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BACH: Wachet Auf BWV 140 for Oboe
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BACH: Wachet Auf BWV 140 for Oboe & Harp
Hautbois, Harpe
Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.5527…
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Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.552715 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265847. Published by jmsgu3 (A0.552715). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95
23.07 €
#
Hautbois, Harpe
#
Johann Sebastian Bach
#
James M
#
BACH: Wachet Auf BWV 140 for Oboe & Harp
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.07 €
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Hautbois, Piano (duo)
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.07 €
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Wachet Auf BWV 140 (J.S. Bach) for Oboe Solo
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.687096 Composed by Johann Sebastian …
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Oboe Solo - Level 4 - Digital Download SKU: A0.687096 Composed by Johann Sebastian Bach. Arranged by Fabio Britto. Baroque,Christian,Gospel,Sacred,Wedding. Individual part. 2 pages. Minhas Partituras #6561351. Published by Minhas Partituras (A0.687096). Arrangement of Wachet auf, ruft uns die Stimme, Cantata BWV 140 (J.S. Bach) for Oboe Solo.
$4.99
4.61 €
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Hautbois (partie séparée)
#
Johann Sebastian Bach
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Fabio Britto
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Wachet Auf BWV 140
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Minhas Partituras
#
SheetMusicPlus
Bach - Wachet auf, ruft uns die Stimme BWV 140 (for Flute, Oboe and Bassoon)
Flûte, Hautbois, Basson
Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0…
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.571036 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Graduation,Praise & Worship,Sacred,Wedding. 13 pages. Cadenza Editions #5726719. Published by Cadenza Editions (A0.571036).
$9.99
9.24 €
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Flûte, Hautbois, Basson
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Johann Sebastian Bach
#
Cadenza Editions
#
Bach - Wachet auf, ruft uns die Stimme BWV 140
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Cadenza Editions
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SheetMusicPlus
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Quatuor de Flûtes à bec
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By K…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
9.25 €
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Quatuor de Flûtes à bec
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Keith Terrett
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SheetMusicPlus
Bach - Wachet auf, ruft uns die Stimme BWV 140 (for Oboe and Piano)
Small Ensemble Harpsichord,Oboe,Organ,Piano - Level 3 - Digital Download SKU: A0.571043…
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Small Ensemble Harpsichord,Oboe,Organ,Piano - Level 3 - Digital Download SKU: A0.571043 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Graduation,Praise & Worship,Sacred,Wedding. Score and parts. 12 pages. Cadenza Editions #5726737. Published by Cadenza Editions (A0.571043).
$6.99
6.46 €
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Johann Sebastian Bach
#
Cadenza Editions
#
Bach - Wachet auf, ruft uns die Stimme BWV 140
#
Cadenza Editions
#
SheetMusicPlus
Bach - Wachet auf, ruft uns die Stimme BWV 140 (for Flute, Oboe and Cello)
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.571037 Compose…
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.571037 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Graduation,Praise & Worship,Sacred,Wedding. 13 pages. Cadenza Editions #5726721. Published by Cadenza Editions (A0.571037).
$9.99
9.24 €
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Johann Sebastian Bach
#
Cadenza Editions
#
Bach - Wachet auf, ruft uns die Stimme BWV 140
#
Cadenza Editions
#
SheetMusicPlus
Chorale from Sleepers, Wake! (BWV 140) for Woodwind Quartet
Flûte, Clarinette, Cor, Basson (Quartet)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.805877 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Sacred,Standards,Wedding. 16 pages. G L Harvey #5218211. Published by G L Harvey (A0.805877). The fourth movement from the cantata Wachet auf, ruft uns die Stimme, also known as Sleepers, Wake! has been arranged for Woodwind Quartet (Flute, Oboe, Clarinet and Bassoon). The Clarinet part takes the tenor voice solo where appropriate, singing over the rest of the ensemble. All players have occasional rest-bites and plenty of opportunity to shine, with the general range and technical demands for a convincing performance aimed at intermediate to advanced players (ABRSM grade 5 and upwards). This popular baroque classic would be a perfect addition to concerts, recitals and wedding programmes, for both audiences and performers alike. The PDF is 16 pages in length (portrait A4) and includes a full score and parts for Flute, Oboe, Clarinet and Bassoon (plus an extra bass part in B flat treble clef for Bass Clarinet). The duration of the Chorale is about 3.30 minutes.
$12.99
12.01 €
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Flûte, Clarinette, Cor, Basson (Quartet)
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Johann Sebastian Bach
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G L Harvey
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Chorale from Sleepers, Wake!
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G L Harvey
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SheetMusicPlus
Six Schubler Chorales No.1 BWV645 'Wachet auf. ruft uns die Stimme' for Double Reed Trio
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 3 - Digital Download …
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.777985 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #4738203. Published by ACORDO Sheet Music (A0.777985). Schubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). Schubler is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece is Cantata No.140, movement 4, Wake, Awake for Night is Passing. This BWV645 is the most famous chorale prelude among Bach’s works.
$7.00
6.47 €
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Johann Sebastian Bach
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Kamada, Mikio
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Six Schubler Chorales No.1 BWV645 'Wachet auf. ruft uns die Stimme' for Double Reed Trio
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ACORDO Sheet Music
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SheetMusicPlus
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