Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.

Digital Pack includes:

1. Celtic Air and March (Songs of Irish Rebellion) - Conductor Score (Full Score)
2. Celtic Air and March (Songs of Irish Rebellion) - Flute
3. Celtic Air and March (Songs of Irish Rebellion) - Oboe
4. Celtic Air and March (Songs of Irish Rebellion) - Bassoon
5. Celtic Air and March (Songs of Irish Rebellion) - Bb Clarinet 1
6. Celtic Air and March (Songs of Irish Rebellion) - Bb Clarinet 2
7. Celtic Air and March (Songs of Irish Rebellion) - Bb Bass Clarinet
8. Celtic Air and March (Songs of Irish Rebellion) - Eb Alto Saxophone
9. Celtic Air and March (Songs of Irish Rebellion) - Bb Tenor Saxophone
10. Celtic Air and March (Songs of Irish Rebellion) - Eb Baritone Saxophone
11. Celtic Air and March (Songs of Irish Rebellion) - Bb Trumpet 1
12. Celtic Air and March (Songs of Irish Rebellion) - Bb Trumpet 2
13. Celtic Air and March (Songs of Irish Rebellion) - F Horn
14. Celtic Air and March (Songs of Irish Rebellion) - Trombone/Baritone B.C.
15. Celtic Air and March (Songs of Irish Rebellion) - Baritone T.C.
16. Celtic Air and March (Songs of Irish Rebellion) - Tuba
17. Celtic Air and March (Songs of Irish Rebellion) - Percussion 1
18. Celtic Air and March (Songs of Irish Rebellion) - Percussion 2
19. Celtic Air and March (Songs of Irish Rebellion) - Percussion 3
20. Celtic Air and March (Songs of Irish Rebellion) - Timpani

4 Irish Folksongs arranged by Charles Villiers Stanford and set for flute trio by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 3 Flutes. The tunes are : Trottin' to the Fair, At the Brink of the White Rock, Lost Light of My Eyes, and Leatherbags Donnell.

3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.

Everyone enjoys Celtic Folk Songs and Folk Hymns but not all realize that often they can be one and the same. A hymn text has often found its home in a folk song and a secular text sometimes finds a home in a hymn tune. This collection has a little of both. All but one of the tunes in this collection are of Celtic origin. The exception, ?Amazing Grace,? is a folk hymn of unknown origin that has all the markings of a Celtic Tune, including a pentatonic harmonic foundation.
For the harpists who also like to understand the history of a tune or even sing along, a variety of texts along with information about the tune and the lyrics can be found in the back of this book in the ?Notes on the Tunes.?

Titles: Ad Hyd y nos, Annie Laurie, Auld Lang Syne, Bunessan, Brother James' Air, Down By the Salley Gardens, Greensleeves, Iona Boat Song, Rorate (Rorate Coeli Desuper), Londonderry Air, New Britain, O Waly Waly, Slane, Scots W' Hae, The Ash Grove, Royal Oak, The Twenty-Ninth of May, St. Denio, Skye Boat Song, The Bard of Armagh, The Streets of Laredo, The Caledonian Hunt's Delight, St. Columba, The Road and the Miles to Dundee, The Rowan Tree, Ye Banks and Braes O' Bonnie Doon

One of the nicest things about this book is that each song has a short but lovely introduction!

Tuning your guitar toDADGAD compliments Celtic guitar music perfectly. It is easy to create drones and overlappingnotes that sound reminiscent of a harp or bagpipe. The 30 tunes represent a good selection ofwell known Celtic session tunes and songs. There are jigs, reels, songs, hornpipes, waltzes plus instructions onhow to read tablature and note rhythms. There are also some DADGAD chords, Celtic strumming patterns, major andminor scales, and a full DADGAD fingerboard chart.

Celtic Woodland Fairies

5 Irish Folk Tunes for Easy Piano

WithColored Notation to enable Beginner and Novice Pianists to read Music quicklyand accurately!

Improve your Technique and Sight Reading skills!

- Will You Come Down to Limerick

- Young Tom Ennis

- The Maid on the Green

- The Hag with the Money

- Nora with the Amber Hair

Charles Stanford arranged these six Irish folksongs for chorus in 1901. They are very well suited for a string ensemble and here they are set for string quartet by John Gibson. The six pieces run about 9 minutes total. The audio sample is of the 1st movement.

Twenty arrangements of Irish, Scottish, and Welsh folk songs and tunes for lever harp, with and without vocals. Eighteen of the arrangements are playable with slight or no modifications on small harps of 23 or more strings with an F to G range and levers on B, F, and C. Introductions are included in songs written for vocals. History of the tunes is found in the front of the book.
Table of Contents:
Down By the Salley Gardens, Gartan Mother's Lullaby, Southwind, Gentle Maiden, Separation of Soul and Body, Samradh Samradh, I Wish I had the Shepherd's Lamb, The Two William Davises, Jock O'Hazeldean, Scotland the Brave, Baloo Baleerie, Weaving Lilt, Ye Banks and Braes, Bells of Aberdovey, Queen's Marsh, and Suo Gân.

24 Favourite Songs of Ireland for Tin Whistle contains the best-loved and most-requested traditional Irish songs. They are arranged in the correct keys and range for the Tin Whistle, Irish Whistle in D. The music includes chord symbols to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun.

24 Favourite Songs of Ireland for Tin Whistle are ideal for playing and singing on St Patrick?s Day, or at any time of year, on stage or at home.

Here is the full list of songs

· Arthur McBride

· The Black Velvet Band

· A Bucketful of Mountain Dew

· A Bunch of Thyme

· Cockles and Mussels

· Danny Boy, (The Londonderry Air)

· Finnigan\'s Wake

· The Harp that Once through Tara\'s Halls

· I\'ll Tell Me Ma

· The Jolly Beggarman

· The Minstrel Boy

· The Mountains of Mourne

· The Nightingale

· The Raggle Taggle Gypsy

· The Rocky Road to Dublin

· The Rose of Tralee

· Rosin the Bow

· Sally Gardens

· The Sash

· The Spanish Lady

· The Star of County Down

· Waxie\'s Dargle

· Whiskey in the Jar

· The Wild Rover

ISBN 9781619119864.

This collection of dances and songs comes from Peggy Carteras repertoire of hammered dulcimer arrangements, drawing from years of playing live string-band music for contra dancing, Irish dancing and Royal Scottish country dancing. If you like to dance and sing, youall LOVE this book. Dances and Songs to Play and Sing for Hammered Dulcimer includes pieces from many parts of the world, arranged for solo performance or dance accompaniment. It includes songs for voice and dulcimer, which can also be played as solo arrangements. In addition, youall find marches, jigs, reels, polkas, strathspeys, waltzes and slow dances. The truth is, when playing for dance, a hammered dulcimer is all youall need!

Four traditional folk songs from around the world arranged for solo classical or acoustic guitar. Songs include Kojo no tsuki, Las Mañanitas, Jacob's Ladder, and Wee Cooper O'Fife.

ISBN 9781609745295.

Here's a book you'll be pulling off the shelf for many Christmases to come. A Celtic Recorder Christmas is a treasury of 24 Irish, Scottish, Welsh and English holiday carols suitable for both soprano and tenor instruments. Simple duets for two recorders, a round for three, and arrangements for solo recorder with guitar chords are all printed on a large, easy to read staff and lavishly adorned with Celtic calligraphy. From the hauntingly beautiful melodies of the Hebrides, to the ancient airs of Ireland, to the familiar Yuletide tunes of Wales, England and Scotland, these songs are sure to warm your heart and rouse the spirit of this giving season in a way no other music can.