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Vous avez sélectionné:
Carson Cooman: Vision
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Carson Cooman: Vision (2005) for violin and organ
Violon, Orgue
Instrumental Duet Instrumental Duet,Organ,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Instrumental Duet,Organ,Violin - Level 3 - Digital Download SKU: A0.533640 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 5 pages. Musik Fabrik Music Publishing #3035189. Published by Musik Fabrik Music Publishing (A0.533640). Vision (2005) for violin and organ was written in celebration of the birth of MadeleineIsabelle Gough on July 12, 2005, and also dedicated to her parents Rupert and Rachel Gough.The work is a lyrical meditation -- a brief glimpse of a bright future.
$11.95
11.11 €
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Violon, Orgue
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Carson Cooman
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Carson Cooman: Vision
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.63 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Distant Glittering Orbs (2003) for solo alto flute
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.533636 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.533636 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music Publishing #3034041. Published by Musik Fabrik Music Publishing (A0.533636). Distant Glittering Orbs (2003) for solo alto flute was commissioned by Frederick Butler andwas written for and dedicated to flutist Laurel Ann Maurer whose brilliant playing was fullyin mind during the composition.The title of the work provides the poetic image behind its conception -- imagining interstellarobjects (suns, stars, planets) existing just outside of our field of clear vision. It is an intimatepiece, yet exploring a conception of the far reaching beyond -- making use of the alto flute'sdistinct timbre.The opening section of the work is slow and flexible -- with a series of expanding and freerangingchromatic gestures, exploring and augmenting sets of notes. A faster section occursnext -- marked glittering spirals -- consisting of sweeping gestures. A return to the originalmood follows, and a simpler lyric melody emerges in a straightforward fashion (coming outof all the earlier chromatic excursions.) Finally, a few spirals from the faster music interjectbefore an intimate and reposed coda concludes the piece.
$9.10
8.46 €
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Trio de Flûtes: 3 flûtes
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Carson Cooman
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Carson Cooman: Distant Glittering Orbs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Sonata for Solo Violin (2005)
Violon
Violin Solo - Digital Download SKU: A0.533610 Composed by Carson Cooman. Concert,Co…
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Violin Solo - Digital Download SKU: A0.533610 Composed by Carson Cooman. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #3030921. Published by Musik Fabrik Music Publishing (A0.533610). Sonata for Solo Violin (2005) was composed for and is dedicated to David Fulmer. It is in twomovements.The first movement, Logos, was inspired by a paradoxical contrast present at Cisco Beach onNantucket Island, Massachusetts, USA. On one side of the sandy beach are the powerfulpounding waves of the unbounded Atlantic ocean. On the other side sits one of Nantucket's mosttranquil freshwater ponds. Within one field of vision exists this contrast. It is a lyrical movement which contrasts slow melodic gestures with very fast running passages. The outer two sections explore the development of a series of melodic cells that are unfolded at the start of the work. The middle section features a long-breathed lyrical melody with lower register decorations and interruptions.The second movement, Synodos, is a journey. The Greek title is built from the Greek words for with [sun] and road/way[hodos] and refers to a fellow traveller on a journey. It is a personal journey -- between performer and violin.It ismystical in conception with two extended slow sections framing a dramatic and jagged one in the center. The musical material and gestures are gradually transformed over time -- as periods of motion are contrasted with periods of extreme stillness and resonant inactivity.A resonant acoustic is preferred for a performance of the work.
$11.95
11.11 €
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Violon
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Carson Cooman
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Carson Cooman: Sonata for Solo Violin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Solar Visions (2004) for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.53…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95
27.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
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