50 Tunes Volume 1 for Bass is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the bass. The parts in this book range from beginner to advanced and are arranged in basic, active and solo levels. Basic, a standard accompaniment mode is the simplest level of bass playing. Active bass is a mixture of basic accompaniment and walking which is common in jazz music. Solo bass--which involves fast, syncopated melodic phrases - is the most complex level of bass playing. All parts are written in standard bass clef notation and 4-line bass tablature. Tunes recorded by full band, not all instruments featured in every song. Includes access to extended length online audio.

My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.

I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.

During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,

Andre Watts, and many others.

Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.

Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.

Item Number: S0.714033

?Meat Salad? is a new piece for solo bass trombone commissioned by Ilan Morgenstern of the Vancouver Symphony Orchestra. Inspired in part by the slap-bass stylings of artists like Bootsy Collins and in part by the inimitable trombone playing of ?Funky Fred? Wesley, this piece is simultaneously a groovy crowd-pleaser and an acrobatic showstopper. ?Meat Salad? gives the advanced bass trombonist the opportunity unleash his/her full repertoire of tricks including: trills, growls, turns, glissandi, extended range, and just about every type articulation imaginable.

This piece was premiered in August 2019 at the 2nd annual Vancouver Trombone Week, with the composer adding an emphatic (if unsophisticated) cowbell accompaniment to Morgenstern?s bass trombone.

For advanced performers.

Below is a short track of Meat Salad brilliantly performed by Vancouver Symphony Bass Trombonist Ilan Morgenstern.

Basson and piano version with chords and fingered. Easy and nice!

Phil Brink's new work for unaccompanied Bass Trombone is in three contrasting movements:

1. Harmonies - subtitled "The Trombone Strikes Bach" is pensive in mood and in the style of an Unaccompanied Prelude by Bach.



2. Balooze - subtitled "A Sort of Soliloquoy" is in a swung blues-style including a free cadenza-like introduction. It also includes a foot tapping accompaniment and multiphonics, reminiscent of Bernstein's Mippy II.



3. Rhythmus - "Movement At High Speed", the finale is in a Presto tempo with lots of technical wizardry for the performer.

This very fine work of about 7-minutes in length is appropriate for advanced performers.

Amazing Grace is a beautiful hymn arranged here for Solo Bassoon and Piano.

Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.

The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.

The standard is early intermediate. Players with a year or two?s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.

If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Bassoon and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Bassoon and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Bassoon and Piano by Harry Walker.

How to Train Your Dragon is a 2010 American computer-animated action fantasy film produced by DreamWorks Animation and distributed by Paramount Pictures. John Powell composed an orchestral score, combining bombastic brass with loud percussion and soothing strings, while also using exotic Scottish and Irish tones with instruments like the penny whistle and bagpipes.

This arrangement for Bassoon with Piano is suitable for classroom, repertoire and recital.

"Your Power" from Billie Eilish arranged for Bassoon and Piano duo, appropriate for intermediate level players. The arrangement lasts for 4 minutes.
The PDF contains both the full score and individual parts.

Score and bassoon part included.

Summer 78 ? Bassoon and Piano

From the Movie Good Bye, Lenin!

Solo part included

Very clear engraving

Amelie Theme ? Comptine D'un Autre Été: L'après-midi by Yann Tiersen (Bassoon and Piano)

Piano and Solo parts included

From the movie Amélie

Very clear professional engraving.

ISBN 9781610653039.

Blues Bass Level 1, within the School of the Blues Lesson Series, is an exciting method that contains the most common grooves used in blues bands today. Areas covered are: Tuning, Achieving Good Tone, Major & Minor Scales & Movable Scale Forms, 12 Bar Blues Progression, Major Blues Bass Lines, Jump Blues, Swing Blues, Box Patterns, Slow Blues, Chicago Shuffles, Two Beat, Rumba Beat, Tramp Beat, Minor Blues, Introductions, Turnarounds & Endings. This series is designed for students of other instruments to play together. If you have friends that play harmonica, guitar, keyboard or drums, tell them about this series so that you can play together.Book is accompanied by online audio recording of all examples (played by author Frank De Rose) along with the background music. For the beginning to intermediate bass player. Includes access to online audio.

Arrangement for bassoon solo and guitar accompaniment.