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--INSTRUMENTS--
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ALTO
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Blues touch on it
Partitions à imprimer
28 partitions trouvées
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1
26
THE TOUCH, THE TASTE OF TIME
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Piano, Voix
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INTERMÉDIAIRE
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Joe Procopio From the CD ALL I
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Joe Procopio
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THE TOUCH, THE TASTE OF TIME
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JoeCopio Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.876427 Composed by Joe Procopio. Christian,Pop. Score. 3 pages. JoeCopio Music LLC #1945. Published by JoeCopio Mu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.876427 Composed by Joe Procopio. Christian,Pop. Score. 3 pages. JoeCopio Music LLC #1945. Published by JoeCopio Music LLC (A0.876427). THE TOUCH, THE TASTE OF TIME By Joe Procopio From the CD ALL IN MY LIFE THE TOUCH, THE TASTE OF TIME is a pop song that tells of the feelings that come from our unique awareness of our own mortality. It is a song that describes a love for another that is so powerful that it lets the lover see its source as infinite, divine and eternal Love. It is a love that transcends the moment and touches eternity. A deep, abiding, Divine love that is possible for us as humans to experience by loving God and others in a manner that mirrors Christ. Barbie plays the guitar and sings the song by herself. She is one of those rare artists that can do more alone than most can do with a group. You can also hear Barbie on Why Are You So Lonely, A Woman’s Blues, For You My God and Maybe It’s The Way. These recordings can be found on Sheet Music Plus, iTunes, Amazon, etc., in a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
Folsom Prison Blues
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Guitare notes et tablatures
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DÉBUTANT
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Country
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Johnny Cash
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Calum Wood
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Folsom Prison Blues
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Calum Wood
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1078020 By Johnny Cash. By Johnny Cash. Arranged by Calum Wood. Country. Guitar Tab. 1 pages. Calum Wood #682224. Published b...
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Guitar - Level 1 - SKU: A0.1078020 By Johnny Cash. By Johnny Cash. Arranged by Calum Wood. Country. Guitar Tab. 1 pages. Calum Wood #682224. Published by Calum Wood (A0.1078020). Attention all guitar players! Are you looking to master one of the most iconic songs in country music history? Look no further than Folsom Prison Blues, now available in both TAB and music notation.Written and performed by the legendary Johnny Cash, Folsom Prison Blues tells the story of a man who is stuck in prison and longs for his freedom. The song's powerful lyrics and catchy melody have made it an enduring classic, beloved by music fans around the world.But what sets our guitar score apart is its attention to detail. Our score features an alternating bass line, a signature element of Cash's guitar playing that gives Folsom Prison Blues its distinctive sound. With our score, you'll be able to master this technique and bring an authentic touch to your performance of the song.Whether you're a beginner or an experienced player, our guitar score is the perfect way to learn Folsom Prison Blues. The TAB notation makes it easy to follow along, while the music notation provides a deeper understanding of the song's structure and melody.So why wait? Order now and start playing Folsom Prison Blues like a pro. With our high-quality guitar score, you'll be able to capture the spirit and energy of one of country music's greatest songs. Don't miss out on this opportunity to add a true classic to your repertoire.As you strum along, remember the history of the song, and the man who made it famous. Johnny Cash famously performed Folsom Prison Blues live at Folsom State Prison in California in 1968, a moment that would go down in music history. Now, you can pay tribute to this iconic moment by mastering the song that made it all possible.Order your copy of Folsom Prison Blues guitar score today and become a part of the legacy of Johnny Cash.
$4.99
A WOMAN'S BLUES
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Piano, Voix
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INTERMÉDIAIRE
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Joe Procopio From the CD ALL I
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Joe Procopio
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A WOMAN'S BLUES
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JoeCopio Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.876428 Composed by Joe Procopio. Blues,Pop. Score. 3 pages. JoeCopio Music LLC #1947. Published by JoeCopio Music ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.876428 Composed by Joe Procopio. Blues,Pop. Score. 3 pages. JoeCopio Music LLC #1947. Published by JoeCopio Music LLC (A0.876428). A WOMEN’S BLUES By Joe Procopio From the CD ALL IN MY LIFE A WOMENS BLUES is a pop song describing the feelings of some women of today. The Blues is melancholic music and the lyrics of this song express a kind of pensive sadness with no apparent cause. The backing track of music however is uplifting. The result is a song with a curious combination of feelings that are both heartbroken and happy at the same time. There two recorded versions of this song. One was recorded in a studio in California the other is the original recording. The original is a homemade recording done in the Gymnasium of an Elementary School in New Woodstock, NY with Mark Freeman on Drums, brother Greg on both the Guitar and Flute solo, and Barbie Briars doing the vocals. You can also hear Barbie on The Touch, The Taste Of Time, Why Are You So Lonely, For You My God and Maybe It’s The Way. These recordings can be found at Sheet Music Plus, iTunes, Amazon, etc., on a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
At Last
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Celine Dion
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Homco/Crinion
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Blues touch on it
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At Last
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1460802 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Homco/Crinion. Blues,Film/TV,Jazz,Wedd...
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String Trio Cello,Violin - Level 3 - SKU: A0.1460802 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Homco/Crinion. Blues,Film/TV,Jazz,Wedding. 7 pages. Homco/Crinion #1039701. Published by Homco/Crinion (A0.1460802). At Last is a song from the Big Band Era of the 1940's and was recorded several times by Glenn Miller and his orchestra. It wasn't until 1960 that Etta James put her signature Rhythm & Blues touch on it. Many other artists have put their spin on the tune over the years including Celine Dion and Beyonce. It has become a popular standard at weddings, probably because the lyric sings: my lonely days are over, and life is like a song!.
$12.99
New Orleans Blues - Saxophone Quartet score & parts
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Francesco Leone
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Francesco Leone
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New Orleans Blues - Saxophone
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Glissato Edizioni Musicali
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1509857 By Francesco Leone. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1509857 By Francesco Leone. By Ferdinand 'Jelly Roll' Morton. Arranged by Francesco Leone. Blues,Jazz. 25 pages. Glissato Edizioni Musicali #1085086. Published by Glissato Edizioni Musicali (A0.1509857). Dive into the enchanting world of jazz with 'New Orleans Blues,' an exhilarating saxophone quartet arrangement of one of Ferdinand 'Jelly Roll' Morton's greatest hits. This score has been skillfully adapted by Francesco Leone, making a jazz classic from yesteryears accessible to intermediate-level musicians.With parts for your instruments included, you'll have everything you need to perform this piece with finesse. Whether you play the Eb Alto, Bb Soprano (as an alternative to Alto 1), Bb Tenor, or Eb Baritone, this arrangement will make you feel like a part of a genuine New Orleans jazz band.And if you want to add a rhythmic touch, there's even the option to include optional drums. You can also listen to an audio demo of the arrangement on www.glissato.it with product code: EG0833
$13.99
Set It Off
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Basse electrique
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INTERMÉDIAIRE
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Rock
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Audioslave
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Just The Riffs
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Set It Off
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Just The Riffs
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.713822 By Audioslave. By Audioslave and Chris Cornell. Arranged by Just The Riffs. Rock. Score. 4 pages. Just The Riffs ...
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Bass Guitar - Level 3 - SKU: A0.713822 By Audioslave. By Audioslave and Chris Cornell. Arranged by Just The Riffs. Rock. Score. 4 pages. Just The Riffs #322358. Published by Just The Riffs (A0.713822). In standard tuning EADG for once, another mid lower mid tempo track in the key of F#m with a heavy slant towards the blues scale, this is another example of Tim Commerford's economy or movement playing style. With the exception of a single slide up to the 7th fret on the A string this entire track is played within a 5 fret span. It's a good work out for the left hand, keeping it locked in that F# octave zone for the entire song while requiring some nimble string skipping to shape out the F#m 3rd run. As with all of Commerford's basslines you need a mixture of a really heavy right hand that can switch to a light, deft touch as needed to sit in the pocket and not overwhelm the quieter passages.
$4.99
Lean On Me
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Pop musique
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Bill Withers
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S
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Lean On Me
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S. Tyler Fitzgerald
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SheetMusicPlus
Choral Choir (3-Part Treble) - Level 3 - SKU: A0.1095379 By Bill Withers. By Bill Withers. Arranged by S. Tyler Fitzgerald. Pop. Octavo. 11 pages. S. Ty...
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Choral Choir (3-Part Treble) - Level 3 - SKU: A0.1095379 By Bill Withers. By Bill Withers. Arranged by S. Tyler Fitzgerald. Pop. Octavo. 11 pages. S. Tyler Fitzgerald #699380. Published by S. Tyler Fitzgerald (A0.1095379). 'Lean on Me’ for soloist, mixed chorus, and piano. This arrangement is separated into an upper, middle, and lower part and can be performed by a variety of ensemble configurations: SSA, SAT, or SAB. It is approximately 3’00†minutes in length. The gospel influenced harmonies are accessible and fun! Solo in Verse 1, an energetic a-cappella section in Verse 3, and the accompaniment in the ending section ‘Call Me’ gives the piano a chance to play some crunchy, bluesy riffs under the voices. My name is Tyler Fitzgerald - I’m a composer, arranger and choir director based in Calgary, Alberta, Canada. I create accessible arrangements that play to the strengths of community choirs and non-auditioned singing groups. If you’d like to say hello or inquire about an arrangement please contact me: tyler.fitzgerald88@hotmail.com Also, feel free to get in touch if you would like rehearsal tracks - these are available for all of my scores.
$1.99
Getting Into Blues Violin
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Violon
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FACILE
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Blues
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Marty Laster
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Getting Into Blues Violin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Marty Laster. For Violin. Blues. 88 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Marty Laster. For Violin. Blues. 88 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610653404. This book offers a comprehensive workshop in blues violin and specifically addresses improvisation techniques through exercises and ear training studies that relate to the various licks and scales. Original tunes by the author address various technical challenges, and old blues standards are included to build an authentic blues repertoire. The book next touches on the influence of the blues on swing, bluegrass, Cajun and Gypsy styles while teaching improvisational techniques in each. We next pay tribute to the great Blues violinists of the past and present with bios and some photos. Finally, ways to develop and vary breaks are explored. The text touches on many aspects of violin techniques as it relates to the blues and has an easygoing and at times, humorous appeal. The book begins at a moderate beginning level but quickly moves to intermediate material; toward the end, we get into fairly advanced territory. Both violinists who have been playing a couple of years and serious classical players can benefit from Getting Into Blues Violin. Audio download available online.
$17.99
Dragons and Dinosaurs
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Harpe
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DÉBUTANT
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Reba Lunsford
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Dragons and Dinosaurs
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Reba Lunsford
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SheetMusicPlus
Harp - Level 1 - SKU: A0.963932 Composed by Reba Lunsford. Children,Concert,Instructional,Standards. Score. 24 pages. Reba Lunsford #4844781. Published ...
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Harp - Level 1 - SKU: A0.963932 Composed by Reba Lunsford. Children,Concert,Instructional,Standards. Score. 24 pages. Reba Lunsford #4844781. Published by Reba Lunsford (A0.963932). All kids love dragons and dinosaurs. And we love the concept of this book! Reba Lunsford's very easy pieces for beginning harp players are printed on the left-hand pages, and a more advanced accompaniment is printed on the right-hand page. This allows the teacher to play a nice accompaniment along with the beginning student during their lesson. The accompaniments can also be played as a duet with another harp or piano by the student's sibling, parent, or friend.This book will have the kids wanting to practice! Subtitled Fun Songs for Beginners and Friends, it is an excellent supplement for any teacher of young students. The songs are very short, usually 2 or 3 lines, and have fun lyrics about dragons or dinosaurs. The first 7 songs have fingerings and placing brackets. Each tune has a musical concept the teacher can briefly touch on to reinforce theory, such as eighth notes, placing, measures, time signatures, intervals, accents, arpeggios, glisses, tempo, thumb slides, scales, pickup measure, accidentals, ties, and more. All of the pieces are in the key of C. One piece has a pre-set G#, and another has 2 pre-set flats, but there are no sharping lever changes in the music.Contains: Glowing Orbs in Darkness, Baby Brontosaur Blues, T-Rex, Whispering Wings, Triceratops Waltz, Happy Chinese New Year, Hiding, Hannah's Dragon, The Lost World, Come Out and Play, Dragon Treasure .
$10.00
"Cocktails" For Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Grant Horsley
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"Cocktails" For Clar
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Grant Horsley
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1136960 Composed by Grant Horsley. Blues,Christmas,Contemporary,Co...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1136960 Composed by Grant Horsley. Blues,Christmas,Contemporary,Contest,Festival,Standards. 22 pages. Grant Horsley #736950. Published by Grant Horsley (A0.1136960). Cocktails is a lazy, bluesy, jazzy relaxing style piece scored for Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet. It is in a relaxed 12/8 with plenty of lush harmonies. It is in concert B flat major in ternary form (middle section in E flat major) and a small coda. I have set it to intermediate level as most of the rhythmic work is quarter notes and eighths. It could be a useful for gaining experience playing in 12/8 time as well as learning the style. The full score is 9 pages without repeats- parts are 2 pages each and the range of the instruments is about 2 octaves- top part a touch more. The full score is on the youtube link for you to assess suitability. It is 4 mins 37 in length- ideal for concerts, recitals, contests, festivals, occasions, Christmas or just something different to add to the repertoire. Price is for the full score and all parts.
$13.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multic...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 2 part
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Harpe
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INTERMÉDIAIRE
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 3 - SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Bl...
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Harp - Level 3 - SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Blue Steer Studios #6206579. Published by Blue Steer Studios (A0.1026509). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 3 part
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Harpe
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INTERMÉDIAIRE
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 3 - SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Bl...
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Harp - Level 3 - SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206583. Published by Blue Steer Studios (A0.1026507). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,Ne...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
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Harpe
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DÉBUTANT
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,Ne...
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
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Harpe
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INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 4 - SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full ...
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Harp - Level 4 - SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
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Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 4 - SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Bl...
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Harp - Level 4 - SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206575. Published by Blue Steer Studios (A0.1026506). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Level 4 - SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Bl...
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Level 4 - SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Blue Steer Studios #857714. Published by Blue Steer Studios (A0.1264876). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$4.99
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Foxtrot from Easy Dances (simpler version)
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Piano Facile
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FACILE
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Matyas Seiber
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Thomas Ling
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Foxtrot from Easy Dances
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Thomas Swee Chin
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1378327 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional,Jazz. Score. 2 pages. Thomas Swee ...
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Easy Piano - Level 2 - SKU: A0.1378327 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional,Jazz. Score. 2 pages. Thomas Swee Chin #962950. Published by Thomas Swee Chin (A0.1378327). Mátyás Seiber's Foxtrot from Easy Dances Vol. 2 is a delightful piece that embodies the elegance and sophistication of the foxtrot dance style. As part of the Easy Dances series, it is tailored to intermediate pianists, offering accessible yet musically rewarding material.The foxtrot, characterized by its smooth, flowing movements, is reflected in the piece's graceful melody and gentle rhythmic pulse. Seiber's composition captures the essence of this classic dance form, with its suave elegance and understated charm.The piece unfolds with a catchy and memorable melody, accompanied by a rhythmic pattern that evokes the swaying motion of dancers on the dance floor. Seiber infuses the music with subtle jazz influences, incorporating bluesy harmonies and syncopated rhythms that lend a touch of sophistication to the composition.Despite its simplicity, Foxtrot showcases Seiber's skillful craftsmanship and attention to detail. The melodic lines are beautifully crafted, with a sense of lyricism and grace that invites pianists to express themselves freely. Meanwhile, the harmonies provide a rich and colorful backdrop, adding depth and texture to the overall sound.Whether performed as a standalone piece or as part of a set, Foxtrot is sure to captivate audiences with its timeless appeal and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a delightful addition to any pianist's repertoire.
$4.00
Foxtrot from Easy Dances book 2
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Piano seul
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INTERMÉDIAIRE
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Matyas Seiber
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Thomas Ling
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Foxtrot from Easy Dances book
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1378326 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional,Jazz. Score. 2 pages. Thomas Swee ...
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Piano Solo - Level 3 - SKU: A0.1378326 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional,Jazz. Score. 2 pages. Thomas Swee Chin #962949. Published by Thomas Swee Chin (A0.1378326). Mátyás Seiber's Foxtrot from Easy Dances Vol. 2 is a delightful piece that embodies the elegance and sophistication of the foxtrot dance style. As part of the Easy Dances series, it is tailored to intermediate pianists, offering accessible yet musically rewarding material.The foxtrot, characterized by its smooth, flowing movements, is reflected in the piece's graceful melody and gentle rhythmic pulse. Seiber's composition captures the essence of this classic dance form, with its suave elegance and understated charm.The piece unfolds with a catchy and memorable melody, accompanied by a rhythmic pattern that evokes the swaying motion of dancers on the dance floor. Seiber infuses the music with subtle jazz influences, incorporating bluesy harmonies and syncopated rhythms that lend a touch of sophistication to the composition.Despite its simplicity, Foxtrot showcases Seiber's skillful craftsmanship and attention to detail. The melodic lines are beautifully crafted, with a sense of lyricism and grace that invites pianists to express themselves freely. Meanwhile, the harmonies provide a rich and colorful backdrop, adding depth and texture to the overall sound.Whether performed as a standalone piece or as part of a set, Foxtrot is sure to captivate audiences with its timeless appeal and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a delightful addition to any pianist's repertoire.
$4.80
Sleepwalking
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Rock
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Rick Hirsch
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Sleepwalking
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HirschMusic
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.747323 Composed by Rick Hirsch. Jazz,Rock. Score and parts. 18 pages. HirschMusic #2031695. Published by HirschMusic (A0....
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Jazz Combo - Level 4 - SKU: A0.747323 Composed by Rick Hirsch. Jazz,Rock. Score and parts. 18 pages. HirschMusic #2031695. Published by HirschMusic (A0.747323). Sleepwalking is an abstract-yet-earthy spin on a B-flat Blues structure. The trance-like vibe is warm, yet just a touch creepy. This is an excellent contrast piece on a concert set, and a creative combo can take it to interesting musical places. Your purchase includes enough alternate wind parts to involve as many players as you can.
$18.00
Savin' Jeremiah - SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
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