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Can I Have a Word?
Non classifié
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352
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46
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37
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28
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--INSTRUMENTS--
ACCORDEON
ALTO
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Vous avez sélectionné:
Can I Have a Word?
Partitions à imprimer
743 partitions trouvées
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Can I Have a Word?
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Piano, Voix
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AVANCÉ
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Christopher Benfield
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Can I Have a Word?
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Christopher Benfield
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #...
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Piano,Vocal,Voice - Level 5 - SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #6202231. Published by Christopher Benfield (A0.909893). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Can I Have a Word is about a relationship between two people, the singer looking for compromise by talking about the use of different words.
$2.99
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
They Saw a Star SSAA Cantata
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Connie Boss
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Connie Boss
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They Saw a Star SSAA Cantata
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Connie Boss
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.1515104 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas. 106 pages. Connie Boss #1089606. Publi...
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Small Ensemble - Level 3 - SKU: A0.1515104 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas. 106 pages. Connie Boss #1089606. Published by Connie Boss (A0.1515104). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star. The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where Jesus is born. This is where the star shines down for all to see. This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an SA duet with SSAA choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir. I hope you enjoy singing and listening to this cantata—Connie BossI didn't have a minimum copy, so you can make copies of this. This is why I have it priced at this price.For questions or requests, email Cdboss@cvalley.net.
$15.00
I Have A Dream
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Orgue
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ABBA
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I Have A Dream
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.449053 By ABBA. This edition: scorch. E-Z Play Today. Broadway,Pop,Standards. Score. 2 pages. Pub...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.449053 By ABBA. This edition: scorch. E-Z Play Today. Broadway,Pop,Standards. Score. 2 pages. Published by Hal Leonard - Digital (HX.449053). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
A Lock of Mother's Hair. Song and Chorus
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Piano, Voix
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Arthur M
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A Lock of Mother's Hair. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4861 Composed by Arthur M. Cohen. Mothers & children, Death, Keepsakes, Comfort. Lester S. Levy Collection. 4 pages. Published...
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Piano and voice - SKU: LV.4861 Composed by Arthur M. Cohen. Mothers & children, Death, Keepsakes, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4861). A Lock of Mother's Hair. Song and Chorus. Words and Music by Arthur M. Cohen. Published 1888 by Chas. W. Held, 227 Fulton St. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Death, Keepsakes, Comfort. First line reads I have a treasure rare, that I cherish with great care.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
He's The Picture of His Daddy in a 1000 Different Ways
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Piano, Voix
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F
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M
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He's The Picture of His Daddy
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.19055 Composed by M.H. Rosenfeld & F. Belasco. Cartoons, Families, Roller skating, Alcoholic beverages, Robberies, Courtship &...
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Piano and voice - SKU: LV.19055 Composed by M.H. Rosenfeld & F. Belasco. Cartoons, Families, Roller skating, Alcoholic beverages, Robberies, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19055). He's The Picture of His Daddy in a 1000 Different Ways. Words & Music By F. Belasco, M.H. Rosenfeld. Published 1886 by [W.F. Shaw] in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Families, Roller skating, Alcoholic beverages, Robberies, Courtship & love. First line reads I have a boy who gives me trouble, he's just the picture of his Pa.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
They Saw a Star Christmas Cantata for SATB optional instruments and piano
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Noël
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Connie Boss
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Connie Boss
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They Saw a Star Christmas Cant
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie...
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Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie Boss. Christmas,Holiday. 122 pages. Connie Boss #907356. Published by Connie Boss (A0.1318802). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star.  The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where   Jesus is born. This is where the star shines down for all to see.  This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an ST duet with SATB choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir.  I hope you enjoy singing and listening to this cantata—Connie Boss.
$10.00
Ani Maamin (I Believe) - A song of the Holocaust - string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Folk
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Yoel Epstein
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Ani Maamin
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Yoel Epstein
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.773335 Composed by Folk. Arranged by Yoel Epstein. Christian,Jewish,Sacred,World. Score and parts. 10 ...
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String Quartet String Quartet - Level 3 - SKU: A0.773335 Composed by Folk. Arranged by Yoel Epstein. Christian,Jewish,Sacred,World. Score and parts. 10 pages. Yoel Epstein #4286157. Published by Yoel Epstein (A0.773335). This song has become an icon of remembrance of the six million Jews who died in the Holocaust. It is traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. This is one of four songs for Holocaust Remembrance Day that I have arranged for string quartet. The set of songs is available for download at https://www.sheetmusicplus.com/title/four-songs-of-the-holocaust-arranged-for-string-quartet-digital... The other songs are Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$1.99
I Will Lift Mine Eyes (Psalm 121)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Carol Taylor
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Carol Taylor
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I Will Lift Mine Eyes
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C.Taylor
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.934049 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.934049 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. C.Taylor #3111369. Published by C.Taylor (A0.934049). Words from Psalm 121SATBInspirational and Christian ReligiousWould be excellent for choirs or ensembles in Church or schoolPlease excuse the MP3 quality. I did not have an ensemble to record my music so it is just SAT (I cannot sing bass! :-) This is just to give you a rough idea of how it sounds!Has challenging harmonies but easy enough for most singersI have an extensive contact list on several Facebook sitesThis music has been performed for Church services privately by a small 8 member ensemble.The words are taken almost directly from Psalm 121 so ANY Christian group should find it suitable and uplifting and worshipful for servicesIt can also be used as a vocal or piano solo if desiredI belong to a Church organization but no Performing Rights organizationsThis piece will take approximately 4 minutes to sing Can contact me through email: CarolTaylor27@yahoo.com
$1.99
Like a River Glorious
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Grace Community Church
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Lyndell Leatherman
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some were not
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Like a River Glorious
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1378642 By Grace Community Church. By Words: Frances R. Havergal / Music: James Mountain. Arranged by Lynde...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1378642 By Grace Community Church. By Words: Frances R. Havergal / Music: James Mountain. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #963303. Published by Leatherman Music Services (A0.1378642). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Lord, Speak to Me That I May Speak
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Grosse Pointe Memorial Church
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Lyndell Leatherman
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some were not
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Lord, Speak to Me That I May S
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1224847 By Grosse Pointe Memorial Church (Michigan) Virtual Choir, James Biery, organist. By Words: Frances...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1224847 By Grosse Pointe Memorial Church (Michigan) Virtual Choir, James Biery, organist. By Words: Frances R. Havergal / Music: Robert Schumann. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #820959. Published by Leatherman Music Services (A0.1224847). Welcome to this entry in the Leatherman Library of Christian Hymnody (LLOCH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
If I Could Fly
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Chorale 3 parties
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Kwok Man Ho Marco
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If I Could Fly
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Kwok Man Ho Marco
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SheetMusicPlus
Choral Choir,Choral (SAB) - SKU: A0.1286825 Composed by Kwok Man Ho Marco. 21st Century,Children,Multicultural,New Age,Spiritual,World. 15 pages. Kwok M...
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Choral Choir,Choral (SAB) - SKU: A0.1286825 Composed by Kwok Man Ho Marco. 21st Century,Children,Multicultural,New Age,Spiritual,World. 15 pages. Kwok Man Ho Marco #877839. Published by Kwok Man Ho Marco (A0.1286825). If I Could FlyComposed for SAB Choir with piano accompaniment by Kwok Man Ho MarcoFull scoreLyrics:-----If I could fly,I would fly way up high.If I could fly,I'd fly way up into the sky and fly with birdsand talk with them between the clouds.If I could fly,I would fly way up high.If I could fly,I'd fly and soar into the sky and bring a brush to paint the rainbowfrom my mind to the sky!I'd spread my wings and soar up really high.The wings that I have now will never let me fall to the ground!The wings I own can bring me to Utopiawhere I can chase my dreams by flying high into the sky.If I could fly,I would fly way up high.If I could fly,I would take off into the sky.I'd glide through the top of mountains and the hills and the sea!I'd spread my wings and soar up really high.The wings that I have now will never let me fall to the ground!The wings I own can bring me to Utopiawhere I can chase my dreams by flying high into the sky.I'm flying up high, in the sky!-----For any inquiry, please visit my personal website (https://kwokmanhomarco.wordpress.com) or send me a message via Instagram (https://www.instagram.com/kmh.marco).
$2.99
A Prayer to Mary
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Chorale SATB
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Richard Sorce
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A Prayer to Mary
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Imagine Music - Digital
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SheetMusicPlus
SATB chorus & piano - Grade 2 - SKU: IZ.VMW193 Composed by Richard Sorce. Score. 8 pages. Imagine Music - Digital #VMW193. Published by Imagine Music - ...
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SATB chorus & piano - Grade 2 - SKU: IZ.VMW193 Composed by Richard Sorce. Score. 8 pages. Imagine Music - Digital #VMW193. Published by Imagine Music - Digital (IZ.VMW193). 6.75 x 10.5 in inches.In 2015, Fr. Paulo Tanzini, former pastor of Church of the Assumption in Emerson, NJ, commissioned me to write a piece for the fiftieth anniversary of the building to be celebrated in mid-August of the same year during the recognition of Mary's Assumption. Although this was to be a fiftieth year jubilee, the parish had been in existence for many decades prior, and many of the choir members had been parishioners since the construction of the new building and some even before.Myidea was to ask the choir members to participate in this piece by expressing their thoughts regarding their devotion to Mary, and from their writing I would assemble their words into a lyric.Initially, A Prayer to Mary was composed as a unison/octave setting, after which I arranged it for SATB with piano accompaniment. Most important in the performance of this piece is to approach it with a generous amount of expression and rubato in several areas so that the meanings of the individual lyric phrases become meaningful and not just words.I have included chord symbols in the score for those who wish to personalize their own accompaniments; however, chord symbols do not, and in several cases cannot capture the exact content of the accompaniment. It would be beneficial to analyze the content of the written accompaniment before assuming that the chord symbols reflect the exact harmony.A Prayer To Mary can be appropriately performed during Mother's Day, the celebration of The Assumption of Mary in mid-August, as a communion meditation or any time during which special devotions are warranted.
$2.05
Words
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Train
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John Fries
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Words
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1117856 By Train. By Jerry Becker, Luis Maldonado, and Pat Monahan. Arranged by John Fries. 20th Century,Folk,Jazz,Stan...
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C Instrument - Level 4 - SKU: A0.1117856 By Train. By Jerry Becker, Luis Maldonado, and Pat Monahan. Arranged by John Fries. 20th Century,Folk,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719379. Published by John Fries (A0.1117856). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Words is a song by the Bee Gees, written by Barry, Robin and Maurice Gibb. The song reached No. 1 in Germany, Canada, Switzerland, and the Netherlands. Words was the Bee Gees third UK top 10 hit, reaching number 8, and in a UK television special on ITV in December 2011. it was voted fourth in The Nation's Favourite Bee Gees Song.
$3.99
Words
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Madonna and Shep Pettibone
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John Fries
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Words
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200739 Composed by Madonna and Shep Pettibone. Arranged by John Fries. 20th Century,Pop,Standards. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200739 Composed by Madonna and Shep Pettibone. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799432. Published by John Fries (A0.1200739). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Words is a song by the Bee Gees, written by Barry, Robin and Maurice Gibb. The song reached No. 1 in Germany, Canada, Switzerland, and the Netherlands. Words was the Bee Gees third UK top 10 hit, reaching number 8, and in a UK television special on ITV in December 2011. it was voted fourth in The Nation's Favourite Bee Gees Song.
$4.99
Where He Leads I’ll Follow
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Fairhaven Amish-Mennonite Choi
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Lyndell Leatherman
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some were not
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Where He Leads I’ll Foll
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407322 By Fairhaven Amish-Mennonite Choir. By Words & Music: William A. Ogden. Arranged by Lyndell Leather...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407322 By Fairhaven Amish-Mennonite Choir. By Words & Music: William A. Ogden. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #989999. Published by Leatherman Music Services (A0.1407322). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Cantata: Jesu, Joy of Man’s Desiring (EASY PIANO) (BWV 147) [Johann Sebastian Bach]
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Piano Facile
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FACILE
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Classique
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Johann Sebastian Bach
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Darek
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Cantata: Jesu, Joy of Man&rsqu
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1261974 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #85505...
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Easy Piano - Level 2 - SKU: A0.1261974 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855059. Published by Darek (A0.1261974). Cantata: Jesu, Joy of Man’s Desiring (EASY PIANO) (BWV 147) [Johann Sebastian Bach]Simplified arrangement for pianists of Cantata: Jesu, Joy of Man’s Desiring (BWV 147) by Johann Sebastian Bach. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. Immerse yourself in the timeless beauty of Johann Sebastian Bach's Cantata: Jesu, Joy of Man's Desiring (BWV 147) with this easy-level piano sheet music edition, specifically tailored for beginner pianists. Experience the uplifting melodies of this iconic composition, transporting yourself to the splendor of the Baroque era. I have thoughtfully prepared this sheet music to empower aspiring pianists like you to embrace the beauty of Bach's masterpiece. With detailed fingering suggestions, you will effortlessly navigate the gentle yet intricate passages, allowing your hands to gracefully interpret the enchanting melody. Captivate the essence of the piece with the aid of comprehensive articulation markings, guiding you to shape each phrase with precision and expressiveness. The inclusion of precise dynamics notation further enhances your interpretation, allowing you to convey the range of emotions embedded within this renowned composition. To enhance your learning experience, I have included a valuable YouTube tutorial video that offers insightful guidance, tips, and demonstrations. This visual resource will inspire and empower you to master the nuances of Jesu, Joy of Man's Desiring at your own pace, unlocking your potential as a pianist. This sheet music is carefully designed for beginner pianists, providing an accessible entry point into Bach's remarkable repertoire. Embrace the challenge and relish the joy of performing a piece from one of the greatest composers in history. Join the community of passionate pianists who have embraced the enduring beauty of Jesu, Joy of Man's Desiring. Whether you are a novice pianist seeking a captivating musical experience or an intermediate player looking to expand your repertoire, this sheet music is an ideal choice. Unlock your musicality and let the harmonious melodies of Bach resonate through your fingertips. Immerse yourself in the richness of the Baroque era, nurturing your skills and cultivating a deep connection with the piano. Don't miss the opportunity to add this timeless composition to your repertoire and captivate audiences with your heartfelt performance. Keywords: Cantata: Jesu, Joy of Man's Desiring, BWV 147, Johann Sebastian Bach, piano sheet music, easy level, beginner pianists, fingering, articulation, dynamics, YouTube tutorial, Baroque era, music, pianists, composition, repertoire, musical experience, uplifting melodies, enchanting melody.
$3.00
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
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Can't Help Falling In Love
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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Mariage/Ballade
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Rock
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UB40
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John Fries
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Can't Help Falling In Love
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.504509 By UB40. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by John Fries. 20th Century,Pop,Stand...
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C Instrument - Level 4 - SKU: A0.504509 By UB40. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #116303. Published by John Fries (A0.504509). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Can't Help Falling in Love is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). The song was initially written from the perspective of a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies in the United States.
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