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Back On My Mind Again
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Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious...
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Piano Accompaniment - Level 2 - SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
Lord of All Our Days (Funeral Hymn) Backup Track (Full harmonies and choral parts)
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious...
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Piano Accompaniment - Level 2 - SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054996. Published by Anastace (A0.1477616). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with only piano (instead of this one with the full choral backup vocals) as well as the following sheet music options:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key] For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
Always On My Mind
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The Pet Shop Boys
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John Ivor Holland
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Always On My Mind
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1487633 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20th Century,21st Century,Film/TV,Pop,Singer/Songwriter. Brass Band. 36 pages. John Ivor Holland #1064566. Published by John Ivor Holland (A0.1487633). Always on My Mind was originally conceived as a ballad written by Wayne Carson, Johnny Christopher, and Mark James and first recorded by country artist Brenda Lee in 1972. The song has been a crossover hit, charting in both country and pop categories. Elvis Presley's recording was the first commercially successful version of the song, followed by a 1987 hi-NRG/synth-pop interpretation from Pet Shop Boys (which reached UK number one and made US Top Ten). This version by PSB came about in 1987 as part of an anniversary show called 'Love Me Tender', to mark 10 years since the death of Elvis Presley (who had also charted well with the song) - in November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time and ten years later, a public poll compiled by the BBC saw the song voted the all-time best cover version. The PSB cover has recently been used in the acclaimed British film 'All Of Us Strangers', launching it back into popularity again.
$49.99
Always On My Mind
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Orchestre d'harmonie
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FACILE
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The Pet Shop Boys
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John Ivor Holland
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Always On My Mind
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20t...
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Concert Band - Level 2 - SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20th Century,Country,Disco,Film/TV,Pop. 49 pages. John Ivor Holland #992678. Published by John Ivor Holland (A0.1410260). Always on My Mind was originally conceived as a ballad written by Wayne Carson, Johnny Christopher, and Mark James and first recorded by country artist Brenda Lee in 1972. The song has been a crossover hit, charting in both country and pop categories. Elvis Presley's recording was the first commercially successful version of the song, followed by a 1987 hi-NRG/synth-pop interpretation from Pet Shop Boys (which reached UK number one and made US Top Ten). This version by PSB came about in 1987 as part of an anniversary show called 'Love Me Tender', to mark 10 years since the death of Elvis Presley (who had also charted well with the song) - in November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time and ten years later, a public poll compiled by the BBC saw the song voted the all-time best cover version. The PSB cover has recenbtly been used in the acclaimed British film 'All Of Us Strangers', launching it back into popularity again - this arrangement features, towards the end, an ad lib repeated section where your lead alto sax can really bring down the house!
$49.99
Always On My Mind
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The Pet Shop Boys
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Paul K Heatley
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Always On My Mind
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Paul K Heatley
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - SKU: A0.805255 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Paul K Heatley...
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Choral Choir (5-Part) - Level 3 - SKU: A0.805255 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Paul K Heatley. 20th Century,A Cappella,Pop,Standards. Octavo. 5 pages. Paul K Heatley #412290. Published by Paul K Heatley (A0.805255). As a huge Pet Shop Boys fan since the 80s, Paul Heatley really put his Heart into this vocal arrangement inspired by their 1987 cover of the classic Elvis number Always On My Mind. Since the synth pop duo recorded this song as a tribute to the King, Elvis is briefly in the building here to croon a false ending before the tempo picks up again for a punchy finish. Paul created this arrangement for Kitsch in Sync, the London-based A Cappella pop choir he founded, and the group would usually swap out the solo tenor in humorous fashion for the slow section - if your 'Elvis' really milks it the audience should start applauding before your 'Neil' jumps back in!
$2.00
Georgia On My Mind
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Harpe
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FACILE
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Soul/R&B
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Ray Charles
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Kim Kirkman
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Georgia On My Mind
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Kim Kirkman
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SheetMusicPlus
Harp - Level 2 - SKU: A0.779564 By Ray Charles. By Hoagy Carmichael. Arranged by Kim Kirkman. R & B,Soul. Score. 2 pages. Kim Kirkman #5304397. Publishe...
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Harp - Level 2 - SKU: A0.779564 By Ray Charles. By Hoagy Carmichael. Arranged by Kim Kirkman. R & B,Soul. Score. 2 pages. Kim Kirkman #5304397. Published by Kim Kirkman (A0.779564). Georgia On My Mind arranged for harp in F (1 flat)Has one lever change (Bb to B natural then back again)A lovely exercise in seventhsAlso has all chords written in.
$4.99
Back On My Mind Again
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Dulcimer
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INTERMÉDIAIRE
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Country
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Ronnie Milsap
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Kevin Teague
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Back On My Mind Again
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Kevin Teague
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SheetMusicPlus
By Ronnie Milsap. By Charles Quillen and Conrad Pierce. Arranged by Kevin Teague. Country. Individual part. 5 pages. Kevin Teague #6022261. Published ...
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By Ronnie Milsap. By Charles Quillen and Conrad Pierce. Arranged by Kevin Teague. Country. Individual part. 5 pages. Kevin Teague #6022261. Published by Kevin Teague
$4.99
Always On My Mind
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Harpe
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INTERMÉDIAIRE
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Willie Nelson
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Laurie Peterson
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Always On My Mind
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Laurie Peterson
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1408929 By Willie Nelson. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Laurie Peterson. 20th Centur...
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Lever Harp - Level 3 - SKU: A0.1408929 By Willie Nelson. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Laurie Peterson. 20th Century,Country,Pop. Score. 5 pages. Laurie Peterson #991533. Published by Laurie Peterson (A0.1408929). This touching song is based on the recording by Willie Nelson (1982). It is for intermediate-level harp and can be played by lever or pedal harpists. It is in the key of G and has one lever change (C to C-sharp and back again) that is clearly marked the two times it appears. It can be played on a 34+ string lever harp or any pedal harp.It is to be played tenderly at a moderate tempo and is a beautiful song for your repertoire.
$5.99
Back on My Mind Again by Ronnie Milsap - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Country
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Ronnie Milsap
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Back on My Mind Again
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Musicnotes
Performed by: Ronnie Milsap: Back on My Mind Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music...
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Performed by: Ronnie Milsap: Back on My Mind Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Country-Pop~~Country~~Contemporary Country
$5.79
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
#
SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053825. Published by Anastace (A0.1477117). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the guitar or lead sheet version of Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar or even a capella at the internment portion of a funeral service if music is desired at the graveside. This is in C Major so no capo is required, but for a more beginner guitar or alternate chord voicings you may prefer the G major version which is intended to be played on capo 3 or even 5, depending on the vocal range of whoever is leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Lord of All Our Days (Funeral Hymn) - C Major
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053778. Published by Anastace (A0.1477115). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in C major, a better key both for playing and for most singers' vocal ranges than the original version in B flat major.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Lead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Lord of All Our Days (Funeral Hymn)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053767. Published by Anastace (A0.1477114). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in the original key of B flat major, and has a vocal range of A3-Bb4 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
From Sea to Shining Sea
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Cloches
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Douglas E
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Performance Music Ensemble
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From Sea to Shining Sea
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Jubilate Music Group - Digital
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SheetMusicPlus
Handbell - SKU: JX.00-WBHB9507 A Fantasy Based on America the Beautiful. Arranged by Douglas E. Wagner. Handbell Music; Performance Music Ensembl...
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Handbell - SKU: JX.00-WBHB9507 A Fantasy Based on America the Beautiful. Arranged by Douglas E. Wagner. Handbell Music; Performance Music Ensemble; Single Titles. Warner Bell Pops. 4th of July; Patriotic; Secular; Summer. Sheet. 12 pages. Jubilate Music Group - Digital #00-WBHB9507. Published by Jubilate Music Group - Digital (JX.00-WBHB9507). English.From the Pacific to the Atlantic shores, this geographical medley transports the listener across these great States of ours. You'll see many beaming faces in the audience as you pass through some home towns. Includes: HOORAY FOR HOLLYWOOD * DEEP IN THE HEART OF TEXAS * MEET ME IN ST. LOUIS, LOUIS * MY KIND OF TOWN (Chicago Is) * INDIANA (Back Home Again in Indiana) * MY OLD KENTUCKY HOME * TENNESSEE WALTZ * GEORGIA ON MY MIND * CAROLINA IN THE MORNING * THEME FROM 'NEW YORK, NEW YORK'.
$3.95
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
THE MISSING LINK
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Piano seul
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Contemporain
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749).
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Piano Solo - SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00
No Greater Love
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David Kai
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Serge Rachmaninov
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John M
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Rachmaninov - Level D - Prelud
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovat...
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Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovators Workshop #4627769. Published by Music Innovators Workshop (A0.984770). Earlier, I hesitated to publish this version that I arranged several years ago. This piece is so very well known and loved that I was concerned that a simpler version would not be well received. I recently changed my mind after playing through this version. This arrangement opens up playing this piece to many pianists who may find the original too daunting a challenge. Players and listeners will find that the arrangement sounds very much like the original. Some listeners may find it a little less full sounding - most won't be able to tell the difference.Here are the differences. (Of course its written on tablature, but that's a different issue.) First, the simpler version is not simple. It is very difficult. It just is not as difficult as the original. Second, it sounds very much like the original. It is a very full arrangement. The whole piece is there. It has not been shortened.The simplification consists mainly of removing some, but not all, of the doubling and tripling of notes. This lightens the feel of the piece just a bit. The recap of the theme at the end is simplified by changing the 4 note chords to 3 note chords, Where the right hand leaves the chords and moves very quickly down to double two bass notes and immediately back up to find the chords again, and again, the arrangement omits these few notes to leave the right hand where it is to play the chords.
$2.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
Two Tagore Songs
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Chorale SATB
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Enrico Miaroma
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Two Tagore Songs
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi - SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag -...
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SATB chorus divisi - SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag - Digital (BJ.1231). 8.27 x 11.7 inches.Contents:My song FarewellTwo compositions to lyrics by Indian Nobel Laureate Rabindranath Tagore: My Song and Farewell. Enrico Miaroma, Italian composer and choral conductor, writes about the pieces: Farewell was composed in 2011 for a youth choir of 45 young adults, working and having fun together in Arco (Trentino), for one marvellous week together with Gary Graden and myself. My aim was to compose a piece that young choristers would appreciate after intense and joyful days together. Through my music I wanted to share the range of emotions and the hardship of parting when they were to go home to their native countries again. The choice of such a beautiful and evocative text helped me a great deal to achieve this. Farewell is recorded by S:t Jacobs Chamber Choir and Gary Graden on the cd To the Field of Stars (Footprint Records FRCD 083). My Song is like a little brother to Farewell. From the very beginning, I had a strong feeling that the assonance between the words of the title, 'my song', and 'my son', was intended by the poet. Throughout the composing process, this kept coming back to me, bringing my little son, Giovanni, who is four years old, to mind. I would like My song to be a gift from a father to his son, for his future life: 'This song of mine, my child, will wind its music around you'.John Quinn, MusicWeb International on Enrico Miaroma and Farewell: The choral writing is rich and he harnesses the emotions in the text most effectively. It's an eloquent piece, very well written for voices and it conveys well, I think, some of the emotions of valediction, including dignity..
$4.80
Clarinet Trio No. 1
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3 Clarinettes (trio)
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AVANCÉ
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Matthew Nunes
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Clarinet Trio No. 1
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Matthew Nunes Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 5 - SKU: A0.1259401 Composed by Matthew Nunes. 21st Century,Chamber,Classical. 57 pages. Matthew N...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 5 - SKU: A0.1259401 Composed by Matthew Nunes. 21st Century,Chamber,Classical. 57 pages. Matthew Nunes Music #852688. Published by Matthew Nunes Music (A0.1259401). Listen to this piece hereComposer’s NotesI. Capriccio      This lively capriccio features a bouncy melody that is imitated in canon through the other two clarinets. Then the descending fourth motive introduced early is developed in a series of succinct statements. The movement ends with a three part canon with each clarinet racing against the others.  II. Elegy*     After someone leaves our lives there are lingering reminders of the pain of their absence combined with the sweetness of the happiest memories. The middle section represents a flashback to happier times yet the sustained notes hint that something is not quite right. In the end the melody is unable to resolve as it should yet those around it continue on their way.     *Please note that the bass clarinet player should play soprano clarinet for this movement only.  III. Frenetic      This piece would not have been written were it not for the prodding of my friend and fellow composer Felix Rivera. I would joke with him that he may never write a piece not based on tritones and he quipped back that I may never write a piece for clarinets. I decided it was time to fix not having a clarinet selection in my repertoire and this work is the result. This movement is a frenetic and virtuosic dance based off of Rivera’s signature interval of the tritone. - Matthew NunesWindsor, September 2014 - March 2015.
$24.99
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
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