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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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CHARANGO
Partitions à imprimer
9 partitions trouvées
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Uma for SATB and string quartet, with optional charango and sikus
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Chorale SATB
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FACILE
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Adrienne Inglis
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Uma for SATB and string quarte
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrie...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrienne Inglis (ASCAP) #900744. Published by Adrienne Inglis (ASCAP) (A0.1311809). Sing in the ancient Andean language of Aymara! Pronunciation guide included!Uma (2023)SATB and string quartet with optional charango and sikus, composed in the style of a Bolivian huayñoText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023 at 7 PMJester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October, 21, 2023, Uma for SATB and string quartet with optional charango and sikus is written as a dance in the style of a Bolivian huayño. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. In the high Andean plateau called the altiplano or puna, the scarcity of water calls on the local people to share the precious and essential resource. Humire’s poetry reassures us that there is enough uma (water) for all. The popular indigenous huayño dance predates the Spanish conquest. This choral setting celebrates cooperation and sharing of water with embellished instrumental sections and optional panpipes (sikus or zampoñas) played in hocket (trenzado) and charango. Occasional shouts (gritos) may add to the excitement.
$1.99
Wari (Vicuña) for SATB + string quartet with optional charango
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Chorale SATB
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FACILE
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Adrienne Inglis
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Wari
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1315612 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 24 pages. Adrienne I...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1315612 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 24 pages. Adrienne Inglis (ASCAP) #904350. Published by Adrienne Inglis (ASCAP) (A0.1315612). To celebrate Hispanic and Indigenous peoples, enjoy this easy, catchy tune in the ancient Andean language of Aymara (pronunciation guide included) in the style of an expressive Bolivian yaravà or lament. No worries if you don't have a charango — it can easily be performed with a string quartet.Wari (2023)SATB and string quartet with optional charango, composed in the style of a Bolivian yaravÃText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023Jester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October 21, 2023, Wari for SATB and string quartet with optional charango is written as a lament in the style of a Bolivian yaravÃ. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. Wari means vicuña, a native wild camelid species considered to be the ancestor of the domesticated alpaca. The harsh life of the Andes takes its toll on vicuña young, leaving behind grieving vicuña mothers. The Aymara people suffer similar losses and also cry for their lost loved ones. This yaravà lament includes expressive cadenza sections for both violin and cello, traditional key and rhythm, and a choral setting of Humire’s poignant poetry.
$1.99
Charango Method
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Methodes
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Italo Pedrotti
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Charango Method
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Metodo de Charango. Composed by Italo Pedrotti. Latin American. E-book and online audio. 208 pages. Published by Mel Bay Publications - Digital Sheet Mus...
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Metodo de Charango. Composed by Italo Pedrotti. Latin American. E-book and online audio. 208 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20325BCDEB). - e-book and online audio - Latin American - Mel Bay Publications - Digital Sheet Music
$27.99
El Condor Pasa (If I Could)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Daniel Alomia Robles, Jorge Mi
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
Salmo Andino
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John Ridgway Walker
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Salmo Andino
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John Ridgway Walker
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.966561 Composed by John Ridgway Walker. Latin,Sacred. Score and parts. 1 pages. John Ridgway ...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.966561 Composed by John Ridgway Walker. Latin,Sacred. Score and parts. 1 pages. John Ridgway Walker #2989087. Published by John Ridgway Walker (A0.966561). Language: SpanishScripture reference: Psalm 50:1-6Andean flavor with guitar, charango and quena.
$1.99
Andean Refrains Set I
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Dan Heslink
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Andean Refrains Set I
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Marimba,Xylophone - Level 4 - SKU: A0.935374 Composed by Dan Heslink. Contemporary,World. Score and parts. 41 pages. Pharaoh Publications...
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Small Ensemble Marimba,Xylophone - Level 4 - SKU: A0.935374 Composed by Dan Heslink. Contemporary,World. Score and parts. 41 pages. Pharaoh Publications #4855253. Published by Pharaoh Publications (A0.935374). Andean Refrains, composed by Dan Heslink The composing of Andean Refrains resulted from the composer’s travels in the Andes Mountains of Venezuela, where he came to know and enjoy the melodies of the indigenous Andean band. Although the marimba is not an instrument of that region, it seems to be well-suited to the music’s technical and expressive demands. Requiring four marimbas and one xylophone, Andean Refrains is an original composition employing tradition Andean musical styles. Some of the five parts require four mallets, the others require two. It is best to perform the bass part on a marimba that can play two octaves below middle C, but if no instrument with that range is available octave transpositions of some notes is acceptable. In this work the marimbas imitate the wide vibrato of zampoñas, or panpipes, with rapidly alternating octaves. The notched-end wooden flute, quena, is suggested with hard mallets on the xylophone, and of course the guitars and charango (Andean ukulele) transcribe well to marimba with four mallets. The bass end of the marimba provides the register of the guitarrone. Chaccha, the rattle of llama toenails, is simulated by instructing one marimbaist to at times strike the bar with the handles of the mallet. With this work the composer hopes to capture the quiet dignity and inevitability of life’s events expressed by Andean musicians.
$9.99
Sinfonia N. 6
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Hans Werner Henze
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III: Tamt
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Sinfonia N. 6
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Schott Music - Digital
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SheetMusicPlus
2 orchestra - SKU: S9.Q6445 New Version 1994. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study sc...
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2 orchestra - SKU: S9.Q6445 New Version 1994. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 40 minutes. Schott Music - Digital #Q6445. Published by Schott Music - Digital (S9.Q6445). Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night), later the first bars of Mikis Theodorakis hymn of freedom is heard. The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control. - Hans Werner HenzeOrchester I: 2 (2. auch Picc.) · 0 · Engl. Hr. · 0 · Bassklar. · 2 (2. auch Kfg.) - 2 · 0 · 3 · 0 - S (I: 3 Bong. · Glsp. · Vibr.; III: Tamt. · kl. Tr. · gr. Tr. · Metallplatte · 3 Kuhgl.) - Git. (auch Banjo oder Charango mit Kontaktmikr. ad lib.) · Hfe. · Klav. - Str. (6 · 6 · 6 · 6 · 4) Orchester II: 0 · Altfl. · 2 · 2 (2. auch Piccoloklar.) · Tenorsax. · 0 - 2 · 3 (3. auch Trp. in hoch B) · 0 · 0 - P. S. (II: Mar. · hg. Bambusstäbe · Kettenrassel auf Beck. · Kettenrassel auf Paukenfell · Marimba; IV: 3 hg. Beck. · Tamt. · 9 Tomt. · Guiro · Metallplatte) - E-Org. (Beat-Org.) - Violine mit Kontaktmikr. - Str. (6 · 6 · 6 · 6 · 4).
$45.99
El Condor Pasa for cello / violin & guitar
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Guitare, Violon, Violoncelle (trio)
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INTERMÉDIAIRE
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Traditional Andes
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Georg Mertens
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El Condor Pasa for cello / vio
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Georg Mertens
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SheetMusicPlus
Small Ensemble Cello,Guitar,Violin - Level 3 - SKU: A0.790859 Composed by Traditional Andes. Arranged by Georg Mertens. Folk,Pop,World. Score and parts....
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Small Ensemble Cello,Guitar,Violin - Level 3 - SKU: A0.790859 Composed by Traditional Andes. Arranged by Georg Mertens. Folk,Pop,World. Score and parts. 8 pages. Georg Mertens #3509903. Published by Georg Mertens (A0.790859). El Condor Pasa is a traditional Andes song The Condor passes over us - if I mention it to South American friend, the Peruvian say it's theirs, the Bolivian say it's theirs etc because the song is older than the current borders - so they are all correct!The guitar imitates the South American Charango, the variety of guitar played in the Andes. here a recording for violin and guitar, this time performed in the Australian Rainforest, not in the Andes but the Blue Mountains: https://www.youtube.com/watch?v=Jd4v09tPAek.
$4.99
Cuentos del valle encantado
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Raul Maldonado
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Cuentos del valle encantado
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitare, charango et clavecin - Advanced - SKU: ZZ.DZ-2807 Composed by Raul Maldonado. Score and parts. 55 pages. Les Productions d'OZ - Digital #DZ 280...
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Guitare, charango et clavecin - Advanced - SKU: ZZ.DZ-2807 Composed by Raul Maldonado. Score and parts. 55 pages. Les Productions d'OZ - Digital #DZ 2807. Published by Les Productions d'OZ - Digital (ZZ.DZ-2807). ISBN 9782897377243.
$16.95
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CHARANGO