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Best Of Intentions
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Best Of Intentions
Piano, Voix et Guitare
By Travis Tritt. This edition: scorch. Country. Score. 6 pages. Hal Leonard - Digital …
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By Travis Tritt. This edition: scorch. Country. Score. 6 pages. Hal Leonard - Digital #29822. Published by Hal Leonard - Digital
$4.99
4.52 €
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Piano, Voix et Guitare
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Travis Tritt
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Best Of Intentions
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Hal Leonard - Digital
#
SheetMusicPlus
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schube…
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
22.67 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
Travis Tritt: Best Of Intentions - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Travis Tritt for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Travis Tritt for voice, piano or guitar of MEDIUM skill level. / country
$6.97
6.32 €
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Piano, Voix et Guitare
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Travis Tritt
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Virtualsheetmusic
Travis Tritt: Best Of Intentions for voice & other instruments
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Travis Tritt for voice & other instruments (fake bo…
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Instantly printable sheet music by Travis Tritt for voice & other instruments (fake book) of MEDIUM skill level. / country
$4.97
4.51 €
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Ligne De Mélodie, (Paroles) et Accords
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Travis Tritt
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Virtualsheetmusic
The Tale Of The Slightly Miffed Dancing Bear
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by Jame…
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Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
7.21 €
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James Pickering
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The Tale Of The Slightly Miffed Dancing Bear
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Forton Music - Digital
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SheetMusicPlus
The Light of God's Love
Chorale Unison
Unison/two-part chorus - Digital Download SKU: C7.CGA1496 Composed by Mark Burrows.…
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Unison/two-part chorus - Digital Download SKU: C7.CGA1496 Composed by Mark Burrows. General. With Percussion. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1496. Published by Chorister's Guild - Digital (C7.CGA1496). UPC: 749193024966.What better way to celebrate God's light shining through us than this fun, new anthem from bestselling composer Mark Burrows? With a soulful melody, a rockin' accompaniment, and suggestions for optional percussion, this anthem will become one of your choristers' favorites. Mark's lyrics move from me to you to we - intentionally putting the focus on community and mission. (Bonus: he sneaks in a throwback to This Little Light of Mine!).
$2.45
2.22 €
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Chorale Unison
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Mark Burrows
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The Light of God's Love
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Chorister's Guild - Digital
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SheetMusicPlus
Best of Macklemore Piano Medley by KimBo - Piano Solo
Piano seul
Performed by: KimBo: Best of Macklemore Piano Medley - Same Love - Good Old Days - Marmala…
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Performed by: KimBo: Best of Macklemore Piano Medley - Same Love - Good Old Days - Marmalade - Let's Eat - Downtown - Need To Know - Thrift Shop - Glorious - And We Danced - Growing Up (Sloan's Song) - Drug Dealer - Can't Hold Us - Intentions Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 12 pages -- Instrumental Pop~~Solo Instrumental~~Hip Hop~~Contemporary R & B
$14.99
13.59 €
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Piano seul
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KimBo
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Piano Solo
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Musicnotes
Best Of Intentions
Ligne De Mélodie, (Paroles) et Accords
By Travis Tritt. Country. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Musi…
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By Travis Tritt. Country. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.62 €
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Ligne De Mélodie, (Paroles) et Accords
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Travis Tritt
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Best Of Intentions
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Canzon per Sonar noni toni for Trombone or Low Brass Duodectet (12)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.508194 Arranged by Eric Burger …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.508194 Arranged by Eric Burger Music. Renaissance. Score and parts. 34 pages. Eric Burger Music #3514677. Published by Eric Burger Music (A0.508194). Sacrae symphoniae, Liber 1 No.58, Ch.183 (1597) This lively and challenging work for 3 quartets highlights some of the best of Garbieli's writing. Every member of your ensemble will enjoy the this work! View the score with playback at:https://youtu.be/SRfDzDsDXxY This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00
11.79 €
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Ensemble de cuivres
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Eric Burger Music
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Canzon per Sonar noni toni for Trombone or Low Brass Duodectet
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Eric Burger Music
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SheetMusicPlus
You've Got A Friend
Chorale 3 parties
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1144670 By James Taylor. By…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1144670 By James Taylor. By Carole King. Arranged by Dan Signor. A Cappella,Folk,Jazz,Pop. Octavo. 6 pages. Sig #745007. Published by Sig (A0.1144670). Who knew that 3 part a cappella music could be so rewarding and fun?! I attempted to bring out the best of both renditions performed by James Taylor and Carole King. Intentionally shortened by omitting the second verse, this arrangement's emotional power will still shine through. The additional song references are designed to add just a bit of musical humor for not only the performers, but also the audience members who catch them in real time. Enjoy!
$2.99
2.71 €
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Chorale 3 parties
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James Taylor
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Dan Signor
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You've Got A Friend
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Sig
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.4 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.6 €
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Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.6 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Hallelujah Chorus from Handel's Messiah
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George…
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
45.34 €
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel's Messiah
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C Blankenship
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SheetMusicPlus
Sarasate - Andalusian Romance, Op. 22, No. 3 - Arrangement for Violin and String Quartet (SCORE AND
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.826920 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.826920 Composed by P. de Sarasate. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 30 pages. Amnael Orozco-Diaz #21993. Published by Amnael Orozco-Diaz (A0.826920). Few things are more pleasant than the magic moments brought up by our favourite, ageless, simple showpieces played or listened in the most varied of interpretations. Sarasate knew that, and made sure to leave behind a vast catalogue of these for the rest of the world to enjoy. Gather up your buddies' String Quartet and serenade away with this beautiful romance! Every effort has been put to best capture the intentions, harmonies and colours of the original piano accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$21.99
19.94 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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P
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C
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Sarasate - Andalusian Romance, Op. 22, No. 3 - Arrangement for Violin and String Quartet
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Amnael Orozco-Diaz
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by …
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
18.13 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
49.87 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: Mass in G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) Vocal Score
Piano seul
Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged b…
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Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score. 58 pages. KVAMusic Edition #5321077. Published by KVAMusic Edition (A0.768511). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$10.00
9.07 €
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Piano seul
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Franz Schubert
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Roar Kvam
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Schubert: Mass in G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (PARTS)
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Downl…
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 10 pages. Amnael Orozco-Diaz #4407076. Published by Amnael Orozco-Diaz (A0.826941). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$13.24
12 €
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet
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Amnael Orozco-Diaz
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SheetMusicPlus
Divertimento in D K136
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216331 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Adrian Gurung. Classical,Romantic Period. 17 pages. Adrian Gurung #812939. Published by Adrian Gurung (A0.1216331). This movement from Mozart's from Divertimento in D K136 is a beautiful piece that captures the essence of the early Romantic Period. The ebb and flow, and the distribution of lines going in and out of the foreground give the piece forward movement which makes it gentle yet captivating. The arranger has tried to stay true to the composer's intentions while still making adjustments here and there to create the best presentation for the ensemble. Â
$5.99
5.43 €
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Wolfgang Amadeus Mozart
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Adrian Gurung
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Divertimento in D K136
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Adrian Gurung
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SheetMusicPlus
Character pieces
Orchestre à Cordes
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy to intermediate - Digital Download SKU: …
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy to intermediate - Digital Download SKU: S9.Q7086 11 Miniatures. Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 17' 45. Schott Music - Digital #Q7086. Published by Schott Music - Digital (S9.Q7086). Harald Genzmer has done a lot for the work with young musicians, and many a string player can recall school orchestra days when Sinfonietta was on the programme quite often. But the probably best-known pupil of Hindemith has written far more of such educational music: all in all, 3 sinfoniettas, apart from collections of simple settings like the eleven Character Pieces for String Orchestra from 1998. They are expressive, entirely songlike miniatures, livened up by two rousing pieces and a pizzicato setting. The pieces can either be played separately or put together into little suites and are ideally suited for school, hobby and amateur orchestras. And despite all educational intentions: It is enjoyable and lively music which is fun to play.
$21.99
19.94 €
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Orchestre à Cordes
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Harald Genzmer
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Character pieces
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Schott Music - Digital
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SheetMusicPlus
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (SCORE)
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Digital Download SKU…
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Digital Download SKU: A0.826938 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 15 pages. Amnael Orozco-Diaz #4407074. Published by Amnael Orozco-Diaz (A0.826938). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a score for the accompaniment.Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$5.22
4.73 €
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet
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Amnael Orozco-Diaz
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SheetMusicPlus
Götterdämmerung
Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nib…
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nibelungen. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17847. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17847). German.This edition is based upon Wagner's autograph manuscript, which is the only reliable source to reproduce the composer's intentions. Besides this, the edition records changes made by Wagner during rehearsals in 1876 for the first complete performance at Bayreuth, written in on his instructions by Heinrich Porges, Hermann Levi, Felix Mottl and others. Anyone using this edition thus not only benefits from the best possible musical score, but also gains insight into the performance practice of that time.
$71.99
65.27 €
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Richard Wagner
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Götterdämmerung
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Call Me Irresponsible
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by Peet du Toit. Jazz. 9 pages. Peet du Toit #1071801. Published by Peet du Toit (A0.1495281). Call Me Irresponsible is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963.According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on the seventh episode of the show.However, in 1988, Sammy Cahn said during an interview with freelance writer Harlan Conti, in San Francisco, that the song was originally written for Fred Astaire to sing in the film Papa's Delicate Condition in which Astaire was to star. Cahn personally auditioned the song for Astaire's approval, which was given. However, Astaire's contractual obligations prevented him from making the film and the role went to Jackie Gleason, who introduced the song. It won the Academy Award for Best Original Song at the 36th Academy Awards held in 1964.Cahn is said to have had a particular satisfaction in the number of five-syllable words in the lyrics of Call Me Irresponsible.Being born in 1963, you can call me irresponsible for orchestrating this lovely jazz standard. Nevertheless, live has begun! Enjoy with me.
$13.00
11.79 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dinah Washington
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Peet du Toit
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Call Me Irresponsible
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Peet du Toit
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Cor Anglais
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Ha…
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English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.53 €
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Cor Anglais
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Slide Ride
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SheetMusicPlus
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