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Break It To Me Gently
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Vous avez sélectionné:
Break It To Me Gently
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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Break It To Me Gently
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Chorale TTBB
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INTERMÉDIAIRE
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Brenda Lee
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Robin Park
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Break It To Me Gently
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Robin Park
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SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1373890 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Robin Park. 20th Century,A Cappella,Barbershop,Cont...
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Voice (TTBB) - Level 3 - SKU: A0.1373890 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Robin Park. 20th Century,A Cappella,Barbershop,Contemporary,Country. Barbershop Quartet. 4 pages. Robin Park #958365. Published by Robin Park (A0.1373890). A heartfelt breakup song famously sung by Brenda Lee, 'Break It to Me Gently' has had numerous renditions and was also featured in the show Mad Men. This piece was arranged with the group Heist in mind for relevant barbershop harmony contests.
$12.99
Break It To Me Gently
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Chorale SSAA
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INTERMÉDIAIRE
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Contemporain
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Brenda Lee
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Michael Gellert
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Break It To Me Gently
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Michael Gellert
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.877264 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Michael Gellert. Contemporary. Octavo. 4 page...
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Choral Choir (SSAA) - Level 3 - SKU: A0.877264 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Michael Gellert. Contemporary. Octavo. 4 pages. Michael Gellert #5727835. Published by Michael Gellert (A0.877264). Women's Barbershop voicing parts named Tenor, Lead, Baritone and Bass (SSAA) - IntermediateIt is priced for Quartets and includes 4 copies in the price
$12.99
Break It To Me Gently
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Chorale TTBB
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Brenda Lee
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Adam Scott
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Break It To Me Gently
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Adam Scott
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.748891 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Adam Scott. A Cappella. Octavo. 6 pages. Adam Scott #43...
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Choral Choir (TTBB) - SKU: A0.748891 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Adam Scott. A Cappella. Octavo. 6 pages. Adam Scott #4346803. Published by Adam Scott (A0.748891). Brenda Lee Cover, A Cappella Cover, Country, 12/8 groove, Close Harmony Singing.
$2.99
Break It To Me Gently
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Chorale TTBB
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FACILE
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Contemporain
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Brenda Lee
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Robert Rund
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Break It To Me Gently
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Robert Rund
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.967135 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Robert Rund. Contemporary. Octavo. 6 pages. R...
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Choral Choir (TTBB) - Level 2 - SKU: A0.967135 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Robert Rund. Contemporary. Octavo. 6 pages. Robert Rund #6012639. Published by Robert Rund (A0.967135). Learning Tracks available from Kohl Kitzmiller music.
$4.60
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
Break It To Me Gently
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Piano, Voix et Guitare
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Country
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Break It To Me Gently
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Country. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.339733). - Piano/Voca...
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This edition: Interactive Download. Country. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.339733). - Piano/Vocal/Guitar (chords only) - Country - Hal Leonard - Digital Sheet Music
$4.99
Break It To Me Gently
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Ligne De Mélodie, (Paroles) et Accords
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Rock
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Rock
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Break It To Me Gently
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Pop; Rock. Fakebook. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.376525). - Fakebook - Pop; Rock - Hal Leona...
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This edition: Interactive Download. Pop; Rock. Fakebook. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.376525). - Fakebook - Pop; Rock - Hal Leonard - Digital Sheet Music
$3.99
Gentle Snow
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Basson, Piano (duo)
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FACILE
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Angela Salvaggione
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Gentle Snow
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Angela Salvaggione
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1313147 Composed by Angela Salvaggione. Contest,Festival,Instructional. Score and part. 4 pages. Angela Salvaggione #9...
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Bassoon,Piano - Level 2 - SKU: A0.1313147 Composed by Angela Salvaggione. Contest,Festival,Instructional. Score and part. 4 pages. Angela Salvaggione #901981. Published by Angela Salvaggione (A0.1313147). I wrote this song on the first day of spring break, when it decided to snow. I definitely wasn’t expecting that! It was a softly falling snow, and inspired me to write this piece.Play as smoothly as you can throughout the whole piece. Make sure you count very carefully in measure 21 and 22; the rhythms might surprise you. Also pay close attention to how the music is slurred. When you tongue, do so gently. The more you can help others imagine a quiet day with snow falling slowly and gently, the better. Nowhere in this piece should you play very loudly – even the mezzo forte sections should be on the softer side.Time: ca. 1:30Range: Bb2-C4Key: Bb MajorTime Signature: 4/4I would generally use this piece with a solid first year bassoon student transferring from another instrument, or a second year bassoonist. There are a couple places where flicking up to Bb is advised. Other technical considerations are moving between D and Eb, and F and G. There are also a few rhythmic challenges such as eighth to dotted quarter, and eighth note and two sixteenths.Once the student has purchased this piece, an adjudicator’s copy may be made. Teachers may purchase individual copies for each student’s use. Studio licensing is not available.
$10.00
Moon River
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Jazz
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
Cello,Double Bass,Drums,Viola,Violin - Level 3 - SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Ter...
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
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Break It To Me Gently
