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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
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Call and Answer
Non classifié
38
Piano & claviers
Piano seul
15
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10
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3
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1
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1
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1
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2
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18
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Flûte traversière et Piano
1
2 Saxophones (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
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1
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1
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Contrebasse, Piano (duo)
2
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2
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1
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1
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1
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1
Alto et Harpe
1
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Orchestre
10
Orchestre de chambre
3
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2
Ensemble de cuivres
1
Cloches
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Orchestre à Cordes
1
Marimba
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Call and Answer
Partitions à imprimer
153 partitions trouvées
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151
And the Gloaming (for Solo Clarinet and Piano)
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Clifton Davis ASCAP
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And the Gloaming
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.927288 Composed by Clifton Davis ASCAP. Concert,Contemporary,Jazz,Latin,Standards. Score and part. 11 pages. Clifton ...
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Clarinet,Piano - Level 4 - SKU: A0.927288 Composed by Clifton Davis ASCAP. Concert,Contemporary,Jazz,Latin,Standards. Score and part. 11 pages. Clifton Allen Davis Music, ASCAP #5873603. Published by Clifton Allen Davis Music, ASCAP (A0.927288). This foot-tapping bossa nova is a sizzling finish to the set and indeed any recital. Written for Bb Clarinet and Piano, this 4.00 minute piece is the third of three movements (from Night Music: A Suite for Bb Clarinet and Piano), but can be played as an individual piece. This piece captures the moment between sunset and complete darkness-the gloaming-and uses variations of the bossa nova rhythm to frame the joyful call and answer between clarinet and piano, suggesting an evening full of joy and celebration. Triplets and syncopation set up various ostinato patterns, allowing a rhapsody of improvisation to conclude the suite.
$4.99
Cat & Mouse Rag - Ragtime - Piano Duet For 4 Hands
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Olly Wedgwood
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Mouse Rag
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Cat & Mouse Rag - Ragtime
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OllysPianoSheets
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and parts. 5 pages. Oll...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and parts. 5 pages. OllysPianoSheets #5712083. Published by OllysPianoSheets (A0.961564). Cat & Mouse Rag is a playful ragtime duet for primo players at about the Grade 3 standard. With classic ragtime syncopation in the primo part against a 'stride' style in the secondo, this duet is sure to be a popular addition to any recital programme.For the introduction, the primo (perhaps the mouse?) starts things off with a bright opening statement that is answered by the secondo player (the cat?), and then the chase begins!During the opening theme, the primo has an opportunity to tease the cat with a cheeky staccato 'interjection'. Just before this high note is an acciaccatura grace note, which should be played as quickly as possible beforehand.The middle section then modulates to G minor for a variation on the theme, after which a rallentando culminates to a brief pause in the game. There is a break (a caesura) after the pause, so try to leave a good couple of seconds of suspense before launching back into the original theme a tempo.Keep and eye out for staccato and tenuto notes, which will help to communicate the playful feel of the piece.The duet ends with a call-and-response between the primo and secondo, then a crescendo to the ending hits - with a cheeky acciaccatura grace note from the mouse, of course :).
$4.95
Melody: Question Answer educational pack - Perform Compose Understand PCU Series
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Methodes
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Austin Ralphson
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Melody: Question Answer educat
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Austin Ralphson
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.569830 Composed by Austin Ralphson. Instructional. Score and parts. 87 pages. Austin Ralphson #4603377. Published by ...
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Large Ensemble - Level 3 - SKU: A0.569830 Composed by Austin Ralphson. Instructional. Score and parts. 87 pages. Austin Ralphson #4603377. Published by Austin Ralphson (A0.569830). Melody: Question & Answer - Perform, Compose, Understand Series. This pack comprises a piece called In Conversation, worksheets and questions which relate to the piece. It is all about understanding melodic movement and direction.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top. How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Kalla
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Orchestre d'harmonie
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Contemporain
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Jazz
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by All...
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Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
SONATINA for Drum and Bugle Corps
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Contemporain
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David Wang
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SONATINA for Drum and Bugle Co
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David Wang NecroDavid
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SheetMusicPlus
Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - SKU: A0.1030356 Compos...
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Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - SKU: A0.1030356 Composed by David Wang. Classical,Contemporary. Score and parts. 92 pages. David Wang NecroDavid #6247063. Published by David Wang NecroDavid (A0.1030356). Description The original composition SONATINA explores the transformation of one main idea into different genres through the usage of repetition and variation in order to create contrast. The beginning features a piano intro with front ensemble in accompaniment, followed by the first form of the main theme on solo trumpet which presents a classical idea. Furthermore, the secondary melody comes in a minor tonality, which then mixes with the modified main theme thus creates dissonance. There is then a transition section that features the drumline and the front ensemble in a consistent ostinato pattern to create a smooth key change, which leads into the bright triplet section that has a strong hint of swung feeling. It then transitions into a calm and relaxing ballad section, where it moves beyond the simple triad classical chord progression into sophisticated usage of 7th, 9th and 11th chords to create tension-release cycles. After a short euphonium solo, the climax comes with main theme hidden out-of-phase in the counter-melody line. The closer section comes after the ballad, which explores the feeling of a waltz while having call and answer structures of euphonium and flugelhorn solos. The solos still consists of the modified main theme melody. Finally, it builds up into a climax and finishes with a long hold.Note to Drum Major/ConductorSONATINA for Drum & Bugle Corps is designed to be played in a non-competitive drum and bugle corp. It is suitable for being played in both indoor and outdoor ensembles. Each solo does not have to be played by the same soloist, and every soloist will be equipped with wireless microphones to amplify the sound. The front ensemble will be equipped with microphones but set to be at a lower level than soloists. The drumline will be equipped with sound projector scoops under the drums.
$49.99
Drewrie's Accordes (Guitar Duo) - Score and Parts
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2 Guitares (duo)
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INTERMÉDIAIRE
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Renaissance
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Anonymous
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Kevin Love
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Drewrie's Accordes
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Kevin Edward Love
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.752769 Composed by Anonymous. Arranged by Kevin Love. Renaissance. Score and parts. 7 pag...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.752769 Composed by Anonymous. Arranged by Kevin Love. Renaissance. Score and parts. 7 pages. Kevin Edward Love #24915. Published by Kevin Edward Love (A0.752769). Originally for two lutes, this piece is fun because of the the 'call and answer' effects (said to imitate the sound of bells, perhaps the chimes of London churches). Dynamics are editorial and meant to indicate which voice should come out; liberal use of colour changes would be effective too...
$5.95
Sonata in E, K. 380 (Guitar Quartet) - Score and Parts
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4 Guitares (Quatuor)
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INTERMÉDIAIRE
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Classique
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Domenico Scarlatti
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Kevin Love
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Sonata in E, K. 380
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Kevin Edward Love
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.752856 Composed by Domenico Scarlatti. Arranged by Kevin Love. Baroque. Score and parts. 15 pages. Kevin Edwa...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.752856 Composed by Domenico Scarlatti. Arranged by Kevin Love. Baroque. Score and parts. 15 pages. Kevin Edward Love #30899. Published by Kevin Edward Love (A0.752856). I arranged this sonata for guitar quartet to enhance its 'call and answer' character as well as provide the opportunity to add a little percussion to bring out the 'martial' nature that seems present (to me) at times. Enjoy!
$8.95
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Double Concerto in B Minor for Double Bass and Orchestra - Piano Reduction
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Contrebasse, Piano (duo)
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AVANCÉ
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Contemporain
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Robert E
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Double Concerto in B Minor for
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R. E. Proctor
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 5 - SKU: A0.809792 Composed by Robert E. Proctor and Robert E. Proctor. 20th Century,Contemporary. Score and part....
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Double Bass,Piano,String Bass - Level 5 - SKU: A0.809792 Composed by Robert E. Proctor and Robert E. Proctor. 20th Century,Contemporary. Score and part. 85 pages. R. E. Proctor #3015059. Published by R. E. Proctor (A0.809792). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length. This work explores the full range of the bass. As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play. Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other. The orchestra is interwoven with the basses to add contrast and color. The Double Concerto in B Minor should be interesting to both performer and audience. This is a piano reduction.
$9.95
Double Concerto in B Minor for Double Bass and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Double Concerto in B Minor for
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. ...
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Full Orchestra - Level 5 - SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. Published by R. E. Proctor (A0.809761). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length. This work explores the full range of the bass. As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play. Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other. The orchestra is interwoven with the basses to add contrast and color. The Double Concerto in B Minor should be interesting to both performer and audience.
$19.95
The Piano Preludes (Gershwin) - Brass Band
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George Gershwin
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Rob Bushnell
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The Piano Preludes
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1156327 Composed by George Gershwin. Arranged by Rob Bushnell. 20th Century,Blues,Classical,Jazz. Brass Band. 137 pages. RBMusic #756642. Published by RBMusic (A0.1156327). First performed by the composer at the Roosevelt Hotel in New York in 1926, the Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote 7, performed only 6 publically and was further reduced to 3 when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baião and minor-seventh chords throughout. The second prelude, which Gershwin said was a sort of blues lullaby consists of two sections: the first a lazy melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called Spanish by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=soEUH4H7gog.
$44.99
Textures Movement 1 - The Unquestioned Answer
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Contemporain
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David Baptist
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Textures Movement 1 - The Unqu
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David Baptist
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.884126 Composed by David Baptist. 20th Century,Concert,Contemporary. Score and parts. 25 pages. David Baptist #5...
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Brass Ensemble Horn - Level 4 - SKU: A0.884126 Composed by David Baptist. 20th Century,Concert,Contemporary. Score and parts. 25 pages. David Baptist #5710219. Published by David Baptist (A0.884126). This is the first movement of a four movement composition commissioned by the Northern Arizona University Horn Society. The four movements are titled The Unquestioned Answer, Bamboo Cage, Tonal Recall, and The Vikings Are Coming, The Vikings Are Coming. This movement is an exploration of tone colors. The other movements are also available through SMP Press.
$7.99
When You Call
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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When You Call
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841955 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #34799...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841955 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3479939. Published by Andrew Mc Donald (Macka Records) (A0.841955). When you call is a song about calling out to Jesus for help in prayer. When we call to Him He will answer us and come running to us just at the right time. He hears us when we pray and He will respond to our call.
$4.99
Heartland Hoedown Handiwork Classroom Worksheets HH 118
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combining the efforts of the m
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Dr
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Classroom Educators!
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Heartland Hoedown Handiwork Cl
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Callahan Music Publishing
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SheetMusicPlus
Small Ensemble - SKU: A0.1007952 Composed by Dr. Ed & Bitsi Callahan. Children,Country,Pop,Rock. Score and parts. 10 pages. Callahan Music Publishing #4...
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Small Ensemble - SKU: A0.1007952 Composed by Dr. Ed & Bitsi Callahan. Children,Country,Pop,Rock. Score and parts. 10 pages. Callahan Music Publishing #4296107. Published by Callahan Music Publishing (A0.1007952). With the Heartland Hoedown Handiwork Classroom Worksheets HH-118, you receive all the student worksheets and teacher answer keys to utilize Heartland Hoedown Missouri History lessons in your classroom. Welcome to the Heartland Hoedown family of Music & Classroom Educators! Help us place Heartland Hoedown in every Elementary School in the state of Missouri. Why? Because everywhere Heartland Hoedown goes, M. A. P. scores skyrocket! We combine the classroom instruction with the music classroom instruction through our Handi-work worksheets which teach the Missouri history content of each song. By combining the efforts of the music educator and the classroom teacher, students retain what they learn like never before, and thus, scores go up, up, up! What are you waiting for? Get all the Heartland Hoedown products, and begin your journey of fun at the Heartland Hoedown!
$19.99
Textures Movement 3 - Tonal Recall
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Contemporain
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David Baptist
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Textures Movement 3 - Tonal Re
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David Baptist
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.884128 Composed by David Baptist. 20th Century,Concert,Contemporary. Score and parts. 34 pages. David Baptist #5...
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Brass Ensemble Horn - Level 4 - SKU: A0.884128 Composed by David Baptist. 20th Century,Concert,Contemporary. Score and parts. 34 pages. David Baptist #5710235. Published by David Baptist (A0.884128). This is the third movement of a four movement composition commissioned by the Northern Arizona University Horn Society. The four movements are titled The Unquestioned Answer, Bamboo Cage, Tonal Recall, and The Vikings Are Coming, The Vikings Are Coming. This movement uses 2+2+3 time. The other movements are also available through SMP Press.
$7.99
The Call
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Daniel Elder
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The Call
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Daniel Elder Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1413649 Composed by Daniel Elder. A Cappella,Classical,Contemporary,Sacred. 24 pages. Daniel Elder M...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1413649 Composed by Daniel Elder. A Cappella,Classical,Contemporary,Sacred. 24 pages. Daniel Elder Music #995433. Published by Daniel Elder Music (A0.1413649). Setting George Herbert's poem of the same name, The Call pulls at a thread of profound piety; a quiet yearning for the divine. Is he calling out to the Lord—or is he listening for His answer? Is Herbert even questioning his faith? The musical harmonies project a brittle uncertainty, sometimes blossoming at its high points to a passionate discord—all cries of a desperate man seeking comfort, understanding, yet fumbling in the dark with naught but his faith to guide him.
$1.99
All Things Right and True
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Ensemble de Cors
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INTERMÉDIAIRE/AVANCÉ
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Lori Archer Sutherland
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All Things Right and True
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Lori Archer Sutherland
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SheetMusicPlus
Horn Ensemble Horn - Level 4 - SKU: A0.765079 Composed by Lori Archer Sutherland. Contemporary,Standards. 38 pages. Lori Archer Sutherland #6210399. Pub...
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Horn Ensemble Horn - Level 4 - SKU: A0.765079 Composed by Lori Archer Sutherland. Contemporary,Standards. 38 pages. Lori Archer Sutherland #6210399. Published by Lori Archer Sutherland (A0.765079). Directors may print parts as needed for their ensemble.All Things Right and True celebrates the human spirit and desire for good. The piece begins with a broad fanfare, answered with an exultant chordal line. From there, it moves into its initial stately theme. The theme repeats, this time including a call and response with a second voice.As with all life, however, peace and calm turn into chaos and hardship. Weaving lines and punctuated notes create stress and discord. But soon, all voices move toward agreement and usher in the majestic, slow theme. It brings about hope, signifying beauty and togetherness. The theme repeats with the addition of a soaring descant. From there, we hear a slow but hopeful transition, which leads toward an abbreviated recapitulation of the opening fanfare. The stately theme then returns, followed by a brief coda and a triumphant ending.For 6 horns.
$30.00
ANSWER THE CALLING
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Chorale SATB
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Lois Cecsarini
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ANSWER THE CALLING
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LoNotesMusic
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1478226 Composed by Lois Cecsarini. Sacred,Spiritual. 9 pages. LoNotesMusic #1055625. Published by LoNotesMusi...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1478226 Composed by Lois Cecsarini. Sacred,Spiritual. 9 pages. LoNotesMusic #1055625. Published by LoNotesMusic (A0.1478226). For SATB chorus, piano, optional bass and percussion (2:37). Organ may replace piano. Sacred, inspirational.This song seeks to affirm God’s call to love and justice, by capturing two wise spiritual insights: that God’s calling is to be found “where your deep gladness and the world’s deep hunger meet,” and that, “justice is what love looks like in public.” References: Frederick Buechner, Cornel West. May also be performed as a vocal solo with piano.
$2.20
Distant Patterns for Flute, Bb Clarinet and Two Marimbas
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Contemporain
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Robert Chamberlin
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Distant Patterns for Flute, Bb
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Robert Chamberlin
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Marimba - Level 4 - SKU: A0.917308 Composed by Robert Chamberlin. 20th Century,Contemporary. Score and parts. 16 pages. Ro...
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Small Ensemble Clarinet,Flute,Marimba - Level 4 - SKU: A0.917308 Composed by Robert Chamberlin. 20th Century,Contemporary. Score and parts. 16 pages. Robert Chamberlin #6057357. Published by Robert Chamberlin (A0.917308). This is a brief piece for flute, Bb clarinet, and two marimbas. An alternate arrangement of this piece is available for two Bb clarinets and two marimbas. The subtitle of the piece is A reflection on social distancing in the COVID-19 era. Therefore, performers are spaced no closer than 6 feet from each other. The marimbas provide a pulsed, minimalist chord progression throughout. The flute and the clarinet play the main melodic ideas as call and response, sometimes with canonic answers. The piece is just over two minutes in length. Parts are included with the full score in this listing. The piece has not yet been performed, so the audio clip supplied is a reasonable MIDI realization.
$8.00
Distant Patterns for two Bb Clarinets and two marimbas
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Contemporain
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Robert Chamberlin
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Distant Patterns for two Bb Cl
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Robert Chamberlin
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - SKU: A0.917307 Composed by Robert Chamberlin. 20th Century,Concert,Contemporary. Score ...
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Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - SKU: A0.917307 Composed by Robert Chamberlin. 20th Century,Concert,Contemporary. Score and parts. 16 pages. Robert Chamberlin #6055839. Published by Robert Chamberlin (A0.917307). This is a brief piece for two Bb clarinets and two marimbas. An alternate arrangement is available for flute, Bb clarinet, and two marimbas. The subtitle of the piece is A reflection on social distancing in the COVID-19 era. Therefore, performers are spaced no closer than 6 feet from each other. The marimbas provide a pulsed, minimalist chord progression throughout. The clarinets play the main melodic ideas as call and response, sometimes with canonic answers. The piece is just over two minutes in length. Parts are included with the full score in this listing. The piece has not yet been
$8.00
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Call and Answer
