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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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COR
COR ANGLAIS
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
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MANDOLINE
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OCARINA
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PIANO
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CUIVRES
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9
Cor
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4 Tubas
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Cor Anglais
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
29
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22
Alto, Piano
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Violon
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9
2 Violoncelles (duo)
7
Contrebasse, Piano (duo)
7
Trio à Cordes: violon, alto, violoncelle
5
4 Violoncelles
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2 Violons (duo)
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Alto (partie séparée)
4
Harpe
4
Alto seul
3
Contre Basse
3
Trio à cordes: 3 altos
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2 Altos (duo)
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Trio à cordes: 3 violins
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Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
42
Orchestre
21
Ensemble Jazz
8
Xylophone, Piano
6
Jazz combo
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Ensemble de cuivres
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Orchestre à Cordes
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Percussion (partie séparée)
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Cloches
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Orchestre de chambre
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Xylophone
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Ensemble de Percussions
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Fanfare
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Quintette de Cuivres: autres combinaisons
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Vibraphone
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AUTRES
Vous avez sélectionné:
Better With A Man
SheetMusicPlus
Partitions à imprimer
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Better With A Man
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1369565 By Bryce Pi…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1369565 By Bryce Pinkham,jefferson Mays,. By Robert L. Freedman and Steven Lutvak. Arranged by Eric Knechtges. Broadway,Musical/Show. 9 pages. Eric T Knechtges #953930. Published by Eric T Knechtges (A0.1369565). TTBB arrangement.
$1.99
1.82 €
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Chorale TTBB
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Bryce Pinkham,jefferson Mays,
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Eric Knechtges
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Better With A Man
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Eric T Knechtges
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SheetMusicPlus
Modes on Mandolin: Improve Your Improvisation
Mandoline
Mandolin - Advanced - Digital Download SKU: M0.30119EB Composed by Todd Collins. Ja…
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Mandolin - Advanced - Digital Download SKU: M0.30119EB Composed by Todd Collins. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #30119EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30119EB). ISBN 9781619114067. 8.75x11.75 inches.Modes on the Mandolin: Improve Your Improvisation is a collection of exercises for the mandolin student to work through to better understand the fretboard and expand their musicality. The collection includes scales, modes, arpeggios, patterns, intervalic and rhythmic exercises, and progressions. It will serve as a valuable resource and a supplement to, but not a substitute for, a good teacher. You do not need to follow the chapters in order, as all of them will help you play and improvise over progressions. The exercises are tools to help you build muscle memory and musical ideas anywhere on the fretboard. Connect the physical with the theoretical. There are examples of common tune chord progressions with ideas applied to them. By creating your own musical ideas over the same progressions, you will find that the practical information given (exercises) turns into functional use (playing and improvising). Once you gain a better understanding of the fretboard, you will notice more fluidity and creativity in your playing.
$22.99
21.06 €
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Mandoline
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creating your own musical ideas over the same progressions, you will find that the practical information given
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Todd Collins
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Modes on Mandolin: Improve Your Improvisation
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.41 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
A Man's a Man for A' That (easy guitar - with and without tablature)
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.993645 Composed by Traditional. Arranged by Frank…
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Guitar - Digital Download SKU: A0.993645 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283707. Published by Frank Nordberg (A0.993645). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Two other solo guitar arrangements of the tune are also available, one slightly more difficult (with dropped D tuning) and one specially for flatpicking guitar.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easyThe tune goes up to the a on the first string.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.82 €
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Guitare notes et tablatures
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Traditional
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Frank Nordberg
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A Man's a Man for A' That
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Frank Nordberg
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SheetMusicPlus
A Man's a Man for A' That (solo guitar - with and without tablature)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.993646 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.993646 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283709. Published by Frank Nordberg (A0.993646). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Two other solo guitar arrangements of the tune are also available, one easier setting and one specially for flatpicking guitar.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easy. Requires dropped D tuning (6th string tuned down to D)The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.82 €
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Guitare notes et tablatures
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Traditional
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Frank Nordberg
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A Man's a Man for A' That
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Frank Nordberg
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SheetMusicPlus
A Man's a Man for A' That (flatpicking solo guitar - with and without tablature)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.993647 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.993647 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283713. Published by Frank Nordberg (A0.993647). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.This arrangement is specially made for flatpicking. It can be played classical/fingerpicking style too but there are two other arrangements available that are more suitable for that.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: Fairly easy.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.82 €
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Guitare notes et tablatures
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Traditional
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Frank Nordberg
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A Man's a Man for A' That
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Frank Nordberg
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SheetMusicPlus
A Promise to Stand By:
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
18.31 €
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Orchestre d'harmonie
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Because I Love You (the Postman Song)
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.503339 By Stevie B. By Warren Bro…
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C Instrument - Level 4 - Digital Download SKU: A0.503339 By Stevie B. By Warren Brooks. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #115483. Published by John Fries (A0.503339). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a rare song with a subtitle that appears just once in the verse section of the lyrics. The opening line, I got your letter from the postman just the other day proved to be a powerful phrase for this song about a man trying desperately to hold on to his girl. The song became better known as The Postman Song instead of the more common title Because I Love You. This arrangement is in a key that works better instrumentally.
$3.99
3.66 €
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Instruments en Do
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Stevie B
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John Fries
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Because I Love You
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John Fries
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SheetMusicPlus
Because I Love You (the Postman Song)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201309 By Stevie B. …
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201309 By Stevie B. By Warren Brooks. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #799963. Published by John Fries (A0.1201309). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This is a rare song with a subtitle that appears just once in the verse section of the lyrics. The opening line, I got your letter from the postman just the other day proved to be a powerful phrase for this song about a man trying desperately to hold on to his girl. The song became better known as The Postman Song instead of the more common title Because I Love You. This arrangement is in a key that works better instrumentally.
$4.99
4.57 €
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Piano, Voix et Guitare
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Stevie B
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John Fries
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Because I Love You
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John Fries
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SheetMusicPlus
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
5.49 €
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Ensemble Jazz
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Joe Procopio These arrangements by Joe Procopio from J
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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JoeCopio Music LLC
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SheetMusicPlus
Mannsbarn
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250159 By Helga Ragnars and…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250159 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 5 pages. Knut Olav Rygnestad #844497. Published by Knut Olav Rygnestad (A0.1250159). Mannsbarn (Human Child) is about a man searching for a way past what seems to be an endless stone wall. This reflects a metaphorical search for meaning in life. He fails and collapses in despair, as a star falls from the night sky.Guðfinna Jónsdóttir (1899–1946) from Hömrum was an organist and poet who lived a quiet and isolated life in Northern Iceland. She wrote beautiful poems about her life, filled with with tragedies, death and unrequited love. In her own time her work wasn't well known outside of her hometown, and today she is more or less forgotten.In collaboration with the singer Helga Ragnarsdóttir, the composer Knut Rygnestad has set several of her poems to music for voice and piano, with the aim of making them better known in Iceland and throughout the world. The project received funding from the Norwegian Arts Council and Hljóðritasjóður RannÃs, and an album of nine recorded songs, Ótal stjarna hröp, was released in 2023.
$4.00
3.66 €
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Piano, Voix
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Helga Ragnars and Knut Rygnestad
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Mannsbarn
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Knut Olav Rygnestad
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SheetMusicPlus
Rejoice and Sing: A Medley of Hassidic Tunes
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.733023 Composed by Sholom K…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.733023 Composed by Sholom Kalib. Children,Jewish. Octavo. 78 pages. Ayotte Custom Musical Engravings #2347255. Published by Ayotte Custom Musical Engravings (A0.733023). When commissioning Rejoice and Sing it was our intention not only to have a concert work written for our Youth Chorale but also a work that would be an instrument in teaching Hassidism, for what better way is there to teach Hassidism than through its music. We also wanted to demonstrate that authentic Hassidic music can be arranged in a sophisticated musical manner without having to sacrifice the inherent folk nature and simplicity that is so indicative of Hassidic song. We were most fortunate in securing the talents of Sholom Kalib to carry out this project with us. Dr. Kalib from youth has been steeped with a unique blend of love and understanding of traditional Jewish music and a very high degree of general musicianship. He succeeded in turning these basically simple tunes into a highly inventive musical work without sacrificing the legitimate qualities of the material with which he was working. It is hoped that those using this arrangement will find the same degree of success that we have had in our many performances. We wish to acknowledge with appreciation the following who made this work possible: Mr. and Mrs. Herbert Liebowitz of Dayton, Ohio who sponsored the commissioning of this work; Rabbi Jack Riemer, the board of directors and the members of Beth Abraham Synagogue, Dayton, Ohio for their support and help in many projects of the Youth Chorale; the devoted and hard working members of the Beth Abraham Youth Chorale who gave birth to this work and who, through their many unique accomplishments, have carried the message to their community and to communities throughout the United States that Jewish youth is indeed vibrant and very much alive. It is our fervent hope and prayer that this work will be a significant addition to the great heritage of Hassidic music and that those who will utilize it will indeed have an opportunity to Rejoice and Sing.The melodies included are:Tzahali Vôroni (Bobov)NigunRom'mu (Rabbi M. Twersky)Ëmôsai (Lubavitch)Bilvôvi (S. Brazil)Kol Tsôhôlô (B. Z. Schenker)Hodu (Modzitz)Hinë Ma Tov
$29.99
27.48 €
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Chorale 3 parties
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Sholom Kalib
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Rejoice and Sing: A Medley of Hassidic Tunes
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Chopin Prelude in E-Minor - A Trio For Flute, Violin, and Piano
Small Ensemble Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.93530…
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Small Ensemble Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.935307 Composed by Frederic Chopin, Aere Greenway. Arranged by Aere Greenway. Contemporary,Romantic Period. Score and parts. 6 pages. Aere R Greenway #4809811. Published by Aere R Greenway (A0.935307). Can be used for high school band or orchestra solo and ensemble festivals. It's suitable for intermediate performers. It can be done as a flute (or oboe) solo, with Chopin's music as the piano accompaniment, but it's better with a violin or viola reinforcing the melody of the piano part.
$2.97
2.72 €
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Frederic Chopin, Aere Greenway
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Aere Greenway
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Chopin Prelude in E-Minor - A Trio For Flute, Violin, and Piano
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Aere R Greenway
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SheetMusicPlus
There's Gotta Be Something Better Than This
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.790050 Composed by Cy Colema…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #3554307. Published by Diamond S Music (A0.790050). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - THIS IS THE PIANO/VOCAL PART ONLY. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.15 €
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Piano, Voix
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Cy Coleman
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W
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There's Gotta Be Something Better Than This
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Diamond S Music
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SheetMusicPlus
There's Gotta Be Something Better Than This
Large Ensemble - Level 5 - Digital Download SKU: A0.790049 Composed by Cy Coleman. …
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Large Ensemble - Level 5 - Digital Download SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. Diamond S Music #3554303. Published by Diamond S Music (A0.790049). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - FULL SCORE & PARTS. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$43.99
40.3 €
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Cy Coleman
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W
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There's Gotta Be Something Better Than This
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Diamond S Music
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SheetMusicPlus
JOSKA: A GYPSY ROMANCE - BRASS QUARTET
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.834001 Composed by JOHAN B. KOK…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.834001 Composed by JOHAN B. KOK. Arranged by BRIAN W. COPPING. Romantic Period,Standards. Score and parts. 18 pages. EMK Music #27095. Published by EMK Music (A0.834001). The Dutch Composer, Johan B Kok (1889-1954), wrote over two- hundred compositions for different combinations of instruments, all of which included the Mandolin or the Mandolin Orchestra. ‘Joska’, originally written for two Mandolins, Mandola and Guitar, bears the subtitle and style of the ‘Zigeuner Romance’ or ‘Gypsy Romance’, and it may well have been inspired by Monti’s better known ‘Czardas’, which, significantly, was also originally written for Mandolin and Piano. Both pieces have contrasting slow and fast sections, which is typical of Central European ‘tavern music’, commonly associated with Hungary. ‘Czardas’, of course, means ‘tavern’ in Hungarian.
$14.00
12.83 €
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Ensemble de cuivres
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JOHAN B
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BRIAN W
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JOSKA: A GYPSY ROMANCE - BRASS QUARTET
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EMK Music
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SheetMusicPlus
JOSKA: A GYPSY ROMANCE - CLARINET QUARTET
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.834002…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.834002 Composed by JOHAN B. KOK. Arranged by BRIAN W. COPPING. Romantic Period,Standards. 16 pages. EMK Music #27097. Published by EMK Music (A0.834002). The Dutch Composer, Johan B Kok (1889-1954), wrote over two- hundred compositions for different combinations of instruments, all of which included the Mandolin or the Mandolin Orchestra. ‘Joska’, originally written for two Mandolins, Mandola and Guitar, bears the subtitle and style of the ‘Zigeuner Romance’ or ‘Gypsy Romance’, and it may well have been inspired by Monti’s better known ‘Czardas’, which, significantly, was also originally written for Mandolin and Piano. Both pieces have contrasting slow and fast sections, which is typical of Central European ‘tavern music’, commonly associated with Hungary. ‘Czardas’, of course, means ‘tavern’ in Hungarian.
$14.00
12.83 €
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Quatuor de Clarinettes: 4 clarinettes
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JOHAN B
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BRIAN W
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JOSKA: A GYPSY ROMANCE - CLARINET QUARTET
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EMK Music
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SheetMusicPlus
JOSKA: A GYPSY ROMANCE - STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.834005 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.834005 Composed by JOHAN B. KOK. Arranged by BRIAN W. COPPING. Romantic Period,Standards. Score and parts. 18 pages. EMK Music #27103. Published by EMK Music (A0.834005). The Dutch Composer, Johan B Kok (1889-1954), wrote over two- hundred compositions for different combinations of instruments, all of which included the Mandolin or the Mandolin Orchestra. ‘Joska’, originally written for two Mandolins, Mandola and Guitar, bears the subtitle and style of the ‘Zigeuner Romance’ or ‘Gypsy Romance’, and it may well have been inspired by Monti’s better known ‘Czardas’, which, significantly, was also originally written for Mandolin and Piano. Both pieces have contrasting slow and fast sections, which is typical of Central European ‘tavern music’, commonly associated with Hungary. ‘Czardas’, of course, means ‘tavern’ in Hungarian.
$14.00
12.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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JOHAN B
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BRIAN W
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JOSKA: A GYPSY ROMANCE - STRING QUARTET
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EMK Music
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SheetMusicPlus
Without A Song
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.955846 By Willie Ne…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.955846 By Willie Nelson. By Vincent Youmans. Arranged by Scott S. Stewart. Country. 10 pages. Scott S. Stewart #6373983. Published by Scott S. Stewart (A0.955846). Without a Song (which now holds a place in The Great American Songbook) was composed as early as 1922 by Vincent Youmans. Lyrics were added later by Billy Rose and Edward Eliscu. It was published in 1929, and subsequently included in Youmans musical play Great Day. To today’s ear the lyrics speak about the power of music to brighten one’s day. The original lyrics however contain text that is considered derogatory and worthy of a study of the Harlem Renaissance of the 1920’s to better understand popular American music and racial stereotypes of the early 20th century. This arrangement is scored for a 4-part SATB ensemble with piano accompaniment. Performance time: 3:20. An apt signature tune for choirs.
$2.99
2.74 €
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Chorale SATB
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Willie Nelson
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Scott S
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Without A Song
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Scott S. Stewart
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.15 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
A Song With No Tune / Inisheer
Chorale SATB
Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wags…
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Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.
$100.00
91.62 €
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Chorale SATB
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Alan Wagstaff
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Alan Wagstaff
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A Song With No Tune / Inisheer
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Alan Wagstaff
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SheetMusicPlus
Jesu, Joy of Man’s Desiring (SATB with New Translation)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.918883 By Jubal's Lyre Mus…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.918883 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Classical,Contest,Festival,Sacred. Octavo. 17 pages. Jubal's Lyre Music Publishers #6339071. Published by Jubal's Lyre Music Publishers (A0.918883). One of Bach’s most beloved works is offered here in a Piano/Vocal Score for SATB choir with a NEW translation that better captures the meaning of the original German. Two stanzas are provided, which can be sung separately or in succession with a repeat. This work can be performed alone or with any of the Jubal’s Lyre instrumental editions in G major. These are available for solo instruments, duets, or ensembles. For worship, this work can be performed almost any time since it exudes peace and joy, but is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.
$2.00
1.83 €
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Chorale SATB
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Jubal's Lyre Music
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Martin Dicke
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Jesu, Joy of Man’s Desiring
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Jubal's Lyre Music Publishers
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Piano Facile
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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When I Was Your Man
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Easy Piano - Level 2 - Digital Download SKU: A0.1176291 By Bruno Mars. By Andrew Wy…
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Easy Piano - Level 2 - Digital Download SKU: A0.1176291 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Danilo Daca Alves. Hip-Hop,Pop,R & B,Singer/Songwriter. Score. 3 pages. Mezzo Pop #776420. Published by Mezzo Pop (A0.1176291). A Beginner Piano Sheet Music to read and play!CHORD SYMBOLS INCLUDEDWe also have other versions of sheet music for this song, so you can choose what fits best for you to practice! Search and check out our Publisher or Arranger Profile! For all those who search for a beautiful arrangement within a clean score!We know how harsh can be to play a song with poor sheet music... So we decide to make it different and better!The Mezzo Pop's score editions want to help you to play your favorite songs on any instrument!So let us know: How can we help you to play your favorite songs?
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Piano Facile
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Bruno Mars
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Danilo Daca Alves
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When I Was Your Man
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Mezzo Pop
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