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PIANO & CLAVIERS
Piano seul
3326
Piano, Voix
1649
Piano Facile
1431
Piano, Voix et Guitare
474
Instruments en Do
287
Orgue
196
Accompagnement Piano
178
1 Piano, 4 mains
131
Piano Trio: piano, violon, violoncelle
87
Piano grosses notes
60
Piano (partie séparée)
44
2 Pianos, 4 mains
31
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano Quatuor: piano, 2 violons, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavecin
10
1 Piano, 6 mains
6
Orgue, Piano (duo)
6
Accordéon
4
Accordéon et Orchestre
1
2 Pianos, 8 mains
1
2 Accordéons
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare
202
Guitare notes et tablatures
189
Guitare (partie séparée)
79
Ligne De Mélodie, (Paroles) et Accords
69
Ukulele
47
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46
2 Guitares (duo)
36
Basse electrique
29
Piano, Guitare (duo)
17
Mandoline
16
4 Guitares (Quatuor)
15
Dulcimer
11
Banjo
9
3 Guitares (trio)
7
Basse électrique (partie séparée)
4
Ensemble de guitares
2
Guitare, Flûte, Clarinette
2
Mandoline, Piano (duo)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
2 Mandolines (duo)
1
2 Ukuleles
1
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1198
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406
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277
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226
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170
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136
Voix duo, Piano
82
Voix Tenor, Piano
65
Voix Soprano, Piano
63
Voix Alto, Piano
44
Voix duo
44
Voix Baryton, Piano
34
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16
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16
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9
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7
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7
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7
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5
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4
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3
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2
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2
Chorale SATTBB A Cappella
2
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1
Voix basse
1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
650
Quatuor de Saxophones: 4 saxophones
636
2 Saxophones (duo)
615
Flûte traversière et Piano
576
Flûte, Hautbois, Clarinette, Basson
543
Clarinette et Piano
531
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442
Quintette de Saxophone: 5 saxophones
437
Saxophone Alto et Piano
384
Saxophone (partie séparée)
379
2 Flûtes traversières (duo)
340
Flûte traversière
338
Clarinette
320
Saxophone Alto
293
2 Clarinettes (duo)
267
Saxophone Tenor et Piano
259
Saxophone Soprano et Piano
252
Quatuor de Clarinettes: 4 clarinettes
221
Saxophone Tenor
215
2 Hautbois (duo)
170
Saxophone Baryton, Piano
154
Hautbois (partie séparée)
145
2 Flûte à bec (duo)
145
Hautbois
139
3 Saxophones (trio)
137
Flûte, Clarinette (duo)
136
Saxophone, Clarinette (duo)
133
Ensemble de saxophones
132
Clarinette, Violon (duo)
118
Hautbois, Clarinette (duo)
117
Quatuor de Flûtes : 4 flûtes
115
Ensemble de Clarinettes
104
Hautbois, Basson (duo)
101
Clarinette, Trompette (duo)
87
Flûte irlandaise
80
3 Clarinettes (trio)
80
Cor anglais, Piano
79
Flûte, Violon
66
Saxophone Soprano
63
Ensemble de Flûtes
61
Clarinette et Alto
61
Quintette de Clarinettes: 5 clarinettes
59
Flûte, Alto (duo)
57
Hautbois, Flûte
55
Flûte à bec Soprano
54
Clarinette Basse, Piano
54
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54
Flûte, Clarinette et Basson
52
Clarinette (partie séparée)
52
Flute (partie séparée)
52
Saxophone Baryton
51
Trio de Flûtes: 3 flûtes
49
Flûte, Saxophone (duo)
48
Flûte, Hautbois (duo)
44
Flûte, Trompette (duo)
43
Clarinette, Violoncelle (duo)
42
Flûte, Violoncelle
42
Flûte et Guitare
39
Hautbois, Violoncelle
37
Quintette de Flûte : 5 flûtes
35
Hautbois, Clarinette, Basson (trio d'anches)
35
Cor Anglais
33
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32
Flûte, Hautbois, Basson
30
Quatuor de Flûtes à bec
27
Flûte, Violon, Piano
26
Flûte à bec Alto
23
Flûte à Bec
22
Ensemble De Flûte à bec
20
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17
Clarinette, Guitare (duo)
16
Flûte, Hautbois, Piano (trio)
15
Hautbois et alto (duo)
15
5 Flûtes à bec
15
Flûte, Clarinette, Cor, Basson (Quartet)
14
Flûte, Violoncelle, Piano (trio)
12
2 Flûtes traversières, Piano
10
3 Flûtes à bec (trio)
9
Piccolo, Piano
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte, Alto et Piano
8
Flûte à bec Alto, Piano
8
Piccolo
7
Harmonica
6
2 Clarinettes, Piano
6
Flûte à bec Soprano, Piano
6
2 Cors Anglais Et Pianoforte
6
Clarinette, Trombone (duo)
6
Flûte, Violon et Violoncelle
5
Flûte, Clarinette, Piano (trio)
5
Clarinette Basse
4
Hautbois, trombone (duo)
4
Clarinette, Contrebasse (duo)
4
Clarinette, Tuba
4
Hautbois, Clarinette et Piano (Trio)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Trombone (duo)
3
Flûte, Basson et Piano
3
2 Saxophones, Piano
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Tenor
3
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3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et Guitare
2
3 Hautbois
2
Hautbois, Basson et Piano
2
2 Hautbois, Piano
2
Saxophone et Orgue
2
Cor anglais, Guitare (duo)
2
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2
Clarinette, Alto et Piano (trio)
2
Ocarina
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Flûte à Bec, Piano
2
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Flûte, Violon, Guitare
1
Instruments en Mib
1
Flute, harpe et violon
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Flûte à bec, Guitare (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Trompette (duo)
1
Cornemuse
1
Hautbois, Guitare (duo)
1
Hautbois, Violon, Piano
1
Clarinette, Harpe (duo)
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Saxophone
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
692
Trompette, Piano
416
Trombone et Piano
366
Trompette
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Cor et Piano
317
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314
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249
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229
Tuba et Piano
227
Cor
218
Trompette (partie séparée)
187
2 Trompettes (duo)
180
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180
2 Trombones (duo)
169
Quatuor de Cuivres: 2 trompettes, Cor, trombone
153
Quatuor de Cuivres
143
Trompette, Trombone (duo)
121
2 Cors (duo)
106
Trompette, Saxophone (duo)
102
Cor anglais, Piano
79
Euphonium, Piano (duo)
73
Ensemble de Trompettes
71
2 Tubas (duo)
57
Cor (partie séparée)
45
Ensemble de Trombones
40
Tuba (partie séparée)
39
Cor Anglais
33
Trompette, Cor (duo)
32
Quatuor de cuivres: 4 trombones
30
Quatuor de cuivres: 4 cors
23
Cor, Violoncelle (duo)
19
Trio de Cuivres
18
Quatuor de cuivres: 4 trompettes
16
3 Trombones (trio)
16
Ensemble de Cors
14
Trompette, Violoncelle (duo)
14
Trompette, Basson (duo)
11
Trompette, Tuba (duo)
11
Trombone, Cor (duo)
11
Trombone basse et Piano
11
Trombone basse
11
2 Euphoniums et 2 Tubas
10
Euphonium
9
4 Tubas
9
Cor et Basson (duo)
8
Tuba et Orgue
8
3 Trompettes (trio)
7
Cor, Tuba (duo)
6
2 Cors Anglais Et Pianoforte
6
3 Tubas (trio)
5
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Tuba (duo)
3
Tuba ou Euphonium ou Saxhorn
3
Instruments en Sib
2
Trombone, Orgue
2
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
3 Cors (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, violon (duo)
2
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Trompette et Guitare
1
3 Euphoniums
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1513
Violon et Piano
675
Violon
607
Violon, Violoncelle (duo)
583
Violoncelle, Piano
506
Alto, Piano
493
Trio à Cordes: violon, alto, violoncelle
406
Violoncelle
397
Quintette à cordes: 2 violons, alto, violoncelle, basse
371
Alto seul
279
2 Violons (duo)
255
Violon, Alto (duo)
201
2 Violoncelles (duo)
191
Contrebasse, Piano (duo)
185
Contre Basse
178
Harpe
176
2 Altos (duo)
168
Trio à Cordes: 2 violons, violoncelle
119
Alto, Violoncelle (duo)
72
Contrebasse (partie séparée)
55
2 Contrebasses (duo)
53
Alto (partie séparée)
49
4 Violoncelles
42
Violon (partie séparée)
37
Violon, Basson (duo)
36
Trio à Cordes: 3 violoncelles
36
Quintette à cordes: 2 violons, 2 altos, violoncelle
33
Trio à cordes: 3 violins
29
Piano Trio: Violon, Alto, Piano
27
Quintette à cordes : 2 violons, alto et 2 violoncelles
26
2 Harpes (duo)
25
Quatuor à cordes : 4 altos
20
Ensemble de Violons
19
Alto et Basson
19
Ensemble d'Altos
18
Quatuor à cordes: 4 violons
15
Violon, Guitare (duo)
15
Trio à Cordes: 2 violons, alto
14
Violoncelle, Contrebasse (duo)
13
Trio à cordes: 3 altos
12
Violoncelle , Guitare (duo)
10
Harpe, Flûte (duo)
9
2 Violons, Piano
8
Violoncelle (partie séparée)
6
Flûte, Contrebasse (duo)
5
Harpe, Violon (duo)
4
Ensemble de Violoncelles
4
2 Violoncelles, Piano
4
Harpe, Violon, Violoncelle
3
Violon, Tuba (duo)
3
Violon, Violoncelle, Clarinette
3
2 Altos, Piano
3
4 Harpes
3
Alto, Guitare (duo)
3
Violon, Clarinette, Piano (trio)
3
Harpe, Voix
2
Violoncelle, Basse continue
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
1
Harpe, Trombone (duo)
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
Harpe et mandoline
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1427
Orchestre à Cordes
492
Ensemble Jazz
433
Orchestre de chambre
277
Fanfare
267
Orchestre
247
Ensemble de cuivres
199
Cloches
173
Jazz combo
58
Batterie (partie séparée)
44
Ensemble de Percussions
42
Batterie
39
Percussion (partie séparée)
35
Marimba
28
Xylophone
18
Xylophone, Piano
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Percussion
12
Vibraphone
8
Ensemble d'École
5
Timbales (partie séparée)
4
2 Xylophones
3
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Quintette à Vent
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
Instrumentation Flexible
1
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Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.13 €
#
Orchestre de chambre
#
Thomas Oboe Lee
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Symphony No. 8 ... City of Light
#
Thomas Oboe Lee
#
SheetMusicPlus
O How the Winds are Changin'!
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.923347 Composed by James Alexander Pav…
(+)
Chamber Orchestra - Digital Download SKU: A0.923347 Composed by James Alexander Pavlic. Contemporary. Score and parts. 25 pages. James A. Pavlic #6339863. Published by James A. Pavlic (A0.923347). Work scored a finalist spot in the Great American Song Contest. Work was inspired about the ever changing nature of the wind. Sometimes it gets easy; and, sometimes it picks up, taking with it whatever it can within its grasp. Scored for chamber orchestra and link to audio of work is found here: https://distrokid.com/hyperfollow/alexanderjamespavlic/dmGf. Visual of score playing is at link included in Youtube Link.
$10.99
10.05 €
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Orchestre de chambre
#
James Alexander Pavlic
#
O How the Winds are Changin'!
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James A. Pavlic
#
SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
18.28 €
#
Orchestre de chambre
#
John Stafford Smith
#
Yoon Jae Lee
#
The Star Spangled Banner
#
Ondine Press
#
SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
7.31 €
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Orchestre de chambre
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Cha-cha time (clarinet quartet)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1183679 Composed by Leszek Kościółek. Jazz,Latin. 19 pages. Leszek Kosciolek #783364. Published by Leszek Kosciolek (A0.1183679). Cha-cha time for clarinet quartet. Full score and all parts.
$3.75
3.43 €
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Quatuor de Clarinettes: 4 clarinettes
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Leszek Kościółek
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Cha-cha time
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Leszek Kosciolek
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SheetMusicPlus
Cha-cha time (for saxophone quartet)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1184665 Composed by Leszek Kościółek. Jazz,Latin. 21 pages. Leszek Kosciolek #784354. Published by Leszek Kosciolek (A0.1184665). Cha-cha time for saxophone quartet. SATB or AATB Full score and all parts.
$3.75
3.43 €
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Quatuor de Saxophones: 4 saxophones
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Leszek Kościółek
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Cha-cha time
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Leszek Kosciolek
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SheetMusicPlus
Hisaishi Joe: Summer (for chamber orchestra) Score
Orchestre de chambre
Chamber Orchestra - Intermediate - Digital Download By Various Artists. Arranged by…
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Chamber Orchestra - Intermediate - Digital Download By Various Artists. Arranged by Youngsuk Kim. Score. 12 pages. Published by Youngsuk Kim
Hisaishi Joe: Summer (for chamber orchestra) Score<br> Great for school orchestra. Composed by Hisaishi Joe. Arranged by Youngsuk Kim. Soundtrack from the movie "Kikujiro". Grade 2.5<br> Arranged to fit conventional school orchestra.<br> Instrumentation: 2 Flutes, 2 Bb Clarinets, Piano, Strings<br> Play time: 5 minHisaishi Joe: Summer (for chamber orchestra) Score<br> Great for school orchestra. Composed by Hisaishi Joe. Arranged by Youngsuk Kim. Soundtrack from the movie "Kikujiro". Grade 2.5<br> Arranged to fit conventional school orchestra.<br> Instrumentation: 2 Flutes, 2 Bb Clarinets, Piano, Strings<br> Play time: 5 min
$12.99
11.88 €
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Orchestre de chambre
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Various Artists
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Hisaishi Joe: Summer
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Youngsuk Kim
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SheetMusicPlus
Schafe können sicher weiden (Sheep May Safely Graze) for Chamber Orchestra Full Score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1506994 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1506994 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Chamber,Instructional,Sacred,Wedding. 29 pages. Flavio Regis Cunha #1082378. Published by Flavio Regis Cunha (A0.1506994). Attention Chamber Orchestras and Ensembles!Schafe können sicher weiden (Sheep May Safely Graze) for Chamber Orchestra Full Score.Discover the elegance of J.S. Bach with Schafe Können sicher weiden (Sheep May Safely Graze), meticulously arranged by Flavio Regis Cunha for the modern chamber orchestra. This full score Bb version features (Bach's original key) two flutes (recorders), strings, and harpsichord, creating a rich tapestry of sound that brings Bach's serene masterpiece to life.Perfect for church ensembles, school orchestras, and theatre productions, this arrangement offers a touch of timeless beauty to your repertoire. Envision your audience being whisked away to a tranquil countryside as the harmonious blend of flutes, strings, and harpsichord unfolds, delivering a moment of pure musical delight.Elevate your next performance with this exquisite Bach piece, designed to captivate and inspire. Let the music resonate and make every note count.Secure your copy of this timeless arrangement today!JS Bach: Schafe können sicher weiden (Sheep May Safely Graze) for Chamber Orchestra Full Score Bb Version.Advanced Intermediate LevelFormat: Concert, 9 x 12 inchesEngraved with Urtex Kapellmeister Music Fonts29 pages.
$18.99
17.36 €
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Orchestre de chambre
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Johann Sebastian Bach
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Flavio Regis Cunha
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Schafe können sicher weiden
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Flavio Regis Cunha
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SheetMusicPlus
JS Bach: Schafe können sicher weiden (Sheep May Safely Graze) [Em Campinas Verdejantes]
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1506539 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1506539 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. 29 pages. Flavio Regis Cunha #1081903. Published by Flavio Regis Cunha (A0.1506539). JS Bach: Schafe können sicher weiden (Sheep May Safely Graze) [Em Campinas Verdejantes] Sheet Music for CHAMBER ORCHESTRA (Ab VERSION)Calling all Chamber Orchestras!Step into the serene world of J.S. Bach with “Schafe Können sicher weiden” (Sheep May Safely Graze), lovingly reimagined by Flavio Regis Cunha. This beautiful arrangement for two flutes (recorders), strings, and harpsichord offers a graceful journey through the lush melodies of one of Bach’s finest works. Whether you’re part of a church ensemble, school orchestra, or theatre production, this exquisite piece, now arranged for modern musicians, brings elegance and reverence to any performance. Imagine your audience transported to a peaceful countryside, as harmonious flutes and strings blend with the harpsichord in perfect unity, a moment of musical bliss.Bring this timeless Bach composition to life in your next performance! Elevate your repertoire, captivate your audience, and let the music speak for itself.Get your sheet music today!JS Bach: Schafe können sicher weiden (Sheep May Safely Graze) [Em Campinas Verdejantes] Sheet Music for CHAMBER ORCHESTRA (Ab VERSION)Advanced IntermediateFormat: Concert - 9 x 12 inchesUrtext Kapellmeister Fonts29 pages.
$18.99
17.36 €
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Orchestre de chambre
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Johann Sebastian Bach
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Flavio Regis Cunha
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JS Bach: Schafe können sicher weiden
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Flavio Regis Cunha
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.67 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Guillaume de Machaut, 1300-1377
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
68.52 €
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Guillaume de Machaut, 1300-1377
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James M
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2 Trombones
1
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Machaut: Le Messe de Nostre Dame for Brass Quartet
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jmsgu3
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.67 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.67 €
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Flûte, Hautbois, Clarinette, Basson
#
Guillaume de Machaut, 1300-1377
#
James M
#
Bassoon Duo
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Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Double Reed Quartet
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SK…
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.52 €
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed b…
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Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.52 €
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.67 €
#
Quatuor de Flûtes : 4 flûtes
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.67 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.52 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Guillame de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download S…
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.52 €
#
Quatuor de Flûtes : 4 flûtes
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Flute Quartet
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.52 €
#
Quatuor de Saxophones: 4 saxophones
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.67 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.52 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for String Quartet
#
jmsgu3
#
SheetMusicPlus
In Time
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1032654 Composed by Matan Daskal. Arra…
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Chamber Orchestra - Digital Download SKU: A0.1032654 Composed by Matan Daskal. Arranged by Matan Daskal and Shalev Ne'eman. Contemporary,Standards,World. Score and parts. 32 pages. CITO #5197845. Published by CITO (A0.1032654). Contains Hebrew Languish for voice.Originally performed by Castle in Time OrchestraDuration of Work: 08:06Your Performing Rights OrganizationYour Social Media Channels and Contact Informationhttps://www.citorchestra.com/
$9.99
9.13 €
#
Orchestre de chambre
#
Matan Daskal
#
In Time
#
CITO
#
SheetMusicPlus
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