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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bassoon with Piano National
Non classifié
11
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4
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Flûte, Hautbois, Clarinette, Basson
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Bassoon with Piano National
Partitions à imprimer
79 partitions trouvées
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The Last Rose of Summer - Bassoon with piano and chords
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Basson, Piano (duo)
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Bass
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Alex Rodrigues
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SheetMusicPlus
Bassoon,Piano - Level 1 - SKU: A0.1494220 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #107...
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Bassoon,Piano - Level 1 - SKU: A0.1494220 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070833. Published by Alex Rodrigues (A0.1494220). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
The Last Rose of Summer - Bassoon with piano
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Basson, Piano (duo)
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Bass
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Alex Rodrigues
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SheetMusicPlus
Bassoon,Piano - Level 1 - SKU: A0.1494221 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #107...
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Bassoon,Piano - Level 1 - SKU: A0.1494221 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070834. Published by Alex Rodrigues (A0.1494221). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
Romantic Pieces, Op.75 (1st mov.) - Bassoon and Piano (Full Score and Parts)
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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César Madeira
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Romantic Pieces, Op.75
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Sheet Music To Play Editions
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1370879 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Lent,Romantic Pe...
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Bassoon,Piano - Level 3 - SKU: A0.1370879 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Lent,Romantic Period. Score and part. 16 pages. Sheet Music To Play Editions #955221. Published by Sheet Music To Play Editions (A0.1370879). Romantic Pieces, Op. 75 (1st movement). Arrangement for Bassoon and Piano. With Full Score and Individual Parts. Enjoy it!AntonÃn Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor BedÅ™ich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Just A Closer Walk With Thee, Gospel Hymn for Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Just A Closer Walk With Thee,
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David McKeown
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.592886 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score a...
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Bassoon,Piano - Level 2 - SKU: A0.592886 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413285. Published by David McKeown (A0.592886). Just a Closer Walk With Thee is a beautiful spiritual arranged here for Solo Bassoon and Piano.Little is known of the origins of Just a Closer Walk With Thee, other than it was sung in African-American churches in the nineteenth century. National religious conventions in the 1930s gave the hymn a wider audience. Many versions were recorded in the 1940s and Just a Closer Walk With Thee was quickly adopted as a standard by the New Orleans Jazz revival.
$2.49
Ode to Joy by Beethoven for Bassoon
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Basson, Piano (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ba
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Woods Only, Arrangements
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SheetMusicPlus
Bassoon,Piano - Level 1 - SKU: A0.1160387 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Scor...
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Bassoon,Piano - Level 1 - SKU: A0.1160387 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760670. Published by Woods Only, Arrangements (A0.1160387). This arrangement adapted for bassoon and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Slavonic Dance Op. 46 No. 2 for Bassoon and Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 fo
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Diego Marani
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1272571 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. ...
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Bassoon,Piano - Level 3 - SKU: A0.1272571 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #864796. Published by Diego Marani (A0.1272571). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for bassoon with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
A Mighty Fortress is Our God by Luther for Bassoon and Piano
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Basson, Piano (duo)
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
Bassoon,Piano - Level 1 - SKU: A0.1076828 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4...
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Bassoon,Piano - Level 1 - SKU: A0.1076828 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680943. Published by Woods Only, Arrangements (A0.1076828). This easy arrangement for bassoon and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
Grieg: Ase's Death from Peer Gynt Suite for Bassoon & Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549542 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Cont...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549542 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506315. Published by jmsgu3 (A0.549542). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bassoon & Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549563 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Inst...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549563 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and parts. 16 pages. Jmsgu3 #3508021. Published by jmsgu3 (A0.549563). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Bassoon & Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - SKU: A0.551498 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Hallowe...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - SKU: A0.551498 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and parts. 62 pages. Jmsgu3 #5306303. Published by jmsgu3 (A0.551498). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
God Save The King (Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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God Save The King
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1332963 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCe...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1332963 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Historic,Holiday,Instructional,Multicultural,Patriotic,World. 18 pages. Exultet Music #919321. Published by Exultet Music (A0.1332963). The British national anthem, as well as that of all Commonwealth realms, their territories, and the Crown Dependencies in the British isles has been freshly arranged for a Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) with Piano accompaniment. Â An accompaniment track is also available.
$12.99
Lift Every Voice And Sing (for Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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J
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Stephen DeCesare
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Lift Every Voice And Sing
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.627571 Composed by J. Rosamond Johnson. Arranged by Stephen DeCesare. Sacred,Standards. 25 pages....
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.627571 Composed by J. Rosamond Johnson. Arranged by Stephen DeCesare. Sacred,Standards. 25 pages. Exultet Music #6021107. Published by Exultet Music (A0.627571). The song of prayer and thanksgiving for faithfulness and freedom which is often referred to as the Black national anthem in the United States and was publicly performed first as a poem as part of a celebration of Abraham Lincoln's birthday, has now been freshly arranged for a Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.
$12.99
America (My Country, 'Tis of Thee) (Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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America
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1115304 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Multicultural,Praise &...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1115304 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Multicultural,Praise & Worship,Standards,Traditional,World. 18 pages. Exultet Music #717114. Published by Exultet Music (A0.1115304). An American patriotic song that served as one of the de facto national anthems of the United States has been freshly arranged for a Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) with Piano accompaniment. Accessible and appropriate for any venue. An accompaniment track is also available.
$12.99
Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano
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2 Bassons (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 3 - SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Bassoon,Instrumental Duet - Level 3 - SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 17 pages. Jmsgu3 #3504441. Published by jmsgu3 (A0.549517). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic c control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
The Settling Years: (Piano/Choral Score)
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Chorale SATB
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Libby Larsen
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The Settling Years:
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and piano or wind quintet and piano - Medium - SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company ...
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SATB choir and piano or wind quintet and piano - Medium - SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company - Digital #4286-E. Published by E. C. Schirmer Music Company - Digital (MQ.4286-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$5.60
The Settling Years: 1. Comin' to Town (Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Libby Larsen
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The Settling Years: 1. Comin'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, wind quintet, and piano - Medium - SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digita...
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SATB choir, wind quintet, and piano - Medium - SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digital #8560-E. Published by E. C. Schirmer Music Company - Digital (MQ.8560-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$3.25
Slovenia National Anthem: Zdravljica
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Stanko Premrl
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Colin Kirkpatrick
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Slovenia National Anthem: Zdra
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.522125 Composed by Stanko Premrl (1880-1965). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 33 pages....
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Large Ensemble - Level 3 - SKU: A0.522125 Composed by Stanko Premrl (1880-1965). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 33 pages. Colin Kirkpatrick Publications #3380663. Published by Colin Kirkpatrick Publications (A0.522125). Colin Kirkpatrick’s National Anthems Express Slovenia National Anthem: Zdravljica This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
Hungary National Anthem: Himnusz
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Ferenc Erkel
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Colin Kirkpatrick
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Hungary National Anthem: Himnu
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.522126 Composed by Ferenc Erkel (1810-1893). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. ...
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Large Ensemble - Level 3 - SKU: A0.522126 Composed by Ferenc Erkel (1810-1893). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3381045. Published by Colin Kirkpatrick Publications (A0.522126). Colin Kirkpatrick’s National Anthems Express Hungary National Anthem: Himnusz This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
Denmark: The Two National Anthems
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Orchestre d'harmonie
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FACILE
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Patriotique
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anth
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatr...
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Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
Lithuania National Anthem: Tautiðka Giesmë
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Orchestre d'harmonie
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FACILE
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Patriotique
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Vincas Kudirka
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Colin Kirkpatrick
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Lithuania National Anthem: Tau
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522138 Composed by Vincas Kudirka (1858-1899). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages...
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Large Ensemble - Level 2 - SKU: A0.522138 Composed by Vincas Kudirka (1858-1899). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3462085. Published by Colin Kirkpatrick Publications (A0.522138). Colin Kirkpatrick’sNational Anthems ExpressLITHUANIA: Tautiðka Giesmë This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the trumpets have been omitted from the first part of the anthem with the exception of the triplet fanfare figures. The arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.The original music files have been converted to pdf files digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
Andorra National Anthem: Himne Andorra
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Father Enric Marfany Bons
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Colin Kirkpatrick
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Andorra National Anthem: Himne
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.522106 Composed by Father Enric Marfany Bons (1871-1942). Arranged by Colin Kirkpatrick. Contemporary. Score and part...
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Large Ensemble - Level 3 - SKU: A0.522106 Composed by Father Enric Marfany Bons (1871-1942). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3362511. Published by Colin Kirkpatrick Publications (A0.522106). Colin Kirkpatrick’s National Anthems Express ANDORRA: Himne Andorra This quick and easy national anthem arrangement is essential for travelling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99
Armenia National Anthem: Mer Hayrenik
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Orchestre d'harmonie
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FACILE
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Patriotique
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Barsegh Kanachyan
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Colin Kirkpatrick
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Armenia National Anthem: Mer H
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522110 Composed by Barsegh Kanachyan (1885-1967). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 33 pa...
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Large Ensemble - Level 2 - SKU: A0.522110 Composed by Barsegh Kanachyan (1885-1967). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 33 pages. Colin Kirkpatrick Publications #3362551. Published by Colin Kirkpatrick Publications (A0.522110). Colin Kirkpatrick’s National Anthems Express ARMENIA: Mer Hayrenik This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in PDF files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99
Romania National Anthem: DeÅŸteaptă-te, Române!
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Patriotique
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Anton Pann
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Colin Kirkpatrick
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Romania National Anthem: DeÅ
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.522127 Composed by Anton Pann (1796-1854). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Co...
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Large Ensemble - Level 3 - SKU: A0.522127 Composed by Anton Pann (1796-1854). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3382609. Published by Colin Kirkpatrick Publications (A0.522127). Colin Kirkpatrick’sNational Anthems Express ROMANIA: Deşteaptă-te, Române! This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99
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Bassoon with Piano National
