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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Benjamin A
Non classifié
301
Piano & claviers
Piano, Voix
222
Piano seul
177
Piano Facile
170
Piano, Voix et Guitare
39
Orgue
20
Instruments en Do
13
1 Piano, 4 mains
5
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
+ 5 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
20
Basse electrique
9
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
3
Guitare (partie séparée)
2
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
222
Chorale TTBB
73
Pack Instrumental pour Chorale
67
Chorale 3 parties
41
Chorale SSAA
30
Chorale 2 parties
20
Chorale Unison
8
Voix duo
5
Voix Baryton, Piano
3
Chorale
3
Voix Tenor, Piano
2
Chorale SSAB, Piano
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
Voix haute
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
Saxophone (partie séparée)
29
Flûte, Hautbois, Clarinette, Basson
26
Quatuor de Saxophones: 4 saxophones
22
Clarinette
21
Hautbois (partie séparée)
20
Saxophone Alto et Piano
17
Flûte traversière et Piano
16
Flûte traversière
14
Flute (partie séparée)
13
Saxophone Tenor
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Alto
10
Clarinette et Piano
9
Saxophone Baryton, Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
2 Flûtes traversières (duo)
8
Saxophone Tenor et Piano
7
2 Clarinettes (duo)
7
Hautbois, Piano (duo)
7
Quintette de Saxophone: 5 saxophones
6
3 Clarinettes (trio)
5
3 Saxophones (trio)
5
Clarinette (partie séparée)
4
Flûte, Clarinette (duo)
4
Hautbois
4
Clarinette Basse, Piano
4
2 Saxophones (duo)
4
Flûte et Guitare
3
Flûte, Clarinette, Violon (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte à bec Soprano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois (duo)
2
Flûte, Violon
2
Saxophone Soprano et Piano
2
Flûte à bec Soprano, Piano
2
Ensemble de saxophones
2
Ensemble de Clarinettes
2
Piccolo
1
Harmonica
1
Ensemble de Flûtes
1
Flûte, Hautbois, Violon
1
Clarinette, Basson (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Basson (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Flûte à Bec
1
Clarinette, Violon (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
44
Cor
24
Trompette
22
Trompette (partie séparée)
22
Trombone (partie séparée)
15
Trombone
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone et Piano
10
Tuba
10
Cor (partie séparée)
8
Euphonium
6
Cor et Piano
5
Trompette, Piano
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba (partie séparée)
3
Tuba et Piano
2
2 Cors (duo)
2
2 Trompettes (duo)
2
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone et orchestre
1
Quatuor de cuivres: 4 trompettes
1
2 Trombones (duo)
1
Cor Anglais
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon
26
Trio à Cordes: violon, alto, violoncelle
15
Violon et Piano
15
Violoncelle
15
Violon, Violoncelle (duo)
14
Violoncelle, Piano
13
Alto seul
13
2 Violons (duo)
13
Alto, Piano
8
Harpe
7
Alto (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Alto (duo)
4
Contre Basse
4
Violon, Guitare (duo)
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
3
2 Violoncelles (duo)
3
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
2
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
132
Fanfare
35
Orchestre
34
Ensemble Jazz
18
Marimba
17
Orchestre à Cordes
14
Ensemble de cuivres
13
Cloches
11
Percussion (partie séparée)
5
Batterie
5
Orchestre de chambre
4
Percussion
4
Timbales
3
Ensemble de Percussions
3
Jazz combo
3
Batterie (partie séparée)
2
Timbales (partie séparée)
1
Xylophone, Piano
1
+ 13 instrumentations
Retracter
Autres
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▽ INSTRUMENTS
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--INSTRUMENTS--
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Partitions à imprimer
2 663 partitions trouvées
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2651
I Want to Walk As a Child of the Light
#
Chorale 3 parties
#
FACILE
#
Musique Sacrée
#
Kathleen Thomerson
#
Benjamin Harlan
#
Choral Octavo
#
I Want to Walk As a Child of t
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - Composed by Kathleen Thomerson. Arranged by Benjamin Harlan. Choral (Sacred); Choral Octavo; Performanc...
(+)
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - Composed by Kathleen Thomerson. Arranged by Benjamin Harlan. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Baptism; Communion; Confirmation; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19877. Published by Jubilate Music Group - Digital
English.
Your choir will LOVE this one! Kathleen's Thomerson's glorious new hymn is arranged by Benjamin Harlan in a gently flowing setting that includes unison children's choir or soloist and congregation (opt., part included). Especially appropriate for baptism, child or family dedication, confirmation and stewardship, it features a marvelous instrumental accompaniment by Brant Adams (opt. InstruPax and InstruTrax CD available separately). Easily prepared, richly satisfying!
$2.25
A Mighty Fortress - A Festival of Hymns (13-Piece Digital Pack)
#
Pack Instrumental pour Chorale
#
Musique Sacrée
#
Benjamin Harlan
#
A Mighty Fortress - A Festival
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.37040 By Benjamin Harlan. Christian,Inspirational,Traditional. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #3230. Published by Hal L...
(+)
SKU: HX.37040 By Benjamin Harlan. Christian,Inspirational,Traditional. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #3230. Published by Hal Leonard - Digital (HX.37040).
Digital Pack includes
:
A Mighty Fortress - A Festival of Hymns - Score
A Mighty Fortress - A Festival of Hymns - Flute
A Mighty Fortress - A Festival of Hymns - Oboe
A Mighty Fortress - A Festival of Hymns - Bb Trumpet 1
A Mighty Fortress - A Festival of Hymns - Bb Trumpet 2
A Mighty Fortress - A Festival of Hymns - Opt. Trumpet (Doubles Horn 1)
A Mighty Fortress - A Festival of Hymns - F Horn 1
A Mighty Fortress - A Festival of Hymns - F Horn 2
A Mighty Fortress - A Festival of Hymns - Trombone
A Mighty Fortress - A Festival of Hymns - Bass Trombone
A Mighty Fortress - A Festival of Hymns - Opt. Trombone (Doubles Horn 2)
A Mighty Fortress - A Festival of Hymns - Timpani
A Mighty Fortress - A Festival of Hymns - Percussion
$60.00
A Child This Day (15-Piece Digital Pack)
#
Pack Instrumental pour Chorale
#
Benjamin Harlan
#
A Child This Day
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.29673 By Benjamin Harlan. Children,Christian,Christmas. Choral Instrumental Pak. 12 pages. Hal Leonard - Digital #16584. Published by Hal Leonar...
(+)
SKU: HX.29673 By Benjamin Harlan. Children,Christian,Christmas. Choral Instrumental Pak. 12 pages. Hal Leonard - Digital #16584. Published by Hal Leonard - Digital (HX.29673).
Digital Pack includes
:
A Child This Day - Score
A Child This Day - Flute
A Child This Day - Oboe
A Child This Day - F Horn
A Child This Day - Bb Trumpet 1
A Child This Day - Bb Trumpet 2
A Child This Day - Trombone
A Child This Day - Tuba
A Child This Day - Percussion
A Child This Day - Timpani
A Child This Day - Violin 1
A Child This Day - Violin 2
A Child This Day - Viola
A Child This Day - Cello
A Child This Day - Bass
$175.00
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) (15-Piece Digital Pack)
#
Pack Instrumental pour Chorale
#
Benjamin Harlan
#
Easter Trilogy: A Cantata in T
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral - SKU: HX.460489 Composed by Benjamin Harlan. This edition: scorch. Easter. Choral Instrumental Pak. 12 pages. Hal Leonard - Digital #63828. Publ...
(+)
Choral - SKU: HX.460489 Composed by Benjamin Harlan. This edition: scorch. Easter. Choral Instrumental Pak. 12 pages. Hal Leonard - Digital #63828. Published by Hal Leonard - Digital (HX.460489).
Digital Pack includes
:
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Full Score
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Flute
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Tuba
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Violin 1
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Percussion
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Oboe
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Trombone
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - F Horn
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Timpani
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - String Bass
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Bb Trumpet 1
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Violin 2
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Viola
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Cello
Easter Trilogy: A Cantata in Three Suites (Full Orchestra) - Bb Trumpet 2
$225.00
A Mighty Fortress Is Our God (13-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Benjamin Harlan
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A Mighty Fortress Is Our God
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.41934 Arranged by Benjamin Harlan. Concert,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #548340. Published by Hal Leonard - D...
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SKU: HX.41934 Arranged by Benjamin Harlan. Concert,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #548340. Published by Hal Leonard - Digital (HX.41934).
Digital Pack includes
:
A Mighty Fortress Is Our God - Full Score
A Mighty Fortress Is Our God - Flute
A Mighty Fortress Is Our God - Oboe
A Mighty Fortress Is Our God - Bb Trumpet 1
A Mighty Fortress Is Our God - Bb Trumpet 2
A Mighty Fortress Is Our God - Opt. Trumpet (Doubles Horn 1)
A Mighty Fortress Is Our God - F Horn 1
A Mighty Fortress Is Our God - F Horn 2
A Mighty Fortress Is Our God - Trombone
A Mighty Fortress Is Our God - Bass Trombone
A Mighty Fortress Is Our God - Opt. Trombone (Doubles Horn 2)
A Mighty Fortress Is Our God - Percussion
A Mighty Fortress Is Our God - Timpani
$60.00
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) (12-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Noël
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Benjamin Harlan
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Christmas Canticles: A Cantata
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Hal Leonard - Digital
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SheetMusicPlus
Full Orchestra - SKU: HX.464547 Arranged by Benjamin Harlan. This edition: scorch. Christmas,Holiday,Sacred. Choral Instrumental Pak. 14 pages. Duration...
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Full Orchestra - SKU: HX.464547 Arranged by Benjamin Harlan. This edition: scorch. Christmas,Holiday,Sacred. Choral Instrumental Pak. 14 pages. Duration 1800. Hal Leonard - Digital #31160. Published by Hal Leonard - Digital (HX.464547).
Digital Pack includes
:
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Bb Trumpet 1,2
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Percussion 1
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Flute
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Full Score
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Trombone/Tuba
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Oboe
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - F Horn
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Percussion 2
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Violin 1, 2
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Cello
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - Viola
Christmas Canticles: A Cantata of Carols in Four Suites (Full Orchestra) - String Bass
$200.00
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) (10-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Benjamin Harlan
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Easter Trilogy: A Cantata in T
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.460499 Composed by Benjamin Harlan. This edition: scorch. Easter. Choral Instrumental Pak. 101 pages. Hal Leonard - Digital #63828. Pub...
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Choral - SKU: HX.460499 Composed by Benjamin Harlan. This edition: scorch. Easter. Choral Instrumental Pak. 101 pages. Hal Leonard - Digital #63828. Published by Hal Leonard - Digital (HX.460499).
Digital Pack includes
:
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Timpani
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Violin 1
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Violin 2
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Viola
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Cello
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - String Bass
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Percussion
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Oboe
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Flute
Easter Trilogy: A Cantata in Three Suites (Chamber Orchestra) - Full Score
$200.00
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) (9-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Noël
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Benjamin Harlan
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Christmas Canticles: A Cantata
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Hal Leonard - Digital
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SheetMusicPlus
Chamber Orchestra - SKU: HX.464532 Arranged by Benjamin Harlan. This edition: scorch. Christmas,Holiday,Sacred. Choral Instrumental Pak. 15 pages. Durat...
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Chamber Orchestra - SKU: HX.464532 Arranged by Benjamin Harlan. This edition: scorch. Christmas,Holiday,Sacred. Choral Instrumental Pak. 15 pages. Duration 1800. Hal Leonard - Digital #31160. Published by Hal Leonard - Digital (HX.464532).
Digital Pack includes
:
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Full Score
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Cello
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Viola
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Percussion 2
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Percussion 1
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - String Bass
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Oboe
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Flute
Christmas Canticles: A Cantata of Carols in Four Suites (Chamber Orchestra) - Violin 1, 2
$175.00
Fugue in A minor, BWV 958
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3 Saxophones (trio)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Benjamin Karaca
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Fugue in A minor, BWV 958
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Benjamin Karaca
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.946346 Composed by Johann Sebas...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.946346 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 16 pages. Benjamin Karaca #6266395. Published by Benjamin Karaca (A0.946346). This piece was originally composed for harpsichord. Its authorship by Bach is disputed.Originally, when writing this arrangement, I had the lineup of Alto, Tenor, and Baritone Sax (ATB) in mind. However, the first part can also be played on the Soprano Sax, and the second part on the Alto Sax. Thus, this arrangement can be performed with various instrument combinations. Apart from very few changes, this arrangement closely follows the source material. I opted not to add articulations and have retained the original key of A minor.Saxophone Trio ATB (SAB / STB / AAB). Duration: 3:00 min. Level: 3/5.Part 1: Soprano Sax / Alto SaxPart 2: Alto Sax / Tenor SaxPart 3: Baritone SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
$14.95
Jocelyn's Lullaby / Benjamin Godard
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Benjamin Godard
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Kan Saito / Japan Duo Notes
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Jocelyn's Lullaby / Benjamin G
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1490851 Composed by Benjamin Godard. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Children,Cl...
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Flute Duet Flute - Level 3 - SKU: A0.1490851 Composed by Benjamin Godard. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Children,Classical,Opera. Score. 2 pages. Japan Duo Notes #1067637. Published by Japan Duo Notes (A0.1490851). Title: Jocelyn's Lullaby by Benjamin Godard – Flute Duet ArrangementDescription:Experience the serene and tender beauty of Benjamin Godard’s Jocelyn's Lullaby with this captivating flute duet arrangement. Originally composed as part of the opera Jocelyn, this lullaby, also known as Berceuse, is celebrated for its soothing melody and gentle charm. This arrangement for two flutes delicately captures the essence of Godard’s beloved lullaby, offering a graceful and harmonious performance piece.Key Features:Composer: Benjamin GodardArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement of Jocelyn's Lullaby preserves the lyrical beauty and calming atmosphere of Godard’s original composition, transforming its tender melody into a flowing conversation between two flutes. Ideal for recitals, chamber music performances, and special occasions, this arrangement provides flutists with an opportunity to explore the expressive depth and soothing qualities of this timeless lullaby.Why Choose This Arrangement?Faithful Adaptation: Retains the melodic elegance and serene quality of Godard’s Jocelyn's Lullaby, thoughtfully arranged for two flutes.Versatile and Expressive: Suitable for a wide range of performance settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Enriching: Designed for intermediate flutists, offering a balance of technical accessibility and expressive opportunity.Add a touch of lyrical grace to your flute repertoire with this beautiful arrangement of Benjamin Godard’s Jocelyn's Lullaby. It’s an ideal choice for flutists seeking to perform a soothing and melodic piece that resonates with timeless charm.Keywords: Benjamin Godard, Jocelyn's Lullaby, Berceuse, flute duet, flute sheet music, Godard arrangements, romantic music, flute ensemble, intermediate flute music, classical music, concert flute duet, recital music, lullaby for flute.
$4.99
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
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Alto seul
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Pub...
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Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Contre Basse
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin ...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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