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Vous avez sélectionné:
Cap and Gown
Partitions à imprimer
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Cap and Gown. March and Two Step
Piano seul
Piano - Digital Download SKU: LV.16343 Composed by Fanny S. Pearson. Graduation cer…
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Piano - Digital Download SKU: LV.16343 Composed by Fanny S. Pearson. Graduation ceremonies. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16343). Cap and Gown. March and Two Step. By Fanny S. Pearson. Published 1896 by Sanders & Stayman, 13 N. Charles St. in Baltimore. Composition of sectional with piano instrumentation. Subject headings for this piece include Graduation ceremonies. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano seul
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Fanny S
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Fanny S
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Cap and Gown. March and Two Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Cap and Gown
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1454091
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1454091 Composed by Brian S. Wilson. 21st Century,Chamber,Classical,Contest,Festival. 12 pages. G. Meredith Publications #1033265. Published by G. Meredith Publications (A0.1454091). For Brass Quinet of 2 trumpets in Bb, horn in F, trombone and tuba.Moving fanfare and ode suitable for graduation ceremonies or the concert stage alike. 2:54.
$18.00
16.57 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Brian S
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Cap and Gown
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G. Meredith Publications
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SheetMusicPlus
David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.776016 Composed by David …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #2036509. Published by Musik Fabrik Music Publishing (A0.776016). This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday. A robin brought some holly all covered with snow. The cruel wind blows. From each little berry fell drops of blood, Which covered the earth where the Virgin once stood. The cruel wind blows. Dark was the sky when Angels came to stay, They brought old lanterns to lead the way. The cruel wind blows. Candles brightly shine for all to see, They glow tonight through the ageing year. Tender are the lilies as soft as her gown And white are the ringlets that fall to the ground. Mary with her child upon this Winter night, She walked through the darkness with yellow candle light. North winds blow across the fields, But only one child continues to dream. The cruel wind blows The cruel wind blows. ©Tom Clarke Buying this file gives the right to print six copies of the music score.
$1.99
1.83 €
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Chorale SATB
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David Warin Solomons
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David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List: Andy Renwick's Ferret Angus Campbell Archie Menzies The Banks Hornpipe Bear River Jig Bee's Wing Hornpipe, The Belfast hornpipe, The Belfast Jig Big John McNeil Bonaparte Crossing The Alps Bonniest Lass in a' the World, The Bonny Lass of Fisherrow, The Bonny Lea Rig, The Brae Reel, The Braes of Auchtertyre, The Brenda Stubbert's Reel Caber Feidh Cape Breton Wedding Reel, The Captain Campbell Carleton County Breakdown Carnie's Canter Chaisson Reel, The Cheticamp Reel, The Chorus Jig Come Under My Plaidie Compliments To Buddy Macmaster Cutting Ferns Darlin' Don't You Meddle Me Delphine's Reel Democratic Rage, The Devil In The Kitchen Dillon Brown Dinkie's Reel Don't Be Teasing Dr Keith, Aberdeen Dragger's Reel, The Drunken piper, The Dublin Porter Duke of Gordon's Birthday, The Durang's Hornpipe East Neuk of Bear River, The Emil Gaudet's Reel Farmer's Daughter, The Farmer's Reel, The Fay's Hornpipe Fermoy Lasses Fig For A Kiss Fisher's Hornpipe (F Setting) Fred Wilson's Hornpipe Glencoe March Green Meadow Reel Haggis, The Hector's Fancy Hector's New Dance Hall High Level Hornpipe, The Homeward Bound Honeymoon, The Inverness Jig Irishman's Heart To The Ladies Iron Man, The Island Boy Jack Webster's Reel Jackson's Jig Jenny Dang The Weaver JEROME'S FAREWELL TO GIBRALTAR Jerry Holland's Jig Joe Kearney's Reel Joe MacInnis' March Kenmure's On & Awa', Willie Killiecrankie Koehler's Hornpipe Lad O'beirne's Reel Lasses of Glenaladale, The Levantine's Barrel Light & Airy Little Donald In The Pigpen Little Jack's Reel Londonderry Hornpipe Lord Gordon Lord MacDonald's Reel Macdonald's March Reel Mackinnon's Rant Marchioness of Tullibardine, The Marie ? Pierre Marquis of Huntly, The Meeting of Waters, The Miller o' Drone, The Miller's Reel Miramichi Fire, The Miss Barker's Hornpipe Miss Georgina Campbell Miss Gordon Miss Lyall Strathspey Miss Maxwell Mr. Murray Munlochy Bridge Munster Lass, The North Side of the Grampians, The Northside Tune Orange & Blue, The Ottawa Valley Reel Paddy On The Turnpike Pigeon On The Gatepost Plains of Boyle, The Poppy Leaf, ThePride of the Ball Prince Edward Island Wedding Reel Princess Reel River Bend Jig Robert Cormack, Aberdeen Robert Stubbert Rock Valley Jig Rose in the Garden, The Rose of Tennessee, The Rothiemurchus Rant, The Royal Circus Jig Shandon Bells Shores of Lough Gowna, The Silver & Gold Sleepy Maggie Souris Breakwater Southern Melody St Anne's Reel -Original Version St Anne's Reel -Prince County Version St Kilda Wedding Stack Of Barley Stella's Trip To Kamloops Stool of Repentance, The Teviot Bridge Trip To Windsor West Point Jig When I Go Out the Door Where the North River Flows Whiskey Jig Wilfred's Fiddle You Married My Daughter, & Yet
$24.99
23.01 €
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Banjo
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Intermediate
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Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Past Three O'Clock - brass quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726088
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4790249. Published by Con Spirito Music (A0.726088). Past Three O'Clock (or Past Three A Clock) is a Christmas carol loosely based on the traditional cry of the city night watchman, set to the English traditional tune, London Waits.The tune and refrain have been known since the Renaissance, and both were possibly used by London's waits (also waites or waytes). According to the Encyclopaedia Brittanica (1911):The earliest waits (those of the 14th and 15th centuries) were simply watchmen who sounded horns or even played a tune on a flute or flageolet to mark the hours. This appears to have been known as 'piping the watch....' The duties of the London waits, which included playing before the mayor during his annual progress through the streets and at city dinners, seem to have been typical of all 16th- and 17th-century city waits. The London waits had a special uniform of blue gowns with red sleeves and caps, and wore a silver collar or chain round the neck. In the 18th and early 19th century the ordinary street watchmen appear to have arrogated to themselves the right to serenade householders at Christmas time, calling round on Boxing Day to receive a gratuity for their tunefulness as well as their watchfulness. When in 1829 their place as guardians of the city's safety was taken by police, it was left for private individuals to keep up the custom.This arrangement of this sprightly tune features the Westminster Chimes (aka Westminster Quarters or Cambridge Quarters), the tune written for the clock tower at Cambridge in 1793, as introduction, in accompaniment, and at the conclusion of the piece.©Copyright 2019 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00
13.81 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Traditional English Carol
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Todd Marchand
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Past Three O'Clock - brass quintet
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Con Spirito Music
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SheetMusicPlus
A froggy would a wooing go (mp3)
Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Compos…
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Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 178. David Warin Solomons #3397199. Published by David Warin Solomons (A0.1059518). Jolly version of this famous nursery song by Lorin Nelson and David Warin SolomonsA frog he would a-wooing go, mm mm, mm mm, A frog he would a-wooing go, Whether his mother would let him or no, mm mm, mm mm. He rode right to Miss Mousie's den, mm mm, mm mm, He rode right to Miss Mousie's den, Said he, Miss Mousie are you within? mm mm, mm mm. Oh yes, Sir Frog, I sit and spin, mm mm, mm mm, Oh yes, Sir Frog, I sit and spin, So open the door and walk right in, mm mm, mm mm. He said, Miss Mousie I?ve come to see, mm mm, mm mm, He said, Miss Mousie I?ve come to see, If you, Miss Mousie, will marry me? mm mm, mm mm. I don't know what to say to that, mm mm, mm mm, I don't know what to say to that, 'Til I can see my Uncle Rat, mm mm, mm mm. When Uncle Rat came riding home, mm mm, mm mm, When Uncle Rat came riding home, Said he, Whose been here since I've been gone? mm mm, mm mm. A fine young gentleman has been here, mm mm, mm mm, A fine young gentleman has been here, Who wants to marry me, that is clear, mm mm, mm mm. So Uncle Rat, he rode to town, mm mm, mm mm, So Uncle Rat, he rode to town, And bought his niece a wedding gown, mm mm, mm mm. Where shall our wedding supper be, mm mm, mm mm, Where shall our wedding supper be? Down in the trunk of the hollow tree, mm mm, mm mm. The first to come was the Bumble Bee, mm mm, mm mm, The first to come was the Bumble Bee, He strung his fiddle over his knee, mm mm, mm mm. The next to come was a Crawley Bug, mm mm, mm mm, The next to come was a Crawley bug, He broke the bottle and smashed the jug, mm mm, mm mm. The next to come was the Captain Flea, mm mm, mm mm, The next to come was the Captain Flea, He danced a jig with the Bumble Bee, mm mm, mm mm. The Frog and Mouse, they went to France, mm mm, mm mm, The Frog and Mouse, they went to France, And this is the end of my romance, mm mm, mm mm
$2.00
1.84 €
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Traditional
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A froggy would a wooing go
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David Warin Solomons
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SheetMusicPlus
Because I Could Not Stop for Death
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
7.36 €
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Chorale SATB
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for Death
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Richard deCosta
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SheetMusicPlus
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