach
#
Fernando Britto
#
Ave Maria
#
Minhas Partituras
#
SheetMusicPlus
Ave Maria (Gounod) for Cello Solo with Chords (D Major)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.687176 Composed by Charles Gounod, …
(+)
Cello Solo - Level 4 - Digital Download SKU: A0.687176 Composed by Charles Gounod, Johann Sebastian Bach. Arranged by Fernando Britto. Baroque,Praise & Worship,Sacred,Spiritual,Wedding. Individual part. 1 pages. Minhas Partituras #6562397. Published by Minhas Partituras (A0.687176). Arrangement of the song Ave Maria (Gounod) for Cello Solo with Chords (D Major).
$4.99
4.47 €
#
Violoncelle
#
Charles Gounod, Johann Sebastian Bach
#
Fernando Britto
#
Ave Maria
#
Minhas Partituras
#
SheetMusicPlus
Ave Maria (Gounod) for Cello Solo with Chords (Eb Major)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.685731 Composed by Charles Gounod, …
(+)
Cello Solo - Level 4 - Digital Download SKU: A0.685731 Composed by Charles Gounod, Johann Sebastian Bach. Arranged by Fernando Britto. Baroque,Classical,Praise & Worship,Spiritual,Wedding. Individual part. 1 pages. Minhas Partituras #6401233. Published by Minhas Partituras (A0.685731). Arrangement of the song Ave Maria (J. S. Bach / Gounod) for Cello Solo with Chords (In Eb Major).
$4.99
4.47 €
#
Violoncelle
#
Charles Gounod, Johann Sebastian Bach
#
Fernando Britto
#
Ave Maria
#
Minhas Partituras
#
SheetMusicPlus
Ave Maria for Voice & Organ arranged with Bach's Cello Prelude #1 as accompaniment
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.860317 Composed by J.S. Bach…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.860317 Composed by J.S. Bach, Charles Gounod. Arranged by Shawn Heller. Baroque,Christian,Christmas,Classical,Easter. Score. 6 pages. Shawn Heller #5023217. Published by Shawn Heller (A0.860317). Ave Maria gets a revamp in this unique arrangement only available here. Gounod's melody is paired with Prelude from Cello Suite #1 in G major, BMV 1007 by J.S. Bach as accompaniment. Arrangements are also available for piano solo, organ solo, and voice with cello or piano.
$5.99
5.37 €
#
Piano, Voix
#
J
#
Shawn Heller
#
Ave Maria for Voice & Organ arranged with Bach's Cello Prelude #1 as accompaniment
#
Shawn Heller
#
SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
53.77 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
#
Woods Only
#
Co
#
5 Classical Wedding Music for Woodwind Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ave Maria Piano Solo arranged with Bach's Cello Prelude #1 as accompaniment
Small Ensemble Harpsichord,Piano - Level 4 - Digital Download SKU: A0.860314 Compos…
(+)
Small Ensemble Harpsichord,Piano - Level 4 - Digital Download SKU: A0.860314 Composed by J.S. Bach, Charles Gounod. Arranged by Shawn Heller. Baroque,Christian,Christmas,Classical,Easter. Score and parts. 4 pages. Shawn Heller #5023173. Published by Shawn Heller (A0.860314). Ave Maria gets a revamp in this unique arrangement only available here. Gounod's melody is paired with Prelude from Cello Suite #1 in G major, BMV 1007 by J.S. Bach as accompaniment. Arrangements are also available for organ solo, voice and cello or piano, and voice and organ
$5.99
5.37 €
#
J
#
Shawn Heller
#
Ave Maria Piano Solo arranged with Bach's Cello Prelude #1 as accompaniment
#
Shawn Heller
#
SheetMusicPlus
Ave Maria Organ Solo arranged with Bach's Cello Prelude #1 as accompaniment
Orgue
Organ - Level 4 - Digital Download SKU: A0.860315 Composed by J.S. Bach, Charles Go…
(+)
Organ - Level 4 - Digital Download SKU: A0.860315 Composed by J.S. Bach, Charles Gounod. Arranged by Shawn Heller. Baroque,Christian,Christmas,Classical,Easter. Score. 4 pages. Shawn Heller #5023197. Published by Shawn Heller (A0.860315). Ave Maria gets a revamp in this unique arrangement only available here. Gounod's melody is paired with Prelude from Cello Suite #1 in G major, BMV 1007 by J.S. Bach as accompaniment. Arrangements are also available for piano solo, voice and cello or piano, and voice and organ.
$5.99
5.37 €
#
Orgue
#
J
#
Shawn Heller
#
Ave Maria Organ Solo arranged with Bach's Cello Prelude #1 as accompaniment
#
Shawn Heller
#
SheetMusicPlus
Ave Maria Bach Gounod for solo violin with piano, strings and horns, score, parts, mp3 and backing t
Small Ensemble Cello,Double Bass,Horn,Piano Accompaniment,Viola,Violin - Level 4 - Digital…
(+)
Small Ensemble Cello,Double Bass,Horn,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.771528 Composed by Bach / Gounod. Arranged by David F Wainwright. Baroque,Christian,Concert,Standards,Wedding. Score and parts. 14 pages. D F Wainwright #4408636. Published by D F Wainwright (A0.771528). This arrangement and orchestration of the Bach Gounod Ave Maria ( in C Major) features on Emilya's debut album Classique. The accompaniment is scored for piano, strings and french horns. There is an mp3 recording of the whole thing, followed by the accompaniment alone for use as a backing track which can be used by singers and any other instrument.
$19.99
17.92 €
#
Bach / Gounod
#
David F Wainwright
#
Ave Maria Bach Gounod for solo violin with piano, strings and horns, score, parts, mp3 and backing t
#
D F Wainwright
#
SheetMusicPlus
Elijah (Part 3) Tone Poem for Violin and Piano by Stephen R Dalrymple: God's Voice
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By…
(+)
Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 88 pages. Stephen R Dalrymple #3075427. Published by Stephen R Dalrymple (A0.818226). Elijah (Part 3) God’s Voice♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗  2023 Stephen R Dalrymple♫ sequenced by the composer ♫ presentation © 2023 Stephen R Dalrymple♫ After the victory of Yahweh over Ba’al at Mount Carmel, Elijah and the people executed the 450 prophets of Ba’al. For the first time in 3 years, Elijah prays for rain. In the following rainstorm, Elijah outruns Ahab’s chariot returning to Samaria. But the next morning it seems as if nothing has happened. Jezebel still has her 400 prophets. She sends a message to Elijah that he will be killed.♫ Elijah is discouraged and defeated. Did Mt Carmel really mean nothing? He runs for the wilderness, complaining to God. He is so disheartened that he asks God to take his life. He makes a pilgrimage to Mt Horeb where Moses received the Law, fasting for 40 days, still complaining. He yearns for God to answer him. As at Mt Carmel, God had demonstrated His power at Sinai with thunderstorm and lightning. Elijah is evidently expecting large dramatic gestures for God to reveal Himself. But now God will teach Elijah that He also acts in ordinary, quiet ways, as will his continued ministry♫ 8 Themes were used to create this movement: 1. Ahab (based on Movement 2, theme 3) 2. Jezebel (based on Movement 2 Theme 4 – Atonal) 3. Elijah's Excuses (based on Movement 2 Theme 2 in Dorian Mode) 4. Elijah's Depression (Based on Movement 2 Theme 2 in Dorian Mode) 5. God of Abraham, Isaac, and Jacob (based on Movement 1 Theme 1 in Aeolian Mode) 6. Windstorm (Modified Dorian Mode) 7. Earthquake (tritones and clusters) 8. God's Voice - Polytonal (A minor / G major)♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.
$4.50
4.03 €
#
Violon et Piano
#
Stephen R Dalrymple
#
Elijah
#
Stephen R Dalrymple
#
SheetMusicPlus
Ave Maria - Cello & Piano by Celeste Avery - Solo & Accompaniment
Violoncelle, Piano
Performed by: Celeste Avery: Ave Maria - Cello & Piano - (adapted from Prelude in C Ma…
(+)
Performed by: Celeste Avery: Ave Maria - Cello & Piano - (adapted from Prelude in C Major, BWV 846 by Johann Sebastian Bach) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Parts, instruments: Cello;Piano Accompaniment; 5 pages -- Classical~~Romantic~~Wedding~~Sacred~~18th-Century
$5.79
5.19 €
#
Violoncelle, Piano
#
Celeste Avery
#
Cello & Piano by Celeste Avery
#
Musicnotes
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale