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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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FANFARE - BAND…
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HARPE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cello Sight-Reading 2
Non classifié
13
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Voix
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Quatuor à cordes: 2 violons, alto, violoncelle
76
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
11
Violoncelle
5
Violon
4
Violoncelle, Piano
4
2 Violoncelles (duo)
3
Violon, Basson (duo)
1
Harpe
1
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
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Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
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Vous avez sélectionné:
Cello Sight-Reading 2
Partitions à imprimer
133 partitions trouvées
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Cello Sight-Reading 2
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Violoncelle
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FACILE
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Methodes
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Methodes Etudes
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Cello Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19490. Published by Schott Mus...
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A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19490. Published by Schott Music - Digital
$13.99
Cello and Piano Duets Book 1
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2 Violoncelles (duo)
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FACILE
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Contemporain
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Sandra Schlink
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Sandra Schlink
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Cello and Piano Duets Book 1
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sandra schlink
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1037542 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. Score. 21 pages. ...
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Cello Duet Cello - Level 2 - SKU: A0.1037542 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. Score. 21 pages. Sandra schlink #642468. Published by sandra schlink (A0.1037542). Cello and piano duets book 1 Please also look at my Jazz Cello Duet book 3, jazz Cello duets book 2, jazz Cello duets book 1, Jazz and classical Cello duets, jazz Cello duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Volga Boatman for Two Cellos
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Russian Folk Song
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K
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Volga Boatman for Two Cellos
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Vlazville Music-Digital
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.737336 Composed by Russian Folk Song. Arranged by K. Wreede. Concert,Folk,Standards,World. Score. 2 pages. Vlazvill...
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Cello Duet Cello - Level 4 - SKU: A0.737336 Composed by Russian Folk Song. Arranged by K. Wreede. Concert,Folk,Standards,World. Score. 2 pages. Vlazville Music-Digital #5741909. Published by Vlazville Music-Digital (A0.737336). Fun arrangement of traditional song with pizzicato, ritard, accelerando, dynamic contrasts, counter lines, trading melodies and many elements to keep players and audiences engaged. Playing time is under 2 minutes, so great for recitals and projects for middle and high school students needing an extra challenge. Very useful as sight-reading for lessons or just playing with your teacher. Good for music camps, viola gatherings, parties, soirees, etc. .
$3.99
Amazing Grace (Cello Duet with Piano Accompaniment)
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2 Violoncelles (duo)
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FACILE
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John Newton
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B
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.912066 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score....
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Cello Duet Cello - Level 2 - SKU: A0.912066 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score. 5 pages. Ben Dockery #517996. Published by Ben Dockery (A0.912066). Arranged for cello duet with optional piano accompaniment. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Includes score and parts. Early intermediate level.
$4.99
Nocturne Opus 37 No. 2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Frederic Chopin
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Stephen Levintow
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Nocturne Opus 37 No. 2
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1333721 Composed by Frederic Chopin (1810-1849). Arranged by Stephen Levintow. 19th Century,Romantic P...
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String Quartet String Quartet - Level 5 - SKU: A0.1333721 Composed by Frederic Chopin (1810-1849). Arranged by Stephen Levintow. 19th Century,Romantic Period. 14 pages. Cypress Publishing #920017. Published by Cypress Publishing (A0.1333721). Chopin's piano idiom is notoriously difficult to translate to any other musical medium. The opening filigree and gently rocking second theme of this splendid Nocturne seem particularly suited to string sound. Its chromaticism can present a sight reading challenge, but well rewards some study.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$4.00
Western Classical Music for Beginner Cellists - Book 2
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Violoncelle
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DÉBUTANT
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Classique
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Sam Araya
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Western Classical Music for Be
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Sam's Cello Studio
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SheetMusicPlus
Cellos - Level 1 - SKU: A0.1446691 Composed by Sam Araya. 21st Century,Classical,Contemporary,Instructional. Educational Method. 71 pages. Sam's Cello S...
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Cellos - Level 1 - SKU: A0.1446691 Composed by Sam Araya. 21st Century,Classical,Contemporary,Instructional. Educational Method. 71 pages. Sam's Cello Studio #1026456. Published by Sam's Cello Studio (A0.1446691). Western Classical Music for Beginning Cellists is a method that is designed to be accessible to neurodiverse and neurotypical learners alike. A lot of care has been taken to ensure that the music is formatted so that it is clean and clear for all to read.The music in book 2 has pitches within the first octave in major and minor keys up to two sharps and flats and rhythms in the meters of 2/4, 2/2, 3/4, and 6/8.This book contains: - 20 warm-ups - 120 sight-reading exercises - 14 newly-composed cello solos - 14 newly-composed cello duets (cello 2 part included, cello 1 part can be found in book 3 and the scores book) - 10 composition opportunitiesThis book is part of Sam's Cello Method, for more information on the method, visit https://samscellostudio.com/method/.
$9.99
Amazing Grace (cello duet)
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Violon, Violoncelle (duo)
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FACILE
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John Newton
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B C Dockery
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.693056 Composed by John Newton. Arranged by B C Dockery. Christian,Concert,Gospel,S...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.693056 Composed by John Newton. Arranged by B C Dockery. Christian,Concert,Gospel,Sacred,Standards. Score and parts. 1 pages. Ben Dockery #5221799. Published by Ben Dockery (A0.693056). Arranged for two cellos, this duet is great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory.
$3.99
LEARN TO PLAY CELLO in TENOR CLEF book of 100 EASY TUNES and 10 EASY DUETS
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Violoncelle
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FACILE
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Various
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Robert A KEATCH
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LEARN TO PLAY CELLO in TENOR C
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.1105199 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Folk,Instructional,Multicultural,World. I...
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Cello Solo - Level 2 - SKU: A0.1105199 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Folk,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708456. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1105199). This book is perfect for beginners and those seeking to improve their musical skills. A great book to improve sight-reading and for those adding Tenor Clef.Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the TENOR clef a breeze.Created with CELLO PLAYERS in mind, the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes.  It's perfect for teacher-student play-along and is available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among Primary/elementary school students and teachers, as it can be played on any instrument.  This book is an excellent resource for individuals of all ages and classrooms, available in 10 different versions for all Western art musical instruments, allowing for unison or octave play.A must-have for beginners of any age. On purchase, please leave a review.
$6.50
Return to the Island of Dreams (cello and piano)
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Violoncelle, Piano
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FACILE
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Colin Kirkpatrick
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(2) Skybird
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Return to the Island of Dreams
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.522284 Composed by Colin Kirkpatrick. Concert,Holiday,Love,Patriotic. Score and part. 25 pages. Colin Kirkpatrick Public...
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Cello,Piano - Level 2 - SKU: A0.522284 Composed by Colin Kirkpatrick. Concert,Holiday,Love,Patriotic. Score and part. 25 pages. Colin Kirkpatrick Publications #6538731. Published by Colin Kirkpatrick Publications (A0.522284). This collection follows on from the collection The Island of Dreams, also available from the same publisher. Return to the Island of Dreams consists of ten elementary cello pieces which are musical sketches of a magical island somewhere in South East Asia. The pieces can be performed entirely in first position. They are intended as supplementary material to your usual teaching materials. There’s plenty of contrasting music for the student recital or an end-of-semester concert. Also, these pieces could be used for sight-reading practice for intermediate students. Your cello students are sure to find these pieces enjoyable and challenging. Every piece has a short keyboard introduction so that the student can sense the tempo and musical style before playing. The accompaniments have been kept as simple as possible. Dynamic markings are used from the start, and some articulations marks (notably staccato) are used. Several pieces have a few measures rest in the middle to give the player a break and add musical contrast and also to give experience of counting empty bars. The album consists of piano-cello score and a separate cello solo part both contained in a single PDF file. The audio sample contains the following pieces (1) Asian Dawn; (2) Skybird; (3) Ocean Song; (5) Dance of the Earth Spirits; (7) Call of the Homeland and (9) March of the Hill Children.
$5.99
Amazing Grace (Solo Cello with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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John Newton
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B
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.912068 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score and p...
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Cello,Piano - Level 2 - SKU: A0.912068 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score and part. 2 pages. Ben Dockery #517999. Published by Ben Dockery (A0.912068). Arranged for solo cello with optional piano accompaniment. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Early intermediate level.
$3.99
Minuet for Violin and Cello by Telemann
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Violon, Violoncelle (duo)
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FACILE
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Georg Philipp Telemann
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Katrina Wreede
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Minuet for Violin and Cello by
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Vlazville Music-Digital
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.737254 Composed by Georg Philipp Telemann. Arranged by Katrina Wreede. Baroque,Conc...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.737254 Composed by Georg Philipp Telemann. Arranged by Katrina Wreede. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 1 pages. Vlazville Music-Digital #3127373. Published by Vlazville Music-Digital (A0.737254). Charming Telemann Baroque minuet perfect for student/teacher duets, 2 students, wedding gigs, sight-reading, parties and more. Easily playable by intermediate players yet quaint enough music for professional performances.
$2.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Amazing Grace (duet for violin and cello)
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Violon, Violoncelle (duo)
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FACILE
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John Newton
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B C Dockery
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.693057 Composed by John Newton. Arranged by B C Dockery. Christian,Concert,Gospel,S...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.693057 Composed by John Newton. Arranged by B C Dockery. Christian,Concert,Gospel,Sacred,Standards. Score and parts. 1 pages. Ben Dockery #5221803. Published by Ben Dockery (A0.693057). Arranged for violin and cello, this duet is great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory.
$3.99
Amazing Grace (Solo Cello)
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Violoncelle
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FACILE
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John Newton
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B
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.912072 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Individual p...
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Cello Solo - Level 2 - SKU: A0.912072 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Individual part. 1 pages. Ben Dockery #518004. Published by Ben Dockery (A0.912072). Arranged for solo cello. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Early intermediate level.
$2.99
Minuet for Cello and Bass by Telemann
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Violoncelle, Contrebasse (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann
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Katrina Wreede
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Minuet for Cello and Bass by T
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Vlazville Music-Digital
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 3 - SKU: A0.737260 Composed by Georg Philipp Telemann. Arranged by Katrina Wreede. Baroque...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 3 - SKU: A0.737260 Composed by Georg Philipp Telemann. Arranged by Katrina Wreede. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 1 pages. Vlazville Music-Digital #3127385. Published by Vlazville Music-Digital (A0.737260). Charming Telemann Baroque minuet perfect for student/teacher duets, 2 students, wedding gigs, sight-reading, parties and more. Easily playable by intermediate players yet quaint enough music for professional performances.
$2.99
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
PUPIL BOOK Vol 2 Zoo and Quaviary Collections for Violin
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Violon
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DÉBUTANT
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Julian Carlick
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PUPIL BOOK Vol 2 Zoo and Quavi
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Oval Music Edition
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1160833 Composed by Julian Carlick. Children,Classical. 16 pages. Oval Music Edition #761145. Published by Oval Music Ed...
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Violin Solo - Level 1 - SKU: A0.1160833 Composed by Julian Carlick. Children,Classical. 16 pages. Oval Music Edition #761145. Published by Oval Music Edition (A0.1160833). The second of eight volumes in the Violin Collections series pupils' books. After enjoying open strings, bowed and or pizzicato the Zoo and Quaviary collections introduce notes using the first finger and quavers. Students, if interested can enjoy colouring the drawings showing where the quavers (eighth notes) live, either in an open hut (open strings), or one with a closed roof (stopped notes)The accompaniment book is available separately and includes parts for a violinist, the teacher or mature player and keyboard.Collections will be available for Violin, Viola, Cello and Double Bass. All can play and learn together and the books can be used for ensembles and for sight reading.Learning topics are included at the beginning of each Collection. It is possible to buy the collections in eight volumes, one whole volume, 76 pieces or split into two parts.On January 14th 2023 just the Violin Collections are available to download. To follow the progress of the creation of on-line availability please go to www.juliancarlick.org
$3.50
The Luckiest
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ben Folds
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Kyle Pudenz
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The Luckiest
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.845990 By Ben Folds. By Ben Folds. Arranged by Kyle Pudenz. Contemporary,Folk,Pop,R...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.845990 By Ben Folds. By Ben Folds. Arranged by Kyle Pudenz. Contemporary,Folk,Pop,Rock,Wedding. Score and parts. 21 pages. ViolinVagabond Music #6348963. Published by ViolinVagabond Music (A0.845990). This instrumental setting of Ben Folds's heartfelt ballad, The Luckiest will make an excellent addition to your quartet's gig book. If your client requests to hear this song as they walk down the aisle, as opposed to the usual Bridal Chorus, Wedding March, Canon in D, or *shudder* Don't Stop Believing, reward them for their excellent taste in contemporary love songs by serenading them with an arrangement that truly shines!I've done my best to pay homage to Ben's original piano part by spreading some of the arpeggios between the violin & viola to create a sort of cascading pizzicato. The good news is you can perform this completely on your own as a quartet, no need to hire a pianist to accompany you. The less good news is you probably won't want to try sight-reading this unless you really trust that your internal rhythmic compasses are completely in sync, but with a very small amount of rehearsal a professional ensemble should have no problem tackling this chart, and I promise it will be really pretty! Your audiences will be fighting back tears almost as hard as they fought you on the price to book your ensemble for the gig ;-)This sentimental serenade will surely be a hit in settings such as... -Weddings-Wedding showers-Wedding conventions-Wedding advertisement videos-Funerals-Chamber music shows-Coffee shops-Retirement parties-Yoga studios-Meditation sessions-Did I mention weddings? (...yes, I wrote this chart for a wedding gig)Performance time - approximately 4:30 for the full chart, but can be tailored to your gig's needs by skipping a verse or chorus. Each section is labeled on the chart in case of such a requirement.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$17.99
Lover - String Quartet (or Trio)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Dan Sanchez
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Lover - String Quartet
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Dan Sanchez
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SheetMusicPlus
Violin, Viola, Cello, String Trio, String Quartet - Intermediate - Digital Download By Taylor Swift. Arranged by Dan Sanchez. Score, Set of Parts. 16 pages...
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Violin, Viola, Cello, String Trio, String Quartet - Intermediate - Digital Download By Taylor Swift. Arranged by Dan Sanchez. Score, Set of Parts. 16 pages. Published by Dan Sanchez
This arrangement of ?Lover? by Taylor Swift can be performed as a String Quartet or a StringTrio, since the 2nd Violin part is optional. This song will have folks singing along andfeeling love in the air! Violin 1 and Viola trade the melody.
One thing that sets my arrangements apart from othersis that I fit all of my parts on 2sheets of music. This makes it sothe songs can fit into a binder, without the need for flipping pages!
Another great thing (formulti-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble cansee one other person?s music at the same time. This is so amazingly useful and has saved countless performances in thepast. If someone skips a beat or missesa measure, you can now see where they are and reconnect! This also helps withsight-reading and keeping the group together in general.
$12.99
All My Life
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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K-Ci and JoJo
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KoaliMusic
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All My Life
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Koali
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1348171 By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by KoaliMusic. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1348171 By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by KoaliMusic. Pop,R & B,Soul. 9 pages. Koali #932989. Published by Koali (A0.1348171). Lovely string quartet arrangement of the Soul/Gospel classic All My Life by K-Ci and Jojo. Lovely background music when played by strings, this arrangement is perfect for weddings or other occasions, as well as instantly recognisable. All KoaliMusic arrangements are by String players for string players, and include bowing and dynamic suggestions, and all parts each print to a single page. This arrangement does cut a section later in the song (for ease of reading rhythms for sight reading), however the key intro, verse and chorus are all there. Add this soulful classic to your repetoire! Easily sightreadable and sounds lovely.
$13.19
Game Of Thrones
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Ramin Djawadi
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Michelle Lau
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Game Of Thrones
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Michelle Lau
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.934317 Composed by Ramin Djawadi. Arranged by Michelle Lau. Film/TV. Score and part...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.934317 Composed by Ramin Djawadi. Arranged by Michelle Lau. Film/TV. Score and parts. 7 pages. Michelle Lau #3220871. Published by Michelle Lau (A0.934317). The main theme of Game of Thrones arranged for string quartet (2 violins, viola, cello) in C minor (3 flats). The melody starts with the cello and passes to the first violin. Perfect for weddings, special events and performances. All bowings and rehearsal markings are included to make for easy sight reading. Ideal for students to learn as well. Arranged by Michelle Lau of the Top40Strings YouTube channel: www.youtube.com/top40stringsA live recording of this arrangement can be found here: https://www.instagram.com/p/BMvAnIBBgbZ/?taken-by=top40stringsDuration of work: approx. 2:50
$14.99
Take A Chance On Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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ABBA
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Krista Broadway Swider
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Take A Chance On Me
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Krista Swider
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1341998 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Krista Broadway ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1341998 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Krista Broadway Swider. Pop. 15 pages. Krista Swider #927511. Published by Krista Swider (A0.1341998). This Abba classic is a blast to play. This song’s form is simple, but it has really fun vocal line solos for all the instruments, snazzy synthesizer solos featured by the violins, and a great beat, which the cello and viola hold down.  The arrangement starts with an intro using only the top 3 voices, imitating the feel of the original music video which starts with the four Abba singers singing acapella.  Following the intro, viola and cello team up playing the “Take a Chance†rhythmic figure, emulating the chanted words from the original track, while the violins play the melody in duet form. The viola takes the melody on the first half of the verse, while the cello hugs the bass line and violins hang out on discreet descants and counter melodies. The cello then wails the melody on the second half of the verse, with a brief section in tenor clef.  The song repeats and fades out on the chorus.  Bowings and rehearsal letters are included for ease of sight-reading, ideal for gigging performances. This version has been arranged a half step down (the original song was written in B Major, and I adjusted the key to B-flat Major so that it’s a bit friendlier to string players).
$14.99
In My Place
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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Coldplay
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Dan Sanchez
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In My Place
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Dan Sanchez
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.799114 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.799114 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dan Sanchez. Rock. Score and parts. 15 pages. Dan Sanchez #4775803. Published by Dan Sanchez (A0.799114). One of Coldplay's Greatest Hits, this arrangement of In My Place can be performed with a String Quartet or Trio (the 2nd Violin Part is optional). This includes the score and all parts.This is one of my favorite Coldplay songs, and it comes in handy for wedding preludes and processionals now and again, due to its nice walking tempo and well-balanced harmonies. It’s just a great, great song. 1st Violin and Viola trade off the melody, but that’s not to say the 2nd violin and cello have boring parts. Everyone has something to work with here!One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
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Cello Sight-Reading 2
