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Vous avez sélectionné:
Cha Cha Cha Uh!
Partitions à imprimer
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Cha Cha Cha Uh!
C Instrument - Level 2 - Digital Download SKU: A0.1410135 Composed by Stephan Lange…
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C Instrument - Level 2 - Digital Download SKU: A0.1410135 Composed by Stephan Langenberg. Contest,Festival,Jazz,Latin,Multicultural,Standards,World. Lead Sheet / Fake Book. 5 pages. Stephan Langenberg #992592. Published by Stephan Langenberg (A0.1410135). A set of lead sheets for all common jazz instruments. (C, F, Bb, Eb, Bass-Clef) ISWC:T-804.009.826-9 (GEMA/ASCAP)Cha Cha Cha Uh! is a lively new composition in the jazz style by Stephan Langenberg. The piece captures the infectious energy and lively rhythm of the Cha Cha Cha dance, giving them a refreshing jazz twist. The leadsheet and arrangements for various ensemble sizes are available, allowing musicians to adapt the piece flexibly and interpret it in different formations. Opportunities for its performances include: Concerts and festivals: Cha Cha Cha Uh! is ideal for jazz concerts and festivals, where its captivating rhythm and infectious melody will delight the audience. Dance events: As part of the repertoire of dance bands, Cha Cha Cha Uh! can lure dancers onto the dance floor and create a lively atmosphere. Social events: Whether at cocktail parties or company gatherings, this piece creates a lively atmosphere and provides good entertainment. Cha Cha Cha Uh! is a versatile piece that combines the passion of the Cha Cha Cha with the dynamics of jazz, ensuring musical highlights in various contexts.
$4.99
4.58 €
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Stephan Langenberg
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Cha Cha Cha Uh!
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Stephan Langenberg
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SheetMusicPlus
Cha Cha Cha Uh!
C Instrument - Level 2 - Digital Download SKU: A0.1409120 Composed by Stephan Lange…
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C Instrument - Level 2 - Digital Download SKU: A0.1409120 Composed by Stephan Langenberg. Contest,Festival,Jazz,Latin,Multicultural,Standards,World. Lead Sheet / Fake Book. 1 pages. Stephan Langenberg #990864. Published by Stephan Langenberg (A0.1409120). ISWC:T-804.009.826-9Cha Cha Cha Uh! is a lively new composition in the jazz style by Stephan Langenberg. The piece captures the infectious energy and lively rhythm of the Cha Cha Cha dance, giving them a refreshing jazz twist. The leadsheet and arrangements for various ensemble sizes are available, allowing musicians to adapt the piece flexibly and interpret it in different formations. Opportunities for its performances include: Concerts and festivals: Cha Cha Cha Uh! is ideal for jazz concerts and festivals, where its captivating rhythm and infectious melody will delight the audience. Dance events: As part of the repertoire of dance bands, Cha Cha Cha Uh! can lure dancers onto the dance floor and create a lively atmosphere. Social events: Whether at cocktail parties or company gatherings, this piece creates a lively atmosphere and provides good entertainment. Cha Cha Cha Uh! is a versatile piece that combines the passion of the Cha Cha Cha with the dynamics of jazz, ensuring musical highlights in various contexts.
$1.99
1.83 €
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Stephan Langenberg
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Cha Cha Cha Uh!
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Stephan Langenberg
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.91 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Uh Huh by Julia Michaels - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Julia Michaels: Uh Huh Digital Sheetmusic - instantly downloadable sheet mus…
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Performed by: Julia Michaels: Uh Huh Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Pop~~Dance-Pop~~EDM
$5.50
5.05 €
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Piano, Voix
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Julia Michaels
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.58 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Moon Song - for cello and piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery.…
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Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557. Published by Robert Jeffery Music (A0.926828). Duration: approx 3 mins.Difficulty: IntermediateA short piece for cello and piano, well suited to school level performers who are looking for an evocative, dramatic yet tuneful addition to their repertoire. The Moon Song has also worked very well as accompaniment for one or more contemporary dancers.The piece is written in a flamenco rhythm called siguiriyas. It may look complicated on the page, but is counted more simply in 5 beats, with three short and two long beats: [1] and [2] and [3] and uh [4] and uh [5] and In this case, the 1, 2, and 5 are the short beats and the 3 and 4 are long beats. This pattern repeats regularly throughout the piece, though there are a couple of extra bars interspersed to allow for breathing space at the end of certain phrases.The piece was inspired by the early 20th century Spanish poet Federico Garcia Lorca's poem of the same name, hence the use of the flamenco rhythm. The poem's dark, moody nature fits the cello's character very well.
$8.99
8.26 €
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Violoncelle, Piano
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Robert Jeffery
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Moon Song - for cello and piano
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Robert Jeffery Music
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SheetMusicPlus
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