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--INSTRUMENTS--
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Bring Us Near - Viola
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CORNET
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MANDOLINE
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Vous avez sélectionné:
Bring Us Near - Viola
Partitions à imprimer
46 partitions trouvées
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Bring Us, O Lord God (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gerald Near
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Bring Us, O Lord God
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Aureole Editions - Digital
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SheetMusicPlus
SATB choir and organ - Medium - SKU: MQ.AE154-E Composed by Gerald Near. Funeral. Instrument part. 7 pages. Aureole Editions - Digital #AE154-E. Publish...
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SATB choir and organ - Medium - SKU: MQ.AE154-E Composed by Gerald Near. Funeral. Instrument part. 7 pages. Aureole Editions - Digital #AE154-E. Published by Aureole Editions - Digital (MQ.AE154-E). English.Commissioned by the choir of Christ Church Parish in Pensacola, this sublime text by John Donne is given a thoughtful and skillful setting by Gerald Near. The organ part is lyrical and supportive, there is an optional a cappella section of about eight measures. Never above a dynamic of mf, this is restrained and elegant music.
$1.95
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Ray Thompson
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Holst: Bring Us In Good Ale
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
$3.95
Nearer, My God, to Thee (as played by 'The Piano Guys')
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Sarah Flower Adams and 'The Pi
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Flavio Regis Cunha
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Nearer, My God, to Thee
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Flavio Regis Cunha
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SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys')...
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String Ensemble Cello - Level 3 - SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys'). Arranged by Flavio Regis Cunha. Contest,Festival,Film/TV,Instructional,Sacred,Wedding. 17 pages. Flavio Regis Cunha #852516. Published by Flavio Regis Cunha (A0.1259252). Are you a cellist looking for the perfect arrangement to add to your repertoire? Then look no further! Â Introducing 'Nearer, My God, to Thee' composed by Sarah Flower Adams as heard on 'The Piano Guys'. This beautifully arranged piece is perfect for a violoncello quartet. Â For amateurs, students, and professionals alike, this sheet music provides an excellent opportunity to learn and practice the intricate and soaring melodies of this timeless song. The sheet music also makes a delightful addition to any repertoire, providing a wonderful, powerful, and meaningful performance. Â Experience the beauty of 'Nearer, My God, to Thee' the way it was intended with this arranger sheet music from 'The Piano Guys'. Your audience will be in awe of your musical skill in no time!Advanced-IntermediateFormat: Concert, 9 x 12 inches8 pages.Program NotesThe Piano Guys bring to life Sarah Flower Adams's traditional hymn Dawn in this lively arrangement for four violoncellos. In this unique interpretation, the alluring melody of the strings conjure up feelings of anguish and hope evoked by the original hymn. Throughout the piece, the four cellists navigate an intricate combination of Renaissance-era chords, lush harmonies, and entrancing held notes that transition between moments of minor despair and major triumph within the same breath. As the layers of four strong, soulful voices come together at the end, we are left with feelings of optimism and promise, that no matter the tribulations we may face, dawn brings us a sense of renewal.
$12.99
Nearer, My God, to Thee
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Alexander
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Christopher Alexander
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Nearer, My God, to Thee
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Christopher Alexander
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.839940 By Christopher Alexander. By Lowell Mason. Arranged by Christopher Alexander. Sacred. Score. 12 pages. Christopher...
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Piano Solo - Level 4 - SKU: A0.839940 By Christopher Alexander. By Lowell Mason. Arranged by Christopher Alexander. Sacred. Score. 12 pages. Christopher Alexander #6197209. Published by Christopher Alexander (A0.839940). Most famously notable for being played by the musicians on the RMS Titanic as the ship sank into the Atlantic Ocean in 1912, the beginning of this arrangement aims to capture the essence of that fateful night with the ocean waves represented in an aleatoric figure in the left hand as the melody soars above the rumbling. Â The song moves from there to illustrate more bodies of water (i.e. rivers, creeks, and seas) that beautify and bring peace to the earth and bring to us a sense of wholeness with each image. Â This timeless hymn will surely bring us closer in our journeys of faith during your performance.
$2.00
Bring Us Near - Full Score
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Full Score
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.404669 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2...
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Choral - SKU: HX.404669 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 22 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404669).
$7.00
Bring Us Near - Keyboard String Reduction
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Keyboard Strin
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404679 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. H...
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SKU: HX.404679 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404679).
$7.00
Bring Us Near - Violin 1, 2
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Violin 1, 2
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404675 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. H...
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SKU: HX.404675 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404675).
$7.00
Bring Us Near - Drums
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Drums
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404673 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. H...
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SKU: HX.404673 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404673).
$7.00
Bring Us Near - Cello
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Cello
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404677 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. H...
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SKU: HX.404677 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404677).
$7.00
Bring Us Near - Percussion
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Percussion
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404672 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. H...
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SKU: HX.404672 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404672).
$7.00
Bring Us Near - Rhythm
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Rhythm
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404674 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. H...
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SKU: HX.404674 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404674).
$7.00
Bring Us Near - Clarinet (sub. Oboe)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Clarinet
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404671 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. H...
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SKU: HX.404671 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404671).
$7.00
Bring Us Near
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Chorale SATB
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Musique Sacrée
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Richard Kingsmore
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Bring Us Near
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.404620 Arranged by Richard Kingsmore. Sacred. Choral. 11 pages. Duration 225. Published by Hal Leonard - Digital (HX.404620).
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(SATB) - SKU: HX.404620 Arranged by Richard Kingsmore. Sacred. Choral. 11 pages. Duration 225. Published by Hal Leonard - Digital (HX.404620).
$2.15
Bring Us Near - Oboe
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Oboe
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404670 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. H...
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SKU: HX.404670 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404670).
$7.00
Bring Us Near - Double Bass
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Pack Instrumental pour Chorale
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Musique Sacrée
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Dianne Wilkinson and Rebecca J
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Richard Kingsmore
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Bring Us Near - Double Bass
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404678 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. H...
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SKU: HX.404678 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404678).
$7.00
No Greater Love
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David Kai
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99
Celestial Light (Think Celestial), a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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the way will be made clear
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Celestial Light
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1355292 Composed by Kevin G. Pace (ASCAP), Kristi Lords Kent. Christian,Praise & Worship,Religious,Sacred...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1355292 Composed by Kevin G. Pace (ASCAP), Kristi Lords Kent. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #940011. Published by Kevin G. Pace (A0.1355292). A beautiful hymn with music by Kevin G. Pace and text by Kristi Lords Kent.Text:While we abide on earth in our familiesDiscouragement can strike and bring us to our knees.I will turn to Heaven for the answers that I need.I will turn to Heaven when I am in need.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.Jesus lifts the darkness, so we can find His ways.God’s promises are true, remember and obey.Sufficient to meet the challenges today.Sufficient for me and the challenges today.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.Dear Kind, Heavenly Father, and Jesus Christ so dearPromptings from the Holy Ghost, Heaven is so near.Repentance is a gift; the way will be made clear.Repentance I will do so Thy way will be made clear.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.
$1.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Sir Christemasse, A song of Father Christmas : SATB with Acoustic Guitar
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Chorale SATB
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Noël
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M
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Sir Christemasse, A song of Fa
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741933 Composed by M. Ryan Taylor. Christian,Christmas,Classical,Contemporary,Sacred. Octavo. 15 pages. Vocal Works #48486...
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Choral Choir (SATB) - SKU: A0.741933 Composed by M. Ryan Taylor. Christian,Christmas,Classical,Contemporary,Sacred. Octavo. 15 pages. Vocal Works #484863. Published by Vocal Works (A0.741933). A setting of an adapted Christmas text by Richard Smert (1428-77) Nowell, nowell, nowell. Welcome my lord Sir Christemasse, Welcome to all both more and lasse, Come near, nowell! Come near, nowell. Dieu vous garde beau sire, tidings I you bring: A maid hath born a child full young, Which causeth ye for to sing: Welcome my lord Sir Christe masse, Welcome to all both more and lasse, Come near, nowell. Come near, noWelcome my lord Sir Christemasse, Welcome to all both more and lasse, come near, nowell, come near, nowell, come near, nowell, come near, nowell, come near, nowell. Wherefor sing we all at abrayde: Nowell! come near, nowell. Christ is now born of a pure maid; come near, nowell, come near, nowell, come near, nowell, come near, nowell. Wherefor sing we all at abrayde: Nowell! Come near, Nowell! In an ox stall he is laid; Wherefor sing we all at abrayde: Nowell! Who is there that singeth so? I am here! Beuvex bien par tutte la company, Make good cheer and be right merry, And sing with us most joyfully: Nowell! Who is there that singeth so? Welcome my lord Sir Christemasse, Welcome to all both more and lasse, Come near, nowell!
$1.99
Richard Kingsmore: Bring Us Near (COMPLETE) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Kingsmore
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Virtualsheetmusic
Instantly printable sheet music by Richard Kingsmore for orchestra/band of MEDIUM skill level. / sacred
Instantly printable sheet music by Richard Kingsmore for orchestra/band of MEDIUM skill level. / sacred
$43.99
Dianne Wilkinson: Bring Us Near - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Dianne Wilkinson
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Virtualsheetmusic
Instantly printable sheet music by Dianne Wilkinson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
Instantly printable sheet music by Dianne Wilkinson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
$6.13
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Bring Us Near - Viola
