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Can You Imagine? - Percussion 2
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Crtitères actifs :
Can You Imagine? - Percussion 2
Partitions à imprimer
34 partitions trouvées
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Gnossienne nº 2 - Score Only
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Classique
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Contemporain
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Erik Satie
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Erik Satie, one of the most re
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Bisdre Santos
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Gnossienne nº 2 - Score O
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401936 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 page...
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Guitar - Level 2 - SKU: A0.1401936 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985134. Published by Soul - Musical Creations (A0.1401936). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99
Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
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Contemporain
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935). Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk
$14.00
You Found Me
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Instruments en Do
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FACILE
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Rock
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben...
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C Instrument - Level 2 - SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
Planet for 2 altos and guitar
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Contemporain
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David Warin Solomons
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Planet for 2 altos and guitar
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Voice,Guitar,Instrumental Duet - Level 3 - SKU: A0.575980 Composed by David Warin Solomons. 20th Century,Contemporary. Score and ...
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Instrumental Duet Alto Voice,Guitar,Instrumental Duet - Level 3 - SKU: A0.575980 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 6 pages. David Warin Solomons #32411. Published by David Warin Solomons (A0.575980). This mysterious song for two altos and guitar is a poetic vision of a nearby planet. One version relates to Venus (poem by Graham Buck inspired by Supervielle) the other version (with the same notes) relates to Mars (poem by the composer). Both poems lament the passing of an imagined civilisation on a distant planet. The pdf file contains the scores of both poetic versions. The sound sample is the Venus version, performed by the composer on guitar and singing first alto with Duncan Saunderson as second alto This can also be seen as a video on youtube at: https://www.youtube.com/watch?v=F5ZxOVwjubw.
$9.00
THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
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Piano seul
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AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO Arrang
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classic...
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)           &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$15.99
Planet for 2 altos and piano
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David Warin Solomons
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Planet for 2 altos and piano
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Low Voice,Piano - Level 3 - SKU: A0.575981 Composed by David Warin Solomons. 20th Century,Contemporary. Score and pa...
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Instrumental Duet Instrumental Duet,Low Voice,Piano - Level 3 - SKU: A0.575981 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 6 pages. David Warin Solomons #32413. Published by David Warin Solomons (A0.575981). This mysterious song for two altos and piano is a poetic vision of a nearby planet. One version relates to Venus (poem by Graham Buck inspired by Supervielle) the other version (with the same notes) relates to Mars (poem by the composer). Both poems lament the passing of an imagined civilisation on a distant planet. The pdf file contains the scores of both poetic versions. The sound sample is an electronic preview (with clarinets representing the voices) The original song (for 2 altos and guitar) can also be seen as a video on youtube at: https://www.youtube.com/watch?v=F5ZxOVwjubw.
$7.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Guyute
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Trio à Cordes: 2 violons, violoncelle
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AVANCÉ
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Rock
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Phish
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AZSAP MUSiC
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Guyute
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AZSAP MUSiC
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SheetMusicPlus
String Trio Cello,Violin - Level 5 - SKU: A0.1232304 By Phish. By Tom Marshall and Trey Anastasio. Arranged by AZSAP MUSiC. Rock. 33 pages. AZSAP MUSiC ...
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String Trio Cello,Violin - Level 5 - SKU: A0.1232304 By Phish. By Tom Marshall and Trey Anastasio. Arranged by AZSAP MUSiC. Rock. 33 pages. AZSAP MUSiC #827993. Published by AZSAP MUSiC (A0.1232304). Embark on a musical journey through the intricate and whimsical sounds of Guyute by Phish, thoughtfully arranged for string trio. This simplified and abridged rendition takes the complexity of the original jam band classic and reimagines it in a way that retains its charm while making it accessible for your ensemble's performance.Key Features:1. **Accessible Adaptation:** Guyute is renowned for its intricate and adventurous nature. Our simplified string trio arrangement captures the essence of the original while making it more approachable, ensuring that even ensembles with varying levels of experience can enjoy performing this beloved piece.2. **Versatile Usage:** Ideal for a range of settings, from intimate gatherings to special events and casual performances, this arrangement introduces a new, fresh sound to your repertoire while accommodating the skills of your ensemble.3. **Professionally Notated:** Our sheet music is professionally notated, offering well-crafted parts for each member of your trio, resulting in a harmonious and polished performance.4. **Room for Artistic Interpretation:** While this arrangement simplifies the original, it still allows room for artistic interpretation, enabling your ensemble to infuse their unique style and emotions into the performance.5. **Instant :** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation a breeze.Join the musical adventure with your string trio as you explore the intricate and whimsical sounds of Guyute. This simplified and abridged arrangement bridges the gap between complexity and accessibility, allowing ensembles to experience the charm of Phish's original masterpiece. Order your copy today and embark on a musical journey that combines adventure, creativity, and accessibility, creating lasting impressions for both your ensemble and your audience.
$12.99
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
Gnossienne nº 1 - Score Only
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Classique
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Contemporain
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purchasing the PDF score, you
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Erik Satie
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Bisdré Santos
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Gnossienne nº 1 - Score O
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401929 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. ...
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Guitar - Level 2 - SKU: A0.1401929 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985125. Published by Soul - Musical Creations (A0.1401929). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99
Gnossienne nº 3 - Score Only
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Classique
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Contemporain
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Erik Satie
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Erik Satie, one of the most re
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Bisdre Santos
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Gnossienne nº 3 - Score O
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401937 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 10 pag...
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Guitar - Level 2 - SKU: A0.1401937 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 10 pages. Soul - Musical Creations #985135. Published by Soul - Musical Creations (A0.1401937). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99
Gnossienne No. 1
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Classique
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Contemporain
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purchasing the PDF score, you
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Erik Satie
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Bisdré Santos
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Gnossienne No. 1
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401934 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. ...
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Guitar - Level 2 - SKU: A0.1401934 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985132. Published by Soul - Musical Creations (A0.1401934). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$4.99
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Ballad Of Casey Jones
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Eddie Newton and Jill Gallina
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Derek Hasted
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and p...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
All Night Long (all Night)
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Lionel Richie
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Zedas Couve
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All Night Long
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Zedas Couve
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1278339 By Lionel Richie. By Lionel Richie. Arranged by Zedas Couve. 20th Century,Disco,Hip-Hop,Jazz,Pop,R & B. Lead Sh...
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C Instrument - Level 2 - SKU: A0.1278339 By Lionel Richie. By Lionel Richie. Arranged by Zedas Couve. 20th Century,Disco,Hip-Hop,Jazz,Pop,R & B. Lead Sheet / Fake Book. 3 pages. Zedas Couve #870055. Published by Zedas Couve (A0.1278339). 🎵 Celebrate Lionel Richie's Music with the All Night Long (All Night) Leadsheet! 🎵🎶 Have you ever imagined being able to play and sing one of the greatest hits of all time? Well, now you can! Introducing the Leadsheet of the iconic song All Night Long (All Night) by Lionel Richie, available for you to dive into its contagious beat and unforgettable lyrics.🎹 What is a Leadsheet? The Leadsheet format is a simplified way to represent a song, highlighting the chords, the main vocal melody, and the lyrics. It's a popular choice among musicians and artists who want to capture the essence of the music while adding their own creativity. With the Leadsheet of All Night Long (All Night), you'll have the necessary tools to play and sing this iconic song just the way you want.🎤 Feel the Music's Energy: Imagine yourself at a lively party, where people are dancing and singing along with you. All Night Long (All Night) is known for its festive atmosphere and infectious rhythm that's impossible to resist. With the Leadsheet, you'll be able to recreate this vibe anywhere, whether you're playing on a solo instrument, accompanying other musicians, or even putting together your own band to bring back the spirit of the music.🎸 Express Your Creativity: With the Leadsheet, you'll have the solid foundation of the music, allowing you to add your own nuances and personal interpretations. Experiment with different arrangements, vary the chords, and explore new ways to present this legendary track. Whether you're a beginner or an experienced musician, the Leadsheet is a versatile tool to enhance your musical skills.🎵 How to Get the All Night Long (All Night) Leadsheet: Obtaining the Leadsheet of the song that has captivated generations is simple! Visit our website and instantly download the digital file. You can print it out or access it directly on your device, allowing you to start practicing and playing within minutes. Plus, you'll also receive valuable tips on how to approach the music and customize your own style.Don't miss the opportunity to have the All Night Long (All Night) Leadsheet in your hands. Relive the magic of Lionel Richie's music and create unforgettable moments through your unique interpretation. Download it now and start your musical journey!
$4.99
Let It Snow! Let It Snow! Let It Snow!
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Orchestre d'harmonie
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FACILE
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Jessica Simpson
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Kyle L
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Let It Snow! Let It Snow! Let
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KyleMac Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1217848 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by Kyle L. McKinzey. Christmas,Contest,Festival,Holi...
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Concert Band - Level 2 - SKU: A0.1217848 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by Kyle L. McKinzey. Christmas,Contest,Festival,Holiday. Score and Parts. 36 pages. KyleMac Music #814364. Published by KyleMac Music (A0.1217848). Let It Snow! Let It Snow! Let It Snow!, also known as Let It Snow, is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945. It was written in Hollywood, California, during a heat wave as Cahn and Styne imagined cooler conditions. Despite the lyrics not mentioning any holiday, the song has come to be regarded as a Christmas song in North America due to its winter theme, being played on radio stations during the Christmas and holiday season, and having often been covered by various artists on Christmas-themed albums. This is playable for 2nd-year players and has split parts to provide easier ranges for younger players and add more harmonic texture. The Drum Set part can be split into separate parts for a more traditional concert setting if desired.I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and critiques. kylemacmusic@gmail.com.
$49.99
Briar Rose for Big Band
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Ensemble Jazz
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FACILE
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Tchaikovsky, Peter
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Thingvall, Jon
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Briar Rose for Big Band
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Jon Thingvall
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pa...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pages. Jon Thingvall #865640. Published by Jon Thingvall (A0.1273503). Briar Rose was the name of an early version of Sleeping Beauty.  Here, Tchaikovsky’s famous Sleeping Beauty Waltz is perked up a little, and re-imagined for a standard junior high/early high school, jazz big band (5,4,4), and played in 4/4 time.Difficulty:  junior high to early high school band.Designed to help students learn jazz.Key:  F (original ballet key is B-flat)Highest lead trumpet note: concert E (last note), in the treble clef.There are no solos.  Exposed parts have at least two players.The rhythms swing, but are kept predictable, without too much variety.Rhythm section play-along here:  https://youtu.be/rhlifLTzHC8Additional Parts Included:        Score, transposed        Score, concert pitch        Piano/Guitar showing Bass in L.H.        Piano/Guitar only, no Bass        Piano with jazz ideas/options written out        Drum set notation        Drum set kicksheetMeasure 71 (at approx. 1:51) could serve as an Optional Ending, and the director will be able to edit the measure as desired—beef up the “& of two†if desired, and/or add horns on beat 4, etc.  If done in class, as my teachers occasionally did, it can show the students the process of arranging, and might encourage some in that direction.As a classical-turned-jazz pianist, my best memories are of those who helped me bridge the gap from verbatim part-playing to the concepts of learning jazz harmonies and its own unique form of counterpoint.  Writers' suggestions--like Sammy Nestico's, who occasionally specified voicings--were invaluable. So, for classically-trained pianists who are interested in jazz, I’ve included a couple versions of the piano part—a fairly standard “lead sheetâ€, but also one with ideas for voicings, especially quartal, which the classical artist might not have considered.  Further study on YouTube and other Internet sites will help them hear and visualize the difference between jazz and classical.The Bass part gives the student the option of playing the changes, or the written notes.I’ve also included two kinds of drum parts—one with notation for those just starting out, and another “kick sheet†for those with more experience.Manuscript made with Finale v26Sounds from Finale and Garritan “JABB3†(Jazz And Big Band)MP3 courtesy of OnlineAudioConverter.com.
$45.00
Bach Cello Suite No 1 - solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo g
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Georg Mertens
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual...
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Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
Let It Snow! Let It Snow! Let It Snow!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jessica Simpson
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John Fries
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Let It Snow! Let It Snow! Let
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201327 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Fries. 20th Century,Christmas,Ho...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201327 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Fries. 20th Century,Christmas,Holiday,Jazz,Standards. Score. 2 pages. John Fries #799981. Published by John Fries (A0.1201327). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Let It Snow! Let It Snow! Let It Snow!, also known as simply Let It Snow, is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945. It was written in Hollywood, California during a heat wave as Cahn and Styne imagined cooler conditions. Despite the lyrics making no mention of any holiday, the song has come to be regarded as a Christmas song worldwide due to its winter theme, being played on radio stations during the Christmas and holiday season, and having often been covered by various artists on Christmas-themed albums.
$4.99
Mary's Song
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Musique Sacrée
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Sheldon Curry
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Choral Octavo
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Mary's Song
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-34877 Adapted from Magnificat. Composed by Sheldon Curry. This edition: InstruPax. Choral ...
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Choir Sacred Instrumental Ensemble - SKU: JX.00-34877 Adapted from Magnificat. Composed by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christmas; Sacred. Part(s). 37 pages. Jubilate Music Group - Digital #00-34877. Published by Jubilate Music Group - Digital (JX.00-34877). English.In this remarkably fresh new setting of Mary's Magnificat, composer Sheldon Curry imagines Jesus' mother Mary as a young Appalachian woman. The musical surroundings are filled with joy and praise couched in everyday language. The instrumental accompaniment is designed for amateur players of average experience. The addition of violin (written as fiddle) and cello add additional color and emotion. This anthem can be found in an extended version (35058), combined with Simeon's Vision (34879). The 2 can be used separately or as part of an Appalachian Evensong.
$30.00
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
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David Catherwood
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Jack's Journey - A Musical ins
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Opus 3 Music
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SheetMusicPlus
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus...
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
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Can You Imagine? - Percussion 2