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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Vous avez sélectionné:
Best Day of My Life: Tuba
Partitions à imprimer
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Best Day of My Life: Tuba
Tuba (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016505_TB1 Tuba. Composed by…
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Marching Band - Digital Download SKU: AX.00-PC-0016505_TB1 Tuba. Composed by David Rublin, James Shelley, Matthew Sanchez, Shep Goodman, and Zach Barnett. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016505_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016505_TB1). UPC: 038081482842.This catchy tune by American Authors is everywhere---TV, the movies, and in numerous commercials. The unique groove and solid scoring by Brian Scott really set this chart apart from the rest! (2:10).
$3.00
2.7 €
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Tuba (partie séparée)
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David Rublin, James Shelley, Matthew Sanchez, Shep Goodman, and Zach Barnett
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Best Day of My Life: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Best Day of My Life - Tuba
Orchestre d'harmonie
Concert band Tuba - Level 2 - Digital Download SKU: HX.293948 By American Authors. …
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Concert band Tuba - Level 2 - Digital Download SKU: HX.293948 By American Authors. Arranged by James Kazik. Pop,Rock. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293948).
$6.00
5.4 €
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Orchestre d'harmonie
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American Authors
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James Kazik
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Best Day of My Life - Tuba
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Hal Leonard - Digital
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SheetMusicPlus
How Can I Keep From Singing? ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marcha…
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Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.180831). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. ©Copyright 2016 Todd Marchand / ConSpiritoMusic.com
$15.00
13.49 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Robert Lowry
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Todd Marchand
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How Can I Keep From Singing? ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
17.94 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Libera Me from "Requiem" (Faure) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.
$44.99
40.45 €
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Gabriel Fauré, Gabriel Faure
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Rob Bushnell
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Libera Me from "Requiem"
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Rob Bushnell
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SheetMusicPlus
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