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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Call to Me
Non classifié
253
Piano & claviers
Piano seul
221
Piano, Voix
86
Piano, Voix et Guitare
80
Instruments en Do
27
Piano Facile
23
Orgue
19
Accompagnement Piano
9
1 Piano, 4 mains
5
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
53
Ligne De Mélodie, (Paroles) et Accords
31
Guitare
29
Basse electrique
11
Ukulele
6
Paroles et Accords
5
Mandoline
4
Banjo
3
Ensemble de guitares
2
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
168
Chorale 3 parties
27
Chorale 2 parties
16
Chorale TTBB
15
Voix duo, Piano
14
Voix seule
8
Chorale SSAA
7
Voix duo
5
Chorale Unison
5
Voix Soprano, Piano
3
Chorale
1
Voix moyenne, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière
15
Quatuor de Saxophones: 4 saxophones
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Clarinette
12
Flûte traversière et Piano
10
Saxophone Alto
9
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
7
Clarinette et Piano
6
Hautbois, Piano (duo)
6
Ensemble de Flûtes
5
Saxophone (partie séparée)
5
Saxophone Alto et Piano
5
Saxophone Tenor
5
Quintette de Saxophone: 5 saxophones
4
Saxophone Soprano et Piano
3
3 Saxophones (trio)
3
Flûte à Bec
3
Ensemble de saxophones
2
2 Flûtes traversières (duo)
2
Hautbois (partie séparée)
2
Flute (partie séparée)
2
2 Clarinettes (duo)
2
Ensemble de Clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor et Piano
2
Hautbois
2
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
Saxophone et Orgue
1
2 Saxophones (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto
1
Flûte, Violon, Piano
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette
13
Trombone
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Tuba
4
Trompette, Piano
4
Cor
4
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Trio de Cuivres
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon
18
Violon et Piano
17
Violoncelle
14
Violoncelle, Piano
9
Harpe
7
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe, Voix
5
Alto seul
5
2 Violons (duo)
4
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
Contre Basse
2
Harpe, Violon, Violoncelle
1
4 Violoncelles
1
2 Violoncelles (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
73
Orchestre
32
Orchestre à Cordes
17
Ensemble Jazz
15
Batterie
12
Jazz combo
10
Orchestre de chambre
10
Ensemble de cuivres
8
Fanfare
7
Ensemble de Percussions
4
Cloches
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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CHANT - CHO…
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CITHARE
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CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Call to Me
Partitions à imprimer
1 746 partitions trouvées
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When Flaming Flowers Call To Me
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Piano seul
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James Michael Stevens
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James Michael Stevens
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When Flaming Flowers Call To M
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1061078 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Standards,Wedding. Full Perfor...
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Piano - SKU: A0.1061078 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Standards,Wedding. Full Performance. Duration 153. James M Stevens Music ASCAP #3577821. Published by James M Stevens Music ASCAP (A0.1061078). This is the piano performance of Stevens' When Flaming Flowers Call To Me.
$1.99
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Softly and Tenderly, Jesus Is Calling, and Lord, I'm Coming Home
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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William J
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Ginny Saltzman
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he calleth thee
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Softly and Tenderly, Jesus Is
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Ginny's House of Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1173925 Composed by William J. Kirkpatrick and WillJ. Thompson. Arranged by Ginny Saltzman. 19th Century,Ch...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1173925 Composed by William J. Kirkpatrick and WillJ. Thompson. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. Score. 8 pages. Ginny's House of Music #774080. Published by Ginny's House of Music (A0.1173925). Softly and Tenderly, Jesus is Calling - This is a favorite hymn by Will L. Thompson, which has been arranged by Ginny Saltzman on Late Elementary-Early Intermediate Level, with Lyrics, Flute, Guitar Chords, Piano with a simple chord base, in the Key of G.Mark 10 :49 And Jesus stood still, and commanded him to be called. And they call the blind man, saying unto him, Be of good comfort, rise; he calleth thee.Lord, I'm Coming Home - This is a favorite hymn by William Kirkpatrick, which has been arranged by Ginny Saltzman on Late Elementary-Early Intermediate Lever, with Lyrics,Flute, Guitar Chords, Piano with a simple chord base,in the Key of G.Luke 15 :18 I will arise and go to my father, and will say unto him, Father, I have sinned against heaven, and before thee, 19 And am no more worthy to be called thy son: make me as one of thy hired servants. 20 And he arose, and came to his father. But when he was yet a great way off, his father saw him, and had compassion, and ran, and fell on his neck, and kissed him.
$5.99
To Rise Again
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Trombone et Piano
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AVANCÉ
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Al...
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Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
Call On Me
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Orchestre
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INTERMÉDIAIRE
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Eric Prydz
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Steve Pycroft
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all instrumental parts.
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Call On Me
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Steve Pycroft
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1496626 By Eric Prydz. By Dave Hollister, Dave Le Chaine Hollister, Eric Prydz, Erick S Sermon, Joe Sample, Steve Win...
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Full Orchestra - Level 3 - SKU: A0.1496626 By Eric Prydz. By Dave Hollister, Dave Le Chaine Hollister, Eric Prydz, Erick S Sermon, Joe Sample, Steve Winwood, and Will Jennings. Arranged by Steve Pycroft. 21st Century,Classical,Disco,Pop. 63 pages. Steve Pycroft #1073148. Published by Steve Pycroft (A0.1496626). This unique orchestral arrangement of Eric Prydz' number 1 hit 'Call On Me is by arranger Steve Pycroft. Founder and Musical Director of Kaleidoscope Orchestra, Steve has spent the last 20 years reimagining electronic and dance music songs for orchestra. His unique style brings emotion and feeling to the powerful melodies and catchy hooks that form the basis of dance anthems such as this one. Steve takes the structures and turns them into something fresh, while still staying true to the vibe of the originals. Sure to bring a smile to faces of the performers as well as audiences, this arrangement brings a fresh perspective to a classic pop tune.This arrangement is for full orchestra. 2x flutes, 2x oboes, 2x clarinets, Alto Saxophone, Tenor Saxophone, 2x bassoons, 2x french horns, 2x trumpets, 2x tenor trombones, 1x bass trombone, 2x percussion (tambourine + cymbals), drum kit, bass guitar and a full string section. There's also a chord sheet for other musicians (such as guitarists and keyboard players) to be able to perform.This purchase includes a Transposed Score & all instrumental parts.
$119.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Blondie : Call Me (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me (niveau intermediaire) de Blondie. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Call Me (niveau intermediaire) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€
Blondie : Call Me - Version originale (niveau avancé)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me - Version originale (niveau avance) de Blondie. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Call Me - Version originale (niveau avance) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€
Blondie : Call Me (niveau facile)
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Batterie
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FACILE
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me (niveau facile) de Blondie. Partition avec audio Play Along. Pop/rock...
(+)
Telechargez la partition Batterie Call Me (niveau facile) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€
Blondie : Call Me
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Voix seule
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FACILE
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Chant Call Me de Blondie. Partition pour Avec accompagnement orchestre -- Pop/rock...
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Telechargez la partition Chant Call Me de Blondie. Partition pour Avec accompagnement orchestre -- Pop/rock
5.99€
Carly Rae Jepsen : Pop-Rock, Facile n° 16 (Carly Rae Jepsen, Call Me Maybe)
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Batterie
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FACILE
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Rock
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Carly Rae Jepsen
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Pop
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Tomplay
Telechargez la partition Batterie Pop-Rock, Facile n° 16 (Carly Rae Jepsen, Call Me Maybe) de Carly Rae Jepsen. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Pop-Rock, Facile n° 16 (Carly Rae Jepsen, Call Me Maybe) de Carly Rae Jepsen. Partition avec audio Play Along. Pop/rock
5.99€
Blondie : Call Me (niveau débutant)
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Batterie
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DÉBUTANT
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me (niveau debutant) de Blondie. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Call Me (niveau debutant) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€
Blondie : Call Me (lead guitar)
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Guitare
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FACILE
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la tablature et la partition Guitare Call Me (lead guitar) de Blondie. Tab pour Lead Guitar -- Pop/rock...
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Telechargez la tablature et la partition Guitare Call Me (lead guitar) de Blondie. Tab pour Lead Guitar -- Pop/rock
5.99€
Blondie : Call Me (rhythm guitar)
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Guitare
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FACILE
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la tablature et la partition Guitare Call Me (rhythm guitar) de Blondie. Tab pour Rhythm Guitar -- Pop/rock...
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Telechargez la tablature et la partition Guitare Call Me (rhythm guitar) de Blondie. Tab pour Rhythm Guitar -- Pop/rock
5.99€
Blondie : Call Me (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me (niveau difficile) de Blondie. Partition avec audio Play Along. Pop/rock...
(+)
Telechargez la partition Batterie Call Me (niveau difficile) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€
Love Lifted Me
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Myers
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Love Lifted Me
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. Published by Whea...
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Choral Choir (SATB) - Level 3 - SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. Published by WheatMyer Music (A0.976723). My worship professor often cited the revival era hymn, Love Lifted Me, with its cheerful, lilting melody beneath doleful lines of sin-speckled poetry, as the epitome of poor tune and text pairing. I countered that the point of the hymn is the sinner’s joy in redemption and the happy nature of the music is appropriate to its ultimate message. Yet, my professor’s words lingered over the years to the point that I endeavored to revisit the hymn in consideration of a more functional melding of tune and text. The result is this choral anthem, Love Lifted Me, setting a slightly adapted version of James Rowe’s poetry. Even though the music is completely new, albeit quoting snippets of the original hymn tune, it has an air of familiarity that melds with the text to paint its message in a fresh light. For example, the passages remembering sin and despair are aimless and brooding, while the lines rejoicing over redemption are flowing, energetic, and ebullient. Listen to Love Lifted Me and let your ears be the judge whether this setting expresses the story of personal redemption fittingly.Arranged for SATB chorus and piano, this anthem fills the role of personal testimony and witness with an evangelistic call to respond to the Gospel. It is suitable for most experienced student and adult mixed choirs. Robert MyersS.D.G.
$2.25
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