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CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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UKULELE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
16617
PIANO & CLAVIERS
Piano seul
35368
Piano, Voix
7389
Piano, Voix et Guitare
5607
Piano Facile
3974
Piano grosses notes
3321
Accordéon
2346
Orgue
2078
Instruments en Do
772
1 Piano, 4 mains
470
Accompagnement Piano
264
Piano Trio: piano, violon, violoncelle
124
2 Pianos, 4 mains
101
Piano (partie séparée)
82
Ligne De Mélodie, Piano
69
Clavier
56
Piano Quatuor: piano, 2 violons, violoncelle
54
Orgue, Trompette (duo)
53
Piano Quatuor: piano, violon, alto, violoncelle
43
Piano Quintette: piano, 2 violons, alto, violoncelle
35
Orgue, Piano (duo)
23
Accordéon, Voix
23
Instrument seul et Orgue
16
1 Piano, 6 mains
12
Clavecin
11
2 Pianos, 8 mains
4
Ensemble d'Accordéons
4
Orgue, Voix
3
Tous Les Instruments
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Accordéon, Piano
2
Ensemble de Pianos
2
Accordéon, Corde(s)
1
Concertina
1
2 Orgues (duo)
1
Instrumentations suivantes
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GUITARES
Guitare
5060
Guitare notes et tablatures
3777
Basse electrique
3634
Ligne De Mélodie, (Paroles) et Accords
1323
Ukulele
976
Paroles et Accords
563
Piano, Guitare (duo)
141
Guitare (partie séparée)
109
Mandoline
77
2 Guitares (duo)
74
Banjo
71
Dulcimer
61
4 Guitares (Quatuor)
53
Ensemble de guitares
30
Basse électrique (partie séparée)
19
3 Guitares (trio)
17
Ukulele Baryton
15
2 Dulcimers (duo)
13
Mandoline, Piano (duo)
11
Partitions De Groupes
10
Dobro
10
Mandoline, Guitare (duo)
7
Ensemble de Ukulélés
5
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
3 Dulcimers (trio)
2
Guitare Pedal Steel
1
2 Ukuleles
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Voix seule
5831
Chorale SATB
5739
Chorale 2 parties
2644
Chorale 3 parties
2063
Chorale Unison
890
Voix duo, Piano
888
Chorale TTBB
514
Chorale
497
Voix duo
369
Chorale SSAA
301
Voix haute
114
Chorale SATTB
80
Voix Soprano, Piano
74
Chorale SSATBB
60
Voix moyenne, Piano
34
Voix basse, Piano
20
Voix Alto, Piano
20
Chorale SAATB A Cappella
18
Voix Tenor
17
Chorale SSAATTBB
15
Chorale SSATB
15
Voix Mezzo-Soprano, Piano
15
Voix Tenor, Piano
14
Soli, choeur mixte et accompagnement
12
Chorale SSATTB
11
Voix basse
9
Chorale SATTBB, Clavier
8
Voix Baryton, Piano
7
Voix, Guitare
7
Chorale SSAB, Piano
4
Chorale, Orgue
4
Voix Soprano
4
Chorale SATBB
3
Voix duo, Orgue
2
Chorale SSAB a cappella
2
Chorale SATTBB A Cappella
1
Voix Moyenne
1
Male Voice
1
Chorale SSAATB
1
Voix Baryton
1
Instrumentations suivantes
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VENTS
Saxophone
16052
Flûte traversière
8078
Clarinette
7675
Saxophone Alto
1781
Saxophone Tenor
1432
Flûte traversière et Piano
1323
Flûte à Bec
1288
Saxophone (partie séparée)
1271
Hautbois, Piano (duo)
862
2 Saxophones (duo)
818
Hautbois
798
Quatuor de Saxophones: 4 saxophones
795
Saxophone Alto et Piano
777
Clarinette et Piano
681
Saxophone Soprano
608
Saxophone Tenor et Piano
598
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
544
Flûte, Hautbois, Clarinette, Basson
531
Clarinette (partie séparée)
530
Flûte à bec Soprano
511
2 Flûtes traversières (duo)
439
Saxophone Soprano et Piano
404
2 Clarinettes (duo)
381
Quatuor de Clarinettes: 4 clarinettes
372
Hautbois (partie séparée)
332
Quintette de Saxophone: 5 saxophones
293
Flute (partie séparée)
236
Flûte, Clarinette (duo)
216
2 Flûte à bec (duo)
210
Saxophone, Clarinette (duo)
178
Quatuor de Flûtes : 4 flûtes
172
3 Saxophones (trio)
170
Ensemble de Clarinettes
155
Saxophone Baryton, Piano
148
Harmonica
135
Clarinette, Violon (duo)
133
2 Hautbois (duo)
128
Ensemble de Flûtes
126
Cor anglais, Piano
120
3 Clarinettes (trio)
115
Clarinette, Trompette (duo)
114
Ensemble de saxophones
107
Hautbois, Basson (duo)
98
Trio de Flûtes: 3 flûtes
97
Flûte, Violon
95
Hautbois, Clarinette (duo)
82
Flûte à bec Soprano, Piano
76
Quintette de Clarinettes: 5 clarinettes
69
Quatuor de Flûtes à bec
66
Flûte, Saxophone (duo)
65
Hautbois, Flûte
65
Clarinette et Alto
65
Flûte et Guitare
62
Cor Anglais
62
Flûte, Alto (duo)
61
Ocarina
57
2 Flûtes traversières, Piano
49
Clarinette, Basson (duo)
48
Flûte, Trompette (duo)
47
Instruments en Mib
45
Flûte irlandaise
41
3 Flûtes à bec (trio)
39
Quintette de Flûte : 5 flûtes
39
Flûte à bec Alto
38
Flûte, Hautbois, Clarinette (trio)
38
Flûte, Violoncelle
36
Flûte à Bec, Piano
33
Clarinette Basse, Piano
31
Flûte, Clarinette et Basson
30
Flûte à bec, Guitare (duo)
30
Saxophone Baryton
30
Hautbois, Clarinette, Basson (trio d'anches)
26
Ensemble De Flûte à bec
26
Flûte, Clarinette, Piano (trio)
24
Piccolo
23
5 Flûtes à bec
22
Flûte, Hautbois (duo)
21
Flûte, Violon, Piano
19
Hautbois, Violoncelle
19
Flûte, Violoncelle, Piano (trio)
18
Flûte à bec Tenor
18
Clarinette, Violoncelle (duo)
17
Clarinette, Violoncelle, Piano (trio)
17
Flûte, Violon et Violoncelle
17
Flûte à bec Alto, Piano
15
Flûte, Harpe et Violoncelle
15
Clarinette Basse
15
Clarinette, Guitare (duo)
15
Flûte, Hautbois, Basson
14
Clarinette, Harpe (duo)
13
2 Clarinettes, Piano
13
Piccolo, Piano
12
Saxophone et Orgue
12
Flûte, Hautbois, Piano (trio)
11
Flûte à bec Soprano, Basse continue
10
2 Saxophones, Piano
10
Clarinette, Trombone (duo)
9
4 Hautbois
9
Flûte, Alto et Piano
8
Flute, harpe et violon
8
Flûte, Basson et Piano
8
Hautbois, Guitare (duo)
7
Saxophone et Harpe
7
Hautbois et alto (duo)
6
Hautbois, violon (duo)
6
Flûte, trombone et piano
6
Ensemble de Hautbois
6
Saxophone et Piano
6
Hautbois, Harpe
6
Flûte et Trio à cordes
6
Flûte, Trombone (duo)
5
Clarinette, trompette et piano
5
Flûte, Violon, Violoncelle et Piano
4
2 Hautbois, Piano
4
Flûte traversière, Basse continue
4
Hautbois, Basson et Piano
4
Clarinette, Alto et Piano (trio)
4
Flûte à bec Alto, Basse continue
4
Flûte traversière, Orgue (duo)
4
Clarinette, Tuba
3
2 Cors Anglais Et Pianoforte
3
Ensemble à vent
3
Flûte, Violon, Guitare
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
2 Clarinettes, Basson
3
Flûte, Tuba (duo)
2
Flûte, Hautbois, Violon
2
Flûte, alto et harpe
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte de Pan
2
Flûte et Quatuor à Cordes
2
Saxophone et Guitare
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Contrebasse (duo)
2
Hautbois, Violoncelle et Piano
2
Flûte, Violoncelle, Guitare
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, trombone (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violon, Piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec, Harpe
1
2 Hautbois et Basson
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Quatuor à cordes
1
3 Hautbois
1
Cor anglais, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute, Cor (duo)
1
Melodica
1
2 Flûtes traversières, Harpe
1
Clarinette, Orchestre
1
2 Flûtes à bec, Piano
1
2 clarinettes, 2 bassons
1
Flute, alto, violoncelle et guitare
1
Clarinette, Orgue
1
Instrumentations suivantes
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CUIVRES
Trompette
6716
Trombone
6004
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
876
Cor
852
Trombone et Piano
745
Trompette, Piano
722
Trombone (partie séparée)
693
Trompette (partie séparée)
621
Tuba
475
Cor et Piano
446
Euphonium
412
Quatuor de Cuivres : 2 trompettes, trombone, tuba
310
Cor (partie séparée)
271
2 Trombones (duo)
246
2 Trompettes (duo)
244
Tuba et Piano
190
Tuba (partie séparée)
188
Quatuor de Cuivres: 2 trompettes, Cor, trombone
167
Quatuor de Cuivres
149
Trompette, Trombone (duo)
132
Trompette, Saxophone (duo)
124
Cor anglais, Piano
120
2 Cors (duo)
106
Quatuor de cuivres: 4 trombones
97
Euphonium, Piano (duo)
83
Trompette, Cor (duo)
78
Ensemble de Trompettes
74
Bass Clef Instruments
71
Quatuor de cuivres: 4 cors
62
Cor Anglais
62
Ensemble de Trombones
56
Instruments en Sib
49
4 Tubas
47
2 Tubas (duo)
46
Quatuor de cuivres: 4 trompettes
42
2 Euphoniums et 2 Tubas
32
Trio de Cuivres
28
Ensemble de Cors
24
2 Euphoniums (duo)
24
3 Trombones (trio)
21
Cornet A Pistons
16
Trombone, Cor (duo)
14
3 Trompettes (trio)
14
Tuba ou Euphonium ou Saxhorn
13
Instruments en Fa
13
Trombone, Tuba (duo)
9
Cor et Harpe
9
Trompette, Harpe
9
3 Cors (trio)
9
Tuba et Orgue
8
3 Tubas (trio)
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Cor, Tuba (duo)
7
2 Trompettes, Clavier (piano ou orgue)
7
Euphonium, Tuba (duo)
7
Cor, Violoncelle (duo)
7
Trombone, Orgue
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Trompette, Tuba (duo)
6
Trompette, Trombone, Piano
6
2 Trombones, Piano
5
Trombone basse et Piano
5
Cor et Orgue
4
Trompette et Guitare
4
Trompette, violon (duo)
4
Trombone et orchestre
4
Trompette, Basson (duo)
4
2 Cors, Piano
3
2 Cors Anglais Et Pianoforte
3
Trombone basse
3
Trompette, Orchestre
2
Cornet et orchestre
2
Trompette, Violoncelle et Piano
2
Clarinette, Cor (duo)
2
Ensemble de Tubas
2
Bugle
2
Trompette, Violoncelle (duo)
2
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trombone, Violon (duo)
1
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
Instrumentations suivantes
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CORDES
Violon
5410
Violoncelle
2999
Alto seul
2707
Quatuor à cordes: 2 violons, alto, violoncelle
2459
Harpe
1758
Violon et Piano
1580
Violoncelle, Piano
912
Alto, Piano
833
Violon, Violoncelle (duo)
673
Trio à Cordes: violon, alto, violoncelle
478
Violoncelle (partie séparée)
470
Violon (partie séparée)
449
2 Violons (duo)
389
Contre Basse
327
2 Violoncelles (duo)
282
Contrebasse (partie séparée)
258
Violon, Alto (duo)
243
Quintette à cordes: 2 violons, alto, violoncelle, basse
214
Alto (partie séparée)
208
2 Altos (duo)
192
Trio à Cordes: 2 violons, violoncelle
191
Harpe, Flûte (duo)
163
Contrebasse, Piano (duo)
131
2 Harpes (duo)
114
Piano Trio: Violon, Alto, Piano
91
4 Violoncelles
79
Alto, Violoncelle (duo)
77
Violon, Guitare (duo)
47
Trio à Cordes: 3 violoncelles
39
Trio à cordes: 3 violins
37
Quatuor à cordes: 4 violons
36
Trio à cordes
35
2 Contrebasses (duo)
30
Violoncelle , Guitare (duo)
29
2 Violons, Piano
28
Harpe, Violon (duo)
27
Violoncelle, Contrebasse (duo)
20
Harpe, Violoncelle (duo)
19
Harpe, Voix
18
Trio à cordes: 3 altos
17
Alto et Harpe
17
Quatuor à cordes : 4 altos
16
2 Violons et Basse continue
15
Ensemble de Violons
11
Trio à Cordes: 2 violons, alto
11
Alto, Guitare (duo)
11
Violon, Basson (duo)
10
Harpe et mandoline
10
Violoncelle, Orgue
9
2 Altos, Piano
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Ensemble d'Altos
7
Autoharp
7
Violon, Clarinette, Piano (trio)
7
Harpe et Piano
6
Flûte, Contrebasse (duo)
6
Violon, Orgue
6
2 Violoncelles, Piano
6
Alto et Basson
5
3 Harpes
5
4 Contrebasses
5
Ensemble de Violoncelles
5
Harpe, Violon, Violoncelle
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violoncelle, Basse continue
4
Violon, Basse continue
4
Violoncelle, Orchestre
3
Harpe (partie séparée)
2
Violon, Tuba (duo)
2
3 Contrebasses
2
5 Harpes
2
4 Harpes
1
Alto, Orgue
1
Violon, Violoncelle, Clarinette
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Batterie
5844
Orchestre d'harmonie
4616
Orchestre
2274
Orchestre à Cordes
1258
Ensemble Jazz
627
Cloches
624
Ensemble de cuivres
516
Percussion (partie séparée)
314
Orchestre de chambre
263
Fanfare
246
Percussion
237
Jazz combo
143
Batterie (partie séparée)
129
Ensemble de Percussions
112
Timbales (partie séparée)
56
Marimba
56
Vibraphone
27
Xylophone
20
Timbales
18
Quintette à Vent
11
Xylophone, Piano
9
3 Marimbas
8
Ensemble d'École
8
Piano et Orchestre
5
Quatuor à Vent : 4 instruments à vents
3
Orchestre, Violon
3
Caisse Claire
3
Cajon
2
2 Xylophones
2
Bongos
2
Instrumentation Flexible
1
Voix et Orchestre
1
Trio à Vent: 3 instruments à vents
1
Orchestre Symphonique
1
Conga
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
50
Théorie de la musique
8
Papeterie
1
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Primeras Lecciones: Guitarra Para Principiantes: Aprendiendo Aordes / Tocando Canciones
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.20000BCDSPEB Learning Chords…
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Guitar (all) - Beginning - Digital Download SKU: M0.20000BCDSPEB Learning Chords/Playing Songs. Composed by William Bay. Folk. First Lessons - Spanish. Spanish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20000BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20000BCDSPEB). ISBN 9781619113398. 8.75x11.75 inches.Esta es una introduccion paso a paso, concisa para aprender acordes, patrones ritmicos y canciones. La musica se encuentra en las tonalidades de G, D, E menor y C con audio de acompanamiento incluido. El libro tambien contiene secciones que hablan de distintos tipos de guitarra, preguntas frecuentes, como encordar una guitarra y terminos musicales y guitarristicos. Ideal para principiantes de cualquier edad. Un metodo conciso, paso a paso y facil para aprender acordes, patrones ritmicos y canciones - perfecto para principiantes de cualquier edad. La musica se encuentra en las tonalidades de G, D, E menor y C. Contiene secciones explicando el tipo de guitarras, preguntas frecuentes, como encordar una guitarra y terminos musicales y guitarristicos. Audio de acompanamiento incluido. El material audiografico de este libro se encuentra en el idioma ingles.A step-by-step, concise, user-friendly guide to learning chords, strumming, and songs. Music is presented in the keys of G, D, E minor and C with play-along audio recording. The book also features sections on types of guitars, frequently asked questions, how to string a guitar, and musical and guitar related terminology. Ideal for beginners of any age. Includes access to online audio and video.• Step-by-step, concise, user-friendly guide to learning chords, strumming, and songs - perfect for beginners of any age.• Music is presented in the keys of G, D, E minor and C.• Features sections on types of guitars, frequently asked questions, how to string a guitar, and musical and guitar-related terminology.• Includes access to online audio and video. Written in Spanish only.
$9.99
9.24 €
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Guitare
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William Bay
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Primeras Lecciones: Guitarra Para Principiantes: Aprendiendo Aordes / Tocando Canciones
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.18 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitare
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
12.01 €
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Guitare
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Venezianische Canzonen
Part 1, Canto - intermediate to advanced - Digital Download SKU: S9.Q220 This editi…
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Part 1, Canto - intermediate to advanced - Digital Download SKU: S9.Q220 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q220. Published by Schott Music - Digital (S9.Q220). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$5.99
5.54 €
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Venezianische Canzonen
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Schott Music - Digital
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SheetMusicPlus
Manuel Ponce : 2 Canciones Mexicanas - N° 2 Estrellita
Violon
Téléchargez la partition Violon 2 Canciones Mexicanas - N° 2 Estrellita …
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Téléchargez la partition Violon 2 Canciones Mexicanas - N° 2 Estrellita de Ponce. Partition pour Duo (Violon-Piano) -- Classique
5.99 €
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Violon
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Manuel Ponce
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2 Canciones Mexicanas
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Tomplay
Light the Candle: A Collection of Advent Candlelighting Resources
Congregation, cantor/choir, and organ - Easy - Digital Download SKU: MQ.80-120-E Co…
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Congregation, cantor/choir, and organ - Easy - Digital Download SKU: MQ.80-120-E Composed by Michael Burkhardt. Advent, Christmas, Advent Candlelighting. 46 pages. MorningStar Music Publishers - Digital Sheet Music #80-120-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-120-E). English.A thoughtful and comprehensive source of Advent resources. Structured under five varied themes, each having a candlelighting song and some sort of specific litany or responses, this comes from the creative brain of Michael Burkhardt, an expert at aligning music and liturgy.
$12.00
11.1 €
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Michael Burkhardt
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Light the Candle: A Collection of Advent Candlelighting Resources
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Harmonica Tunes - Beautiful American Airs and Ballads
Harmonica
Harmonica - Intermediate - Digital Download SKU: M0.30952MEB Solo. American Music. …
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Harmonica - Intermediate - Digital Download SKU: M0.30952MEB Solo. American Music. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30952MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30952MEB). ISBN 9781513474458. 8.75X11.75 inches.Among the various instruments for which the Beautiful American Airs and Ballads series was conceived, the diatonic harmonica is a standout. With or without the ôbendsö played by the author on the companion online recording, the 19 plaintive, single-note melodies in this book are guaranteed to engage the player and move the listener.áThe music herein is written in standard notation and blow/draw harmonica tablature for the diatonic harmonica in C. Suggested accompaniment chords are also provided. Using the tablature alone, this music can be played on any diatonic harmonica in a different harmonica key; for example, using a G or A diatonic harmonica, the instrument itself will make the mechanical transposition. The chords, however, would have to be transposed by the accompanist.Phil Duncan has written more than 40 harmonica books for Mel Bay Publications. He believes that participation is key to the enjoyment of music, and that the harmonica and tunes in this collection are the perfect vehicles for that participation.ôTunes like these may have been overlooked or forgotten in this stressful worldùbut playing them will help you regain and renew the sense of calm essential to our identity as Americansà Pick out a fewà pick up your harmonica and enjoy.öùPhil Duncan.
Song List: Aura Lee Banks Of The Ohio Blue Mountain Lake Careless Love Darling Nellie Gray HOme Sweet Home Land of Rest Little Annie Rooney John Henry Shenandoah Silver Threads Among The Gold Sweet Betsy From Pike The Cowboy The Lonesome Dove The Old Oaken Bucket The Quilting Party The Strawberry Roan The Streets Of Laredo When Johnny Comes Marching Home Again
$14.99
13.86 €
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Harmonica
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Harmonica Tunes - Beautiful American Airs and Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. A…
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Level 3 - Digital Download SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #3367007. Published by Keith Terrett (A0.746751). The official anthem of the Canary Islands, arranged for Brass Quintet & Percussion.A region of Spain, the anthem used in the Canaries for official local occasions was introduced on May 30 (Canary Islands Day), 2003. It is an adaptation of a local folk song called Arrorró (Lullaby).Before the official announcement of the anthem unofficial local songs were in place, and tended to differ depending on the person’s political beliefs. Those who prefered independence for the Canary Islands used the Canto de Tierra as their anthem, while others used another work by Teobaldo Power y Lugo-Vina, Pasodoble Islas Canarias.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.99
8.31 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Teobaldo Power y Lugo-Vina
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Keith Terrett
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Percussion
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Canary Islands Official Regional Anthem for Brass Quintet & Percussion
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Keith Terrett
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SheetMusicPlus
La Musica
Dulcimer
Dulcimer (Hammered) - Beginning-Intermediate - Digital Download Latin American Music …
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Dulcimer (Hammered) - Beginning-Intermediate - Digital Download Latin American Music Arranged for Hammered and Fretted Dulcimer. Composed by Bonnie Carol. Dulcimer: Hammered. Latin American. E-book. 80 pages. Mel Bay Publications - Digital Sheet Music #20433EB. Published by Mel Bay Publications - Digital Sheet Musi
ISBN 9781609745004.<br> <br> Author Bonnie Carol learned first hand about soulful Latin American music as she grew up along the Texas-Mexico border. In this book, she takes familiar and obscure Latin American tunes and pieces influenced by Latin music and arranges them for hammered dulcimer, and in some cases fretted dulcimer (with tablature) as well. She draws from a repertoire including Argentinean tangos, Andean panpipe music, Mexican mariachi music, Central American marimba music, and music of the Chicano culture of the Southwest.
$17.99
16.64 €
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Dulcimer
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Bonnie Carol
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La Musica
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Mel Bay Publications - Digital Sheet Musi
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SheetMusicPlus
Irish Folk Tunes for Descant Recorder
Flûte à bec Soprano
Descant recorder - easy - Digital Download 63 Traditional Pieces. This edition: Sheet…
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Descant recorder - easy - Digital Download 63 Traditional Pieces. This edition: Sheet music. Schott World Music. Downloadable. Schott Music - Digital #Q52326. Published by Schott Music - Digital
English - French - German.<br> <br> Irish Folk Tunes for Descant Recorder is a collection of 63 arrangements for descant recorder, of traditional tunes including a range of styles such as Reels, Hornpipes, Jigs and more.<br> Experienced recorder player and co-author of English Folk Tunes for Descant Recorder, the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.<br> The volume contains recordings for download in order to get a sound impression of the stylistic and technical features of the pieces.
$16.99
15.71 €
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Flûte à bec Soprano
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Irish Folk Tunes for Descant Recorder
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Schott Music - Digital
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SheetMusicPlus
The Runaway Girl. New Musical Play. The Piccaninnies
Piano, Voix
Piano and voice - Digital Download SKU: LV.5651 Composed by Lionel Monckton & Ivan …
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Piano and voice - Digital Download SKU: LV.5651 Composed by Lionel Monckton & Ivan Caryll. African Americans, Dialects, Monsters, Children. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5651). The Runaway Girl. New Musical Play. The Piccaninnies. Lyrics by Aubrey Hopwood and Harry Greenbank. Music by Lionel Monckton and Ivan Caryll. Published 1898 by Boosey & Co., 9 East Seventeenth Street in New York. Composition of abab with piano and voice instrumentation. Subject headings for this piece include African Americans, Dialects, Monsters, Children. First line reads When de twilight's fallin' an' de stars a-peepin' out.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voix
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Lionel Monckton & Ivan Caryll
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The Runaway Girl. New Musical Play. The Piccaninnies
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Brincando no ar (Canto nupcial / Wedding song)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030297 Composed by Cés…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song. Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Él: Llegaste a mà como la luna viene a la noche, y nadie me robará el nido que he hecho para ti. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico llegó, danzando en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·
$4.50
4.16 €
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Chorale SATB
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César del Caño
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English) and other details
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Brincando no ar
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Cesar del Cano
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SheetMusicPlus
Selections from American Suite: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0001777_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0001777_VC1 Cello. Composed by Antonin Dvorák. Arranged by Brendan Mcbrien. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001777_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001777_VC1). UPC: 038081355177.A musical postcard to the world! Your audiences will be thrilled with this early piece of Americana, and your musicians will love the colors and energy of this uniquely American music as imagined by the great Czech master following his visit to America in the 1890s. This work contains music inspired by African-American, Native-American and Scottish music and features three movements (I, IV and V) of AntonAn DvorA!k's original five-movement suite.Concert/Contest.
$3.00
2.77 €
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Orchestre
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Antonin Dvorák
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Brendan Mcbrien
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Selections from American Suite: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Selections from American Suite: String Bass
Contrebasse (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0001777_SB String Bass. Comp…
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Full Orchestra - Digital Download SKU: AX.00-PC-0001777_SB String Bass. Composed by Antonin Dvorák. Arranged by Brendan Mcbrien. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001777_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001777_SB). UPC: 038081355177.A musical postcard to the world! Your audiences will be thrilled with this early piece of Americana, and your musicians will love the colors and energy of this uniquely American music as imagined by the great Czech master following his visit to America in the 1890s. This work contains music inspired by African-American, Native-American and Scottish music and features three movements (I, IV and V) of AntonAn DvorA!k's original five-movement suite.Concert/Contest.
$3.00
2.77 €
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Contrebasse (partie séparée)
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Antonin Dvorák
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Brendan Mcbrien
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Selections from American Suite: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Venezianische Canzonen
Part 3, Tenore, Violin Clef oct. - intermediate to advanced - Digital Download SKU: S9.…
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Part 3, Tenore, Violin Clef oct. - intermediate to advanced - Digital Download SKU: S9.Q15558 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15558. Published by Schott Music - Digital (S9.Q15558). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$5.99
5.54 €
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Venezianische Canzonen
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Schott Music - Digital
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SheetMusicPlus
Venezianische Canzonen
Part 2, Alto - intermediate to advanced - Digital Download SKU: S9.Q10772 This edit…
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Part 2, Alto - intermediate to advanced - Digital Download SKU: S9.Q10772 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q10772. Published by Schott Music - Digital (S9.Q10772). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$5.99
5.54 €
#
Venezianische Canzonen
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Schott Music - Digital
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SheetMusicPlus
Venezianische Canzonen
Part 4, Bass - intermediate to advanced - Digital Download SKU: S9.Q221 This editio…
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Part 4, Bass - intermediate to advanced - Digital Download SKU: S9.Q221 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q221. Published by Schott Music - Digital (S9.Q221). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$5.99
5.54 €
#
Venezianische Canzonen
#
Schott Music - Digital
#
SheetMusicPlus
Venezianische Canzonen
Part 3, Tenore, Violin Clef - intermediate to advanced - Digital Download SKU: S9.Q1556…
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Part 3, Tenore, Violin Clef - intermediate to advanced - Digital Download SKU: S9.Q15560 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15560. Published by Schott Music - Digital (S9.Q15560). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$5.99
5.54 €
#
Venezianische Canzonen
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Schott Music - Digital
#
SheetMusicPlus
Venezianische Canzonen
Part 3, Tenore in Alto Clef - intermediate to advanced - Digital Download SKU: S9.Q1556…
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Part 3, Tenore in Alto Clef - intermediate to advanced - Digital Download SKU: S9.Q15566 This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15566. Published by Schott Music - Digital (S9.Q15566). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$5.99
5.54 €
#
Venezianische Canzonen
#
Schott Music - Digital
#
SheetMusicPlus
Venezianische Canzonen
Any 4 instruments (consorts of fiddles, viols, recorders, lutes, guitars) - intermediate t…
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Any 4 instruments (consorts of fiddles, viols, recorders, lutes, guitars) - intermediate to advanced - Digital Download SKU: S9.Q10773 This edition: score. Antiqua. Downloadable, Score. Schott Music - Digital #Q10773. Published by Schott Music - Digital (S9.Q10773). In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.
$16.99
15.71 €
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Venezianische Canzonen
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Schott Music - Digital
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SheetMusicPlus
Franciscan Canticles (Downloadable)
Chorale SATB
SATB choir and organ with optional brass choir - Digital Download SKU: MQ.1.3084-E …
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SATB choir and organ with optional brass choir - Digital Download SKU: MQ.1.3084-E Composed by Nick Strimple. All Saints/All Souls. 27 pages. Galaxy Music Corporation - Digital #1.3084-E. Published by Galaxy Music Corporation - Digital (MQ.1.3084-E).
$3.25
3.01 €
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Chorale SATB
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Nick Strimple
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Franciscan Canticles
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Galaxy Music Corporation - Digital
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SheetMusicPlus
📄 Storia della Musica (Dalle origini al XX secolo)
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 3 - Digital Download SKU: A0.1105055 By Andrea Balzani. By And…
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C Instrument - Level 3 - Digital Download SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 183 pages. Andrea Balzani #708300. Published by Andrea Balzani (A0.1105055). 👉  Dispensa di Storia della Musica (dispensa didattica)Language: ITALIAN 🇮🇹 ➡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzani Contenuti:- TESI n. 1 ◾  Origini monogenetiche della musica ed Etnomusicologia- TESI n. 2 ◾  Le Musiche dei popoli antichi e la musica ebraica - TESI n. 3 ◾  L'Antica musica Greca- TESI n. 4 ◾  Il Canto Cristiano e il Gregoriano - TESI n. 5 ◾  La Polifonia medioevale e l'Ars Antiqua- TESI n. 6 ◾  La Notazione musicale  - TESI n. 7 ◾  Guido d'Arezzo e la Teoria Medioevale - TESI n. 8 ◾  Canti sacri e profani, Trovatori, Trovieri e Minnesangers - TESI n. 9 ◾  Il Trecento: L'Ars Nova- TESI n. 10 ◾  Le Scuole fiamminghe del Quattrocento  - TESI n. 11 ◾  La Musica nel Rinascimento e la Polifonia sacra - TESI n. 12 ◾  Le Forme musicali dal XIII sec. al XVI sec.  - TESI n. 13 ◾  I Trattatisti e gli strumenti nel Rinascimento - TESI n. 14 ◾  La Nascita dell'Opera e la Camerata Bardi - TESI n. 15 ◾  L'Oratorio e la Musica sacra- TESI n. 16 ◾  L'Opera Italiana nel Seicento a Roma e Venezia - TESI n. 17 ◾  L'Opera Italiana nel Settecento in Italia e in Europa . - TESI n. 18 ◾  L'Opera seria e l'Opera buffa- TESI n. 19 ◾  Le riforme dell'Opera italiana : Gluck e Calzabigi - TESI n. 20 â—¾  L'Opera in Francia, Germania, Austria ed Inghilterra - TESI n. 21 ◾  L'Opera Italiana in Europa nel Seicento e Settecento- TESI n. 22 ◾  L'Opera nell'Ottocento: Rossini, Donizetti, Bellini, Verdi - TESI n. 23 ◾  Wagner : vita, opere e pensiero  - TESI n. 24 ◾  Musica, forme e strumenti del primo barocco - TESI n. 25 ◾  Il Barocco di mezzo : la Suite, la Sonata, Corelli  - TESI n. 26 ◾  Il Concerto, Vivaldi e Scarlatti   - TESI n. 27 ◾  J.S.Bach, Haendel, le scuole organistiche tedesche- TESI n. 28 ◾  Il Rococò e lÂ’Età Classica: Haydn, Mozart, Beethoven- TESI n. 29 ◾  Il Romanticismo: le forme ed i musicisti romantici   - TESI n. 30 ◾  La musica strumentale nella seconda Ottocento    - TESI n. 31 ◾  Le Scuole Nazionali      - TESI n. 32 ◾  Il Novecento, la Dodecafonia e la Musica elettronica  ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$4.99
4.61 €
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Ligne De Mélodie, (Paroles) et Accords
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Andrea Balzani
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📄 Storia della Musica
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Andrea Balzani
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SheetMusicPlus
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Jaime Nuno Roca: Himno Nacional Mexicano (Mexican Anthem) instantly for piano, voice or other instruments
Piano, Voix
This is an exclusive arrangement for piano, voice or other instruments of EASY/MEDIUM skil…
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This is an exclusive arrangement for piano, voice or other instruments of EASY/MEDIUM skill level from the original composition by Jaime Nuno Roca. This title is available as instant sheet music download. Contents: Mexican Anthem,patriotic, national anthem, mexico anthem / patriotic,traditional,hymn,multicultural,world,olympics,festival
$2.99
2.76 €
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Piano, Voix
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Jaime Nuno Roca
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Virtualsheetmusic
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