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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Breathing Free
Partitions à imprimer
38 partitions trouvées
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Breathing Underwater
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1113931 By Metric. By…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1113931 By Metric. By Emily Haines and James Shaw. Arranged by Sara Kim. Folk,Pop,Rock. Score. 6 pages. Sara Kim #715828. Published by Sara Kim (A0.1113931). This is my piano and vocal transcription of the acoustic version of Metric's song Breathing Underwater off their 2012 album Synthetica. Feel free to contact me at saraannkim@gmail.com.
$4.99
4.47 €
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Piano, Voix et Guitare
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Metric
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Sara Kim
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Breathing Underwater
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Sara Kim
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SheetMusicPlus
Breaking Free
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.857989 Composed by Michele McLaughl…
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Piano Solo - Level 4 - Digital Download SKU: A0.857989 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 5 pages. Michele McLaughlin Music #38283. Published by Michele McLaughlin Music (A0.857989). Song: Breaking Free Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.93 €
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Piano seul
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Michele McLaughlin
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Michele McLaughlin
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Breaking Free
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Michele McLaughlin Music
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SheetMusicPlus
Time of Anguish / Breathing Freely Again
Piano seul
Piano - Digital Download SKU: S9.Q50375 Composed by Zdenek Hula. This edition: Shee…
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Piano - Digital Download SKU: S9.Q50375 Composed by Zdenek Hula. This edition: Sheet music. Downloadable. Schott Music - Digital #Q50375. Published by Schott Music - Digital (S9.Q50375).
$17.99
16.13 €
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Piano seul
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Zdenek Hula
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Time of Anguish / Breathing Freely Again
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Schott Music - Digital
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SheetMusicPlus
Breathing Free (SA)
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.923466 Composed by Jenny Wal…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.923466 Composed by Jenny Walker. Pop. Octavo. 5 pages. J Walker #6521491. Published by J Walker (A0.923466). This was a song, in a popular style, written during the first part of the pandemic in 2020. It reflects the joy of going out into the fresh air and being grateful for life and nature, despite all the bad new of the day. A simple verse-chorus structure and an equally simplistic chord progression throughout.
$5.99
5.37 €
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Chorale 2 parties
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Jenny Walker
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Breathing Free
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J Walker
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SheetMusicPlus
20,000
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Bran…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
4.47 €
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Saxophone Alto
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
Floating Landscapes
Flûte traversière
Flute Solo - Digital Download SKU: A0.1456025 Composed by Jailton de Oliveira. 21st…
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Flute Solo - Digital Download SKU: A0.1456025 Composed by Jailton de Oliveira. 21st Century,Classical,Contemporary. Individual part. 3 pages. Jailton de Oliveira #1035184. Published by Jailton de Oliveira (A0.1456025). FLOATING LANDSCAPES, for Solo FlutePremiere: 13 July 2020 at Kraków Manggha Japanese Museum, Kraków, Poland. Natalia Jarząbek, Flute. The piece was composed as an étude to practice the technique of circular breathing. It has a single movement divided into five long phrases. The title is a metaphor for the form of the piece and also for the way the sounds are normally produced on the flute, where landscapes are represented by the musical phrases that contain sounds that “float” in the air in a flow that is produced and controlled by the performer. However “floating” also has connotations with something that circulates, e.g. an idea, providing an analogy to circular breathing. There are no bar lines in the piece. The rhythmic combinations have a freer, asymmetrical flow as they follow the internal structure of each phrase. The piece explores various nuances of dynamics (from ppp to f) in a slow rubato tempo, with a predominance of softer sounds. The piece aims at increasing the performer’s awareness of applying circular breathing over large intervals, and at developing the phrase building logic and its application.
$2.99
2.68 €
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Flûte traversière
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Jailton de Oliveira
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Floating Landscapes
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Jailton de Oliveira
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SheetMusicPlus
Air
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1412964 By Damien Gauci. By Damien Gauci…
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Piano - Level 3 - Digital Download SKU: A0.1412964 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 244. Damien Gauci #994971. Published by Damien Gauci (A0.1412964). The starting point for this piece was just reflect the breathing in and out of the morning air. The piece begins with a slow, flowing left hand which prepares the entrance of the melody in the right hand. The melody floats above the right and takes it’s time as if it’s breathing or flowing with the air. there are quite a few different motifs/melodies in this piece which could be representative of the changing nature of the wind and air throughout the day. There are moments when it is more calm and still, moments when it is flowing freely and rapidly around, and there are moments when it is more active and creates a whirlwind. While the sudden change between different themes is ok, If I wrote this piece again, I would try to create a better connection between them.
$1.99
1.78 €
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Piano seul
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Damien Gauci
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Air
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Damien Gauci
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SheetMusicPlus
Air
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1411181 By Damien Gauci. By Damien …
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Piano Solo - Level 3 - Digital Download SKU: A0.1411181 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993516. Published by Damien Gauci (A0.1411181). The starting point for this piece was just reflect the breathing in and out of the morning air. The piece begins with a slow, flowing left hand which prepares the entrance of the melody in the right hand. The melody floats above the right and takes it’s time as if it’s breathing or flowing with the air. there are quite a few different motifs/melodies in this piece which could be representative of the changing nature of the wind and air throughout the day. There are moments when it is more calm and still, moments when it is flowing freely and rapidly around, and there are moments when it is more active and creates a whirlwind. While the sudden change between different themes is ok, If I wrote this piece again, I would try to create a better connection between them.
$1.99
1.78 €
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Piano seul
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Damien Gauci
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Air
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Damien Gauci
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SheetMusicPlus
Too Good At Goodbyes
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1001351
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1001351 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Tania Pimenova. Pop,R & B. 17 pages. Tania Pimenova #6134681. Published by Tania Pimenova (A0.1001351). Too Good At Goodbyes by Sam Smith. Entire song arranged for a flute quartet. Mouth percussion a.k.a. Beatboxing is optional, however it adds a lot to the groove. All breathing marks are active (audible) breathing.Towards the end is a Flute 1 solo, feel free to improvise.Have fun rehearsing the song or duet yourself for a video.
$20.00
17.93 €
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Quatuor de Flûtes : 4 flûtes
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Sam Smith
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Tania Pimenova
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Too Good At Goodbyes
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Tania Pimenova
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SheetMusicPlus
Солнце (Sun)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed …
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99
1.78 €
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Chorale SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Seres Imaginários 7 (for Violoncello Solo)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.934368 Composed by Luis Cardoso. Co…
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Cello Solo - Level 4 - Digital Download SKU: A0.934368 Composed by Luis Cardoso. Contemporary. Individual part. 14 pages. Luis Cardoso #6167325. Published by Luis Cardoso (A0.934368). Seres Imaginários 7 (Imaginary Baings 7) follows the cycle of compositions about fantastic creatures started in 2012. Each movement is an imaginary being: Insonho is a witch of nightmares, that covers the mouth of the sleeper, but as it has a pierced hand, not stifles breathing. Uses a hoody and who manages to steal him can ask for money in exchange for his return; Alicanto is a bird with bright eyes and wings, whose flight does not project shadows. It feeds on precious minerals and help the miders to find them, since he did not see them. If he sees them, leads them to a cliff; Peeira is a keeper fairy wolves, that communicates and controls the packs.The composition, like previous compositions of the same cycle, integrates modal languages, modulating them freely and intersecting them with alternative sounds.
$20.00
17.93 €
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Violoncelle
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Luis Cardoso
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Seres Imaginários 7
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Luis Cardoso
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SheetMusicPlus
The Carnival of the Animals - 1. Introduction and the Lion's Royal March
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone -…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.948101 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 25 pages. Sam Bateman #3022597. Published by Sam Bateman (A0.948101). In this introductory movement, listen to the powerful melodies and pounding bass tone, as you imagine a mighty lion proudly on the prowl, giving his ferocious roar! This magnificent piece of music will give children and adults alike goosebumps all over, as they can practically feel the lion breathing down their necks. And it's all yours for a mere 15 of your American dollars! If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sam.bateman.music@gmail.com, and I'll respond back to you as soon as possible.
$15.00
13.45 €
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals - 1. Introduction and the Lion's Royal March
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Sam Bateman
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SheetMusicPlus
Sonatina for Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
26.89 €
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Glorious Hill
4 male voices (CtenTTBar) - Digital Download SKU: S9.Q19219 For four male voices…
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4 male voices (CtenTTBar) - Digital Download SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q19219. Published by Schott Music - Digital (S9.Q19219). Latin.Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. Gavin Bryars.
$6.99
6.27 €
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Gavin Bryars
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Glorious Hill
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Schott Music - Digital
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SheetMusicPlus
Doubt & Determination (An Epic Sonata of Indeterminacy)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download…
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
6.27 €
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.93 €
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Night of Dreams (Nacht und Träume Op. 48 No. 2)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1501452 By Franz Schubert…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1501452 By Franz Schubert. By Franz Schubert. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 4 pages. Ian Fitze #1077399. Published by Ian Fitze (A0.1501452). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A reflective piece taken from one of Schubert's most famous Lieder. An exercise in breathing, phrasing and intonation.
$5.99
5.37 €
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Saxophone Alto et Piano
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Franz Schubert
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Ian Fitze
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Night of Dreams
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Ian Fitze
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SheetMusicPlus
Night of Dreams (Nacht und Träume Op. 48 No. 2)
Instrumental Solo,Piano,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.142…
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Instrumental Solo,Piano,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.1424789 By Franz Schubert. By Franz Schubert. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and individual part. 4 pages. Ian Fitze #1005862. Published by Ian Fitze (A0.1424789). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.Written specifically for C Melody Saxophone - although can be played by ANY non-transposing instrument (assuming range is not an issue)EASY Saxophone part - should be playable by a 1'st or 2'nd year player.A reflective piece taken from one of Schubert's most famous Lieder. An exercise in breathing, phrasing and intonation.
$1.99
1.78 €
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Franz Schubert
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Ian Fitze
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Night of Dreams
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Ian Fitze
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SheetMusicPlus
Night of Dreams (Nacht und Träume Op. 48 No. 2)
Trompette, Piano
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1403909 By Franz Schubert…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1403909 By Franz Schubert. By Franz Schubert. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 6 pages. Ian Fitze #987077. Published by Ian Fitze (A0.1403909). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.EASY Bb Trumpet part - should be playable by a 1'st or 2'nd year player.A reflective piece taken from one of Schubert's most famous Lieder. An exercise in breathing, phrasing and intonation.
$1.99
1.78 €
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Trompette, Piano
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Franz Schubert
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Ian Fitze
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Night of Dreams
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Ian Fitze
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SheetMusicPlus
Night of Dreams (Nacht und Träume Op. 48 No. 2)
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1401075 By Franz Schubert.…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1401075 By Franz Schubert. By Franz Schubert. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 6 pages. Ian Fitze #984276. Published by Ian Fitze (A0.1401075). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A reflective piece taken from one of Schubert's most famous Lieder. An exercise in breathing, phrasing and intonation.
$1.99
1.78 €
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Flûte traversière et Piano
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Franz Schubert
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Ian Fitze
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Night of Dreams
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Ian Fitze
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SheetMusicPlus
A Pause for Thought
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1101389 Composed by Jon Raybould. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.1101389 Composed by Jon Raybould. Christian,Classical,Wedding. Score and part. 5 pages. Jon Raybould Music #704785. Published by Jon Raybould Music (A0.1101389). A Pause For Thought is a soft, gentle piece and should be played unhurried, reflective, poised, expressive, calm. I've dedicated it to all the millions of people who have been affected by the Covid-19 Global Pandemic so far. Yes, it's short, it has relatively simple notes and rhythms - but to be played well it requires lots of control - breathing, intonation, tone, vibrato .... and possibly, emotional control!! .... Free performance and backing tracks for download from here https://drive.google.com/drive/folders/1IhlQX_AmfeNh32Gwrp7dGPvLBKcTxhqe?usp=sharing.
$6.00
5.38 €
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Flûte traversière et Piano
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Jon Raybould
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A Pause for Thought
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Jon Raybould Music
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SheetMusicPlus
"Crocodile Teeth" for Horn and Piano
Cor et Piano
French Horn,Piano - Digital Download SKU: A0.935499 Composed by Kazys Daugela. Chil…
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French Horn,Piano - Digital Download SKU: A0.935499 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210091. Published by Kazys Daugela (A0.935499). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99
1.78 €
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Cor et Piano
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Kazys Daugela
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"Crocodile Teeth" for Horn and Piano
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Kazys Daugela
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SheetMusicPlus
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