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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Like That
Non classifié
1 502
Piano & claviers
Piano seul
586
Piano, Voix
215
Piano Facile
160
Piano, Voix et Guitare
109
Orgue
37
Instruments en Do
22
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accordéon
5
Accompagnement Piano
5
Piano (partie séparée)
4
Piano grosses notes
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
56
Guitare
51
Ukulele
13
Basse electrique
10
Ligne De Mélodie, (Paroles) et Accords
7
Dulcimer
3
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Mandoline
3
Banjo
2
Ensemble de guitares
2
Paroles et Accords
2
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
271
Chorale 3 parties
223
Chorale 2 parties
47
Chorale TTBB
38
Chorale Unison
37
Chorale SSAA
31
Voix Alto, Piano
12
Voix Soprano, Piano
11
Voix haute
8
Voix duo
6
Voix duo, Piano
5
Voix Baryton, Piano
4
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
Voix Tenor
1
Chorale SSATTB
1
Voix Soprano
1
Voix seule
1
Chorale SSAB a cappella
1
+ 17 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
106
Ensemble de saxophones
101
2 Saxophones (duo)
84
Quatuor de Saxophones: 4 saxophones
83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
2 Clarinettes (duo)
48
Flûte, Hautbois, Clarinette, Basson
46
Ensemble de Clarinettes
44
Quatuor de Clarinettes: 4 clarinettes
41
Flûte traversière et Piano
40
2 Flûtes traversières (duo)
32
Hautbois, Piano (duo)
31
Clarinette et Piano
29
Flûte traversière
28
Ensemble de Flûtes
25
Quatuor de Flûtes : 4 flûtes
23
Saxophone Alto et Piano
23
Quintette de Flûte : 5 flûtes
22
2 Hautbois (duo)
22
Clarinette
21
Saxophone Tenor et Piano
20
Saxophone (partie séparée)
19
Saxophone Soprano et Piano
18
Saxophone Baryton, Piano
17
3 Saxophones (trio)
16
3 Clarinettes (trio)
16
Hautbois (partie séparée)
15
Saxophone Alto
13
Saxophone Tenor
13
Cor anglais, Piano
13
Trio de Flûtes: 3 flûtes
11
Clarinette Basse, Piano
11
Saxophone, Clarinette (duo)
11
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Flûtes à bec
8
4 Hautbois
7
3 Hautbois
7
Hautbois, Basson (duo)
7
5 Flûtes à bec
6
Clarinette, Violon (duo)
6
Flûte, Saxophone (duo)
5
Flûte à bec Soprano
5
Flûte, Violoncelle
5
Flûte, Clarinette (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Clarinette et Alto
4
Clarinette (partie séparée)
3
2 Flûte à bec (duo)
3
Hautbois, Flûte
3
Flûte, Violon
3
Flute (partie séparée)
3
Clarinette, Violoncelle (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ocarina
1
Hautbois
1
Flûte à bec Alto
1
Flûte à bec Soprano, Piano
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Saxophone
1
Cor Anglais
1
Flûte à Bec
1
Flûte et Guitare
1
Harmonica
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Instruments en Mib
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
128
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Ensemble de Trompettes
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
32
2 Trombones (duo)
31
2 Trompettes (duo)
27
Trompette
25
Trombone et Piano
23
Euphonium, Piano (duo)
21
2 Cors (duo)
21
2 Tubas (duo)
18
Quatuor de cuivres: 4 trombones
17
Trompette, Piano
16
Trombone
16
Tuba
16
Cor et Piano
15
Cor
14
Quatuor de Cuivres
14
Trombone (partie séparée)
13
Trompette (partie séparée)
13
Cor anglais, Piano
13
Tuba et Piano
10
Trompette, Trombone (duo)
8
Ensemble de Cors
7
Euphonium
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trompettes
5
Cor (partie séparée)
3
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
2 Euphoniums (duo)
2
2 Cors Anglais Et Pianoforte
2
Tuba (partie séparée)
2
4 Tubas
2
Trio de Cuivres
2
Instruments en Fa
1
Bass Clef Instruments
1
Tuba et Orgue
1
Cor Anglais
1
Instruments en Sib
1
3 Euphoniums
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
44
Violon
44
Trio à Cordes: violon, alto, violoncelle
40
Violon, Violoncelle (duo)
36
Violoncelle
32
2 Violons (duo)
31
2 Violoncelles (duo)
28
Alto, Piano
26
Harpe
26
2 Altos (duo)
24
Violoncelle, Piano
23
Ensemble d'Altos
21
Ensemble de Violons
20
2 Contrebasses (duo)
17
Trio à Cordes: 2 violons, violoncelle
14
Alto seul
11
Contre Basse
9
Violon, Alto (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à cordes: 3 violins
7
Trio à cordes: 3 altos
6
4 Violoncelles
6
Violoncelle , Guitare (duo)
6
Trio à Cordes: 3 violoncelles
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes: 4 violons
4
Alto (partie séparée)
4
Harpe, Voix
3
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Violon (partie séparée)
2
Violon, Basson (duo)
2
Contrebasse, Piano (duo)
2
Alto et Basson
2
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
170
Orchestre
73
Orchestre à Cordes
66
Ensemble Jazz
59
Ensemble de Percussions
35
Ensemble de cuivres
31
Cloches
25
Orchestre de chambre
15
Fanfare
8
Jazz combo
7
Batterie
4
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Marimba
2
Vibraphone
1
Piano et Orchestre
1
Vibraphone et Marimba
1
2 Xylophones
1
Xylophone ou Marimba ou Vibraphone
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Instrumentation Flexible
1
Conga
1
+ 18 instrumentations
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Instruments
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HAUTBOIS
LIVRES
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MANDOLINE
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Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
#
Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Tuba solo - "And Can It B
#
Dan Cutchen Music
#
SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
I'm Trying to Be Like Jesus
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pag...
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Piano Solo - Level 4 - SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
Like a Pine Tree
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Piano seul
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INTERMÉDIAIRE
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New Age
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Antonella Di Giulio
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Antonella Di Giulio
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Like a Pine Tree
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ANTONELLA DI GIULIO
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1121322 By Antonella Di Giulio. By Antonella Di Giulio. Arranged by Antonella Di Giulio. New Age. Score. 3 pages. ANTONEL...
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Piano Solo - Level 3 - SKU: A0.1121322 By Antonella Di Giulio. By Antonella Di Giulio. Arranged by Antonella Di Giulio. New Age. Score. 3 pages. ANTONELLA DI GIULIO #722492. Published by ANTONELLA DI GIULIO (A0.1121322). During a retreat at the Blue Cliff Monastery, a very common question within the participants had been: “How can I be peaceful and compassionate in a world that seems to be full of anger and resentment?†One of the young nuns shared with us that, like Thich Nhat Hanh, she was aiming to be like a pine tree on the top of a mountain, able to always be the most beautiful tree she can ever be, despite rain, sun, snowstorms and anything else the world can throw at her. I remember her beautiful smile while she was talking to us and how she was shining in the darkness of a meditation hall. Out there, right next to you, maybe in your house, in your family, out in the society, there is violence and wars, fights and disruptions, and a lot of anger and suffering. How can you stay peaceful and be a strong and beautiful pine tree in a world which seems set up to create despair?
$7.99
I’ve Got Peace Like a River / Swing Low, Sweet Chariot (Downloadable)
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I’ve Got Peace Like a Ri
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SheetMusicPlus
About s s are downloadable sheet music files that can be viewed directly ...
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About s s are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
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Peace Like A River
Swing Low, Sweet Chariot
$5.00
Just Like That September 2011
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S M...
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High Voice,Vocal Solo - Level 4 - SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016). JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
Just Like That September 2011
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Contemporain
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Benj Pasek and Justin Paul
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W
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Justin Paul
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
Large Ensemble Clarinet,Double Bass,Drum Set,Flute,High Voice,Multi-Percussion,Piano Accompaniment,Trombone,Trumpet - Level 4 - SKU: A0.790015 Composed ...
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Large Ensemble Clarinet,Double Bass,Drum Set,Flute,High Voice,Multi-Percussion,Piano Accompaniment,Trombone,Trumpet - Level 4 - SKU: A0.790015 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 42 pages. Diamond S Music #3534825. Published by Diamond S Music (A0.790015). JUST LIKE THAT from A CHRISTMAS STORY the musical - FULL SCORE & PARTS. Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$32.99
Praise Can Be Like Children
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Chorale 2 parties
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Musique Sacrée
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Anna Laura Page
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Praise Can Be Like Children
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Triune Music Inc
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SheetMusicPlus
2-part choir with optional Handbell 3 octaves (With Optional Handbell 3 octaves) - SKU: LX.15-1139 Composed by Anna Laura Page. Sacred Anthem. Octavo. 8...
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2-part choir with optional Handbell 3 octaves (With Optional Handbell 3 octaves) - SKU: LX.15-1139 Composed by Anna Laura Page. Sacred Anthem. Octavo. 8 pages. Triune Music Inc #e15/1139. Published by Triune Music Inc (LX.15-1139). UPC: 000308023817. Text: Trilby Carter Jordan.Two-part. Optional 3 oct. handbells. General. Moderately Easy. An energetic and joyful general praise anthem with hand clapping, toe tapping, finger snapping, and optional 8 note bell part. The delightful text reminds us that praise can be found in actions, laughter, love and song; like feathers, angels singing, ocean swells and thunder, and like children, never still for long -- all of which are acceptable to a loving God.
$2.40
Sister Mary Walked Like That. Comic Song
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Piano, Voix
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Chester Hatton
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Chester Hatton
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Sister Mary Walked Like That.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.19197 Arranged by Chester Hatton. Cartoons, Weddings, Families, Marriage. Lester S. Levy Collection. 4 pages. Published by Joh...
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Piano and voice - SKU: LV.19197 Arranged by Chester Hatton. Cartoons, Weddings, Families, Marriage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19197). Sister Mary Walked Like That. Comic Song. Arranged By Chester Hatton. Published 1891 by Oliver Ditson Company in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Weddings, Families, Marriage. First line reads Now I'm a very, very jolly man, that's at least what you will say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
That's What I Like
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Chorale SATB
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AVANCÉ
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Bruno Mars
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Meredith Strang
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That's What I Like
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Meredith L Strang
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.822456 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Phi...
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Choral Choir (SATB) - Level 5 - SKU: A0.822456 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Meredith Strang. A Cappella,Pop. Octavo. 16 pages. Meredith L Strang #3499635. Published by Meredith L Strang (A0.822456). All-female a cappella arrangement of Bruno Mars' classic That's What I Like that can easily be sung as co-ed as well.
$12.99
Like a Flop!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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Like a Flop!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1276797 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Spiritual. S...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1276797 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Spiritual. Score. 7 pages. Andrew Mc Donald (Macka Records) #868484. Published by Andrew Mc Donald (Macka Records) (A0.1276797). Like a Flop is a song about taking on the Lord's work in ministry. Realising that the church is struggling and numbers are low and the programs are not working it may be time to get on your knees in prayer asking the Lord for direction. The arm of flex will always fail so doing this in our own strength will not work. If we try going it alone it will be like a flop! Ask the Lord of the harvest, He has the strategy and know how. This is a country song for piano and vocals.
$4.99
I Don't Wanna Go On With You Like That
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Piano, Voix
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AVANCÉ
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Rock
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Elton John
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Eltons Notes
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I Don't Wanna Go On With You L
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Elton's Notes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1396550 By Elton John. By Bernie Taupin and Elton John. Arranged by Eltons Notes. Pop,Rock. Score. 21 pages. Elton...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1396550 By Elton John. By Bernie Taupin and Elton John. Arranged by Eltons Notes. Pop,Rock. Score. 21 pages. Elton's Notes #979890. Published by Elton's Notes (A0.1396550). Originally recorded on the Reg Strikes Back album in 1988, I Don't Wanna Go On With You Like That became a staple of Elton's live shows in the 1990's.This transcription is taken from the opening night of the Medusa tour in Roanoke, Virginia 1999. The Medusa tour which began in 1999 would be the last tour to feature the song in the regular setlist rotation. You will find note-for-note accurate piano and vocal lines in the sheet music and chord notations. The performance features a very difficult solo section which stretches the songs length to nearly double its original runtime. The solo is full of lightening quick flourishes, cluster chords, trills, and an unstoppable eighth-note bass hand.
$4.99
I Wan'na Be Like You (the Monkey Song)
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Instruments en Do
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Richard M
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Mark W
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I Wan'na Be Like You
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.1117394 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark W. Huxhold. Film/TV,Jazz,Pop. Lead Sheet / Fake Bo...
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C Instrument - SKU: A0.1117394 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark W. Huxhold. Film/TV,Jazz,Pop. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #718946. Published by Mark Wayne Music, LLC (A0.1117394). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.
$4.99
I Don't Wanna Go On With You Like That
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Piano grosses notes
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DÉBUTANT
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Rock
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Elton John
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I Don't Wanna Go On With You L
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.458795 By Elton John. Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.458795). About Hal Leo...
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SKU: HX.458795 By Elton John. Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.458795). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Don't Do Me Like That
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Piano grosses notes
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DÉBUTANT
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Tom Petty and The Heartbreaker
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Don't Do Me Like That
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1112827 By Tom Petty and The Heartbreakers. This edition: scorch. E-Z Play Today. Jazz,Pop,Rock. ...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1112827 By Tom Petty and The Heartbreakers. This edition: scorch. E-Z Play Today. Jazz,Pop,Rock. Score. 4 pages. Hal Leonard - Digital #958344. Published by Hal Leonard - Digital (HX.1112827). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
How You Like That
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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24, Danny Chung, Hong Jun Park
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Jin Kay Teo
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How You Like That
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Jin Kay Teo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.892305 Composed by 24, Danny Chung, Hong Jun Park, R. Tee, and R.Tee. Arranged by Jin Kay Teo. Contemporary. Score. 4 pag...
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Piano Solo - Level 3 - SKU: A0.892305 Composed by 24, Danny Chung, Hong Jun Park, R. Tee, and R.Tee. Arranged by Jin Kay Teo. Contemporary. Score. 4 pages. Jin Kay Teo #6016019. Published by Jin Kay Teo (A0.892305). Arranged by Jin Kay Teo for solo pianoPerformance on YouTube: https://youtu.be/HDuwgxHzPn4Subscribe for more covers!http://bit.ly/2SBnrTT
$4.99
Why'd You Come In Here Lookin' Like That
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Orgue
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Country
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Dolly Parton
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Why'd You Come In Here Lookin'
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.586686 By Dolly Parton. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonar...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.586686 By Dolly Parton. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #91897. Published by Hal Leonard - Digital (HX.586686). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
I Wan'na Be Like You (The Monkey Song)
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Instruments en Do
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FACILE
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Richard M
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Christoph Fleischmann
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I Wan'na Be Like You
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Tonstoff
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1438185 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Christoph Fleischmann. 20th Century,Film/TV,J...
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C Instrument - Level 2 - SKU: A0.1438185 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Christoph Fleischmann. 20th Century,Film/TV,Jazz. Lead Sheet / Fake Book. 1 pages. Tonstoff #1018242. Published by Tonstoff (A0.1438185). Explore our exclusive collection of modified and newly arranged leadsheets for your musical projects! Our leadsheets offer a fresh perspective on familiar melodies, featuring innovative arrangements that will inspire your creativity. Whether you're looking for jazz standards, pop hits, or classics from other genres, we have the perfect selection to elevate your music to new heights. Get our leadsheets today and embark on your next musical journey!for Bass Instruments.
$9.99
When Will The World Be Like Lovers
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Contemporain
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David Babyface Foster, Robert
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Patrick Sheehan
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When Will The World Be Like Lo
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748019 Composed by David Babyface Foster, Robert William Lamm, and T Keane. Arranged by Patrick Sheehan. Contemporary...
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Small Ensemble - Level 5 - SKU: A0.748019 Composed by David Babyface Foster, Robert William Lamm, and T Keane. Arranged by Patrick Sheehan. Contemporary. Score and parts. 85 pages. Patrick Sheehan #5044255. Published by Patrick Sheehan (A0.748019). INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Lead Vocal III, Background Vocal I, Background Vocal II, Background Vocal III, Alto Saxophone (Eb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Keyboard IV, Electric Guitar I, Electric Guitar II, Bass, Drumset. All parts transcribed by ear from the album CHICAGO 18, released in 1986. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
Hungry Like The Wolf
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Chorale SATB
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AVANCÉ
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Duran Duran
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John Maclane Schirard
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Hungry Like The Wolf
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John Maclane Schirard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1120580 By Duran Duran. By Andy Taylor, John Taylor, Nick Rhodes, Roger Taylor, and Simon LeBon. Arranged...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1120580 By Duran Duran. By Andy Taylor, John Taylor, Nick Rhodes, Roger Taylor, and Simon LeBon. Arranged by John Maclane Schirard. A Cappella,Pop. Octavo. 24 pages. John Maclane Schirard #721827. Published by John Maclane Schirard (A0.1120580). This arrangement is a blast! Full of fun rhythms and unexpected harmonies-- be warned that you need some LOW basses!
$3.99
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Be Like That
