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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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But Not for Me: Solo Eb Part
Partitions à imprimer
17 partitions trouvées
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1
But Not for Me: Solo Eb Part (Substitute for Vocal)
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_EB Solo Eb Part (Sub…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_EB Solo Eb Part (Substitute for Vocal). Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_SOLO_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_SOLO_EB). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.75 €
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Ensemble Jazz
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George Gershwin and Ira Gershwin
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Scott Ragsdale
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Jazz
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But Not for Me: Solo Eb Part
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.9 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.28 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
HE LEADETH ME - SOLO (or group) for any Orchestra Instrument! Piano accompaniment
Accompagnement Piano
B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Instrumental Solo,Pi…
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B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1115450 Composed by William B. Bradbury. Arranged by Glen Poehlmann. Christian,Sacred. Score and individual part. 22 pages. Arrangements by GPoehlmann #717234. Published by arrangements by GPoehlmann (A0.1115450). HE LEADETH ME - Solo Instrument with Piano Accompaniment Very flexible arrangement! Not only does it come in 2 keys (C & D), but you can transpositions for the most common orchestral instruments. Designed as a Solo but can also be a small group, You can assign more than 1 instrument to play (if confidence is an issue) or you can divide the arrangement into sections performed by different players. Hymn Tune: HE LEADETH ME Medium Easy (Grade 2) 54 measures Performance Time approx 2:25 Key: C and D (2 versions) Meter: 4/4 Parts included (PDF): C Treble, Eb Treble, F Treble, Bb Treble, C High Treble, Bass Clef, Alto Clef, Tuba
$5.00
4.58 €
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Accompagnement Piano
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William B
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Glen Poehlmann
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HE LEADETH ME - SOLO
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arrangements by GPoehlmann
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SheetMusicPlus
16 Favourite Hymns for Brass Quartet (Vol 2.)
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.587217 Composed by Various. Arr…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. 79 pages. David McKeown #3107993. Published by David McKeown (A0.587217). 16 Favourite Hymns for Brass Quartet (Vol 2.) is a collection of commonly performed traditional hymns. They are arranged primarily for two Trumpets, one Trombone and one Tuba, but the file also contains alternative/additional parts for Horn in F, Tenor Horn in Eb and Bass Trombone. The file contains the score plus the separate parts. 16 Favourite Hymns for Brass Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements. · There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building repertoire for church bands and other ensembles. · The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.50
10.54 €
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Ensemble de cuivres
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Various
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David McKeown
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16 Favourite Hymns for Brass Quartet
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David McKeown
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SheetMusicPlus
Mendelssohn String Octet - Bass Part
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.914444 Composed b…
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.914444 Composed by Felix Bartholdy Mendelssohn. Arranged by Bryan Starkweather. Romantic Period. Individual part. 17 pages. Bryan Starkweather #6416903. Published by Bryan Starkweather (A0.914444). 9th part for Mendelssohn's String Octet in Eb Major, Op. 20. This arrangement adds a string bass part, and is extracted from the cello parts. The bass is intended to add to, but not change the sound of the original arrangement.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.
$3.99
3.66 €
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Contre Basse
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Felix Bartholdy Mendelssohn
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Bryan Starkweather
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Mendelssohn String Octet - Bass Part
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Bryan Starkweather
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SheetMusicPlus
8 Swinging Xmas Carols for C Tuba & Piano
Tuba et Piano
Piano,Tuba - Level 3 - Digital Download SKU: A0.1315142 By Keith Terrett. By Variou…
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Piano,Tuba - Level 3 - Digital Download SKU: A0.1315142 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Praise & Worship. Score and part. 31 pages. Keith Terrett #903887. Published by Keith Terrett (A0.1315142). An exciting arrangement of eight popular swinging xmas carols arranged for solo Tuba & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers Tubists and low brass players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed! Treble clef Eb & Bb parts are available on request via e-mail. HAVE FUN!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The Tuba part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!
$15.99
14.65 €
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Tuba et Piano
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for C Tuba & Piano
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Keith Terrett
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.32 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Andaluza
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.976737 Composed by Manuel de Fall…
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Concert Band - Level 3 - Digital Download SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
68.71 €
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Orchestre d'harmonie
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
How Much Does It Really Matter
Piano seul
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1080577
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1080577 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Individual part. 6 pages. Duration 166. George Kaplan #a63ViqvyX7NHqrIkdrBSJ. Published by George Kaplan (A0.1080577). Key: Eb major.The three-LP United States Of Mind series of vocal albums (with Horace on RMI electric piano, garbed in a dashiki) from the early 70s was widely scorned but is now viewed as a giant musical wellspring signaling a new direction for jazz. The composer later remarked in an interview, “The music came through me, not from me.â€.
$4.99
4.57 €
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Piano seul
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Horace Silver
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George Kaplan
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How Much Does It Really Matter
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George Kaplan
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SheetMusicPlus
Back In Black
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.770683 By AC/DC. By Angus Young, …
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Concert Band - Level 2 - Digital Download SKU: A0.770683 By AC/DC. By Angus Young, Brian Johnson, and Malcolm Young. Arranged by Ivan Marini. 20th Century,Contemporary,Instructional,Rock. Score and parts. 30 pages. Www.dalsegno.eu #6853209. Published by www.dalsegno.eu (A0.770683). Easy but accurate transcription of this Rock evergreen.Ideal for concerts, to build a repertoire or even for marching bands!Open section for optional solos. The special section is notated separately in the bottom lines of the parts and can be omitted if too difficult.Limited ranges, accurate notation and systematic cross-cueing allow a successful performance by every small/junior ensemble.Full score and complete set of parts for:Flute 1+2Oboe (also Bb Soprano Sax part included)BassoonClarinet 1+2Bass ClarinetAlto Sax 1+2Tenor SaxBaritone SaxTrumpet 1+2+3F Horn (also Eb part included)C Trombone 1+2C Euphonium (also Bb)TubaElectric BassDrumsOther transpositions, missing parts or custom settings available at simply request.Duration ca. 3' mins., 30 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$49.99
45.8 €
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Orchestre d'harmonie
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AC/DC
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Ivan Marini
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Back In Black
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www.dalsegno.eu
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SheetMusicPlus
God Bless America ®
B-Flat instrument,C Instrument,E-Flat Instrument,Instrumental Solo,Voice - Level 3 - Digit…
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B-Flat instrument,C Instrument,E-Flat Instrument,Instrumental Solo,Voice - Level 3 - Digital Download SKU: A0.504264 By Celine Dion. By Irving Berlin. Arranged by Mark Rippe. Broadway,Musical/Show,Patriotic,Sacred. Individual part. 8 pages. Mark Rippe #116123. Published by Mark Rippe (A0.504264). This is NOT an arrangement of anything Celine Dion did. But ArrangeMe gave me no options for an arrangement of Irving Berlin's song without attribution to her. This is a prayerful arrangement of what Irving Berlin intended as a prayer. It can be done as a male or female vocal solo, or as an instrumental solo. Solo parts are provided for voice, C instrument treble clef, Bb instrument treble clef, Eb instrument treble clef, and C instrument bass clef. Accompaniment is organ. Video sample uses solo cello.
$4.99
4.57 €
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Celine Dion
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Mark Rippe
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God Bless America ®
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Mark Rippe
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SheetMusicPlus
When A Child Is Born
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1138142 By Andrea …
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1138142 By Andrea Bocelli. By Alberto Salerno, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jay (trans.), and Maurizio Seymandi. Arranged by Brad Esbensen. Christian,Christmas,Contemporary,Jazz,Pop. Score and Parts. 68 pages. Brad Esbensen Music Services #738409. Published by Brad Esbensen Music Services (A0.1138142). This arrangement is written in Eb major and modulating to F# major for the final verse, and similar to a live version recorded by Johnny Mathis. Brass ranges are very comfortable, with harmon mute and flugel doubles written for the trumpets and bucket mutes for trombones. The sax parts are written for flute and clarinet doubles throughout but sax only parts are included in case doubles aren't available. A spoken word section in the middle is included although may be substitued for a trombone solo if desired. This chart is sure to be a Christmas crowd pleaser! If you would like this chart transposed into another key, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
54.97 €
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Ensemble Jazz
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Andrea Bocelli
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Brad Esbensen
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When A Child Is Born
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Brad Esbensen Music Services
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SheetMusicPlus
Click-Track Baroque
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1077651 Composed by Mackenzie Azela…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1077651 Composed by Mackenzie Azela. 20th Century,Classical,Contemporary,Jazz. Score and part. 30 pages. Mackenzie Azela #681858. Published by Mackenzie Azela (A0.1077651). Click-Track Baroque was titled in honor of the late Bruce Haynes whom was a truly insightful and free oboist. It is, for me, a step away from oboe works considered canon and a step towards playability, interest, and joy. This pieces is an entry way for the classical oboist into popular American rhythms and style and is a crowd favorite! The solo part appears to be very technical but does not push the boundaries of unnecessary virtuosity. The part stays in an accessible range for intermediate/advanced players. If you would like the solo part transposed for a Bb or Eb instrument please contact the composer at mackenzieazela@gmail.com.
$40.00
36.65 €
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Hautbois, Piano (duo)
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Mackenzie Azela
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Click-Track Baroque
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Mackenzie Azela
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SheetMusicPlus
25 jazz etudes
B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental…
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B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free
$14.99
13.73 €
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Darren Lloyd
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Darren Lloyd
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25 jazz etudes
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Darren Lloyd
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SheetMusicPlus
Semente
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.507775 By Rico & S…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.507775 By Rico & Sticks and Snarky Puppy. By Michael Kelly Rea League. Arranged by Julius Hülshoff. Contemporary,Jazz,Pop. Score and parts. 102 pages. 4telnote #4621463. Published by 4telnote (A0.507775). This arrangement has the same sequence as the funky Latin-like original by Snarky Puppy. Accordingly, the fast rhythms with their demanding articulation are a challenge. The melody part can be played with flute the way it was originally, but there is also a part for soprano saxophone. A solo sheet is also available which breaks down the solo chords from 179-203 for C, Bb and Eb instruments. In the video you can hear this arrangement played by UniJAZZity, the Young Jazz Orchestra of Westphalia (Germany) on its album Get In Line (2018). (www.UniJAZZity.de) For sharing your recording of this piece, questions, comments and feedback please feel free to contact me. facebook.com/4telnote twitter.com/4telnote instagram.com/4telnote.
$54.99
50.38 €
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Ensemble Jazz
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Rico & Sticks and Snarky Puppy
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Julius Hülshoff
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Semente
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4telnote
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SheetMusicPlus
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