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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Carson J
Non classifié
1
Piano & claviers
Piano, Voix et Guitare
2
Piano, Voix
1
Orgue, Piano (duo)
1
Orgue
1
Instruments en Do
1
Guitares
Voix
Chorale SATB
2
Chorale 2 parties
2
Chorale 3 parties
2
Vents
Quatuor de Saxophones: 4 saxophones
1
Cuivres
Cordes
Alto seul
1
Orchestre & Percussions
Orchestre
2
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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BOUZOUKI
BUGLE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Carson J
Partitions à imprimer
17 partitions trouvées
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1
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Adagio, BWV 974 (J. S. Bach) PIANO & ORGAN DUET
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Orgue, Piano (duo)
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Classique
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Marcello-Bach
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Mike Carson
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Adagio, BWV 974
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Mike Carson
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SheetMusicPlus
Composed by Marcello-Bach. Arranged by Mike Carson. Baroque. Score and parts. 15 pages. Mike Carson #5793807. Published by Mike Carson...
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Composed by Marcello-Bach. Arranged by Mike Carson. Baroque. Score and parts. 15 pages. Mike Carson #5793807. Published by Mike Carson
$8.99
Carson Cooman: Planctus (2005) for solo viola
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Alto seul
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INTERMÉDIAIRE/AVANCÉ
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Musik Fabrik Music Publishing
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Carson Cooman: Planctus
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Musik Fabrik Music Publishing
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.533668 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik ...
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Viola Solo - Level 4 - SKU: A0.533668 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3037089. Published by Musik Fabrik Music Publishing (A0.533668). Planctus (2005) for solo viola is dedicated to Alexandra Green, on her birthday. Planctus (noun, Latin) – Medieval style of song and poetry of a lamenting character. They were sung both in Latin and in the vernacular (common language), treated both religious and secular subjects, and were popular throughout Europe. The work is cast in song form. Like later examples of the “planctusâ€, the work becomes not truly a “lamentâ€, but a more general song. The same rubato and musicality that is used in playing the unaccompanied cello suites of J. S. Bach should be applied to this piece. Always singing, always lyrical, always flexible, always keeping in mind the different voices and harmonies (implied and stated) occurring in the music.
$9.10
Piano Concerto No. 1, Op. 53. (Conductors Score, Set of Parts, Solo Piano, 2 Piano Reduction) : by J
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Orchestre
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AVANCÉ
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Contemporain
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James V
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Piano Concerto No. 1, Op. 53.
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James V. Signorile
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James V. Signorile #46...
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Full Orchestra - Level 5 - SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James V. Signorile #4621673. Published by James V. Signorile (A0.1015029). Piano Concerto No. 1, Op. 53. in 3 Movements. Composed by James V. Signorile.Full Orchestral (Conductors) Score. 216 pages. Duration approx. 31 minutes. All Parts, Piano Solo and a 2-Piano reduction are also included in this one PDF file.Commissioned in 1999 by Carson P. Cooman. MIDI Rendering by Steve Mitchell. Published by James V. Signorile. Copyright (©) 1999 James V. Signorile.
$50.00
The Runaway Train
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Chorale 2 parties
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FACILE
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Carson J
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Karen Ivana
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The Runaway Train
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Karen Ivana
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1486178 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Karen Ivana. 2...
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Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1486178 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Karen Ivana. 20th Century,Children,Comedy. 8 pages. Karen Ivana #1063235. Published by Karen Ivana (A0.1486178). Lively fun song about a runaway train, in a two-part arrangement for AA choir with a sparkling piano accompaniment. I also have available a similar version pitched for SA choir, and another for SSA choir.
$3.49
The Runaway Train
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Chorale 2 parties
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FACILE
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Carson J
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Karen Ivana
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The Runaway Train
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SA Chorus - Level 2 - SKU: A0.1486176 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Karen Ivana. 20th ...
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Choral Choir,Choral,SA Chorus - Level 2 - SKU: A0.1486176 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Karen Ivana. 20th Century,Children,Comedy. 8 pages. Karen Ivana #1063233. Published by Karen Ivana (A0.1486176). Lively fun song about a runaway train, in an arrangement for SA choir with a sparkling piano accompaniment. I also have available a version for SSA choir, and another two-part version for AA (or SA) choir which is pitched lower.
$3.49
The Runaway Train
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Chorale 3 parties
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INTERMÉDIAIRE
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Carson J
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Karen Ivana
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The Runaway Train
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1486175 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Karen Ivana. 20th...
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Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1486175 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Karen Ivana. 20th Century,Children,Comedy. 8 pages. Karen Ivana #1063232. Published by Karen Ivana (A0.1486175). Lively fun song about a runaway train, in an arrangement for SSA choir with a sparkling piano accompaniment. I also have available versions for two-part choirs, SA and AA.
$3.49
The Runaway Train
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Orchestre
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INTERMÉDIAIRE
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Carson J
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Graham Hall (ghmusicprep
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The Runaway Train
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ghmusicprep.com
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1370965 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Graham Hall (ghmusicprep.com). 20...
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Full Orchestra - Level 3 - SKU: A0.1370965 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Graham Hall (ghmusicprep.com). 20th Century,Children. 160 pages. Ghmusicprep.com #955311. Published by ghmusicprep.com (A0.1370965). For Sinfonia Viva(The full audio file can be heard at soundcloud.com/ghmusicprep/).
$69.99
The Runaway Train
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Folklorique/Traditionel
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Carson J
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Paul Tkachenko
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The Runaway Train
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Paul Tkachenko
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1081750 Composed by Carson J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1081750 Composed by Carson J. Robison, Harry Warren, and Robert Massey. Arranged by Paul Tkachenko. Folk,Traditional. 6 pages. Paul Tkachenko #685877. Published by Paul Tkachenko (A0.1081750). SATB version. Verse and chorus.
$12.99
Prelude from BWV 855a for Organ, four hands
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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J
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Mike Carson
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Prelude from BWV 855a for Orga
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Mike Carson
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SheetMusicPlus
Composed by J. S. Bach-Siloti. Arranged by Mike Carson. Baroque, Sacred, Standards. Score and parts. 5 pages. Mike Carson #4594571. Published by Mike ...
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Composed by J. S. Bach-Siloti. Arranged by Mike Carson. Baroque, Sacred, Standards. Score and parts. 5 pages. Mike Carson #4594571. Published by Mike Carson
$3.99
Lost A Heart. Waltz Song
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Piano, Voix
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Harry F
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Lost A Heart. Waltz Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5489 Composed by Harry F. Carson. Portraits, Courtship, Love, Despair. Lester S. Levy Collection. 4 pages. Published by Johns ...
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Piano and voice - SKU: LV.5489 Composed by Harry F. Carson. Portraits, Courtship, Love, Despair. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5489). Lost A Heart. Waltz Song. Words by Arthur J. Lamp. Music by harry F. Carson. Published 1894 by The Chicago Music Co. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Despair. First line reads I've lost a heart one month ago, I could have sworn that it was mine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
There's a Bridle Hangin' On The Wall
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Piano, Voix et Guitare
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Carson J
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chords
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There's a Bridle Hangin&#
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Shapiro Bernstein Organization
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SheetMusicPlus
By Carson J. Robison. By Carson J. Robison. For piano, vocal & chords. Key of F-Major. Traditional Pop. Score. Text Language: English. 7 pages. Published by...
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By Carson J. Robison. By Carson J. Robison. For piano, vocal & chords. Key of F-Major. Traditional Pop. Score. Text Language: English. 7 pages. Published by Shapiro Bernstein Organization
$3.99
Stay
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Amber Iman
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Lempicka and Travis J Gandy
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Stay
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TraviSongs
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1431710 By Amber Iman. By Carson Kreitzer and Matt Gould. Arranged by Lempicka and Travis J Gandy. Broadway,Musical/Sho...
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C Instrument - Level 4 - SKU: A0.1431710 By Amber Iman. By Carson Kreitzer and Matt Gould. Arranged by Lempicka and Travis J Gandy. Broadway,Musical/Show. Lead Sheet / Fake Book. 3 pages. TraviSongs #1012185. Published by TraviSongs (A0.1431710). As performed by Amber Iman from the soundtrack to the Broadway musical Lempicka.
$3.99
Somethin' Stupid
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Contemporain
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Frank Sinatra
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Mike J
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Somethin' Stupid
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Mike Roberts
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.913556 By Frank Sinatra. By C. Carson Parks. Arranged by Mike J.D. Roberts. Contemporary. Score and parts. 10 pages. ...
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Small Ensemble - Level 2 - SKU: A0.913556 By Frank Sinatra. By C. Carson Parks. Arranged by Mike J.D. Roberts. Contemporary. Score and parts. 10 pages. Mike Roberts #5723461. Published by Mike Roberts (A0.913556). A simple and easy small band arrangement of Somethin' Stupid. Written as an instrumental number for any mixture of instruments (Eb, Bb, C treble and C bass parts included, but please contact me if you require other parts in other keys). Lyrics are also included in case the band wants to sing!Contact details: michael.roberts@ucl.ac.uk.
$12.99
Silent Night!
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Piano, Voix et Guitare
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DÉBUTANT
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Noël
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Franz Xaver Gruber
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Barrie Carson Turner
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Silent Night!
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Schott Music - Digital
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SheetMusicPlus
Piano and voice, guitar ad lib. - very easy to easy - SKU: S9.Q21442 Composed by Franz Xaver Gruber. Arranged by Barrie Carson Turner. This edition: She...
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Piano and voice, guitar ad lib. - very easy to easy - SKU: S9.Q21442 Composed by Franz Xaver Gruber. Arranged by Barrie Carson Turner. This edition: Sheet music. Copyright 2004 Schott Music Ltd, London. Downloadable. 2 pages. Schott Music - Digital #Q21442. Published by Schott Music - Digital (S9.Q21442). Key: B flat major. English. Text: J. Mohr.Digital publication of the piece found in the following print music collection: Best of Christmas Carols.
$2.99
Always On My Mind (Elvis Presley/Willie Nelson) for SAB Choir with piano accompaniment
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Chorale 3 parties
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FACILE
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Rock
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Elvis Presley Willie Nelson
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Chris Lawry
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Always On My Mind
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Moonhouse Music
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SheetMusicPlus
Piano Accompaniment, Choir, SAB - Early Intermediate - By Elvis Presley Willie Nelson. Arranged by Chris Lawry. Octavo, Score, Sheet Music Single. 8...
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Piano Accompaniment, Choir, SAB - Early Intermediate - By Elvis Presley Willie Nelson. Arranged by Chris Lawry. Octavo, Score, Sheet Music Single. 8 pages. Published by Moonhouse Music
Always on My Mind is a song by Johnny Christopher, Mark James, and Wayne Carson, recorded first by B.J. Thomas in 1969, then other versions including Gwen McCrae, Brenda Lee, Willie Nelson, The Pet Shop Boy, and of course, Elvis Presley.
This is a very accessible soprano/alto/baritone arrangement for SAB choir by well known UK choral composer and arranger Chris Lawry (www.chrislawry.com) which is simpler and quicker to get ready for performance but still provides a really effective concert work for both choir and audience.
$1.99
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Carson J