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--INSTRUMENTS--
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
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Vous avez sélectionné:
Banjo Workshop
SheetMusicPlus
Partitions à imprimer
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Banjo Workshop
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Banjo
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DÉBUTANT
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Banjo Workshop
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning - SKU: M0.93930EB Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #93930EB. Published by Mel Bay Publications - Digital ...
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Banjo - Beginning - SKU: M0.93930EB Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #93930EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93930EB). ISBN 9781513455426. 8.75 x 11.75 inches.Banjo Workshop was written with four important areas of the 5-string banjo technical and artistic development in mind: picking technique, personal style, creativity, and awareness of the instrument's key and tuning potential. Picking technique-Studies in Section 1 will equip you to dissolve the inhibiting notion that some songs are unplayable on the 5-string banjo. Any song is playable if the necessary technique has been learned and developed to accommodate it. Personal style-In Section 2 you will first explore several popular 3-finger sub-styles, seeing how each evolved and how they are all often intermixed within a given performer's own personal style. Through subsequent examples you will be made aware of style potential and the artistic necessity of developing your own personal style. Creativity-Through style development and improvisational skills taught in Section 3 you will begin to think and perform less like a mechanical follower and more like an artistic ground breaker. You will learn to modify arrangements; further, you will learn to create your own arrangements. Exploration of Non-G Keys and Tunings-In Section 4 you will find that playing in keys and tunings other than G are no less fun and no more difficult than playing the familiar G (bluegrass) tuning. Six non-G tunings will be explored, involving ten solos, including major, minor and modal tunings. The overall effort is to make you aware that you don't have to be a technical whiz nor a speed king in order to be a musical artist. If you can add something new and different, something enjoyable to listen to, you are an artist even if you are not yet an advanced-level player.
$19.99
Old Time Stringband Workshop for Clawhammer Banjo
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Banjo
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FACILE
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Bluegrass
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Folklorique/Traditionel
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Jane Keefer
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Old Time Stringband Workshop f
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Jane Keefer. Banjo: Clawhammer, Old Time. Clawhammer/Frailing. E-book. Mel Bay Publications - Digital Sheet Music #21762EB. Published by M...
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Composed by Jane Keefer. Banjo: Clawhammer, Old Time. Clawhammer/Frailing. E-book. Mel Bay Publications - Digital Sheet Music #21762EB. Published by Mel Bay Publications - Digital Sheet Music
$17.99
The Creative Harpist
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Harpe
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INTERMÉDIAIRE
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Methodes
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Louise Trotter
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The Creative Harpist
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afgha...
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Harp - Level 3 - SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afghan Press Music for the Harp (A0.797465). This revised book combines three of Ms. Trotter's popular books: Getting Started in Pop Harp, The Creative Folk Harpist, and Let's Play Country Harp.Included are compilations from workshop presentations into this book which contains repertoire suggestions, ways to tune your harp, scales and chords, intervals, seventh chords and minor scales, diminished chords, voicing, inversions, bass patterns, chord progressions, steps in making an arrangement , introductions, endings, and how to play variations on the melody. To be a creative and versatile pop harpist, classic training is valuable and necessary. However, the habit of playing every note as written is sometimes hard to break when learning to improvise. The act of playing notes spontaneously may be overwhelming to the classically trained harpist. There are more and more written arrangements for popular music available to buy, but is satisfying to have the skills to arrange one's own pieces. It is possible to play popular music from a fake book or by ear, with training. The suggestions in this book should help bridge the gap from classical to pop, and hopefully provide some tools for the improvisation necessary for playing popular music. These ideas come from Louise's own experience, and from workshops with nationally knows pop and jazz harpists. It is hoped that the material presented will open up new avenues for the harpist to arrange and improvise in order to widen opportunities to perform.With simple melodies and uncomplicated harmonies, this book also instructs the harpist on the basics of achieving that country-western sound, as well as techniques on imitating such traditional country western instruments as guitar, banjo, fiddle, string bass, and piano. A good book for any harpist wishing to enlarge their repertoire to include this style of music.
$20.00
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