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C Valse advanced
Partitions à imprimer
7 partitions trouvées
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Valse en mi mineur de Frédéric Chopin
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jules de Swert
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he died in Ostend on 24
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Valse en mi mineur de Fr&eacut
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53296 Composed by Jules de Swert. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet m...
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Cello and piano - intermediate to advanced - SKU: S9.Q53296 Composed by Jules de Swert. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. posth. 9 pages. Schott Music - Digital #Q53296. Published by Schott Music - Digital (S9.Q53296). English • German.Belgian cellist Jules de Swert was born on 15.8.1843 in Leuven; he died in Ostend on 24.2.1891. His first cello lessons were with his father in Leuven, then from 1856 to 1858 he studied with Adrien Francois Servais in Brussels. Immediately after completing his studies he embarked on a very successful concert tour across Denmark, Sweden and Germany. He then found employment in Düsseldorf, Weimar – and Berlin, where he was Director of Music at court and teacher at the Academy of Music. In Vienna he was then appointed principal cellist at the Imperial Opera and professor at the Vienna Conservatoire. In 1888 de Sweet returned to Belgium, where besides teaching at Conservatoires in Ghent and Bruges he also worked as a conductor. Despite his busy concert schedule and teaching commitments, Jules de Swert still found time for composition. Alongside original pieces for cello and piano as well as transcriptions (particularly of works by Chopin) he composed two cello concertos, several orchestral works and operas. This transcription of Chopin’s Valse in E minor was published in 1876 (plate no. 22003).
$3.99
Valse sentimentale
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Michael Press
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Valse sentimentale
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q52198 Op. 51 No. 6. Composed by Peter Ilyich Tchaikovsky. Edited by Wolfgang Birtel. Arran...
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Violin and piano - intermediate to advanced - SKU: S9.Q52198 Op. 51 No. 6. Composed by Peter Ilyich Tchaikovsky. Edited by Wolfgang Birtel. Arranged by Michael Press. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 51/6. 7 pages. Schott Music - Digital #Q52198. Published by Schott Music - Digital (S9.Q52198). English • German • French.Digital publication of the piece found in the following print music collection: Concert Favourites - The Finest Concert and Encore Pieces for Violin and Piano.
$3.99
Valse
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Piano seul
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INTERMÉDIAIRE
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Francis Poulenc
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Zellev
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Valse
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1434116 Composed by Francis Poulenc. Arranged by Zellev. 20th Century,Children,Classical,Comedy,Video Game. Score. 4 page...
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Piano Solo - Level 3 - SKU: A0.1434116 Composed by Francis Poulenc. Arranged by Zellev. 20th Century,Children,Classical,Comedy,Video Game. Score. 4 pages. Zellev Music #1014354. Published by Zellev Music (A0.1434116). Key Signature: C majorTime Signature: 3/8Tempo: Assez vif (pretty sharp, presto-ish)Difficulty: Advanced intermediatea uniqely skittish kinda waltz from poulenc.
$4.00
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
9 Pieces for Piano, op. 18
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael A Yenny
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9 Pieces for Piano, op. 18
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Michael A Yenny
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.938826 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 30 pages. Michael A Yenny #115515...
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Piano Solo - Level 4 - SKU: A0.938826 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 30 pages. Michael A Yenny #115515. Published by Michael A Yenny (A0.938826). Available as a set. Duration: 13 minutes 30 seconds. C) 1998. Level: Late Intermediate-Advanced. 1. Nocturne (C-sharp minor) 2. Fanitul (A minor) 3. Valse (A-flat major) 4. Consolation (G major) 5. Consolation (E major) 6. Consolation (D major) 7. Consolation (C major) 8. Consolation (D-flat major) 9. Toccata (F-sharp minor).
$5.50
Prelude
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Piano seul
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AVANCÉ
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Nikolay Artcibouchev
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Yury Chugunov and Zellev
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7 March [O
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Prelude
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grung...
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Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Ðиколай ВаÑильевич Ðрцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
$5.00
Le plus que lente
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Leon Roques
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Le plus que lente
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q52204 Valse. Composed by Claude Debussy. Edited by Wolfgang Birtel. Arranged by Leon Roque...
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Violin and piano - intermediate to advanced - SKU: S9.Q52204 Valse. Composed by Claude Debussy. Edited by Wolfgang Birtel. Arranged by Leon Roques. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q52204. Published by Schott Music - Digital (S9.Q52204). English • German • French.Digital publication of the piece found in the following print music collection: Concert Favourites - The Finest Concert and Encore Pieces for Violin and Piano.
$4.99
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C Valse advanced
