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C'est Moi
Partitions à imprimer
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CC115ORC - Laisse-moi être ce jour dans ta vie
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1167924 By Carl Van Pevenage. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Multicultural,Musical/Show,Romantic Period,World. Score and parts. 95 pages. Carl Van Pevenage #768280. Published by Carl Van Pevenage (A0.1167924). After 15 years finally the Orchestra version is ready. A relief! I hope you enjoy it. The verses and the intermezzo are made based on a poem by Yoan Letend which with a few changes fits on the notes. The chorus has no lyrics.  **************************************** Ce jour dans ta vie Lorsque le jour se lève, doucementTu t’éveilles de ton long sommeilTu ouvres ta fenêtre en regardantLe monde se réveiller grâce à l’éclat du soleilAlors, c’est un nouveau matin pour toiEt tu espères que tes rêves vont se réaliserEn préparant ton cartable, tu penses déjà À tout ce qui te fait vivre et aimerPuis peut être, tu perds un peu de tempsÀ écouter dehors le chants des fleurs et des oiseauxEt à cet instant tu réalises que tout est importantMême si ce ne sont que des reflets dans l’eauLe monde bascule trop vers la violenceQue les gens ne savent plus vivre en paixIls enchaînent à des fers l’enfanceMais toi tu ne dois avoir aucun regretDu fond de mon esprit, j’écris ces motsJ’espère qu’ils résonneront plus vite que le sonJ’ai demandé sa plume à mon pierrotPour écrire un hymne que l’on chante à l’unissonC’est un peu de moi qui s’envoleAvec un zeste de folie et surtout de magieAlors comme la fleur a sa corolleLaisse moi être ce jour dans ta vieYoan Letend
$19.99
18.4 €
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Orchestre
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Carl Van Pevenage
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Carl Van Pevenage
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CC115ORC - Laisse-moi être ce jour dans ta vie
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Carl Van Pevenage
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SheetMusicPlus
Laissez Moi Danser By Cerrone
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1284425 Composed by Cristiano Min…
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Concert Band - Level 2 - Digital Download SKU: A0.1284425 Composed by Cristiano Minellono, Marc Cerrone, Pierre Delanoe, Raymond Georges Henri Donnez, and Salvatore Cutugno. Arranged by Benoit BARRAIL. 20th Century,Disco,Funk,Pop. Score and Parts. 36 pages. Benoît Barrail #875596. Published by Benoît Barrail (A0.1284425). Score in portrait format, instrumental parts in landscape format. The song Laissez-moi danser (Let me dance) was recorded in 1979 by Italian-French singer Dalida. It remains to this day an essential hit of this singer, it is the most remixed song of her repertoire. Disco style, this dynamic song will enchant your concerts or your festive events.This fairly easy piece can also be played by festive orchestras or fanfares. There are many doubled parts in the orchestration, which will allow you to play it with a small orchestra.Conducteur en format portrait, parties séparées en format paysage. La chanson Laissez-moi danser a été enregistrée en 1979 par la chanteuse italo-française Dalida. Elle reste à ce jour un tube incontournable de cette chanteuse, c’est la chanson la plus remixée de son répertoire. De style disco, cette chanson dynamique saura enchanter vos concerts ou vos animations festives.Ce morceau assez facile peut aussi être joué par des orchestres festifs de type fanfares ou bandas. Il y a beaucoup de parties doublées dans l'orchestration, ce qui vous permettra de le jouer avec un petit orchestre.
$49.99
46.01 €
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Orchestre d'harmonie
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Cristiano Minellono, Marc Cerrone, Pierre Delanoe, Raymond Georges Henri Donnez, and Salvatore Cutugno
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Benoit BARRAIL
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Laissez Moi Danser By Cerrone
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Benoît Barrail
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SheetMusicPlus
Jolie Mois De Mai
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.758031 Composed by Traditional 15…
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Concert Band - Level 1 - Digital Download SKU: A0.758031 Composed by Traditional 15th Century. Arranged by James Bicigo. Concert,Instructional,Renaissance,Standards. Score and parts. 20 pages. Polar Publications #6305669. Published by Polar Publications (A0.758031). This is a little French renaissance tune celebrating the month of May In The Merry Month of May. It uses the first six notes learned in band and has a few eight note figures to challenge young players.C'est un petit air de la renaissance française célébrant le mois de mai dans le joyeux mois de mai. Il utilise les six premières notes apprises en groupe et dispose de quelques huit chiffres pour défier les jeunes joueurs.
$30.00
27.61 €
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Orchestre d'harmonie
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Traditional 15th Century
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James Bicigo
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Jolie Mois De Mai
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Polar Publications
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SheetMusicPlus
Pas Pour Moi
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1394111 Composed by Atilla Sereftug…
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Easy Piano - Level 2 - Digital Download SKU: A0.1394111 Composed by Atilla Sereftug and Nella Martinetti. Arranged by juan carlos esteve / Gran Coda. 21st Century,Contest,Festival,Multicultural,World. Score. 1 pages. Juan Carlos Esteve #977570. Published by Juan Carlos Esteve (A0.1394111). Partition clavier (acompañamiento) con códigos de acordes para la canción Pas Pour Moi. La descarga contiene 1 página en formato pdf, formato folio A4 (21x29,7cm)-(8,27x11,69 in) Tonalidad original: Ab Nombre total de medidas: 58 Grados de dificultad: Fácil. Las particiones están diseñadas para hacer juegos con un grupo o un grupo.
$6.00
5.52 €
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Piano Facile
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Atilla Sereftug and Nella Martinetti
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Pas Pour Moi
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Juan Carlos Esteve
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SheetMusicPlus
Exaltez avec Moi
Small Ensemble Flute,Violin,Voice - Digital Download SKU: A0.944324 Composed by Mic…
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Small Ensemble Flute,Violin,Voice - Digital Download SKU: A0.944324 Composed by Michael Christolin. Children,Christian,Sacred. Score and parts. 4 pages. Michael Christolin #4804089. Published by Michael Christolin (A0.944324). Exaltez, avec moi, le Seigneur pour ses hauts faits!! Les paroles de ce morceau sont en Français et en Créole Haitien. C'est un chant de louange qui peut etre interprété par des enfants ou un chanteur lyrique. Bonne Adoration à vous!
$1.99
1.83 €
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Michael Christolin
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Exaltez avec Moi
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Michael Christolin
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SheetMusicPlus
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-04E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ruth: Chorus of Harvesters (Tout ce que moissonne; All Fruits) (Downloadable)
Chorale SATB
SATB choir, piano - Digital Download SKU: MQ.0386-E Composed by Cesar Auguste Franc…
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SATB choir, piano - Digital Download SKU: MQ.0386-E Composed by Cesar Auguste Franck and Henry Clough-Leighter. Thanksgiving. 25 pages. E. C. Schirmer Music Company - Digital #0386-E. Published by E. C. Schirmer Music Company - Digital (MQ.0386-E).
$3.25
2.99 €
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Chorale SATB
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Cesar Auguste Franck and Henry Clough-Leighter
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Ruth: Chorus of Harvesters
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.6 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
C'est Moi
Ligne De Mélodie, (Paroles) et Accords
Interactive Download SKU: HX.188228 By Lerner & Loewe. This edition: Interactive Do…
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Interactive Download SKU: HX.188228 By Lerner & Loewe. This edition: Interactive Download,scorch. Broadway,Musical/Show. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #110425. Published by Hal Leonard - Digital (HX.188228).
$3.99
3.67 €
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Ligne De Mélodie, (Paroles) et Accords
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Lerner & Loewe
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C'est Moi
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Hal Leonard - Digital
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SheetMusicPlus
Theme from "The Moldau": Baritone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014249_BTC1 Baritone T.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0014249_BTC1 Baritone T.C.. Composed by Bedrich Smetana. Arranged by John Kinyon. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014249_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014249_BTC1). UPC: 038081135564.John Kinyon has another winner with this transcription of the symphonic masterpiece The Moldau. A tribute to Bedrich Smetana's beloved river, this captivating piece describes the flowing and turmoil of water in musical terms. The parts are written well within the capabilities of young performers while keeping the essence of the original. This will add more than a little class to your next concert!Concert/Contest.
$3.00
2.76 €
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Orchestre d'harmonie
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Bedrich Smetana
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John Kinyon
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Theme from "The Moldau": Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.08 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Anne-Louise Brillon de Jouy: Sonata no. 12 in c minor for piano or harpsichord
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534715 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 16 pages. Musik Fabrik Music Publishing #6359087. Published by Musik Fabrik Music Publishing (A0.534715). SONATA NO. 12 IN C MINOR I. Allegro II. PrestoThe composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.
$10.35
9.53 €
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Piano seul
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: Sonata no. 12 in c minor for piano or harpsichord
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Musik Fabrik Music Publishing
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SheetMusicPlus
Les Moissonneurs
Piano seul
Piano - intermediate to advanced - Digital Download SKU: S9.Q51893 The Harvester…
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Piano - intermediate to advanced - Digital Download SKU: S9.Q51893 The Harvesters. Composed by Francois Couperin. Edited by Monika Twelsiek. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 3 pages. Schott Music - Digital #Q51893. Published by Schott Music - Digital (S9.Q51893). Key: B flat major.Digital publication of the piece found in the following print music collection: Portraits - 45 Easy Piano Pieces from 4 Centuries.
$2.99
2.75 €
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Piano seul
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Francois Couperin
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Les Moissonneurs
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Schott Music - Digital
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SheetMusicPlus
O Mundo E Um Moinho
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1296136 By Beth Carvalho. By Angenor De …
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Piano - Level 3 - Digital Download SKU: A0.1296136 By Beth Carvalho. By Angenor De Oliveira. Arranged by Sérgio Matias da Cunha. 20th Century,Latin. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886379. Published by Sérgio Matias da Cunha (A0.1296136). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, notas sincopadas, tercinas, sinais de repetição, linhas de oitava e ornamentos, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.59 €
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Piano seul
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Beth Carvalho
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Sérgio Matias da Cunha
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O Mundo E Um Moinho
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Sérgio Matias da Cunha
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SheetMusicPlus
Happy
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1513413 By Pharrell. By Pharrell.…
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Concert Band - Level 3 - Digital Download SKU: A0.1513413 By Pharrell. By Pharrell. Arranged by Benoît Barrail. 21st Century,Children,Film/TV,Pop,R & B. 72 pages. Benoît Barrail #1088287. Published by Benoît Barrail (A0.1513413). Arranged by Benoît Barrail for 2-Part Choir and Concert Band (Grade 3)All parts of the choir are doubled in the instrumental parts. Happy is a song by Pharrell Williams first released on July 2, 2103 from the soundtrack album for the film Despicable Me 2, then on the album Girl in 2014. This was the most successful song of 2014. Check out this dynamic arrangement, it will be pleasant for singers, musicians and your audience. Arrangé par Benoît Barrail pour Chœur à 2 voix égales et Orchestre d’Harmonie (Grade 3)Toutes les parties de chœur sont doublées à l’orchestre. Happy est une chanson de Pharrell Williams parue le 2 juillet 2013, d’abord sur la bande originale du film Moi, moche et méchant 2, puis sur l’album girl en 2014. C’est la chanson qui a connu le plus de succès durant l’année 2014. Découvrez cet arrangement dynamique qui plaira très certainement aux chanteurs, aux musiciens et au public.
$59.99
55.21 €
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Orchestre d'harmonie
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Pharrell
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Benoît Barrail
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Happy
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Benoît Barrail
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SheetMusicPlus
Chipolata
Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Comedy,Contest,Festival,Multicultural,World. Full Performance. Duration 163. ArtIA #998046. Published by ArtIA (A0.1416365). Découvrez une version réinventée de Chipolata de Téo Lavabo, magistralement interprétée par ma voix. Ce clip unique apporte une nouvelle dimension à la chanson humoristique, alliant l'art de la musique à une touche personnelle et créative.Dans cette réinterprétation, embarquez pour un voyage culinaire et musical, où chaque chipolata n'est pas juste un mets, mais une célébration de la joie et de l'absurdité de la vie quotidienne. Avec des scènes allant d'un petit-déjeuner festif à des aventures fantaisistes à la recherche de la chipolata parfaite, ce clip est une expérience à ne pas manquer.Suivez Cédric dans sa quête humoristique, illustrée par des séquences vidéo pleines d'humour et de fantaisie, où la préparation de chipolatas devient le prélude à des festivités inattendues. C'est un hommage à l'amour de la bonne nourriture, de la bonne compagnie, et surtout, du bon temps.Chipolata par Cédric est plus qu'un clip musical; c'est une invitation à rire, à chanter et à danser, rappelant que les plaisirs simples de la vie sont souvent les plus précieux. Préparez-vous à être captivé par cette performance vocale et visuelle, où la gaieté et l'esprit sont au rendez-vous.Chipolata par Cédric, une aventure à savourer sans modération. Partagez votre amour pour la musique et la cuisine avec moi, et voyez comment un simple plat peut inspirer une œuvre d'art.
$1.99
1.83 €
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Cédric Hermand
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Cédric Hermand
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Chipolata
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ArtIA
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SheetMusicPlus
Anne-Louise Brillon de Jouy: Sonata no. 3 in C Major for piano or harpsichord
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534706 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #6357725. Published by Musik Fabrik Music Publishing (A0.534706). The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia. The Sonata no. 3 in C major is in two movements: Adagio and Allegro Both of these movements utilse many passages with syncopation (No. 3: I), and motives and figuration for alternatinghands (No. 3: II).
$10.35
9.53 €
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Piano seul
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: Sonata no. 3 in C Major for piano or harpsichord
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Musik Fabrik Music Publishing
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SheetMusicPlus
Anne-Louise Brillon de Jouy: Sonata no. 1 in c minor for piano or harpsichord
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534704 Composed by Anne-Louise Brillon de Jouy. Classical,Folk,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #6342041. Published by Musik Fabrik Music Publishing (A0.534704). The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia. The Sonata no. 1 in c minor is in two movements: Allegro non tanto and Minuetto. II. Minuetto
$7.75
7.13 €
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Piano seul
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Anne-Louise Brillon de Jouy
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The Sonata no
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Anne-Louise Brillon de Jouy: Sonata no. 1 in c minor for piano or harpsichord
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Musik Fabrik Music Publishing
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SheetMusicPlus
Waltz (from the Violin Sonata in c)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1497665 Composed by Ulrich Lehens…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1497665 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. 10 pages. Ulrich Lehensteiner #1074080. Published by Ulrich Lehensteiner (A0.1497665). A dreamy waltz that provides a calm contrast to the storming turmoil of the sonata's other movements, culminating in its own, almost exaggerated, climax before returning to the initial tranquility. Ulrich Lehensteiner's Violin Sonata in c is a very dark and tumultuous piece of chamber music, with only a few bright moments. The ominously drifting mood of the first movement is only briefly interrupted by the dreamy waltz of the second movement, followed up with an absolute forced march a finale that blasts through from start to finish with the highest energy possible. The virtuosity of the sonata lies not so much in the technically difficult figures, but in maintaining that high level of energy demanded by incessant rhythms and constant fortes throughout the entire piece that is 20 minutes of music.PDF includes piano score violin part.
$17.99
16.56 €
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Violon et Piano
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Ulrich Lehensteiner
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Waltz
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Ulrich Lehensteiner
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SheetMusicPlus
Study C major
Piano seul
Piano - intermediate - Digital Download SKU: S9.Q13304 Op. 37 No. 6. Compose…
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Piano - intermediate - Digital Download SKU: S9.Q13304 Op. 37 No. 6. Composed by Antoine-Henry Lemoine. Edited by Monika Twelsiek. This edition: Sheet music. Copyright 2011 Schott Music GmbH & Co. KG, Mainz. Downloadable. Volume op. 37/6. 1 pages. Schott Music - Digital #Q13304. Published by Schott Music - Digital (S9.Q13304). Key: C major. German • English • French.Digital publication of the piece found in the following print music collection: Tempo! Tempo! - 40 fast and furious, wild and tempestuous, dynamic and dangerous, artistic and impressive, scintillating and dazzling, bright and brilliant virtuoso original pieces for the piano.
$2.99
2.75 €
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Piano seul
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Antoine-Henry Lemoine
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Study C major
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Schott Music - Digital
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SheetMusicPlus
Fantasia: Moirai
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1141259 By Filipe Bernardo. By Fili…
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Piano Solo - Level 4 - Digital Download SKU: A0.1141259 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 7 pages. Filipe Bernardo #741568. Published by Filipe Bernardo (A0.1141259). This Fantasia is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Fantasia: Moirai. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.
$4.00
3.68 €
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Piano seul
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Filipe Bernardo
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Fantasia: Moirai
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Filipe Bernardo
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SheetMusicPlus
C'est Moi by Robert Goulet - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Robert Goulet: C'est Moi Digital Sheetmusic - instantly downloadable sh…
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Performed by: Robert Goulet: C'est Moi Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Show/Broadway~~Musical
$5.50
5.06 €
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Piano, Voix
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Robert Goulet
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
I've Gotta Be Me (from "Golden Rainbow")
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000345 Composed by Walter Mark…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000345 Composed by Walter Marks. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000345. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000345). ISBN 9780739050804. UPC: 038081322155.Learn these songs from the classic heroes and villains of musical theater now! Good guy titles include C'est Moi (Camelot) * Get Me to the Church On Time (My Fair Lady) * The Impossible Dream (Man of La Mancha) * Make Someone Happy (Do-Re-Mi) * Two Lost Souls (Damn Yankees) * and many more. Bad guy titles include Alive (Jekyll & Hyde) * Everybody's Got the Right (Assassins) * Razzle Dazzle (Chicago) * Think Vulgar (Chitty Chitty Bang Bang) * and many more.
$3.99
3.67 €
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Piano, Voix et Guitare
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Walter Marks
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I've Gotta Be Me
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bring Me My Bride (from "A Funny Thing Happened on the Way to the Forum")
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000343 Composed by Stephen Son…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000343 Composed by Stephen Sondheim. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-XS-0000343. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000343). ISBN 9780739050804. UPC: 038081322155.Learn these songs from the classic heroes and villains of musical theater now! Good guy titles include C'est Moi (Camelot) * Get Me to the Church On Time (My Fair Lady) * The Impossible Dream (Man of La Mancha) * Make Someone Happy (Do-Re-Mi) * Two Lost Souls (Damn Yankees) * and many more. Bad guy titles include Alive (Jekyll & Hyde) * Everybody's Got the Right (Assassins) * Razzle Dazzle (Chicago) * Think Vulgar (Chitty Chitty Bang Bang) * and many more.
$3.99
3.67 €
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Piano, Voix et Guitare
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Stephen Sondheim
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Bring Me My Bride
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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