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Carol of the Magi
Partitions à imprimer
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"Arabia's magi sought him" & "Ubi est qui natus est"
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.851260 Composed by Tim Attr…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.851260 Composed by Tim Attride. Christian,Christmas,Holiday,Sacred. Octavo. 6 pages. Tim Attride #1916993. Published by Tim Attride (A0.851260). Two Epiphany anthems for the price of one. Firstly, Arabia's Magi sought him is a setting of original English words by the composer which references the journey of the Magi, their gifts and the redemption of the world following a humble birth. This three-part (S,A,Bar.) homophonic piece is only one page in length but, in its 45-second duration, sets the scene for the following Latin motet. Ubi est qui natus est uses the words from Matthew 2,2 when the Magi ask after the new-born King of Judea. Comprising three short contrapuntal sections, this section lasts about 1.15. Either section (English or Latin) may be used independently or, as intended, with the English followed immediately by the Latin.Marked as Early Intermediate because there are a few intervals which may catch the unwary sight-reader. However, with practice, this is certainly not difficult. (And, yes, I know this is not actually a Christmas piece, but it may well be included in a service of Lessons & Carols - and there was no option for Epiphany.)N.B. The second & third pages are for reference; please print (& back) pages 1 & 3-5 for the complete work, or 3-5 to miss the title page.
$1.99
1.86 €
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Chorale 3 parties
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Tim Attride
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"Arabia's magi sought him" & "Ubi est qui natus est"
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Tim Attride
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SheetMusicPlus
The Little Drummer Boy
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1316341 By Gloria Gaynor. By Harr…
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Concert Band - Level 3 - Digital Download SKU: A0.1316341 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Brendan James Elliget MAGA 537. Christmas. 55 pages. BJE Music #905083. Published by BJE Music (A0.1316341). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941.  First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.This is an arrangement for the Concert Band and SATB Choir – Would work with Solo or unison voices instead.  There is an optional Piano part.  There are parts for both Horns in F and Eb, Euphonium in BC and TC, Tubas in C, Eb, and Bb… The MP3 was recorded with NotePerformer 4. Grade = 3 Duration = 2:45 mins.
$49.99
46.7 €
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Orchestre d'harmonie
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Gloria Gaynor
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The Little Drummer Boy
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BJE Music
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SheetMusicPlus
March of the Kings
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. B…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99
1.86 €
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Chorale 3 parties
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
Carol of the Bells and the Carols of Christmas for Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1318028 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1318028 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 53 pages. SilverTonalities #906724. Published by SilverTonalities (A0.1318028). Carol of the Bells and the Carols of Christmas for Beginner Piano Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.ANGELS WE HAVE HEARD ON HIGH, originating from France and recounting the biblical story of the birth of Jesus, pages 1-3AS WITH GLADNESS MEN OF OLD, 19th century British Carol that celebrates the joy and wonder of the Magi's journey to visit baby Jesus, 4-6AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels,  pages 7-9BLESSED BE THAT MAID MARIE, honors the miraculous birth of Jesus Christ through the perspective of the Virgin Mary, pages 10-11CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 12-14FIRST CHRISTMAS NIGHT, an 1899 Carol also known as “I Should Have Heardâ€, pages 15-17GLOUCESTERSHIRE WASSAIL, originating from England, is sung during the Christmas season to celebrate the arrival of the coming new year, pages 18-19HERE IS JOY FOR EVERY AGE, a 13th Century Carol that celebrates the spirit of joy and unity that defines the holiday season, pages 20-21HURON CAROL “TWAS IN THE MOON OF WINTERTIME’, originates from the indigenous Huron people of Canada and was written in the early 1600s by Jean de Brébeuf, a French Jesuit missionary, pages 22-23IN THE BLEAK MIDWINTER, composed by Gustav Holst, this Carol captures the serene and frosty essence of winter, pages 24-25JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 26-28JOSEPH DEAREST JOSEPH MINE, depicts the birth of Jesus and the role of Joseph as his earthly father, pages 29-31MY DANCING DAY, is a Carol dating back to the Medieval era that tells the story of Jesus’s life, pages 32-33O COME ALL YE FAITHFUL, also known as the Latin “Adeste Fidelesâ€, calling for all faithful Christians to come together to celebrate the birth of Jesus, pages 34-35SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 36-37THE SNOW LAYS DEEP UPON THE GROUND, a Carol that serves as a reminder of the potential for new beginnings that the holiday season brings, pages 38-40STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Inspired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 41-43SUSSEX CAROL, also known as “On Christmas Night True Christians Singâ€, reminds us of the true meaning of Christmas, pages 44-45TOYLAND, a nostalgic Christmas song composed by Victor Herbert as a whimsical ode to the joy and wonder of childhood, pages 46-48WE THREE KINGS OF ORIENT ARE, recounts the journey of the three wisemen from the east, bearing gifts to honor the birth of Jesus, pages 49-51.
$9.99
9.33 €
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Piano Facile
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Traditional Christmas Carols
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SilverTonalities
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Carol of the Bells and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
We Three Kings of Orient Are
Piano Facile
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.510500 Composed by John Henr…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.510500 Composed by John Henry Hopkins Jr. Arranged by Mario Stallbaumer. Christian,Christmas. Score. 1 pages. Mario Stallbaumer #3908091. Published by Mario Stallbaumer (A0.510500). Merry Christmas!Here’s how to play the famous Christmas carol “We Three Kings†(also known as We Three Kings of Orient Are or The Quest of the Magi) on piano. With these easy, beautiful, accurate piano sheets, you can play “We Three Kings†on piano - you can use this version to play the song by yourself on piano, accompany singers, or sing along yourself!“We Three Kings of Orient Are†is a traditional Christmas carol. Words and music were written by the American clergyman John Henry Hopkins Jr. for a Christmas pageant in 1857. Note that I have two versions available in this library: A very easy one, and one which is a bit more challenging. Enjoy!Here are the full lyrics to the Christmas carol: “We three kings of Orient are;Bearing gifts we traverse afar,Field and fountain, moor and mountain,Following yonder starRefrain:O star of wonder, star of night,Star with royal beauty bright,Westward leading, still proceeding,Guide us to thy perfect light.Born a King on Bethlehem’s plainGold I bring to crown Him again,King forever, ceasing never,Over us all to reign.RefrainFrankincense to offer have I;Incense owns a Deity nigh;Prayer and praising, all men raising,Worship Him God Most High.RefrainMyrrh is mine, its bitter perfumeBreathes a life of gathering gloom;Sorrowing, sighing, bleeding, dying,Sealed in the stone cold tomb.RefrainGlorious now behold Him arise;King and God and sacrifice;Alleluia!, Alleluia!,Peals through the Earth and skies.Refrainâ€
$2.99
2.79 €
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Piano Facile
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John Henry Hopkins Jr
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Mario Stallbaumer
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We Three Kings of Orient Are
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Mario Stallbaumer
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SheetMusicPlus
The Mevlidi Sherif Symphony ~ in English Piano Reduction
Piano seul
Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporar…
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Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00
46.71 €
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Piano seul
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Taylor Kroff
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The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Listening Heart, LLC
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SheetMusicPlus
Carol of the Magi
Mixed chorus, cello, organ - Digital Download SKU: OX.9780193705890 Composed by Joh…
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Mixed chorus, cello, organ - Digital Download SKU: OX.9780193705890 Composed by John Rutter. Vocal score. 14 pages. Oxford University Press Digital #9780193705890. Published by Oxford University Press Digital (OX.9780193705890). ISBN 9780193705890.This tuneful epiphany carol features flowing vocal lines, underpinned by a beautiful cello solo and warm harmonies in the organ. The carol was commissioned by Red Balloon, an organization dedicated to the recovery of bullied children. The cello part is published separately and an accompaniment for strings is available on sale and on rental.
$30.25
28.26 €
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John Rutter
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Carol of the Magi
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Oxford University Press Digital
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SheetMusicPlus
The Little Drummer Boy
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1307541 By Josh Groban Featurin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1307541 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Kevin Riley. 20th Century,Christian,Christmas. Score and Parts. 58 pages. Kevin Riley #896807. Published by Kevin Riley (A0.1307541). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.
$60.00
56.05 €
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Orchestre
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Josh Groban Featuring Andy Mckee
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Kevin Riley
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The Little Drummer Boy
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Kevin Riley
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SheetMusicPlus
Carol of the Magi
Chorale SATB
SATB chorus, string orchestra, cello solo - Digital Download SKU: OX.9780193201644 …
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SATB chorus, string orchestra, cello solo - Digital Download SKU: OX.9780193201644 Composed by John Rutter. Set of parts. 25 pages. Oxford University Press Digital #9780193201644. Published by Oxford University Press Digital (OX.9780193201644). ISBN 9780193201644.Commissioned by Red Balloon, an organization for bullied children, this tuneful epiphany carol's flowing vocal lines are underpinned by a beautiful cello solo. The cello part is sold separately and the string accompaniment is available on sale or rental. This set includes the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db.
$70.25
65.62 €
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Chorale SATB
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John Rutter
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Carol of the Magi
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Oxford University Press Digital
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SheetMusicPlus
Carol Of The Drum
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1094728 Composed by Kather…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1094728 Composed by Katherine K. Davis. Arranged by D. Jason Bishop. Children,Christmas,Holiday,Standards,Traditional. Octavo. 16 pages. Tully Road Music #698799. Published by Tully Road Music (A0.1094728). Carol of the Drum, also known as the The Little Drummer Boy, is a Christmas classic written in 1941 by American composer Katherine Kennicott Davis. It was first recorded by the Trapp Family Singers in 1951 and later in 1958 by the Harry Simeone Chorale. The lyrics focus on a poor young boy who is summoned by the Magi to the birthplace of Jesus. Having no gift suitable for the infant king, he asks Jesus's mother Mary if he can play his drum for him instead. Arranger D. Jason Bishop gives the carol a fresh and accessible treatment in this charming arrangement for SATB chorus, snare drum, triangle, and piano. Separate parts for snare drum and triangle also included. Duration: 3:00.
$2.00
1.87 €
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Chorale SATB
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Katherine K
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D
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Carol Of The Drum
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Tully Road Music
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SheetMusicPlus
"Arabia's Magi sought him" and "Ubi est qui natus est?" (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851315 Composed by Tim Att…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851315 Composed by Tim Attride. Christian,Christmas,Concert,Holiday,Sacred. Octavo. 7 pages. Tim Attride #4854475. Published by Tim Attride (A0.851315). Having completed and published here a 3-part setting of Arabia's Magi sought Him and Ubi est, I came back to the computer a few months later to be reminded that I had started the project with a 4-part (SATB) setting of Ubi est? I therefore reverse-engineered an SATB setting of Arabia's Magi to complete this short Epiphany set using my original English words for the first anthem and the Latin words of Matthew's Gospel (Ch.2, v2) for the second. Lasting around a couple of minute or so altogether, and with nothing to trap the unwary singer, these are ideal either in a Lessons and Carols service (which extends the narrative to include the Magi), as dedicated Epiphany diptych, or for use in a concert. N.B. pages 2 & 3 are sample pages only - to save paper, please print just pages (1? &) 4-7.
$2.49
2.33 €
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Chorale SATB
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Tim Attride
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"Arabia's Magi sought him" and "Ubi est qui natus est?"
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Tim Attride
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SheetMusicPlus
The First Noel - For Recorders
Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Lev…
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Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742374 Composed by Traditional. Arranged by Javier MartÃnez Maya. Children,Christmas,Romantic Period. Score and parts. 3 pages. Arte Nova Music Lab #2930385. Published by Arte Nova Music Lab (A0.742374). The First Noel (also written The First Noël and The First Nowell) is a traditional classical English Christmas carol, most likely from the early modern period, although possibly earlier.[2][3] Noel is an Early Modern English synonym of Christmas.[4]In its current form, it is of Cornish origin, and it was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both of which were edited by William Sandys and arranged, edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God. Today, it is usually performed in a four-part hymn arrangement by the English composer John Stainer, first published in hisCarols, New and Old in 1871.[2] Variations of its theme are included in Victor Hely-Hutchinson's Carol Symphony.The melody is unusual among English folk melodies in that it consists of one musical phrase repeated twice, followed by a refrain which is a variation on that phrase. All three phrases end on the third of the scale. It is thought to be a version of an earlier melody sung in a church gallery setting; a conjectural reconstruction of this earlier version can be found in the New Oxford Book of Carols.[5]The Annunciation to the shepherds and the Adoration of the shepherds are episodes in the Nativity of Jesus described in the second chapter of the Gospel of Luke (Luke 2). The Star of Bethlehem appears in the story of the Magi (the Wise Men) in the Gospel of Matthew; it does not appear in the story of the shepherds. Taken from https://en.wikipedia.org/wiki/The_First_Noel
$10.00
9.34 €
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Traditional
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Javier MartÃnez Maya
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The First Noel - For Recorders
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Arte Nova Music Lab
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SheetMusicPlus
The Little Drummer Boy
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.900417 By Wilson Phillips.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.900417 By Wilson Phillips. By Harry Simeone, Henry Onorati, Katherine K. Davis, and Michael Peace. Arranged by Sir Nyukuri Edwin. Christmas. Octavo. 8 pages. SIR NYUKURI EDWIN #3223429. Published by SIR NYUKURI EDWIN (A0.900417). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941.In the lyrics the singer relates how, as a poor young boy, he was summoned by the Magi to the nativity where, without a gift for the infant Jesus, he played his drum with the Virgin Mary's approval, remembering I played my best for Him and He smiled at me. This piece is appropriate for Christmas carols.
$5.00
4.67 €
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Chorale SATB
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Wilson Phillips
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Sir Nyukuri Edwin
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The Little Drummer Boy
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SIR NYUKURI EDWIN
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SheetMusicPlus
We Three Kings of Orient Are
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1337657 By Eve …
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1337657 By Eve C. Mailly. By John Henry Hopkins Jr. Arranged by Eve C. Mailly. Christian,Christmas,Holiday,Sacred,Traditional. 15 pages. Zene Strings #923421. Published by Zene Strings (A0.1337657). We Three Kings of Orient Are (original title Three Kings of Orient) or The Quest of the Magi, is a Christmas carol that was written by John Henry Hopkins Jr. in 1857. Â This arrangement for string trio features three variations, with each instrument having an opportunity to take the lead. Â As with all of our string trio arrangements, the middle part is included in both alto and treble clef, giving you the flexibility of performing it with either two violins and cello OR violin, viola and cello.From your friends at Zene Strings - enjoy! To see our other great arrangements visit https://www.ZeneSheetMusic.comQuestions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$12.99
12.13 €
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Trio à Cordes: violon, alto, violoncelle
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Eve C
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Eve C
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We Three Kings of Orient Are
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Zene Strings
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SheetMusicPlus
SAW YOU NEVER, IN THE TWILIGHT (w/ We Three Kings) - piano accompaniment
Accompagnement Piano
Choir,Piano - Digital Download SKU: A0.1069619 Composed by Kings of Orient, John H.…
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Choir,Piano - Digital Download SKU: A0.1069619 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Accompaniment. Duration 223. Cartecay River Music Publishing #3493773. Published by Cartecay River Music Publishing (A0.1069619). This is the piano accompaniment track for SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings). This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior. It opens with unison men singing the refrain of We Three Kings (as from afar). These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time. Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas. Duration: 3:40 The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship.
$4.00
3.74 €
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Accompagnement Piano
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Kings of Orient, John H
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Richard Donn
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SAW YOU NEVER, IN THE TWILIGHT
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Cartecay River Music Publishing
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SheetMusicPlus
SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings o…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Octavo. 12 pages. Cartecay River Music Publishing #3493767. Published by Cartecay River Music Publishing (A0.891181). SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings) This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior. It opens with unison men singing the refrain of We Three Kings (as from afar). These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time. Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas. Duration: 3:40  A piano accompaniment track is available through SheetMusicPlus.com.
$2.00
1.87 €
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Chorale SATB
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Kings of Orient, John H
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Richard Donn
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SAW YOU NEVER, IN THE TWILIGHT
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Cartecay River Music Publishing
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SheetMusicPlus
Carol Of The Drum
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1116380 Composed by Kat…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1116380 Composed by Katherine K. Davis. Arranged by Derek Hasted. Christmas. Score and parts. 22 pages. Derek Hasted #718018. Published by Derek Hasted (A0.1116380). CAROL OF THE DRUM - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Carol Of The Drum is the official title, but many people know this as “The Little Drummer Boyâ€.This charming piece was written comparatively recently and has enjoyed being covered, re-arranged, beefed up and slimmed down by dozens of famous performers from Bing Crosby to Justin Bieber and many more besides.My arrangement suits a sextet or a large ensemble, and the complexity of the parts range from almost complete beginner up to early intermediate. I’ve suggested that this piece grows in volume throughout the 3 verses that I’ve arranged, and to support this, the number of notes each part has gradually increases, so that the notes have less time to die away before they are replaced. So part of the build in volume happens automagically!There are no page turns. The soundfile alongside the score is from the 3rd verse where you can hear that the sound is becoming busy and powerful. Guitar 6 requires the bottom string tuned down to D. I hope you enjoy playing this piece!
$4.99
4.66 €
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Katherine K
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Derek Hasted
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Carol Of The Drum
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Derek Hasted
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SheetMusicPlus
We Three Kings of Orient Are
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1298553 Composed by John Henry Hopk…
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Piano Solo - Level 4 - Digital Download SKU: A0.1298553 Composed by John Henry Hopkins Jr. Arranged by Amy J. Snyder. Advent,Christmas,Holiday,Religious,Sacred. Score. 6 pages. Amy J. Snyder #888448. Published by Amy J. Snyder (A0.1298553). We Three Kings of Orient Are is a tradtional Christmas carol written by John Henry Hopkins, Jr. in 1857. It was written for a Christmas Pageant in New York City. The song tells the story of the Magi that visited baby King Jesus some time after His birth. They brought precious gifts: gold, frankincense and myrrh. This arrangement is for advanced intermediate piano solo and includes a haunting intro and interlude. Helpful fingering is added. If you enjoy this arrangement, check out Amy's other Christmas solos such as Joy to the World, What Child Is This, White Christmas, Jingle Bells, O Holy Night, Mary Did You Know, Do You Hear What I Hear, Noel, I Heard the Bells, and more! Visit Amy at https://www.facebook.com/amyjsnyder7
$5.25
4.9 €
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Piano seul
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John Henry Hopkins Jr
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Amy J
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We Three Kings of Orient Are
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Amy J. Snyder
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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