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Break Into Song - Violin 1
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Here I Am - A Graduation Song [full score]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Austr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Australian composer Rebecca Summers. Contemporary,Singer/Songwriter. Score. 14 pages. Rebecca Summers #3879235. Published by Rebecca Summers (A0.1007855). A perfect song for a school or college graduation ceremony with lyrics capturing the excitement of breaking into a new chapter of life. Written with a diva in mind who's not afraid to create some drama and excitement on stage. Piano part effective without being out of the reach of most student pianists. Example of lyricsVerse 1Hello world. What you got in store for me?If I prise apart your clenched fist, what would your palm lines tell my future readsIs it you who holds the story? Or is it me who holds the dream?ChorusHere I am, it's time for leaving and I want to say goodbyeHere I am can't wait for providence nothing happens 'less I tryand I know I'm getting misty, but there's something 'bout this placeHello world, here I am I'm yours to take.
$9.99
9.2 €
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Piano, Voix
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by Australian composer Rebecca Summers
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Here I Am - A Graduation Song [full score]
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Rebecca Summers
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SheetMusicPlus
300 MASTER BOWMEN-incident 1
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1172313 Composed by Socrat…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1172313 Composed by Socrates Arvanitakis. Early Music,New Age,Thriller. Octavo. 48 pages. Socrates Arvanitakis #772538. Published by Socrates Arvanitakis (A0.1172313). Most of my song titles have structural tags as headers in the PDF files provided. The tags for this song are : LEMONIA PERFORCE >> OLD FOLKS AT HOME >> 300 MASTER BOWMEN.The last tag refers to a poem cycle of the same title which is divided into incidents. This song for SATB choir is the first incident of the cycle. Dates in the PDF can also be and are in most cases structural elements of the song. The song is given in two printable versions, first in decorated pages only the score and then in undecorated pages as score and parts. Although not present in this video, a very short break between each movement is advisable.A decorated lyrics page has been included as well as a blank page for insertion at will in different pages if so needed.
$10.00
9.21 €
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Chorale SATB
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Socrates Arvanitakis
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OLD FOLKS AT HOME >
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300 MASTER BOWMEN-incident 1
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Socrates Arvanitakis
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SheetMusicPlus
Breaking Up Is Hard To Do
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1034932 By Neil Sedaka. By H…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1034932 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Allcanplay Piano Music. Contemporary,Pop. Score. 7 pages. Allcanplay Piano Music #6660015. Published by Allcanplay Piano Music (A0.1034932). This is a full 45-measure rendition of the slow (1975) version of Neil Sedaka's signature song spanning 6 octaves in the keys of G and Ab in Allcanplay format.Allcanplay is a play-by-picture system created in the early 1980s that:* Lets beginners play popular tunes and develop good finger coordination before or while learning to read music.* Allows more experienced pianists to play songs that stretch their current sight-reading ability.* Permits sight readers to convert difficult songs into picture form and improve their music-reading skills in the process.Each note of a song is indicated by finger letters (e.g., T=Thumb) and timing (e.g., 1+2+) marked on stacked keyboard diagrams with rainbow-shaded octaves that make it easy to tell them apart. (See link below to rainbowize your keyboard to match.)Unlike lighted-key or falling-note music, Allcanplay doesn't disappear after you play it. It's like a chord chart or guitar tablature but for every note in a song.To gain a feel for the expressive tempo of this song, here’s the link to an audio performance by the master himself, Neil Sedaka: https://www.youtube.com/watch?v=KUPQbdqeqW8Allcanplay Piano Music Links* For free lessons, songs, & videos: http://www.allcanplaypiano.net * To rainbowize your keyboard: https://maxlearning.net/Piano/RainbowKeyboard.pdf* To be notified of new material: https://www.facebook.com/allcanplaypiano
$4.99
4.59 €
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Piano, Voix
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Neil Sedaka
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Allcanplay Piano Music
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Breaking Up Is Hard To Do
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Allcanplay Piano Music
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.75 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
2 Clarinettes (duo)
Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.1310675 By John Denver.…
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Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.1310675 By John Denver. By Johnny Marks. Arranged by Genessa West. Advent,Children,Christmas,Holiday. 2 scores. 5 pages. Genessa West #899651. Published by Genessa West (A0.1310675). This fun Christmas Song is a favourite for adults and children alike. It lasts 1 minute 15 seconds, so can easily be slotted into any Christmas or Holiday performance. It's arranged by the clarinettist and clarinet teacher Genessa West for student clarinettists with about 2 years experience. The second part is easier than the first part, there are no awkward leaps around the break This song will put anyone into the festive spirit! Snap it up now!
$5.99
5.52 €
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2 Clarinettes (duo)
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John Denver
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Genessa West
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Rudolph The Red-nosed Reindeer
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Genessa West
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SheetMusicPlus
Halloween Chilly Bones Blues (Blues Style Have You Seen the Ghost of John? for Unison Choir)
Chorale Unison
Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.781403 Composed b…
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Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.781403 Composed by Traditional. Arranged by Joanna Mills. Blues,Children,Halloween,Standards,Traditional. 12 pages. Joanna Mills Music #6700503. Published by Joanna Mills Music (A0.781403). This fun, bluesy version of Have You Seen the Ghost of John is perfect for Halloween! It starts slowly and mysteriously in the original style, then unexpectedly breaks into a slow blues groove! An original bridge section has been included, it features lots of echoes, and the song ends in an optional round. The arrangement is set in an accessible range for young children, and the melody is easy to learn and supported by the piano accompaniment. Your choristers and audience will LOVE this addition to your concert or recital! Free lyric sheet included!Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$1.99
1.83 €
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Chorale Unison
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Traditional
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Joanna Mills
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Halloween Chilly Bones Blues
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Joanna Mills Music
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SheetMusicPlus
Halloween Chilly Bones Blues (Blues Style Have You Seen the Ghost of John? for 2-Part Choir)
Chorale 2 parties
Choral Choir,Choral (2-Part) - Level 1 - Digital Download SKU: A0.781402 Composed b…
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Choral Choir,Choral (2-Part) - Level 1 - Digital Download SKU: A0.781402 Composed by Traditional. Arranged by Joanna Mills. Blues,Children,Halloween,Jazz,Standards. 12 pages. Joanna Mills Music #6700493. Published by Joanna Mills Music (A0.781402). This fun, bluesy version of Have You Seen the Ghost of John is perfect for Halloween! It starts slowly and mysteriously in the original style, then unexpectedly breaks into a slow blues groove! An original bridge section has been included, and the song ends in a round. The arrangment is set in an accessible range for young children, and the harmonies are easy to learn and supported by the piano accompaniment. Your choristers and audience will LOVE this addition to your concert or recital! Free lyric sheets included!Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$1.99
1.83 €
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Chorale 2 parties
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Traditional
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Joanna Mills
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Halloween Chilly Bones Blues
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Joanna Mills Music
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SheetMusicPlus
Christ Has Won The Victory (An Easter Medley)
Chorale 3 parties
Choral Choir (SAB) - Digital Download SKU: A0.860968 Arranged by Jayson Seaver. Chr…
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Choral Choir (SAB) - Digital Download SKU: A0.860968 Arranged by Jayson Seaver. Christian,Easter,Sacred. Octavo. 10 pages. Jayson Seaver #3048213. Published by Jayson Seaver (A0.860968). This arrangement combines the hymns There is a Green Hill Far Away and He Is Risen. The combined message of these two hymns tells of the crucifixion and resurrection of the Savior. The last section of the song breaks into 5 part counter melody parts: Soprano 1 and 2, Alto 1 and 2 and Bass. The majority of the song is SAB. Purchase of this song includes permission to make 25 copies for use within the same choir.Visit http://jaysonseavermusic.com to download all of the audio files associated with this arrangement.https://youtu.be/3BGqM6djqIU
$12.99
11.96 €
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Chorale 3 parties
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Jayson Seaver
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Christ Has Won The Victory
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Jayson Seaver
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SheetMusicPlus
All Of Me
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.877915 By John Legend. By Jo…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.877915 By John Legend. By John Stephens and Toby Gad. Arranged by Rebecca Bogardus. R & B,Soul. Score. 14 pages. Lillwy Publishing #3686049. Published by Lillwy Publishing (A0.877915). Have you ever had a beginning student ask if they could learn to play All of Me at their very first lesson? Are you that beginning student with a teacher that is skeptical? This Pop Pattern Piece is exactly what you need! For teens who want to play their favorite artists' works immediately, these provide a bridge between aural/rote playing and music literacy, all while incorporating some essential music theory. Pop Pattern Pieces break down popular songs into small, manageable patterns which even new pianists can learn well. These are not watered-down arrangements of the melody, these are the actual accompaniments used in the original song, although sometimes small changes are made to make it easier for beginners to play, all without sacrificing the original sound. While learning the patterns, continue to work on the fundamentals that you know will help them become well-rounded musicians. Once students have mastered all of the patterns, they can move on to playing the entire piece. The melody line and lyrics to the song are included in the full arrangement, just as in a regular songbook edition. Result: one more pianist, closer to music literacy and playing music they love!
$4.99
4.59 €
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Piano, Voix
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John Legend
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Rebecca Bogardus
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All Of Me
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Lillwy Publishing
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SheetMusicPlus
Break Into Song - Alto Sax 1 (sub. Horn 1)
Saxophone (partie séparée)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
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Saxophone (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Alto Sax 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break Into Song - Trombone 1 & 2
Trombone (partie séparée)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
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Trombone (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Trombone 1 & 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break Into Song - F Horn 1
Cor (partie séparée)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
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Cor (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - F Horn 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break Into Song - Trumpet 1
Trompette (partie séparée)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
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Trompette (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Trumpet 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break Into Song - Bb Clarinet 1 & 2
Clarinette (partie séparée)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 3 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
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Clarinette (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Bb Clarinet 1 & 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break Into Song - Flute 1 & 2
Flute (partie séparée)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
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Flute (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Flute 1 & 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Yesterday Once More
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John …
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Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
6.44 €
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Piano seul
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Hark! the Herald Angels Sing / O Come, All Ye Faithful
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.75 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Hark! the Herald Angels Sing / O Come, All Ye Faithful
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Geofonica Artistworks
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SheetMusicPlus
Always There
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Lesl…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Leslie Osborne and Simon May. Arranged by Derek Hasted. Contemporary. Score and parts. 25 pages. Derek Hasted #4327089. Published by Derek Hasted (A0.797738). ALWAYS THERE (Howard's Way) - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes You might not know this piece - it was the theme to the UK Television Series Howard’s Way which was broadcast between 1985 and 1990. It was composed as an instrumental with an incessant beat and a disco-like break in the middle.The piece was re-worked as the much more laid-back song Always There by Marti Webb; the song rose high into the Top Twenty. It also opened her album of the same name. But the song version lost much of the drive of the original.As this quartet arrangement is for playing, not singing, it makes sense to put all the drive back in!If you visit YouTube you will find some recordings of the original theme and these should point you in the right direction to make this piece blossom into a big wall of sound...It's for an intermediate quartet or large ensemble. Guitar 4 is tuned 6=D and is the most straightforward line. There's a version of Guitar 4 in bass clef for contra or electric bass, and here normal tuning is used. Guitar 3 is all arpeggios, mainly in first position. Guitars 1 and 2 take the tune and countermelodies.It's a foot-tapping piece that audiences will love!I hope you enjoy playing this piece!
$4.99
4.59 €
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Leslie Osborne and Simon May
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Derek Hasted
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Always There
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Derek Hasted
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SheetMusicPlus
Carols of Suite 1225 / What Child Is This?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316982 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316982 By The Candlelight Guitarist. By Bradley Powell and traditional. Arranged by Bradley Powell. Christmas,Folk,Holiday,Renaissance,Traditional. Individual part. 4 pages. Geofonica Artistworks #905018. Published by Geofonica Artistworks (A0.1316982). This two-song arrangement or Carols of Suite 1225 and What Child Is This? is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell), featuring relaxing classical guitar versions of 14 traditional Christmas carols. These two-songs use fingerstyle classical guitar, with a mix of modern folk-classical and Renaissance flavor. They can be seen and heard, in sequence, performed by the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 2) at the very beginning of the video. Also, check out the Candlelight Guitarist official video of Part 1, which includes a similar take on this opener Carols of Suite 1225: https://youtu.be/g4QRqTcNGtkABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.75 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Carols of Suite 1225 / What Child Is This?
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Geofonica Artistworks
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SheetMusicPlus
Spy Plane
Basse electrique
Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1471949 By Tracy Dean McCallum…
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Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1049582. Published by Tracy Dean McCallum (A0.1471949). https://tracymccallum.com Spy Plane: A Groovy Bass Odyssey Strap on your headphones and prepare for takeoff, because this bass transcription of Spy Plane is about to take you on a funky, high-altitude mission. The groove is undeniably cool, a blend of tight pocket playing and adventurous improvisation. Gear Up: The bass line lays down a solid foundation with a picked eighth-note pattern. Imagine a sleek spy plane cruising steadily at altitude. The root notes likely shift between the E and A strings, outlining the chords with a focus on the lower register. Think of it as the pilot navigating through different airspaces. Throughout the song, there are gonna be some syncopated accents thrown in. These are like the plane making sharp maneuvers, adding surprise and a touch of swagger to the groove. Into the Danger Zone: As the song progresses, the bass line breaks free from the simple pattern. Get ready for some walking bass lines that weave through the chords, creating a sense of urgency and intrigue. Think of the pilot dodging enemy radar or chasing a target through a maze of clouds. Lock On! The coolest part of the transcription might be the use of effects. A touch of wah-wah can simulate the plane breaking the sound barrier, while some octaver adds a growling, mechanical feel, like the whirring of powerful engines. Mission Complete: The ending brings the bass line back to earth with a flourish. Perhaps a descending chromatic line to depict the plane landing safely, or a series of funky slides for a more playful touch. This is just a roadmap, pilot! Feel free to add your own improvisational flourishes, double stops to mimic dogfights, or slap techniques for some extra punch. The sky's the limit (or rather, the atmosphere) with this Spy Plane bass transcription. Ready to take flight? Grab your bass and get groovin'!
$4.44
4.09 €
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Basse electrique
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Tracy Dean McCallum
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Tracy Dean McCallum
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Spy Plane
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Tracy Dean McCallum
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SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.28 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.28 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. B…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.28 €
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Cor et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizz…
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Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.28 €
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Flûte traversière et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Trompette, Euphonium (duo)
Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By…
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Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.28 €
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Trompette, Euphonium (duo)
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
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