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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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C Jérôme
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Partitions à imprimer
42 partitions trouvées
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That's an Irish Lullaby (Too-ra-loo-ra-loo-ral) Key of C
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.774266 Composed by J.…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.774266 Composed by J.R. Sherman / Traditional Irish Song. Arranged by ASCAP, Duquesnel Music Publishing, and Peggy Duquesnel. Celtic,Children,Holiday,Traditional. Score. 2 pages. Duquesnel Music Publishing #5310581. Published by Duquesnel Music Publishing (A0.774266). This arrangement is similar to the one recorded by Bing Crosby in the Key of C. It starts with a slow rubato chorus and verse in 2/4, then a slow waltz for the last chorus. Good for sing-a-longs, concerts and children's music time. Subject headings for this piece include Dialects, Mothers & children, Nostalgia. First line reads Over in Killarney, many years ago, me Mither sang a song to me.More sheet music arrangements and recording by Peggy Duquesnel are available at www.PianoOrchestrations.com
$3.99
3.63 €
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Piano, Voix et Guitare
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J
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children, Nostalgia
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That's an Irish Lullaby
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Duquesnel Music Publishing
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SheetMusicPlus
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS, piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Frank Sinatra. Arranged by Amy…
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Piano Solo - Advanced Intermediate - Digital Download By Frank Sinatra. Arranged by Amy J. Snyder. Sheet Music Single. 5 pages. Published by Amy J. Snyder
"Have Yourself a Merry Little Christmas" has got to be one of the most classic Christmas songs of all time. It was written by Hugh Martin and Ralph Blane for the 1944 movie "Meet Me in St. Louis", starring Judy Garland. According to an interview with the writers in 1989, when Judy first read the words she refused to sing it because the words were too depressing. Martin and Blane revised it, and that version was used in the movie. This piano solo is written for advanced intermediate level, and begins with a beautiful, flowing style, full of rich chording, and changes into a "piano bar" style, with a single line melody in the R.H. and bass and chords in the L.H. The melody is written using many triplets and a swing rhythm that is similar to the way it is sung by many famous artists. There is lots of helpful fingering, making many passages flow with ease. Pedal this song about every 2 beats to maintain a clean sound. Arranged by Amy J. Snyder. Visit AmyJoMusic at www.facebook.com/amyjsnyder7and#65279;. Copyright (c) 1943 (Renewed) METRO-GOLDWYN-MAYER INC. (c) 1944 (Renewed) EMI FEIST CATALOG INC. All Rights Controlled and Administered by EMI FEIST CATALOG INC. (Publishing) and ALFRED MUSIC (Print) All Rights Reserved."Have Yourself a Merry Little Christmas" has got to be one of the most classic Christmas songs of all time. It was written by Hugh Martin and Ralph Blane for the 1944 movie "Meet Me in St. Louis", starring Judy Garland. According to an interview with the writers in 1989, when Judy first read the words she refused to sing it because the words were too depressing. Martin and Blane revised it, and that version was used in the movie. This piano solo is written for advanced intermediate level, and begins with a beautiful, flowing style, full of rich chording, and changes into a "piano bar" style, with a single line melody in the R.H. and bass and chords in the L.H. The melody is written using many triplets and a swing rhythm that is similar to the way it is sung by many famous artists. There is lots of helpful fingering, making many passages flow with ease. Pedal this song about every 2 beats to maintain a clean sound. Arranged by Amy J. Snyder. Visit AmyJoMusic at www.facebook.com/amyjsnyder7and#65279;. Copyright (c) 1943 (Renewed) METRO-GOLDWYN-MAYER INC. (c) 1944 (Renewed) EMI FEIST CATALOG INC. All Rights Controlled and Administered by EMI FEIST CATALOG INC. (Publishing) and ALFRED MUSIC (Print) All Rights Reserved.
$5.25
4.78 €
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Piano seul
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Frank Sinatra
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Amy J
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Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS, piano solo
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Amy J. Snyder
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SheetMusicPlus
Tell Me the Story of Jesus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1453257 By ... …
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1453257 By ... By Fanny J. Crosby and John R. Sweney. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Christmas,Classical,Holiday,Pop,Praise & Worship,Standards,World. 12 pages. Duration 120. J. Randolph Hall #1bxqPvvsQCo5tKmdqAFbSW. Published by J. Randolph Hall (A0.1453257). Key: C major.Sweney was a musician, band director, Civil War veteran, professor, and hymnist of the 19th Century. Crosby was the famous blind American poet, teacher, and hymnist in the 19th Century. Sections A and C are the verse. Section B and D are the refrain. A modulation to a new key occurs towards the end of B section with the help of a French augmented sixth chord. Section C then introduces a descant by yours truly. Più felice means to play with greater happiness or joy.
$4.00
3.64 €
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J
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Tell Me the Story of Jesus
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J. Randolph Hall
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SheetMusicPlus
That's Christmas To Me
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.733616 By Pentatonix. By Kev…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.733616 By Pentatonix. By Kevin Olusola and Scott Hoying. Arranged by Amy J. Snyder. Contemporary. Score. 7 pages. Amy J. Snyder #6129517. Published by Amy J. Snyder (A0.733616). That's Christmas To Me is a super sweet Christmas song sung by Pentatonix. The lyrics reflect thoughts of a child on Christmas Eve and morning. This piano solo is for advanced intermediate level in the key of C Major. The arrangement includes helpful fingering, lyrics and chord symbols. Starting out simply, this song builds to the chorus (including some R.H. octaves and 4-note chords, and L.H. arpeggios) and ends softly. A great addition to your Christmas repertoire. Written by Kevin Olusola and Scott Hoying, arranged by Amy J. Snyder. Visit Amy at https://www.facebook.com/amyjsnyder7 If you enjoy this arrangement, check out Amy's other Christmas arrangements : Noel, Mary DId You Know, When Christmas Comes to Town, White Christmas, Have Yourself A Merry Little Christmas, Breath of Heaven, Jingle Bells, Joy to the World, Silent Night, O Come O Come Emmanuel, O Holy Night, What Child Is This; and duets Let It Snow, White Christmas, Dance of the Sugar Plum Fairy, Ding Dong Merrily, and Patapan. Copyright © 2014 Sony/ATV Music Publishing LLC, EMI Blackwood Music Inc., Scott Hoying Publishing and Olumusik Publishing All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 International Copyright Secured All Rights Reserved.
$5.25
4.78 €
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Piano, Voix
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Pentatonix
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Amy J
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That's Christmas To Me
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Amy J. Snyder
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SheetMusicPlus
Tell Me the Story of Jesus for Flute (or C instrument) and Guitar
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.8…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.809943 Composed by Frances J. Crosby, Leslie C. Busbee. Arranged by Robert E. Proctor. Christian,Contemporary,Sacred. Score and parts. 16 pages. R. E. Proctor #6663105. Published by R. E. Proctor (A0.809943). An arrangement of this beloved hymn for flute or C instrument and guitar. Principal key is A Major with A Minor and F# minor. Suggested fingerings for guitar included. Duration is 5:05.
$5.95
5.42 €
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Flûte et Guitare
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Frances J
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Robert E
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Tell Me the Story of Jesus for Flute
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R. E. Proctor
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SheetMusicPlus
Pass Me Not O Gentle Savior for Flute or C instrument and Guitar
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.8…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.809947 Composed by Francis J. Crosby. Arranged by Robert E. Proctor. Christian,Contemporary,Sacred. Score and parts. 11 pages. R. E. Proctor #6752925. Published by R. E. Proctor (A0.809947). An arrangement of this hymn for Flute or C instrument and Guitar. Principal key is A major with modulations to F# minor and C major. Suggested fingerings for the guitarist included. Duration is approximately: 3:33. Number of pages is: 11. Score and parts included.
$5.95
5.42 €
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Flûte et Guitare
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Francis J
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Robert E
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Pass Me Not O Gentle Savior for Flute or C instrument and Guitar
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R. E. Proctor
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SheetMusicPlus
Tell Me The Story Of Jesus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1134…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1134546 Composed by John R. Sweney. Arranged by J. Randolph Hall. This edition: Interactive Download. Christmas,Classical,Folk,Praise & Worship,Standards. Score and parts. 15 pages. Duration 123. J. Randolph Hall #40wIb8Ynvly7cb5bYDA5V3. Published by J. Randolph Hall (A0.1134546). Key: Bb major.Sweney was a hymnist from Pennsylvania in the 19th Century. His music here was used in one of Fanny J. Crosby's many hymns. The song goes from Jesus' birth to his death, burial, and resurrection. Between section C and D, two augmented sixth chords (Italian and German) are used in modualting to the new key. A descant by yours truly is then added.
$4.00
3.64 €
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John R
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J
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Tell Me The Story Of Jesus
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J. Randolph Hall
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SheetMusicPlus
My Feet Can't Fail Me Now
Ensemble de cuivres
Baritone Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - …
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Baritone Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1393275 By Dirty Dozen Brass Band. By B. Jones, C. Joseph, E. Towns, G. Davis, J. Marshall, K. Harris, K. Joseph, and R. Lewis. Arranged by DaiyeOne. Contemporary,Funk,Jazz,R and B,Soul. 46 pages. Layered Music #976757. Published by Layered Music (A0.1393275). The official sheet music (delivered as PDFs via digital download) for Dirty Dozen Brass Band's classic My Feet Can't Fail Me Now, as put to tape in the studio on the 1984 debut album of the same name. This is the first official sheet music released by the artists themselves; proceeds support the band directly. An amazing educational tool for musicians, teachers, students, or anyone who wants a piece of cultural history, this order includes cover page, about the artist/song, performance notes, WAV file of the original recording, and full score/parts in PDF format, including parts for 2 trumpets, tenor sax, bari sax, trombone, sousaphone, and two percussionists.Transcribed, arranged, and designed by DaiyeOne, offering premier music transcription for artists and educators.DaiyeOne.com
$65.00
59.19 €
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Ensemble de cuivres
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Dirty Dozen Brass Band
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DaiyeOne
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My Feet Can't Fail Me Now
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Layered Music
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SheetMusicPlus
Easy On Me
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 4 - Digital Download SKU: A0.779490 By Adele. By Adele Adkins …
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C Instrument - Level 4 - Digital Download SKU: A0.779490 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Travis J. Gandy. Contemporary,Hip-Hop,Pop,R & B. Lead Sheet / Fake Book. 2 pages. TraviSongs #6598507. Published by TraviSongs (A0.779490). Easy On Me by Adele from the album 30. This arrangement is in Lead Sheet format with full grand staff piano riff written in the intro and outro sections.
$4.99
4.54 €
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Ligne De Mélodie, (Paroles) et Accords
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Adele
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Travis J
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Easy On Me
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TraviSongs
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SheetMusicPlus
THE DROVERS. lead sheet& #CJDennis words AND piano
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019292 Composed by #GeoffRo…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019292 Composed by #GeoffRodThomson. Lyrics: #CJDennis. 20th Century,Children,Contemporary,Musical/Show. Score. 1 pages. Geoff R Thomson #3138357. Published by Geoff R Thomson (A0.1019292). #TheDrovers is a short poem by C.J.Dennis about where drovers ride. Geoff Rod Thomson,(me), while keeping the tune extremely simple(bordering on boring;) decided to experiment with his (dis)chord progressions when writing his accompanying music to this poem. To be honest, and I confess, this piece was just an example of pure self-indulgence with chord experimentation on my part and has next-to-no similarity to my other kid songs so my recommendation unless you're into 'acoustic pain' is to move on to my next C.J.Dennis song.....for those who I haven't scared off, feel free to try it out for yourselves. Apologies to the rest of you. I cannot be contacted at #Geoffspianosongs in this case;) or GeoffRodThomson@gmail.com.
$1.99
1.81 €
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Piano, Voix
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#GeoffRodThomson
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THE DROVERS. lead sheet& #CJDennis words AND piano
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Geoff R Thomson
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SheetMusicPlus
A CHANGE OF AIR. lead sheet& #CJDennis words AND piano
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019284 Composed by #GeoffRo…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019284 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Film/TV,Musical/Show. Score. 2 pages. Geoff R Thomson #3129909. Published by Geoff R Thomson (A0.1019284). If people of today need advice on how to lose or put on weight this poem #AChangeOfAir by C.J.Dennis could very well have the answer....no guarantees though!;) Geoff Rod Thomson adds his little bit with his melody, chords and piano accompaniment. Just between you and me, great fun words here but shame about the music, in my opinion....I'd be trying one of the other songs preferably for music satisfaction. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.81 €
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Piano, Voix
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#GeoffRodThomson
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A CHANGE OF AIR. lead sheet& #CJDennis words AND piano
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Geoff R Thomson
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SheetMusicPlus
Encore!
Orgue
Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Boc…
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Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bock Music Company #BG0773. Published by Fred Bock Music Company (HL.8738391). ISBN 9781934596487. UPC: 073999383911. 9.3x12.0x0.683 inches.50 of Fred Bock's best organ arrangements have been carefully selected for this collection, bringing a wide variety of styles and titles. From the popular El Shaddai, to the more traditional Savior Like a Shepherd Lead Us and Jesus Loves Me (coupled with Debussy's Clair De Lune), these pieces will be played over and over again.
Song List: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)
Song List
: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)
$24.95
22.72 €
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Orgue
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Fred Bock
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Fred Bock
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Encore!
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Fred Bock Music Company
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SheetMusicPlus
I Only Have Eyes For You
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1117872 Composed by John J. Barne…
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C Instrument - Level 4 - Digital Download SKU: A0.1117872 Composed by John J. Barnes Iii and Sharon L. Barnes. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719384. Published by John Fries (A0.1117872). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I Only Have Eyes for You is a romantic love song. The Flamingos recorded a doo-wop adaptation of the song in 1958. It was commercially successful, peaking at number 11 on the US Billboard Hot 100 chart and number 3 on the Billboard Hot R&B/Hip-Hop Songs chart. Their version has since been recognized as a genre-defining work and has been frequently included in numerous lists; for instance, it was ranked as the 73rd biggest hit of 1959 by Billboard, while Rolling Stone magazine ranked the version as number 158 on their list of the 500 Greatest Songs of All Time.
$3.99
3.63 €
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Instruments en Do
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John J
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John Fries
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I Only Have Eyes For You
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John Fries
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SheetMusicPlus
Thème et variations for Cello and Piano op. 2 No 2
Violoncelle, Piano
Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.97…
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.979724 Composed by Iyad KANAAN. Concert,Instructional,Romantic Period,Spiritual. Score and parts. 13 pages. Iyad kanaan #5362199. Published by iyad kanaan (A0.979724). This piece is inspired from the life of french none, Sainte Thérèse de l'enfant Jésus also known Thérèse de Lisieux. the theme and 4 variations reflects the five sisters Martin Thérèse and her sisters Pauline, Marie, Léonine and Céline. it was premiered in 2002 during the visitation of Ste Therese relics in Lebanon, and performed by Angela Hounanian (Cello) and Dolcy Lawoun (Piano), NDU productions.
$9.99
9.1 €
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Violoncelle, Piano
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Iyad KANAAN
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Thème et variations for Cello and Piano op. 2 No 2
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iyad kanaan
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SheetMusicPlus
Give Him Praise - Piano
Piano seul
Piano SKU: HL.8738371 Composed by Myra Schubert. Piano solos. Fred Bock Publication…
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Piano SKU: HL.8738371 Composed by Myra Schubert. Piano solos. Fred Bock Publications. General Worship, Sacred. Fred Bock Music Company #BG0885. Published by Fred Bock Music Company (HL.8738371). ISBN 9781495078088. UPC: 073999383713. 9.0x12.0x0.134 inches.These solos for the advanced pianist incorporate well-loved hymn tunes with classical themes. Titles included are: Abide with Me * All Hail the Power of Jesus' Name * Amazing Grace * Hiding in Thee * Jewels * Near to the Heart of God * O Come, O Come Emmanuel * Something for Jesus * Take Time to Be Holy * When I Survey the Wondrous Cross.
Song List: Amazing Grace (J. Newton) O Come, O Come, Emmanuel Abide with Me (Monk) All Hail the Power of Jesus' Name (J Ellor) Near to the Heart of God (C. Mcafee) Something for Jesus (S Phelps/R Lowry) Take Time to Be Holy (W Longstaff/G Stebbins) Hiding in Thee (W Cushing/I Sankey) Jewels (W Cushing/G Root) When I Survey the Wondrous Cross
Song List
: Amazing Grace (J. Newton) O Come, O Come, Emmanuel Abide with Me (Monk) All Hail the Power of Jesus' Name (J Ellor) Near to the Heart of God (C. Mcafee) Something for Jesus (S Phelps/R Lowry) Take Time to Be Holy (W Longstaff/G Stebbins) Hiding in Thee (W Cushing/I Sankey) Jewels (W Cushing/G Root) When I Survey the Wondrous Cross
$12.95
11.79 €
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Piano seul
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Myra Schubert
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Give Him Praise - Piano
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Fred Bock Music Company
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.97 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.24 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
CC115ORC - Laisse-moi être ce jour dans ta vie
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1167924 By Carl Van Pevenage. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Multicultural,Musical/Show,Romantic Period,World. Score and parts. 95 pages. Carl Van Pevenage #768280. Published by Carl Van Pevenage (A0.1167924). After 15 years finally the Orchestra version is ready. A relief! I hope you enjoy it. The verses and the intermezzo are made based on a poem by Yoan Letend which with a few changes fits on the notes. The chorus has no lyrics.  **************************************** Ce jour dans ta vie Lorsque le jour se lève, doucementTu t’éveilles de ton long sommeilTu ouvres ta fenêtre en regardantLe monde se réveiller grâce à l’éclat du soleilAlors, c’est un nouveau matin pour toiEt tu espères que tes rêves vont se réaliserEn préparant ton cartable, tu penses déjà À tout ce qui te fait vivre et aimerPuis peut être, tu perds un peu de tempsÀ écouter dehors le chants des fleurs et des oiseauxEt à cet instant tu réalises que tout est importantMême si ce ne sont que des reflets dans l’eauLe monde bascule trop vers la violenceQue les gens ne savent plus vivre en paixIls enchaînent à des fers l’enfanceMais toi tu ne dois avoir aucun regretDu fond de mon esprit, j’écris ces motsJ’espère qu’ils résonneront plus vite que le sonJ’ai demandé sa plume à mon pierrotPour écrire un hymne que l’on chante à l’unissonC’est un peu de moi qui s’envoleAvec un zeste de folie et surtout de magieAlors comme la fleur a sa corolleLaisse moi être ce jour dans ta vieYoan Letend
$19.99
18.2 €
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Orchestre
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Carl Van Pevenage
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Carl Van Pevenage
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CC115ORC - Laisse-moi être ce jour dans ta vie
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Carl Van Pevenage
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SheetMusicPlus
San Francisco
Digital Download SKU: A0.1416312 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1416312 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,Traditional,World. Full Performance. Duration 179. ArtIA #997994. Published by ArtIA (A0.1416312). Plongez dans une version réimaginée et profondément personnelle de San Francisco de Maxime Le Forestier, interprétée avec émotion par Cédric. J'explore comment la magie de la musique peut être transcendée grâce à l'intelligence artificielle et à la passion vocale, donnant naissance à des chefs-d'œuvre rénovés qui touchent l'âme.Cette réinterprétation de San Francisco ne se contente pas de rendre hommage à la chanson emblématique française; elle la réinvente, en tissant des liens entre le passé et le présent, entre l'authenticité des émotions humaines et les possibilités infinies offertes par la technologie moderne.Le clip visuel qui accompagne cette mélodie intemporelle vous transporte à travers une série de scènes captivantes, allant des rues emblématiques de San Francisco aux paysages urbains actuels, illustrant la beauté intemporelle de la ville et l'esprit de liberté et de communauté qu'elle incarne.Rejoignez Cédric dans ce voyage musical et visuel à travers San Francisco, où chaque note et chaque image racontent une histoire d'amour, de rêves, et d'appartenance. C'est une invitation à redécouvrir cette mélodie légendaire à travers une nouvelle voix, une nouvelle perspective, offrant une expérience à la fois nostalgique et rafraîchissante.San Francisco par Cédric, maintenant disponible. Laissez-vous emporter par cette interprétation captivante et voyez par vous-même comment une chanson peut être transformée en une expérience nouvelle et émouvante.
$1.99
1.81 €
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Cédric Hermand
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Cédric Hermand
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San Francisco
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ArtIA
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SheetMusicPlus
Stefano Maria Torchio: Scherzino - Violin part
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1022757 Composed by Stefano Maria …
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Violin Solo - Level 3 - Digital Download SKU: A0.1022757 Composed by Stefano Maria Torchio. Concert,Contemporary,World. 2 pages. Stefano Torchio #3120587. Published by Stefano Torchio (A0.1022757). Stefano Maria Torchio: ScherzinoAs the title says (engl.: little scherzo), it's a small, playful, light and bouncy piece, that features a free atonal style and funny asimmetrical rhythms and metrics. It's not difficult but it could be wise to practice it slower at first, in order to check careful the intonation and the correct smooth and legato articulation between the fingers of left hand of the Violin player. The most careful precision in rhythm and differentiation between the articulations (that in general tends to a light staccato) is required.The piece is also suitable for school pourposes and concerts and also for liturgical ones (for example at the offertory or as final piece) by special festive occasion. Primarily it was composed for a wedding ceremony and it was for Piano and Organ and for Church Bell Carillon.Composer's dataStefano Maria Torchio, born in Padova (Italy), studied Orchestra and Choir Conducting at the Universität für Musik und darstellende Kunst in Vienna respectively with U. Lajovic, J. Wildner, E. Ortner and T. Lang. Further studies in Conducting pursued Torchio with Z. Metha, F. Luisi, R. Muti, B. de Billy, S. Young and G. Andretta, as well as with R. Heintze for the Piano, C. Leitner for Opera Conducting and A. Huber for the Musical Analysis. He also studied Composition and Violin at the Conservatory of his home town and with A. Corghi at the Accademia Chigiana in Siena, at the Accademia L. Perosi in Biella and at the R. Romanini Foundation in Brescia. Further seminars in Composition followed with C. Ambrosini, I. Fedele, M. Lichtfuss and I. Karchim. Between his Violin teachers S. Domoustchieva, E. Porta, S. Tschakerian and G. Furini are included. He's member of S.A.C.E.M. for copyright protection.You can find me on: facebook, instagram (stefano.mus) and twittere-mail: stefanotorchio84@gmail.com.
$3.00
2.73 €
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Violon
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Stefano Maria Torchio
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Stefano Maria Torchio: Scherzino - Violin part
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Stefano Torchio
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.24 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
I Come to the Garden
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1477653 Composed by C. Austin Miles…
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Piano Solo - Level 4 - Digital Download SKU: A0.1477653 Composed by C. Austin Miles. Arranged by Amy J Snyder. Christian,Religious,Sacred. Score. 5 pages. Amy J. Snyder #1055011. Published by Amy J. Snyder (A0.1477653). I Come to the Garden is a timeless classic hymn written by C. Austin Miles. This lovely arrangement is for advanced intermediate piano solo, key of A Major, and contains lots of helpful fingering and dynamics. Use lots of rubato for a nice effect. Always bring out the melody when it is surrounded by a 2nd voice in the R.H. This song is perfect for church preludes, offertories, special music, and retirement home entertainment. If you enjoy this arrangement, check out Amy's other hymn, gospel, and contemporary Christian solos such as Amazing Grace, O the Deep Deep Love, If My People, Christ the Lord is Risen Today, Christ Arose, Wonderful Words of Life, His Eye is on the Sparrow, No One Ever Cared For Me Like Jesus, Near the Cross/Nearer My God to Thee, Oceans, Good Good Father, I've Just Seen Jesus, Via Dolorosa, I Can Only Imagine, and many patriotic songs also! Visit Amy at https://www.facebook.com/amyjsnyder7 .
$5.50
5.01 €
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Piano seul
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C
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Amy J Snyder
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I Come to the Garden
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Amy J. Snyder
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SheetMusicPlus
Transfigured Life - Still Life
Violon et Piano
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Br…
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
11.79 €
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Violon et Piano
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Jacques Leguerney: Élégie for medium voice and piano
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fab…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà , dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10
8.29 €
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Piano, Voix
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Musik Fabrik Music Publishing
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Jacques Leguerney: Élégie for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Believe
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.733619 By Josh Groban. By Alan Silv…
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Piano Solo - Level 4 - Digital Download SKU: A0.733619 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Amy J. Snyder. Contemporary,Pop. Score. 6 pages. Amy J. Snyder #6195719. Published by Amy J. Snyder (A0.733619). Believe, from the hit Christmas movie The Polar Express is a beautiful song sung by the great Josh Groban. This arrangement is for advanced intermediate piano solo. It begins very simply, with R.H. chimes on the intro. Key of E Major, helpful fingering included. Great piece for Winter recitals, Christmas party entertainment, or singing around the piano with friends and family. Written by Alan Silvestri and Glen Ballard. Arranged by Amy J. Snyder. Visit Amy at https://www.facebook.com/amyjsnyder7 If you like this arrangement, check out Amy's other Christmas arrangements such as When Christmas Comes to Town , White Christmas, Have Yourself a Merry Little Christmas, Mary Did You Know, Noel, That's Christmas to Me, I Heard the Bells on Christmas Day, and more! Copyright © 2004 Joblana Music, Universal Music Corp., Hazen Music and Arlovol Music All Rights on behalf of Joblana Music Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights on behalf of Hazen Music Administered by Universal Music Corp. All Rights on behalf of Arlovol Music Administered by Penny Farthing Music c/o Concord Music Publishing International Copyright Secured All Rights Reserved.
$5.25
4.78 €
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Piano seul
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Josh Groban
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Amy J
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Believe
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Amy J. Snyder
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SheetMusicPlus
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