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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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Clarinette
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1
Flûte à bec Soprano
1
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1
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Hautbois
1
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1
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1
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1
Flûte, Violon
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1
Hautbois (partie séparée)
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
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2 Flûte à bec (duo)
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Harmonica
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Clarinette et Alto
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Saxophone (duo)
2
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2
Euphonium, Piano (duo)
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2 Trombones (duo)
1
2 Cors (duo)
1
Trombone
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Trombone et Piano
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Quatuor de Cuivres
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Trompette
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1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon
11
Violon, Violoncelle (duo)
8
2 Harpes (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Harpe
4
Violon et Piano
4
Violoncelle, Piano
3
Violoncelle (partie séparée)
3
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violons (duo)
2
Violon, Alto (duo)
2
Contre Basse
1
Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Contrebasse (partie séparée)
1
Violoncelle
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
67
Batterie
28
Orchestre
11
Ensemble Jazz
11
Orchestre à Cordes
9
Fanfare
7
Cloches
6
Ensemble de Percussions
5
Percussion
3
Marimba
3
Ensemble de cuivres
3
Orchestre de chambre
2
Cajon
2
Batterie (partie séparée)
1
Vibraphone
1
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AUTRES
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BEATS
Guitare
Partitions à imprimer
9 partitions trouvées
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I Will
Guitare
Solo Guitar - Digital Download SKU: A0.483584 By The Beatles. By John Lennon and Pa…
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Solo Guitar - Digital Download SKU: A0.483584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Robert McCormack. Contemporary,Pop,Rock,Standards. Individual part. 2 pages. Published by Robert McCormak (A0.483584). Juxtaposing the anticipated beats of the melody over the calm walking bass shouldn't be too hard to play gracefully. Lines 4 and 5 have a 12th fret harmonic which contains the melody and quickly returns to fretted strings as the melody proceeds. Hearing the melody note on the downbeat of the harmonic is the goal. I missed the mis-alignment of the last three beats of the 1st measure on page 2. Those are three homophonic chords played on the beats. The last 2 measures of the coda (and the song) require a few position jumps. Legato is the goal here.
$4.99
4.6 €
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Guitare
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The Beatles
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Robert McCormack
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I Will
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Robert McCormak
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.6 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Etude de Bossa
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Co…
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Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Contemporary,Instructional,Jazz,Latin. Individual part. 2 pages. Prima Acoustic Music #6535489. Published by Prima Acoustic Music (A0.928065). Key: A minor (Section A) A Major (Section B) Musical Form: Ternary form with introduction and coda Musical Texture: Homophonic Rhythm: Bossa nova dance Tempo: Andante moderato Etude de Bossa is a Bossa Nova music. Bossa nova is Portuguese, Bossa refers to the natural style and temperament when playing the Samba music, and Nova means new. This style originated in Brazil in the late 1950s. The composer Antonio Carlos Jobim and the guitarist João Gilberto may be considered the founders of this style, and later became the style of the theme song of A Felicide and Desafinado in the film Black Orpheus and caused a craze. The characteristic of Bossa nova rhythm is that the first, fourth, seventh, and eleventh beats of every two bars are retakes, and the others are light beats.
$10.00
9.22 €
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Guitare
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Vincent Ong
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Etude de Bossa
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Prima Acoustic Music
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SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.6 €
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Guitare
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Adelita by Francisco Tárrega
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarre…
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Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pages. Zellev Music #6253151. Published by Zellev Music (A0.910911). Adelita is a charming mazurka written by Francisco Tárrega that has been recorded by many famous guitarists.the intended beats per minute of a particular tempo indicator was ambiguous at best. Tárrega could well have intended the tempo to be faster than what we today conceive of as Lento. Therefore, you may choose to play the piece faster than the 60 bpm I've listed, opting for a faster 80–90 in the Andante range.Adelita is deceptively simple. If you are a novice guitarist, you may feel it is within your reach based on hearing the first half of the song. Even if you've mastered barres, upon reaching measures 11 and 12, you may reach an impasse. Playing the slurs fluidly requires a well-developed little finger. Therefore, I recommend not trying to learn the piece until you've developed both comfort with barres and sufficient strength and flexibility in the little finger to play clear hammer-ons and pull-offs.
$2.00
1.84 €
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Guitare
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Francisco Tarrega
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Zellev
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Adelita by Francisco Tárrega
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Zellev Music
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1123886 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1123886 Composed by Johann Sebastian Bach. Arranged by Paul Brooks Horn. Baroque,Classical. Individual part. 2 pages. Paul Brooks Horn #724645. Published by Paul Brooks Horn (A0.1123886). Jesu, Joy of Man's Desiring by Johann Sebastian Bach arranged for the classical guitar with open triads to make the strong beats a little more interesting.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
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Paul Brooks Horn
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Jesu, Joy of Man's Desiring
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Paul Brooks Horn
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.6 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Intermediate Pieces for Classical Guitar
Guitare
Guitar - Intermediate - Digital Download Composed by Lily Afshar. Classical. E-book. …
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Guitar - Intermediate - Digital Download Composed by Lily Afshar. Classical. E-book. 116 pages. Mel Bay Publications - Digital Sheet Music #30832EB. Published by Mel Bay Publications - Digital Sheet Music (
ISBN 9781513455006.<br> <br> Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshars previous publication (Beginning Pieces for Classical Guitar), selections like Carcassi Study #3 and Sor Studies Nos. 5 and 6 require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, Study No. 5 by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.
$17.99
16.59 €
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Guitare
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Lily Afshar
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Intermediate Pieces for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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