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Vous avez sélectionné:
Blues in D for Clarinet
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Blues in D for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.1246047 By Faina Lushtak…
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B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.1246047 By Faina Lushtak. By Faina Lushtak. 21st Century,Blues,Chamber,Classical. Score and part. 10 pages. Faina Lushtak #840881. Published by Faina Lushtak (A0.1246047).
$9.99
9.13 €
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Clarinette et Piano
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Faina Lushtak
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Blues in D for Clarinet & Piano
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Faina Lushtak
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.7 €
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Orchestre d'harmonie
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A
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Stephen Davies
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Clinch at midnight - Charleston/Two Step - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pages. Thomas Graf - the-hit-factory.com #6348639. Published by Thomas Graf - the-hit-factory.com (A0.569421). A top arrangement for your ensemble, simple key (D minor), funny melody (a pinch Muppet Show, a spoon Charleston, an associated shot ragtime, a little blues scale, its simple form (AABA) - a simple recipe your audience will love! Ein Top-Arrangement für Ihr Ensemble, einfache Tonart (D-minor), lustige Melodie (eine Prise Muppetshow, ein Löffel Charleston, ein gehöriger Schuss Ragtime, ein wenig Blues-Scale, seine einfache Form (A-A-B-A) - ein einfaches Rezept, das Ihre Zuhörer begeistern wird! Instrumentation: Clarinet in Eb (opt.), Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb/Eb (Alto), Clarinet 4 in Bb/Eb (Alto), Bass Clarinet in Bb , Drums (opt.) Format: Score and part are in letter format. Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$14.99
13.7 €
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Quintette de Clarinettes: 5 clarinettes
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Thomas Graf
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Thomas Graf
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Clarinet in Eb (opt
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Clinch at midnight - Charleston/Two Step - Clarinet Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Canon 3 in D minor for two Flutes and Bassoon
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - Digital Download SKU: A0.963575
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - Digital Download SKU: A0.963575 Composed by Cristiano Vecchi. Blues,Concert,Instructional,Jazz,Standards. 14 pages. Cristiano Vecchi #6570883. Published by Cristiano Vecchi (A0.963575). A canon in jazz style over the chords of 'Round Midnight with a walking bass third part that could be omitted as well. Here for two Flutes (either Violins or Oboes) and a Bassoon (or a Cello) in the more easy key of D minor respect to the original in Eb minor; extra parts included: 1) Cl. in Eb, 2) Cl. in Eb, Cl. in Bb or Soprano Sax, Alto Flute, Viola, 3) Bass Clar., Baritone Sax, Tenor Sax. Other possible combinations: String Trio, Double Reed Trio, Clarinet Trio, 2 Violins and Cello, etc...Also available versions in Eb minor for Flute Duo, Flute Trio, Saxophone Duo, Saxophone Trio, Woodwind Trio (Flute, Clarinet, Bassoon), Double Reed Trio, Clarinet Trio, Bassoon Trio.SCORE and PARTS.MP3 also available on this website. Duration: 1'.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$4.99
4.56 €
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3 Clarinettes (trio)
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Cristiano Vecchi
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extra parts included: 1) Cl
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Jazz Canon 3 in D minor for two Flutes and Bassoon
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Cristiano Vecchi
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
Ensemble d'École
Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by A…
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Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional, Christmas. Score, Set of Parts. 973 pages. Published by Austin Ralphson
This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:<br> <br> <br> The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.<br> <br> <br> <br> 5 Christmas pieces:<br> <br> Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include: <br> <br> * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas <br> <br> * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players <br> <br> * very easy violin and viola parts on open strings only <br> <br> * easy and standard piano parts <br> <br> * ukulele part in tab, chord patterns and chord letters <br> <br> * guitar part in tab, chord patterns and chord letters <br> <br> * general chord plan in chord letters <br> <br> Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:<br> <br> <br> The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.<br> <br> <br> <br> 5 Christmas pieces:<br> <br> Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include: <br> <br> * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas <br> <br> * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players <br> <br> * very easy violin and viola parts on open strings only <br> <br> * easy and standard piano parts <br> <br> * ukulele part in tab, chord patterns and chord letters <br> <br> * guitar part in tab, chord patterns and chord letters <br> <br> * general chord plan in chord letters <br> <br> Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **
$34.99
31.99 €
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Ensemble d'École
#
Welsh trad
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COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
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Austin Ralphson
#
SheetMusicPlus
Mixed Abilities Classroom Ensemble Pack - extra value bundle of music for classrooms and school ensembles
Ensemble d'École
Composed by Austin Ralphson. Blues, Classroom, Technique Training, Latin, Recital. S…
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Composed by Austin Ralphson. Blues, Classroom, Technique Training, Latin, Recital. Score, Set of Parts. 332 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes BANANA BLUES (a 12-bar Blues piece) and CRAZY LATIN! which has additional parts for Latin percussion commonly found in the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 300 pages, and represents a huge saving on individual purchase prices.The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes BANANA BLUES (a 12-bar Blues piece) and CRAZY LATIN! which has additional parts for Latin percussion commonly found in the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 300 pages, and represents a huge saving on individual purchase prices.
$19.99
18.28 €
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Ensemble d'École
#
Austin Ralphson
#
Mixed Abilities Classroom Ensemble Pack - extra value bundle of music for classrooms and school ensembles
#
Austin Ralphson
#
SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack - mega value bundle of the whole series of music for classrooms and school ensembles
Ensemble d'École
Composed by Austin Ralphson. Blues, Funk Jazz, Repertoire, Classroom, Latin. Score, Se…
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Composed by Austin Ralphson. Blues, Funk Jazz, Repertoire, Classroom, Latin. Score, Set of Parts. 707 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.
$29.99
27.42 €
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Ensemble d'École
#
Austin Ralphson
#
COMPLETE Mixed Abilities Classroom Ensemble Pack - mega value bundle of the whole series of music for classrooms and school ensembles
#
Austin Ralphson
#
SheetMusicPlus
Concerto in Rock for Bass Clarinet and Band
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.809959 Composed by Andrew Grenci.…
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Concert Band - Level 5 - Digital Download SKU: A0.809959 Composed by Andrew Grenci. Blues,Contemporary,Rock. Score and parts. 75 pages. Andiss Music (www.andrewgrenci.com) #3414731. Published by Andiss Music (www.andrewgrenci.com) (A0.809959). This is an 8 1/2 x 11 study score and solo part for a 16 minute concerto for bass and clarinet and band. The work is in three connected movements, each evoking the 1970s rock style. The bass clarinet solo part is amplified, and uses guitar effects pedals to create a variety of colors. There is a hard-driving drum-set part, which leads the full concert band in exciting rock riffs. A full-sized score and performance parts are available for rent from Andiss Music. Contact the composer at andy@andrewgrenci.com for rental details.
$20.00
18.28 €
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Orchestre d'harmonie
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Andrew Grenci
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Concerto in Rock for Bass Clarinet and Band
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Andiss Music
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SheetMusicPlus
Rolling In The Deep
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1415562 By Adele. By Adele Adkins…
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Concert Band - Level 3 - Digital Download SKU: A0.1415562 By Adele. By Adele Adkins and Paul Epworth. Arranged by Simone Orsini. 21st Century,Pop. 74 pages. Simone Orsini #997280. Published by Simone Orsini (A0.1415562). ROLLING IN THE DEEP performed by AdeleFor Concert Band - Performance Time 3:53 - Digital DownloadComposed by A. Adkins, P. EpworthArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Hand Clap), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.,Rolling in the Deep is a song by English singer-songwriter Adele from her second studio album, 21 (2011). It is the lead single and opening track on the album. The song was written by Adele and Paul Epworth. The singer herself describes it as a dark blues-y gospel disco tune.[1] In 2011, it was reportedly the biggest crossover hit in the United States since 1985; Rolling in the Deep gained radio airplay from many different radio formats.[2] It was first released on 29 November 2010 as the lead single from 21 in digital download format. The lyrics describe the emotions of a scorned lover.
$68.00
62.17 €
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Orchestre d'harmonie
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Adele
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A
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Simone Orsini
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Rolling In The Deep
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Simone Orsini
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SheetMusicPlus
One Way Ticket (to The Blues)
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1077985 Composed by Hank…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1077985 Composed by Hank Hunter and Jack Keller. Arranged by Kaiserin Rebecca. Instructional,Pop,Standards. Score and part. 6 pages. Kaiserin Rebecca #682186. Published by Kaiserin Rebecca (A0.1077985). For clarinet in B flat solo and piano accompaniment with chords. Key: D minor Duration: 1'47.
$8.99
8.22 €
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Clarinette et Piano
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Hank Hunter and Jack Keller
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Kaiserin Rebecca
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One Way Ticket
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Kaiserin Rebecca
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SheetMusicPlus
Minnie the Moocher: B-flat Bass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015844_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0015844_BC B-flat Bass Clarinet. Composed by Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015844_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015844_BC). UPC: 038081453057.First recorded in 1931 by Cab Calloway and his orchestra, this classic is best known for its famous scat phrase, Hi De Hi De Hi De Ho, performed as a call-and-response with audiences. He performed the song on film for the first time in 1955's Rhythm and Blues Review and much later in 1980's Blues Brothers at age 73. Authentic and recognized globally, the band members won't be the only ones singing! (2:30) This title is available in SmartMusic.
$3.00
2.74 €
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Orchestre d'harmonie
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Cab Calloway and Irving Mills
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Ralph Ford
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Minnie the Moocher: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Minnie the Moocher: 2nd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015844_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0015844_C2 2nd B-flat Clarinet. Composed by Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015844_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015844_C2). UPC: 038081453057.First recorded in 1931 by Cab Calloway and his orchestra, this classic is best known for its famous scat phrase, Hi De Hi De Hi De Ho, performed as a call-and-response with audiences. He performed the song on film for the first time in 1955's Rhythm and Blues Review and much later in 1980's Blues Brothers at age 73. Authentic and recognized globally, the band members won't be the only ones singing! (2:30) This title is available in SmartMusic.
$3.00
2.74 €
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Orchestre d'harmonie
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Cab Calloway and Irving Mills
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Ralph Ford
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Minnie the Moocher: 2nd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Minnie the Moocher: 1st B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015844_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0015844_C1 1st B-flat Clarinet. Composed by Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015844_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015844_C1). UPC: 038081453057.First recorded in 1931 by Cab Calloway and his orchestra, this classic is best known for its famous scat phrase, Hi De Hi De Hi De Ho, performed as a call-and-response with audiences. He performed the song on film for the first time in 1955's Rhythm and Blues Review and much later in 1980's Blues Brothers at age 73. Authentic and recognized globally, the band members won't be the only ones singing! (2:30) This title is available in SmartMusic.
$3.00
2.74 €
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Orchestre d'harmonie
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Cab Calloway and Irving Mills
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Ralph Ford
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Minnie the Moocher: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
D - Every Day Warm-Ups for Full Orchestra
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.944926 Composed by Timothy Bandy.…
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Concert Band - Level 3 - Digital Download SKU: A0.944926 Composed by Timothy Bandy. Arranged by Timothy Bandy. Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5209345. Published by Timothy Bandy (A0.944926). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
9.14 €
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Orchestre d'harmonie
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Timothy Bandy
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Timothy Bandy
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D - Every Day Warm-Ups for Full Orchestra
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Timothy Bandy
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SheetMusicPlus
Hack Attack: 1st B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015822_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0015822_C1 1st B-flat Clarinet. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015822_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015822_C1). UPC: 038081458311.Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem since they'll be begging to practice this one. Victor LA3pez has shared information from his 'international research team' on the topic and the result is this charismatic original work for your beginners. Right in the pocket! (1:45)Concert/Contest; Festival.
$3.00
2.74 €
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Orchestre d'harmonie
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Victor López
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Festival.
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Hack Attack: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hack Attack: B-flat Bass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015822_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0015822_BC B-flat Bass Clarinet. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015822_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015822_BC). UPC: 038081458311.Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem since they'll be begging to practice this one. Victor LA3pez has shared information from his 'international research team' on the topic and the result is this charismatic original work for your beginners. Right in the pocket! (1:45)Concert/Contest; Festival.
$3.00
2.74 €
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Orchestre d'harmonie
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Victor López
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Festival.
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Hack Attack: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hues of Blue: 2nd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017003_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017003_C2 2nd B-flat Clarinet. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017003_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017003_C2). UPC: 038081505268.Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some soloists trading fours and a shout chorus, and this might be the tune that brings the house down! (2:30)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Robert Sheldon
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Hues of Blue: 2nd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hues of Blue: 1st B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017003_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017003_C1 1st B-flat Clarinet. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017003_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017003_C1). UPC: 038081505268.Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some soloists trading fours and a shout chorus, and this might be the tune that brings the house down! (2:30)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Robert Sheldon
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Hues of Blue: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hues of Blue: B-flat Bass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017003_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0017003_BC B-flat Bass Clarinet. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017003_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017003_BC). UPC: 038081505268.Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some soloists trading fours and a shout chorus, and this might be the tune that brings the house down! (2:30)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Robert Sheldon
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Hues of Blue: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Canon 3 in D minor for two Flutes and Bassoon (MP3)
Trio de Flûtes: 3 flûtes
Bassoon,Flute - Digital Download SKU: A0.1066513 Composed by Cristiano Vecchi. Blue…
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Bassoon,Flute - Digital Download SKU: A0.1066513 Composed by Cristiano Vecchi. Blues,Instructional,Jazz,Standards. Full Performance. Duration 62. Cristiano Vecchi #6570885. Published by Cristiano Vecchi (A0.1066513). A canon in jazz style over the chords of 'Round Midnight with a walking bass third part that could be omitted as well. Here for two Flutes a Bassoon in the more easy key of D minor respect to the original in Eb minor.Also available versions in Eb minor for Flute Duo, Flute Trio, Saxophone Duo, Saxophone Trio, Woodwind Trio (Flute, Clarinet, Bassoon), Double Reed Trio, Clarinet Trio, Bassoon Trio.Score and parts (with extra parts for several instruments) also available on this website.Duration: 1'.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$1.99
1.82 €
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Trio de Flûtes: 3 flûtes
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Cristiano Vecchi
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Jazz Canon 3 in D minor for two Flutes and Bassoon
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Cristiano Vecchi
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SheetMusicPlus
Eb - Every Day Warm-Ups for Full Orchestra
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.944928 Composed by Timothy Bandy.…
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Concert Band - Level 3 - Digital Download SKU: A0.944928 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209963. Published by Timothy Bandy (A0.944928). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
9.14 €
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Orchestre d'harmonie
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Timothy Bandy
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Eb - Every Day Warm-Ups for Full Orchestra
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Timothy Bandy
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SheetMusicPlus
C - Every Day Warm-Ups for Full Orchestra
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.944927 Composed by Timothy Bandy.…
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Concert Band - Level 3 - Digital Download SKU: A0.944927 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209335. Published by Timothy Bandy (A0.944927). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
9.14 €
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Orchestre d'harmonie
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Timothy Bandy
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Timothy Bandy
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C - Every Day Warm-Ups for Full Orchestra
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Timothy Bandy
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SheetMusicPlus
E - Every Day Warm-Ups for Full Orchestra
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.944929 Composed by Timothy Bandy.…
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Concert Band - Level 3 - Digital Download SKU: A0.944929 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209969. Published by Timothy Bandy (A0.944929). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
9.14 €
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Orchestre d'harmonie
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Timothy Bandy
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E - Every Day Warm-Ups for Full Orchestra
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Timothy Bandy
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SheetMusicPlus
F - Every Day Warm-Ups for Full Orchestra
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.944930 Composed by Timothy Bandy. Instructi…
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Concert Band - Digital Download SKU: A0.944930 Composed by Timothy Bandy. Instructional. Score and parts. 44 pages. Timothy Bandy #5209971. Published by Timothy Bandy (A0.944930). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
9.14 €
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Orchestre d'harmonie
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Timothy Bandy
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F - Every Day Warm-Ups for Full Orchestra
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Timothy Bandy
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SheetMusicPlus
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