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--INSTRUMENTS--
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Back To The Future - Trombone Quartet
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Quatuor de Flûtes : 4 flûtes
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2 Euphoniums et 2 Tubas
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Quatuor de cuivres: 4 cors
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Quatuor à cordes: 2 violons, alto, violoncelle
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ALTO
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Vous avez sélectionné:
Back To The Future - Trombone Quartet
Partitions à imprimer
14 partitions trouvées
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Back To The Future
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film/TV
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Alan Silvestri
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Back To The Future
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Matt James Barlow
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SheetMusicPlus
String Quartet - Digital Download By Alan Silvestri. Arranged by Matt James Barlow. 18 pages. Published by Matt James Barlow...
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String Quartet - Digital Download By Alan Silvestri. Arranged by Matt James Barlow. 18 pages. Published by Matt James Barlow
Theme from Back to the Future.
$12.99
The Dove
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...
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Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
Cast Away Theme for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Film/TV
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Alan Silvestri
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Cast Away Theme for Flute Quar
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Lisa Ochoco
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SheetMusicPlus
Flute Quartet - Intermediate - By Alan Silvestri. Arranged by Lisa Ochoco. Score, Set of Parts. 13 pages. Published by Lisa Ochoco...
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Flute Quartet - Intermediate - By Alan Silvestri. Arranged by Lisa Ochoco. Score, Set of Parts. 13 pages. Published by Lisa Ochoco
Alan Silvestri is one of my favorite movie composers. He composes mainly for the film industry, and wrote fantastic scores for movies like Forrest Gump, Back to the Future, and Night at the Museum, to name a few.
This piece comes from the movie, Cast Away. The movie didn't have much music in it, which was intended to create a feeling of isolation. Needless to say, when music was played during a scene, it made a big impact. Silvestri won a Grammy Award for his music score in this movie.
This arrangement of the theme song is written for 4 C flutes or 3 C flutes and alto.
I hope your quartet and your audience will enjoy this arrangement.
$14.00
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
Back To The Future
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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James A
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Back To The Future
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946268 By Alan Silvestri. By...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946268 By Alan Silvestri. By Alan Silvestri. Arranged by James A. C. Glass. Film/TV. 15 pages. James A. C. Glass #6303189. Published by James A. C. Glass (A0.946268). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 3:16.This classic film comes alive in 4 part harmony. The arrangement opens strong, trading the melody between the soprano, alto and tenor saxophone. The song modulates throughout a variety of keys, repeating and augmenting the melody as the song develops into the final climax. This is a great piece for any performance.
$16.99
Back To The Future
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film/TV
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Alan Silvestri
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Adrian Wagner
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Back To The Future
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Adrian Wagner
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.595321 Composed by Alan Silvestri. Arranged by Adrian Wagner. Contemporary. Score...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.595321 Composed by Alan Silvestri. Arranged by Adrian Wagner. Contemporary. Score and parts. 12 pages. Adrian Wagner #3684011. Published by Adrian Wagner (A0.595321). Complete List Of Sheet Music arr. Adrian Wagnerhttps://www.dropbox.com/sh/k646fgdx7hzpihc/AABEmFTPvXXAkZPhuWH_KEdHa?dl=0
$22.95
Back To The Future // French Horn Quartet
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Quatuor de cuivres: 4 cors
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AVANCÉ
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Film/TV
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Alan Silvestri
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Back To The Future // French H
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SheetMusicPlus
Piano Solo, Easy Piano - Intermediate - Digital Download By Alan Silvestri. Arranged by JoLaYo. Individual Part, Solo Part. 5 pages. Published by Jos...
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Piano Solo, Easy Piano - Intermediate - Digital Download By Alan Silvestri. Arranged by JoLaYo. Individual Part, Solo Part. 5 pages. Published by Josiah Yowell
A faithful arrangement for four french horns of Alan Silvestri's classic theme from Back to the Future.
$12.99
Back To The Future
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Contre Basse
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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Graham Boag
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Back To The Future
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - SKU: A0.780134 By Alan Silvestri. By Alan Silvestri. Arranged by Graham Boag. Film/TV. Individual part. 16 page...
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Double Bass,String Bass Solo - Level 4 - SKU: A0.780134 By Alan Silvestri. By Alan Silvestri. Arranged by Graham Boag. Film/TV. Individual part. 16 pages. Graham Boag #6663773. Published by Graham Boag (A0.780134). It's hard to think that it's 36 years since Back to the Future first appeared on our screens. It is arranged for Double Bass Quartet. A great addition to your repertoire and an ideal addition to any concert program.
$15.99
Other Echoes Inhabit the Garden
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Contemporain
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William Grosvenor Neil
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Other Echoes Inhabit the Garde
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Bass Clarinet,Pipa - Level 5 - SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStu...
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Small Ensemble Bass Clarinet,Pipa - Level 5 - SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00
Back To The Future for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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Graham Boag
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Back To The Future for String
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Graham Boag
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SheetMusicPlus
By Alan Silvestri. Arranged by Graham Boag. 20 pages. Published by Graham Boag...
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By Alan Silvestri. Arranged by Graham Boag. 20 pages. Published by Graham Boag
$15.99
Back To The Future for Tuba Quartet (EETT)
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2 Euphoniums et 2 Tubas
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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Graham Boag
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Back To The Future for Tuba Qu
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Graham Boag
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SheetMusicPlus
Tuba, Euphonium - Advanced Intermediate - Digital Download By Alan Silvestri. Arranged by Graham Boag. 34 pages. Published by Graham Boag...
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Tuba, Euphonium - Advanced Intermediate - Digital Download By Alan Silvestri. Arranged by Graham Boag. 34 pages. Published by Graham Boag
$15.99
Our Future Is Far, But Soon
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Damien Gauci
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Our Future Is Far, But Soon
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Damien Gauci
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1431643 By Damien Gauci. By Damien Gauci. Contemporary,Folk,New Age. 20 pages. Dami...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1431643 By Damien Gauci. By Damien Gauci. Contemporary,Folk,New Age. 20 pages. Damien Gauci #1012119. Published by Damien Gauci (A0.1431643). There is a long road ahead which is daunting and vast. We must gain the courage to travel this road for there is no other option. The journey begins and it is without it's challenges, setbacks, and struggles. Though this is the case, we must keep travelling for there is no other option. The journey is long and tiring, it seems as if the end will never come. The people we used to know and the life we used to live seems so far away now, like the light from a star, a window to the past. We keep on travelling through the broken road, in hope of finding its end whether it be near or far. At last, we see the end, but still we are so far.
$3.99
Wrecking Ball
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan ...
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String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
Mamma Mia
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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ABBA
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Sarah Cellobat Chaffee
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Mamma Mia
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1402339 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1402339 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Musical/Show,Pop,Wedding. 17 pages. Sarah Cellobat Chaffee #985547. Published by Sarah Cellobat Chaffee (A0.1402339). Mamma Mia was recorded in 1975 for ABBA's third studio album, and at the time, the group had gained some moderate success but weren't sure how certain their future would be. Fortunately, when this song was released as a single in Australia, it remained at #1 on the charts for ten straight weeks and boosted the group's popularity worldwide. These days, the song isn't just legendary as a great catchy pop song, but as an inspiration for both a musical and a movie of the same name -- so this arrangement for your string quartet is a guaranteed success in your gig books, and you're sure to get your audience singing along! This Cellobat chart's bouncy pop beat, lyrical back-and-forth, beautiful harmonies and countermelodies, and sing-along-able choruses make it just as much fun to play as it is to listen to. Great for weddings, receptions, parties, corporate events, solo & ensemble contests, or any occasion that needs some upbeat pop! This chart is rated Intermediate and will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
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Back To The Future - Trombone Quartet
