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Capriccio de Concert
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Vous avez sélectionné:
Capriccio de Concert
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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Capriccio de Concert
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Violon et Piano
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AVANCÉ
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Hubay, Jeno
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Nick Lacanski
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Capriccio de Concert
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theupperstaff
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.650027 Composed by Hubay, Jeno. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. 27 pages. T...
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Piano,Violin - Level 5 - SKU: A0.650027 Composed by Hubay, Jeno. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. 27 pages. Theupperstaff #6328587. Published by theupperstaff (A0.650027).
$14.99
Capriccio de Concert
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Hubay, Jeno
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Nick Lacanski
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Capriccio de Concert
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theupperstaff
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.650028 Composed by Hubay, Jeno. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score a...
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String Orchestra - Level 4 - SKU: A0.650028 Composed by Hubay, Jeno. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 41 pages. Theupperstaff #6329449. Published by theupperstaff (A0.650028).
$19.99
Brahms - Capriccio Op.76 No.2 - Flute Quartet (Flute, Violin, Viola & Cello)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Tim TK Murray
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tkmurraycomp@aol.com
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Brahms - Capriccio Op.76 No.2
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TK
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.824090 Composed by Johannes Brahms. Arranged by Tim TK Murray. Concert,Romantic Period,Stand...
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.824090 Composed by Johannes Brahms. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 14 pages. TK (Tim) Murray #5375323. Published by TK (Tim) Murray (A0.824090). Brahms' whimsical Capriccio makes a perfect encore or interlude between larger works in a concert programme. It is like a relaxed scherzo with many changes of mood and character and immediately draws the audience into its charming world. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Concerto a Capriccio (Concerto on a Lark) for Piano and Orchestra (Complete Full Score and Instrume
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Richard St
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Concerto a Capriccio
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Richard St. Clair
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Publ...
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Percussion Ensemble - Level 5 - SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Published by Richard St. Clair (A0.939795). This 15-minute light-hearted piano concerto for full-size symphony orchestra was composed in sketch form in 1970 and the orchestration was finalized in 2018. Listeners will undoubtedly hear references to the neoclassical music of the earlier part of the 20th century, which was a major influence on the composer in the late 1960s and early 1970s. The full score and complete parts are for sale all contained on the provided PDF file, and a Finale-generated MP3 sound clip is provided here.
$60.00
Capriccio Borgogna, for bassoon (or alto clarinet, basset horn) & chamber orchestra (SCORE)
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Orchestre de chambre
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AVANCÉ
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Franklin Stover
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Capriccio Borgogna, for bassoo
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Edition Hohenstaufen
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.923636 Composed by Franklin Stover. 20th Century,Concert,Contemporary. Score and parts. 22 pages. Edition Hohensta...
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Chamber Orchestra - Level 5 - SKU: A0.923636 Composed by Franklin Stover. 20th Century,Concert,Contemporary. Score and parts. 22 pages. Edition Hohenstaufen #3447743. Published by Edition Hohenstaufen (A0.923636). Facsimile score of Capriccio Borgogna for alto clarinet (basset horn or bassoon) and chamber orchestra. The audio here features Tristan Willems-bassoon and members of the Slovak Radio Orchestra, Trevor Kirk conducting. Parts will be added at a future time. In the meantime, parts may be had by contacting the composer at komponist53@gmail.com
$5.00
Concerto
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Orchestre de chambre
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AVANCÉ
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Werner Egk
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Concerto
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 0 · 2 · Tenorsax. · 0 – 0 · 2 · 1 · 1 – Str. (2 · 2 · 2 · 2) violin and chamber orchestra - difficu...
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1 (auch Picc.) · 0 · 2 · Tenorsax. · 0 – 0 · 2 · 1 · 1 – Str. (2 · 2 · 2 · 2) violin and chamber orchestra - difficult - SKU: S9.Q16479 Composed by Werner Egk. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q16479. Published by Schott Music - Digital (S9.Q16479). The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for chamber orchestra, ensembles and soloists, as for example in Hindemith's chamber music pieces, Weill's Concerto for Violin and Woodwind, Berg's Chamber Concerto, and the Concerto and Capriccio by Stravinsky.
$46.99
Pezzo capriccioso B minor
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Violoncelle, Piano
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Pezzo capriccioso B minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - advanced - SKU: S9.Q6880 Morceau de concert. Composed by Peter Ilyich Tchaikovsky. This edition: Sheet music. Cello Library. Do...
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Cello and piano - advanced - SKU: S9.Q6880 Morceau de concert. Composed by Peter Ilyich Tchaikovsky. This edition: Sheet music. Cello Library. Downloadable. Op. 62. Schott Music - Digital #Q6880. Published by Schott Music - Digital (S9.Q6880). Key: B minor.Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had performed this little virtuoso piece for the first time at the famous salon of the Benardaky family in February 1888. The soloist himself suggested a few minor changes in the solo part. Even Maurice Gendron, the great cello virtuoso and teacher, attended to the work once again, not only 'bedighting' the solo part in a virtuoso manner but also adding a cadenza, an extended recapitulation and a lengthened ending to the Pezzo. The present edition enables the performer to get an accurate picture of the different versions and layers. The fingerings, bowing indications and interpretational aids - except for in the added parts - are by Maurice Gendron.
$19.99
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
Bach: Partita No. 2 BWV 826 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1431199 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1431199 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 54 pages. Jmsgu3 #1011662. Published by jmsgu3 (A0.1431199). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries along with the other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
"Dance Sketches" for violin and piano
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Violon et Piano
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AVANCÉ
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Panagiotis Theodossiou
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"Dance Sketches" for
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.886695 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 46 pages. Panagiotis Theodossiou #3575041. P...
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Piano,Violin - Level 5 - SKU: A0.886695 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 46 pages. Panagiotis Theodossiou #3575041. Published by Panagiotis Theodossiou (A0.886695). Dance Sketches, for violin and piano (2003). Four dance like concertante pieces, each of them a portrait of a composer and a study of his style. A Tango or a Milonga for Nikos Skalkotas, a Waltz for Alban Berg, a Pas de deux for Paul Hintemith, and a Sarabande and Capriccio for G.F.Haendel και Igor Stravinsky respectively. The work performed by Spyros Travlos and Panagiotis Archontidis at Athenaeum Concert Hall, Athens, in the same year.
$15.00
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
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Capriccio de Concert
