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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHIMES BLUES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
CHIMES BLUES
Partitions à imprimer
16 partitions trouvées
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1
Chimes Blues
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Instruments en Do
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Jazz
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Joseph King Oliver
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Mark W
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Chimes Blues
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808461 Composed by Joseph King Oliver. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC ...
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C Instrument - SKU: A0.808461 Composed by Joseph King Oliver. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #4112155. Published by Mark Wayne Music, LLC (A0.808461). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.
$1.99
Chimes Blues (arr. Robert Rawlins)
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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King Oliver
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Robert Rawlins
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Chimes Blues
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument,Voice - SKU: HX.1040974 By King Oliver. Arranged by Robert Rawlins. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. ...
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C Instrument,Voice - SKU: HX.1040974 By King Oliver. Arranged by Robert Rawlins. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #996951. Published by Hal Leonard - Digital (HX.1040974).
$1.99
CHIMES BLUES
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Jazz combo
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INTERMÉDIAIRE
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Jazz
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JOE
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ARR
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CHIMES BLUES
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EMK Music
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.834068 Composed by JOE (KING) OLIVER (1881-1938). Arranged by ARR. BRIAN W. COPPING. 20th Century,Jazz,Standards. Score a...
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Jazz Combo - Level 3 - SKU: A0.834068 Composed by JOE (KING) OLIVER (1881-1938). Arranged by ARR. BRIAN W. COPPING. 20th Century,Jazz,Standards. Score and parts. 28 pages. EMK Music #6341989. Published by EMK Music (A0.834068). This famous Jazz Standard has been arranged for Clarinet, Tenor Sax (optional), Trumpet, Trombone, Double Bass, Piano and Drums. It is at a very achievable level for School and University bands as well as being edited for ease of sight reading on gigs. Print normally on A4 paper – Score will come out as Landscape and parts as Portrait.
$15.99
Christmas Groove
Piano,Violin,Viola,Cello,Double Bass,Percussion Ensemble,Hand Percussion,Sleigh Bells,Wind Chimes,Crotales,Tubular Bells,Glockenspiel,Harp
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Noël
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Stella Note
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Christmas Groove
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Stella Note Audio
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SheetMusicPlus
Composed by Stella Note. Contemporary Classical, Modern, Blues, Christmas, New Year's. Score, Set of Parts. 35 pages. Published by Stella Note Audio (S0.94515)....
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Composed by Stella Note. Contemporary Classical, Modern, Blues, Christmas, New Year's. Score, Set of Parts. 35 pages. Published by Stella Note Audio (S0.94515). - Score,Set of Parts - Contemporary Classical,Modern,Blues,Christmas,New Year's - Stella Note Audio
$3.99
Mardi Gras Collection
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2 Euphoniums et 2 Tubas
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Various
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James Garrett
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Bill Bailey
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Mardi Gras Collection
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Cimarron Music Press - Digital
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SheetMusicPlus
Tuba quartet (EETT) - Grade 3 - SKU: CX.CM0259 Composed by Various. Arranged by James Garrett. Quartet music. 71 pages. Published by Cimarron Music Pres...
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Tuba quartet (EETT) - Grade 3 - SKU: CX.CM0259 Composed by Various. Arranged by James Garrett. Quartet music. 71 pages. Published by Cimarron Music Press - Digital (CX.CM0259). Rip'em Up, Joe; Bill Bailey; Just a Closer Walk With Thee; When the Saints Come Marchin' In; Down On The Farm; Joe Avery;Chimes Blues.
$40.00
A Nightingale Sang In Berkeley Square
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Chorale Unison
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INTERMÉDIAIRE
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Manhattan Transfer
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Paul W
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A Nightingale Sang In Berkeley
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Allen/Myer Musicals
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.1187976 By Manhattan Transfer. By Eric Maschwitz and Manning Sherwin. Arranged by Paul W. Allen. Blues,Histori...
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Choral Choir (Unison) - Level 3 - SKU: A0.1187976 By Manhattan Transfer. By Eric Maschwitz and Manning Sherwin. Arranged by Paul W. Allen. Blues,Historic,Instructional,Standards. Octavo. 7 pages. Allen/Myer Musicals #787581. Published by Allen/Myer Musicals (A0.1187976). This sultry ballad looks complicated on the page, but at the tempo indicated can be directed successfully with most 3- to 6-octave choirs; simply use the instruments you have at hand and ignore the rest. Â At most times, the chimes double the voice but in other moments they compliment the singer. Â The history of the song and its lyrics are discussed at the conclusion of the arrangement. Â You may purchase one copy of this vocal part for the price listed.
$1.99
The Day of Resurrection - Full Score
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Cloches
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INTERMÉDIAIRE
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Cathy and David Moklebust
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The Day of Resurrection - Full
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3- - SKU: C7.CGB929 Lead On, O King Eternal. Composed by Cathy and David Moklebust. Arranged by Cathy Mockle...
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3, 4, or 5 octaves handbells - Level 3- - SKU: C7.CGB929 Lead On, O King Eternal. Composed by Cathy and David Moklebust. Arranged by Cathy Mocklebust and David Moklebust. Easter, General. With organ, congregation, SATB choir, brass quintet and timpani. Full score. 28 pages. Chorister's Guild - Digital #CGB929. Published by Chorister's Guild - Digital (C7.CGB929). UPC: 749193022689.Leroy Anderson wrote the dance band original, Blue Tango, in 1951, and Billboard magazine ranked it as the No. 1 song of 1952. Its charismatic melody and traditional tango style combined with subtle blues influences captured the spirit of the era, and it became a world-wide sensation. This arrangement for handbells, handchimes, and optional snare drum is a faithful rendition of Anderson's hit song, with its continuously malleted bass line, the melody played on chimes, and the countermelody in the upper treble bells. Grace notes are used extensively, along with TD, RT, mallets, mallet rolls, and gentle syncopation, making Blue Tango a perfect novelty for any concert performance.
$14.95
We'll Meet Again (voice)
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Cloches
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INTERMÉDIAIRE
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RiverBells Sacramento
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Paul W
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We'll Meet Again
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Allen/Myer Musicals
#
SheetMusicPlus
Handbell,Instrumental Solo - Level 3 - SKU: A0.1185256 By RiverBells Sacramento. By Ross Parker and Hughie Charles. Arranged by Paul W. Allen. Blues,His...
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Handbell,Instrumental Solo - Level 3 - SKU: A0.1185256 By RiverBells Sacramento. By Ross Parker and Hughie Charles. Arranged by Paul W. Allen. Blues,Historic,Instructional,Patriotic,Standards. Individual part. 5 pages. Allen/Myer Musicals #784942. Published by Allen/Myer Musicals (A0.1185256). This 1939 song, popularized by Vera Lynn and surviving as one of the most famous tunes of the Second World War era, resonated with soldiers going off to fight as well as their families and sweethearts. Â It's application has been lovingly broadened as a general-purpose good-bye song. Â This arrangement for 3-6 octaves of handbells and chimes can be performed alone or with voice. Â The price allows for one copy only of the vocal part.
$1.99
A Nightingale Sang in Berkeley Square (Voice)
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Cloches
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INTERMÉDIAIRE
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RiverBells Sacramento
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Paul W
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A Nightingale Sang in Berkeley
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Allen/Myer Musicals
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SheetMusicPlus
Handbell,Instrumental Solo - Level 3 - SKU: A0.1185269 By RiverBells Sacramento. By Manning Sherwin. Arranged by Paul W. Allen. Blues,Historic,Standards...
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Handbell,Instrumental Solo - Level 3 - SKU: A0.1185269 By RiverBells Sacramento. By Manning Sherwin. Arranged by Paul W. Allen. Blues,Historic,Standards. Individual part. 16 pages. Allen/Myer Musicals #784957. Published by Allen/Myer Musicals (A0.1185269). This sultry ballad looks complicated on the page, but at the tempo indicated can be directed successfully with most 3- to 6-octave choirs; simply use the instruments you have at hand and ignore the rest. Â At most times, the chimes double the voice but in other moments they compliment the singer. Â The history of the song and its lyrics are discussed at the conclusion. Â You may purchase one copy of the full score for the price listed.
$4.99
We'll Meet Again
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Cloches
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INTERMÉDIAIRE
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Hughie Charles and Ross Parker
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Paul W
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We'll Meet Again
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Allen/Myer Musicals
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.1187990 Composed by Hughie Charles and Ross Parker. Arranged by Paul W. Allen. Blues,Historic,Instructional,Patriotic,Stand...
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Handbell - Level 3 - SKU: A0.1187990 Composed by Hughie Charles and Ross Parker. Arranged by Paul W. Allen. Blues,Historic,Instructional,Patriotic,Standards. Score. 16 pages. Allen/Myer Musicals #787606. Published by Allen/Myer Musicals (A0.1187990). This 1939 song, popularized by Vera Lynn and surviving as one of the most famous tunes of the Second World War era, resonated with soldiers going off to fight as well as their families and sweethearts. Â It's application has been lovingly broadened as a general-purpose good-bye song. Â This arrangement for 3-6 octaves of handbells and chimes can be performed alone or with voice. Â The price allows for one (1) copy only of the full score.
$4.99
A Nightingale Sang In Berkeley Square
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Cloches
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INTERMÉDIAIRE
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Manhattan Transfer
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Paul W
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A Nightingale Sang In Berkeley
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Allen/Myer Musicals
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SheetMusicPlus
Handbell,Instrumental Solo - Level 3 - SKU: A0.1187979 By Manhattan Transfer. By Eric Maschwitz and Manning Sherwin. Arranged by Paul W. Allen. Blues,Hi...
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Handbell,Instrumental Solo - Level 3 - SKU: A0.1187979 By Manhattan Transfer. By Eric Maschwitz and Manning Sherwin. Arranged by Paul W. Allen. Blues,Historic,Instructional,Standards. Individual part. 12 pages. Allen/Myer Musicals #787592. Published by Allen/Myer Musicals (A0.1187979). This sultry ballad looks complicated on the page, but at the tempo indicated can be directed successfully with most 3- to 6-octave choirs; simply use the instruments you have at hand and ignore the rest. Â At most times, the chimes double the voice but in other moments they compliment the singer. Â The history of the song and its lyrics are discussed at the conclusion of the arrangement. Â You may purchase ten (10) copies of this handbell part for the price listed.
$49.99
We'll Meet Again
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Cloches
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INTERMÉDIAIRE
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Hughie Charles and Ross Parker
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Paul W
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We'll Meet Again
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Allen/Myer Musicals
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SheetMusicPlus
Handbell,Instrumental Solo - Level 3 - SKU: A0.1187986 Composed by Hughie Charles and Ross Parker. Arranged by Paul W. Allen. Blues,Historic,Instruction...
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Handbell,Instrumental Solo - Level 3 - SKU: A0.1187986 Composed by Hughie Charles and Ross Parker. Arranged by Paul W. Allen. Blues,Historic,Instructional,Patriotic,Standards. Individual part. 11 pages. Allen/Myer Musicals #787600. Published by Allen/Myer Musicals (A0.1187986). This 1939 song, popularized by Vera Lynn and surviving as one of the most famous tunes of the Second World War era, resonated with soldiers going off to fight as well as their families and sweethearts. Â It's application has been lovingly broadened as a general-purpose good-bye song. Â This arrangement for 3-6 octaves of handbells and chimes can be performed alone or with voice. Â The price allows for ten (10) copies of the English handbell part.
$44.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
We'll Meet Again
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Chorale Unison
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INTERMÉDIAIRE
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Hughie Charles and Ross Parker
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Paul W
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We'll Meet Again
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Allen/Myer Musicals
#
SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.1187985 Composed by Hughie Charles and Ross Parker. Arranged by Paul W. Allen. Blues,Historic,Instructional,Pa...
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Choral Choir (Unison) - Level 3 - SKU: A0.1187985 Composed by Hughie Charles and Ross Parker. Arranged by Paul W. Allen. Blues,Historic,Instructional,Patriotic,Standards. Octavo. 5 pages. Allen/Myer Musicals #787599. Published by Allen/Myer Musicals (A0.1187985). This 1939 song, popularized by Vera Lynn and surviving as one of the most famous tunes of the Second World War era, resonated with soldiers going off to fight as well as their families and sweethearts. Â It's application has been lovingly broadened as a general-purpose good-bye song. Â This arrangement for 3-6 octaves of handbells and chimes can be performed alone or with voice. Â The price allows for one (1) copy only of the vocal part.
$1.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Beginning Dobro Solos
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Dobro
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DÉBUTANT
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Methodes
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Stacy Phillips
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Beginning Dobro Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Stacy Phillips (Melvyn Marshall). For Guitar (Resonator). All Styles. 52 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Stacy Phillips (Melvyn Marshall). For Guitar (Resonator). All Styles. 52 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610655187. Easy solos in several styles for beginners, including Shine On, Harvest Moon; Saint Louis Blues; Maui Chimes; Home Sweet Home; Sun's Gonna Shine in My Back Door; and many others. Each tune includes a complete explanation of rhythm and playing hints. In G tuning with tablature only. Audio available for download online.
$14.99
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