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Vous avez sélectionné:
Banjo Serenade
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Banjo Serenade (Chloe, I'm Waitin')
Piano, Voix
Piano and voice (duet) - Digital Download SKU: LV.5964 Composed by Reginald De Kove…
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Piano and voice (duet) - Digital Download SKU: LV.5964 Composed by Reginald De Koven. Portraits, African Americans, Dialects, Courtship, Health, Night. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5964). Banjo Serenade (Chloe, I'm Waitin'). Words by Harry B. Smith. Music by Reginald de Koven. Published 1901 by Edward Schuberth & Co., 23 Unon Square in New York. Composition of strophic with chorus with piano and voice (duet) instrumentation. Subject headings for this piece include Portraits, African Americans, Dialects, Courtship, Health, Night. First line reads By de river when night is dark, what's de music you hear dere?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano, Voix
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de river when night is dark, what's de music you hear dere?
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Reginald De Koven
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Banjo Serenade
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Patricia: A Ragtime Composition
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.93 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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F
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
R. Nathaniel Dett - Prelude Night for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.914179 Composed by R. Nathaniel Det…
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Piano Solo - Level 4 - Digital Download SKU: A0.914179 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century. Score. 6 pages. Music for a While #6492373. Published by Music for a While (A0.914179). Prelude - Night is the opening piece from Dett’s piano suite In the Bottoms (1913). About the work, Dett wrote: Prelude - is nightfall; the heavy chords represent the heavy shadows, and the open fifths, the peculiar hollow effect of the stillness: the syncopated melody which occurs, is the tumming of a banjo, which music is, however, only incidental to the gloom...The Prelude should open and close with an air of mystery, and most of its serenade part be kept subdued as if sounding from afar. R. Nathaniel Dett
$1.99
1.83 €
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Piano seul
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R
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Music for a While
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R. Nathaniel Dett - Prelude Night for solo piano
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Music for a While
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SheetMusicPlus
Classic Love Songs - A Valentine's Day Fake Book - Bandleader Gig Pack with 3 Fake Books (C, Bb & Eb
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Bassoon,Clarinet,Engl…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858940 Composed by Various. Arranged by StephenBulat. Holiday,Jazz,Love,Romantic Period,Wedding. Score and parts. 191 pages. Stephen Bulat Publishing #6259511. Published by Stephen Bulat Publishing (A0.858940). This compilation of romantic jazz, French, Italian, Celtic and classical love songs is perfect for anyone looking for the ideal serenade music for a wedding, romantic event or Valentine’s Day. Songs are arranged in the fake book/lead sheet format. (melody, lyrics & chords)This is the Bandleader Gig Pack, which has 3 fake books in total; one for C instruments; one for Bb instruments and one for Eb instruments. Perfect for the band leader that has an ensemble with differently pitched instruments that want to work off the same gig book. All rehearsal markings and bar numbers match across each book.
$28.99
26.63 €
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Various
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StephenBulat
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Classic Love Songs - A Valentine's Day Fake Book - Bandleader Gig Pack with 3 Fake Books
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Stephen Bulat Publishing
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SheetMusicPlus
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