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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Vous avez sélectionné:
Blue Third Pieces
Partitions à imprimer
17 partitions trouvées
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1
Blue Third Pieces
Digital Download SKU: OX.9780193203327 Composed by Libby Larsen. Score. 34 pages. O…
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Digital Download SKU: OX.9780193203327 Composed by Libby Larsen. Score. 34 pages. Oxford University Press Digital #9780193203327. Published by Oxford University Press Digital (OX.9780193203327). ISBN 9780193203327.Blue Third Pieces, for flute or B flat clarinet and guitar is a homage to the interval of the third and its place in the blues.Including references to Ray Charles and using samples from Dizzy Gillespie and Kenny Clark's 1945 jazz piece 'Salt Peanuts', a slow improvisatory movement is paired with a lively syncopated one. A stylish work for an interesting instrumental duo.
$30.99
28.1 €
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Libby Larsen
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Blue Third Pieces
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Oxford University Press Digital
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.49 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
BLUE MOMENTS for Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.939839 Composed by Richard St. Clai…
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Piano Solo - Level 4 - Digital Download SKU: A0.939839 Composed by Richard St. Clair. 20th Century,Contemporary,Jazz. Score. 7 pages. Richard St. Clair #5290123. Published by Richard St. Clair (A0.939839). Two rather short Jazz-referenced pieces, total timing 5'30. These pensive pieces will serve well on any Jazz or Third Stream venue, or even in a Classical concert/recital setting. The tonal language is mostly tonal but with some very extended chords. Highly engaging music, very expressive.
$12.00
10.88 €
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Piano seul
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Richard St
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BLUE MOMENTS for Solo Piano
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Richard St. Clair
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SheetMusicPlus
Abigail’s Blues
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.826797 Composed by Ryan D. Neaveill…
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Piano Solo - Level 2 - Digital Download SKU: A0.826797 Composed by Ryan D. Neaveill. Blues,Instructional,Jazz,Standards. Score. 1 pages. Ryan Neaveill #5306391. Published by Ryan Neaveill (A0.826797). A fun piano teaching piece using intervals of thirds and sixths and a twelve-bar blues chord structure suitable for early-intermediate piano students. This piece, written especially for Abigail, is part of the Your Blues Piano Book series created by Ryan D. Neaveill in which short (approximately 24 bars) pieces are written using the first names of piano students. You can listen to the entire collection at this website: https://www.neaveill.com/yourblues.html.
$2.50
2.27 €
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Piano seul
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Ryan D
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Abigail’s Blues
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Ryan Neaveill
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SheetMusicPlus
David W. Solomons, Oxford Days for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.533472 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.533472 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Individual part. 21 pages. Musik Fabrik Music Publishing #2994073. Published by Musik Fabrik Music Publishing (A0.533472). Eight pieces for solo guitar : I. Innocence Asleep; II. Lamento (Gethsemane); III. Hyde Park Rag; IV. Fantasia from the other bank; V. Prelude in Dorian mode (Dorian Serendipity); VI. The Princess's Tune; VII. Quelques minutes espagnoles; VIII. Sketch in BlueA series of guitar solos illustrating some of the moods and discoveries of the composer when he was young and fancy free ... at college.Christianity:- Innocence Asleep - a gentle tune depicting the baby Jesus- Lamento (Gethsemane) - part of a long lost Easter Suite, reflecting the sorrow in the GardenHolidays- Hyde Park Rag - a quasi ragtime composed on the composer's first outing from Oxford to London.Sexuality- Fantasia from the other bank - the downward sweep of the strangely augmented chord represents the composer's initial feeling of surprise when he realises he is from the other bank (vom anderen Ufer is German slang for gay)Musical discoveries- Prelude in Dorian mode (Dorian Serendipity) - the beginning of a long love affair with this mode, in which the major 6th and minor third give a special flavour.- The Princess's Tune - a curiously atonal piece based on a short theme given to the composer by a very shy fellow student known as the Princess.- Quelques minutes espagnoles - first venture into the Spanish flavours of guitar music- Sketch in Blue - an early experiment making use of blues harmonies
$19.95
18.09 €
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Guitare
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David Warin Solomons
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II. Lamento (Gethsemane)
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David W. Solomons, Oxford Days for solo guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Painters (parts)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
9.06 €
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Three Painters (score)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
9.06 €
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Cameos
Flûte traversière et Piano
Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richa…
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Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.
$14.95
13.56 €
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Flûte traversière et Piano
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Richard Lambert
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Cameos
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Forton Music - Digital
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SheetMusicPlus
Cameos
Cl. Bsn. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM621 Composed by …
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Cl. Bsn. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM621 Composed by Richard Lambert. A set of pieces for clarinet, bassoon and piano. Score and parts. 53 pages. Forton Music - Digital #FM621. Published by Forton Music - Digital (F2.FM621). ISBN 9790570485208.Abigail's Jig, op. 10 no. 2a, This lively piece for clarinet, bassoon and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. Five Short Pieces, Op. 9a, This set of movements for clarinet, bassoon and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.
$17.95
16.28 €
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Richard Lambert
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Cameos
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Forton Music - Digital
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SheetMusicPlus
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,D…
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
15.4 €
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Barry Mann
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Robert Coil
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
Fred Cockerham & Tommy Jarrell Clawhammer Banjo Masters
Banjo
Banjo - Intermediate-Advanced - Digital Download SKU: M0.30107MEB Composed by Dan L…
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Banjo - Intermediate-Advanced - Digital Download SKU: M0.30107MEB Composed by Dan Levenson. Banjo: Clawhammer, Bluegrass. Clawhammer Banjo Masters. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30107MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30107MEB). ISBN 9781619114999. 8.75x11.75 inches.Fred Cockerham & Tommy Jarrell: Clawhammer Banjo Masters is a collection of 23 clawhammer banjo solos written in tablature. The pieces are transcribed as played by Fred Cockerham and Tommy Jarrell by Bob Carlin. Also included are modern interpretations by Dan Levenson. This is the third book in a series of transcribed tunes from the old masters. Previous books are Kyle Creed - Clawhammer Banjo Master and Wade Ward - Clawhammer Banjo Master. Fred Cockerham and Tommy Jarrell both gave unique definition to the style of old-time clawhammer banjo playing. The repertoire, presented in tablature, is intended to be a starting point for your journey through the old-time music world. Each piece is presented in multiple arrangements, both on the page and in the online audio. Most of the recordings are played at learning tempos and correspond to the tablature. Includes access to online audio.
$14.99
13.59 €
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Banjo
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Dan Levenson
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Fred Cockerham & Tommy Jarrell Clawhammer Banjo Masters
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Key Workers Calypso for Trombone and Piano from the Corona Suite by Simon Peberdy
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.757089 Composed by Simon Peberd…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.757089 Composed by Simon Peberdy. Contemporary,Latin,Multicultural,Standards,World. Score and part. 12 pages. Simon Peberdy #5722231. Published by Simon Peberdy (A0.757089). A party feel with clapping included, harking back to the clapping the NHS at 8pm every Thursday in the UK, which developed into clapping all key workers to thank them for what they were doing during the Corona crisis of 2020.This is the third piece in the Corona Suite, a collection of 5 pieces for Trombone and Piano written during the Covid-19 lockdown in 2020.The suite comprises 5 pieces, taking a humorous approach in depicting various key events during lockdown:Corona BonaSelf Isolation BluesKey Workers CalypsoCoughing at the StarsCorona ParadeThe suite of all 5 pieces is available as a single download, or as individual pieces. To listen to an mp3 or view a video (where applicable) of an individual piece, please visit www.simonpeberdymusic.com where you will find the relevant links.Apologies for any temporary computer generated recordings!
$2.99
2.71 €
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Trombone et Piano
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Simon Peberdy
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Key Workers Calypso for Trombone and Piano from the Corona Suite by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Key Workers Calypso for Alto Sax and Piano from the Corona Suite by Simon Peberdy
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.757110 Composed by Simon …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.757110 Composed by Simon Peberdy. Concert,Contemporary,Standards. Score and part. 12 pages. Simon Peberdy #5756243. Published by Simon Peberdy (A0.757110). (The Youtube video at https://youtu.be/Ca6Mh5_7Hok is of an arrangement of the suite for Flute & Piano)A party feel with clapping included, harking back to the clapping the NHS at 8pm every Thursday in the UK, which developed into clapping all key workers to thank them for what they were doing during the Corona crisis of 2020.This is an arrangement for Alto Sax (E flat) & Piano of the third piece in the Corona Suite, a collection of 5 pieces originally for Trombone and Piano written during the Covid-19 lockdown in 2020. Please feel free to change octave according to taste and ability.The suite comprises 5 pieces, taking a humorous approach to depicting various key events during lockdown:Corona BonaSelf Isolation BluesKey Workers CalypsoCoughing at the StarsCorona ParadeThe suite of all 5 pieces is available as a single download, or as individual pieces. To listen to an mp3 or view a video (where applicable) of an individual piece, please visit www.simonpeberdymusic.com where you will find the relevant links.
$2.99
2.71 €
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Saxophone Alto et Piano
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Simon Peberdy
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Key Workers Calypso for Alto Sax and Piano from the Corona Suite by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
"Three Little Bonbons" for piano Op. 59
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.980418 Composed by Gary Noland. 20t…
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Easy Piano - Level 2 - Digital Download SKU: A0.980418 Composed by Gary Noland. 20th Century,Blues,Concert,Contemporary,Instructional. Score. 6 pages. Freeland Publications #3237235. Published by Freeland Publications (A0.980418). Duration: ca. 1,000 years. These are three easy piano pieces written for beginning to lower intermediate level players. Fingerings are provided. The relatively long duration of this work (ca. 1,000 years) is due to a lengthy fermata at the end of the third piece, which need not be interpreted too literally. The titles of the pieces are: (1) Conference Hopper's Song, (2) Six O'Clock Blues, (3) Millennial Celebration. .
$2.50
2.27 €
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Piano Facile
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Gary Noland
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"Three Little Bonbons" for piano Op. 59
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Freeland Publications
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SheetMusicPlus
No. 38
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - difficult - Digital Download SKU: S9.Q20004 Three Small Pieces …
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String quartet - difficult - Digital Download SKU: S9.Q20004 Three Small Pieces for String Quartet. Composed by Richard Ayres. This edition: score and parts. Gallop - Maria Tănase - horses. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q20004. Published by Schott Music - Digital (S9.Q20004). Richard Ayres’ Three Small Pieces for String Quartet each have distinct characters that illustrate the composer’s vivid imagination and skill for combining energetic, touching and sometimes wild music. The first piece is a short tribute to the Romanian singer Maria Tanase, a long forgotten performer who was once a star in her country. The second is a rough, fast and folk-like section in 11/16 time and the third, subtitled “Countess Eva von Spendu (on a horse) gallops through the forest (pausing four times to contemplate natural splendour)â€, contains (in the words of the composer) “hunting gallops, a Feldmanesque 19 bar blues, some devilish fiddling, moments of repose and contemplation, and a lyrical finale.â€.
$66.99
60.74 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Richard Ayres
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No. 38
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Schott Music - Digital
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SheetMusicPlus
The Piano Preludes (Gershwin) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1156327 Composed by George Gershwin. Arranged by Rob Bushnell. 20th Century,Blues,Classical,Jazz. Brass Band. 137 pages. RBMusic #756642. Published by RBMusic (A0.1156327). First performed by the composer at the Roosevelt Hotel in New York in 1926, the Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote 7, performed only 6 publically and was further reduced to 3 when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baião and minor-seventh chords throughout. The second prelude, which Gershwin said was a sort of blues lullaby consists of two sections: the first a lazy melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called Spanish by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=soEUH4H7gog.
$44.99
40.79 €
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George Gershwin
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Rob Bushnell
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The Piano Preludes
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RBMusic
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SheetMusicPlus
Bend It
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1252861 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1252861 Composed by Doug Smith. 20th Century,21st Century,Blues,Classical,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #846663. Published by Doug Smith Guitar Studio (A0.1252861). Bend It! is the second of two pieces that focus on the G or 3rd string of the guitar. In the piece the third string notes are bent to raise or lower the pitch blues style.
$1.99
1.8 €
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Guitare
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Doug Smith
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Bend It
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Doug Smith Guitar Studio
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SheetMusicPlus
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