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Baroque Music for Saxophone
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1901
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30.34 €
#
Saxophone Baryton, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by Georg…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.34 €
#
Saxophone Tenor et Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by Geo…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.34 €
#
Saxophone Soprano et Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.34 €
#
Saxophone Alto et Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Composed by Bach, Martin Luther. Arranged by Ander. Baroque, Easter, Renaissance, Sa…
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Composed by Bach, Martin Luther. Arranged by Ander. Baroque, Easter, Renaissance, Sacred, Wedding. 51 pages. Woods Only Music #6748251. Published by Woods Only Music
This album contains 5 of Johann Sebastian Bach\'s most famous and versatile pieces for saxophone quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther\'s A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.<br> <br> 1: Air on the G String - The original piece is part of Johann Sebastian Bach\'s Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called \"Air on the G String\" dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the \"Air on the G String\". This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.1189781<br> <br> 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach\'s favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.1189985<br> <br> 3: Jesu, joy of man\'s desiring - This is one of Bach\'s most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary\'s Visitation. It is the final chorale of the cantata \"Herz und Mund und Tat und Leben\". Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.1190041<br> <br> 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.1190181<br> <br> 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190377<br> <br> Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$29.99
27.62 €
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Quintette de Saxophone: 5 saxophones
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Saxophone Quintet
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Woods Only Music
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.34 €
#
Saxophone Tenor et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.34 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.34 €
#
Saxophone Baryton, Piano
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Johann Sebastian Bach
#
James M
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Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.34 €
#
Saxophone Alto et Piano
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Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Largo from Winter by Vivaldi for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Early I…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Early Intermediate - Digital Download Composed by Antonio Vivaldi (1678-1741). Baroque Period, Repertoire, European, Christmas, Wedding. Score. 9 pages. Published by KrahenfuBlieder
This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.<br> <br> The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:<br> <br> Standing quietly and contentedly by the fire<br> While outside the rain bathes everything;<br> Walk on the ice with slow step<br> For fear of falling in the attempt.<br> To feel when going out through the stinging door,<br> Sirocco, Borea, and all the winds at war;<br> That this is winter, but such, that joy door.
$9.99
9.2 €
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Quintette de Saxophone: 5 saxophones
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Antonio Vivaldi (1678-1741)
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Largo from Winter by Vivaldi for Saxophone Quintet
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KrahenfuBlieder
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.97 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.97 €
#
Saxophone Soprano et Piano
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.97 €
#
Saxophone Alto et Piano
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Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Choir Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.957297 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748253. Published by Woods Only, Arrangements (A0.957297). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for saxophone choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897852: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899873: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900434: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901835: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190379Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protest.
$39.99
36.82 €
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Quintette de Saxophone: 5 saxophones
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Saxophone Choir Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1404856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 36 pages. Jmsgu3 #987886. Published by jmsgu3 (A0.1404856). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$52.95
48.76 €
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Quintette de Saxophone: 5 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 1, BWV 812, for Saxophone Quintet
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jmsgu3
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SheetMusicPlus
La Rejouissance from Royal Fireworks Music (for Saxophone Quintet SATTB)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.514109 Com…
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Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.514109 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Classical. 10 pages. LINCOLN MUSIC PUBLICATIONS #3037343. Published by LINCOLN MUSIC PUBLICATIONS (A0.514109). This is Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quintet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications. For hundreds of other arrangements by Kenneth Abeling at discounted prices please visit www.lincolnmusicpublications.com. Playing Time: 1:30
$9.99
9.2 €
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Quintette de Saxophone: 5 saxophones
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George Frideric Handel
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Kenneth Abeling
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La Rejouissance from Royal Fireworks Music
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Alto Saxophone Solo with Chord Notations
Saxophone Alto
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1409051 Composed by Antoni…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1409051 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991656. Published by Glauco Fernandes (A0.1409051). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
4.59 €
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Saxophone Alto
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Alto Saxophone Solo
Saxophone Alto
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1409052 Composed by Antoni…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1409052 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991657. Published by Glauco Fernandes (A0.1409052). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
4.59 €
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Saxophone Alto
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Tenor Saxophone and Piano with Chord Notations
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1409062 Composed by Anto…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1409062 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Score and part. 3 pages. Glauco Fernandes #991667. Published by Glauco Fernandes (A0.1409062). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$6.99
6.44 €
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Saxophone Tenor et Piano
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Baritone Saxophone Solo with Chord Notations
Saxophone Baryton
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1409056 Composed by An…
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1409056 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991661. Published by Glauco Fernandes (A0.1409056). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
4.59 €
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Saxophone Baryton
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Tenor Saxophone Solo
Saxophone Tenor
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1409065 Composed by Anton…
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1409065 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991670. Published by Glauco Fernandes (A0.1409065). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
4.59 €
#
Saxophone Tenor
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Antonio Vivaldi
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Glauco Fernandes
#
La Primavera
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Glauco Fernandes
#
SheetMusicPlus
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