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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Ave Maria by Charles Gounod CG 89a for Woodwind Quintet
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Ave Maria by Charles Gounod CG 89a for Woodwind Quintet
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Ave Maria by Charles Gounod CG 89a for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Charles Francois Gounod
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Woods Only
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Ave Maria by Charles Gounod CG
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.956895 Composed by Charles Francois Gounod. Arranged by Woods Only. Holiday,Love,Romantic Period,...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.956895 Composed by Charles Francois Gounod. Arranged by Woods Only. Holiday,Love,Romantic Period,Sacred,Wedding,World. 12 pages. Woods Only, Arrangements #6474033. Published by Woods Only, Arrangements (A0.956895). This version of this wonderful song is made for woodwind quintet where it can be freely performed in religious and wedding ceremonies, ideal for young music beginners and even professional music school teachers. It maintains the essence of the original composition, where this time the solo is shared by two instruments that counterpoint the melody that runs through the course of the song.The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G.
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