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921
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Piano Trio: piano, violon, violoncelle
47
Orgue
33
Piano grosses notes
22
Accordéon
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1 Piano, 4 mains
18
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15
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GUITARES
Guitare
113
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46
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7
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4
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Dulcimer
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VOIX
Chorale SATB
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62
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29
Voix Alto, Piano
28
Voix Tenor
26
Voix Soprano
24
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12
Voix duo, Piano
10
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7
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
3
Voix duo
3
Voix haute
2
Chorale SSATTB
1
Chorale SSAATTBB
1
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VENTS
Clarinette
186
Flûte traversière
164
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163
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
163
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160
Saxophone
160
Hautbois, Piano (duo)
151
Saxophone (partie séparée)
145
Quintette de Saxophone: 5 saxophones
133
Flûte traversière et Piano
130
Clarinette et Piano
121
Saxophone Alto
115
2 Saxophones (duo)
111
Saxophone Alto et Piano
98
Hautbois (partie séparée)
67
Saxophone Soprano et Piano
61
Hautbois
56
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43
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40
Flûte à Bec
39
Ensemble de saxophones
38
2 Clarinettes (duo)
36
Saxophone Tenor
35
2 Flûtes traversières (duo)
34
2 Hautbois (duo)
31
Quatuor de Clarinettes: 4 clarinettes
31
Saxophone Soprano
30
Saxophone Baryton
29
Ensemble De Flûte à bec
26
3 Saxophones (trio)
25
2 Flûte à bec (duo)
21
Ensemble de Clarinettes
20
Flûte à bec Soprano
19
Quatuor de Flûtes : 4 flûtes
17
Cor Anglais
16
Flûte, Hautbois, Clarinette (trio)
16
Flûte à bec Alto
13
Flûte, Clarinette (duo)
13
Cor anglais, Piano
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, Basson (duo)
12
Clarinette, Violon (duo)
11
Ensemble de Flûtes
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Saxophone, Clarinette (duo)
9
Flûte, Violon
9
Hautbois, Clarinette (duo)
9
Quatuor de Flûtes à bec
9
Clarinette, Trompette (duo)
8
Clarinette (partie séparée)
8
Flûte à bec Tenor
8
Flûte, Clarinette et Basson
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Flûte, Alto (duo)
7
Clarinette, Basson (duo)
6
Flûte, Hautbois, Basson
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Harmonica
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Clarinette et Alto
6
3 Clarinettes (trio)
5
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5
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Clarinette Basse, Piano
5
Quintette de Flûte : 5 flûtes
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Piccolo
4
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4
Clarinette, Violoncelle (duo)
4
Flûte, Trompette (duo)
3
Clarinette Basse
3
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3
Clarinette, Guitare (duo)
3
Hautbois, Flûte
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Trio de Flûtes: 3 flûtes
2
Hautbois, Violon, Piano
2
Flute (partie séparée)
2
Hautbois et alto (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Violon (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Violon
1
5 Flûtes à bec
1
Flûte, Trombone (duo)
1
Flûte, Tuba (duo)
1
Cornemuse
1
Flûte, Alto et Piano
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, trombone (duo)
1
2 Flûtes traversières, Harpe
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
181
Trompette
166
Trombone
144
Trompette, Piano
106
Cor et Piano
97
Cor
93
Trombone et Piano
90
Quatuor de Cuivres
88
Quatuor de Cuivres : 2 trompettes, trombone, tuba
84
Tuba et Piano
65
Tuba
64
Quatuor de Cuivres: 2 trompettes, Cor, trombone
51
2 Trompettes (duo)
33
2 Trombones (duo)
29
Trompette (partie séparée)
24
2 Cors (duo)
22
Cor Anglais
16
Trombone (partie séparée)
15
Cor anglais, Piano
13
Trompette, Trombone (duo)
12
2 Tubas (duo)
8
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 4 trombones
7
Trompette, Cor (duo)
6
Euphonium
6
Cor (partie séparée)
5
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
5
Euphonium, Piano (duo)
5
Trio de Cuivres
4
Ensemble de Trompettes
4
Tuba (partie séparée)
3
Trombone basse
3
Trombone basse et Piano
2
2 Euphoniums et 2 Tubas
2
4 Tubas
1
Instruments en Sib
1
Trompette, Basson (duo)
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Cors
1
Trombone, Violon (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Euphonium (duo)
1
3 Trombones (trio)
1
Trompette, violon (duo)
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
321
Violon et Piano
245
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186
Violon
175
Alto, Piano
157
Violoncelle (partie séparée)
125
Harpe
125
Alto seul
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
106
Violoncelle
83
2 Violons (duo)
71
Trio à Cordes: violon, alto, violoncelle
65
Contre Basse
61
Violon, Violoncelle (duo)
55
Contrebasse, Piano (duo)
51
Trio à Cordes: 2 violons, violoncelle
47
2 Violoncelles (duo)
40
2 Altos (duo)
29
Alto (partie séparée)
27
Violon, Alto (duo)
23
Violon (partie séparée)
13
2 Harpes (duo)
9
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
Alto, Violoncelle (duo)
6
2 Contrebasses (duo)
6
Harpe, Voix
6
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
Ensemble de Violons
2
Trio à Cordes: 2 violons, alto
2
Violon, Basson (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Autoharp
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Ensemble de Violoncelles
1
Alto et Basson
1
Violon, Violoncelle, Clarinette
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
144
Orchestre
64
Orchestre à Cordes
63
Batterie
32
Ensemble de cuivres
31
Cloches
22
Orchestre de chambre
21
Ensemble Jazz
19
Marimba
15
Xylophone
13
Percussion (partie séparée)
9
Fanfare
8
Jazz combo
8
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Batterie (partie séparée)
2
Xylophone, Piano
1
Timbales (partie séparée)
1
Percussion
1
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AUTRES
Vous avez sélectionné:
Chan's Song
Partitions à imprimer
12 274 partitions trouvées
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9976
Chan's Song
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.781798 By Various. By Herbie Hanco…
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Solo Guitar - Level 5 - Digital Download SKU: A0.781798 By Various. By Herbie Hancock and Stevie Wonder. Arranged by Peter Miklitz. Contemporary. Individual part. 2 pages. Peter Miklitz #4289321. Published by Peter Miklitz (A0.781798). The beautiful ballad Chan's Song (Never Said) from Bertrand Tavernier's famous motion picture Round Midnight arranged for Fingerstyle Guitar solo.
$6.00
5.53 €
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Guitare
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Various
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Peter Miklitz
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Chan's Song
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Peter Miklitz
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SheetMusicPlus
Chan's Song
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.781800 By Various. By Herbie Hanco…
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Solo Guitar - Level 5 - Digital Download SKU: A0.781800 By Various. By Herbie Hancock and Stevie Wonder. Arranged by Peter Miklitz. Contemporary. Individual part. 3 pages. Peter Miklitz #4289679. Published by Peter Miklitz (A0.781800). The beautiful ballad Chan's Song (Never Said) from Bertrand Tavernier's famous motion picture Round Midnight arranged for Fingerstyle Guitar solo in standard notation and TAB.
$8.00
7.37 €
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Guitare
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Various
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Peter Miklitz
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Chan's Song
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Peter Miklitz
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Chanson Joyeuse (Song of Joy)
Cloches
3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB654 Composed …
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3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB654 Composed by Julie C Stitt. Christmas. With 2 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB654. Published by Chorister's Guild - Digital (C7.CGB654). UPC: 749193015223.Level 3+ • This spirited original composition is written in ABACA form. Tempo changes, accidentals, plucking, swings, and martellato lifts in the A sections will challenge bass ringers, while treble ringers will enjoy fast-paced eighth notes in alternating 4/4 and 6/8 meters. Modulating into A minor, the B section features a slower, poignant melody accompanied by treble-bell chimes and echoes in the bass. The third section introduces yet another melody as it modulates to A flat major. This section features flowing eighth notes and rich melodic harmonies. Chanson Joyeuse brings the listener through a multitude of emotions and surely evokes the passion of life’s journey.
$4.95
4.56 €
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Cloches
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Julie C Stitt
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Chanson Joyeuse
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Chorister's Guild - Digital
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SheetMusicPlus
Chanter's Song - intermediate & 34 String Harp | McTelenn Harp Center
Harpe
Harp - Level 2 - Digital Download SKU: A0.779306 Composed by Anon. Arranged by Eve …
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Harp - Level 2 - Digital Download SKU: A0.779306 Composed by Anon. Arranged by Eve McTelenn. Celtic,Irish,Multicultural,World. Score. 15 pages. Eve Rodolfi-McTelenn #6478803. Published by Eve Rodolfi-McTelenn (A0.779306). - Only Score / Juste la PartitionBASIC SCORE - without fingerings & Left hand HelpLevel : IntermediateKey : C Major / DO MajeurSheet Tune PDF- Instant Access -//////////////////////////////////////////////////Subscribe My youtube channel : https://www.youtube.com/user/evemctelennDo you want to learn Celtic harp from your home?  Visit my new platform website et E-Shop - Breizh Harp SHop - Click Now !https://www.mctelennharpcenter.com
$6.99
6.44 €
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Harpe
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Anon
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Eve McTelenn
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Chanter's Song - intermediate & 34 String Harp | McTelenn Harp Center
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Eve Rodolfi-McTelenn
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SheetMusicPlus
It's Nice
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1039046 Composed by Monnie Chan. Br…
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Easy Piano - Level 2 - Digital Download SKU: A0.1039046 Composed by Monnie Chan. Broadway,Contemporary,Musical/Show,Spiritual. Score. 2 pages. Monnie Chan #644035. Published by Monnie Chan (A0.1039046). Composed during the online masterclass given by the Oscar composer, Hans Zimmer. Shared in the HZ Community group and gain supportive encouragements from certain film makers. Easy to play with amazing beautiful melodies. Composed, recorded and videoed by the composer in Malta, Mediterranean Sea. To hear the composer's playing, please visit her YouTube channel Dr. Monnie Chan (composer), song number 103 : https://youtube.com/channel/UC0k2NPsoRgu-ctdE6SUFrwQ.
$2.99
2.76 €
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Piano Facile
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Monnie Chan
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It's Nice
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Monnie Chan
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SheetMusicPlus
The Chanter's Song (Chanter's Tune) for harp no levers required - fun arrangement
Harpe
Harp - Level 2 - Digital Download SKU: A0.779640 Composed by Traditional. Arranged …
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Harp - Level 2 - Digital Download SKU: A0.779640 Composed by Traditional. Arranged by Kim Kirkman. Celtic,Folk,Irish. Score. 2 pages. Kim Kirkman #6384457. Published by Kim Kirkman (A0.779640). The Chanter's Song (or Chanter's Tune) arranged for harp.No levers requiredMy take on this is to really speed it up and add some syncopations.In dorian mode. Very easy to play.
$1.99
1.83 €
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Harpe
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Traditional
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Kim Kirkman
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The Chanter's Song
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Kim Kirkman
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SheetMusicPlus
The Chanter's Song (Chanter's Tune) - solo piano - no black keys required
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.779642 Composed by Traditional. Arr…
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Easy Piano - Level 2 - Digital Download SKU: A0.779642 Composed by Traditional. Arranged by Kim Kirkman. Celtic,Concert,Folk. Score. 2 pages. Kim Kirkman #6384461. Published by Kim Kirkman (A0.779642). The Chanter's Song or Tune arranged for solo pianoNo black keys requiredEasy arrangementIn dorian modeMoves along quite fast and has some syncopation.
$1.99
1.83 €
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Piano seul
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Traditional
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Kim Kirkman
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The Chanter's Song
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Kim Kirkman
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SheetMusicPlus
Song Without Words, "Twilight"
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.529307 Composed by Caelan Chan. Con…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.529307 Composed by Caelan Chan. Contemporary. Score and part. 7 pages. Caelan Chan Music #139706. Published by Caelan Chan Music (A0.529307). Duration: ca. 4' Song Without Words, “Twilight†is inspired by Felix Mendelssohn’s Songs Without Words, collections of lyrical piano pieces by the composer. There is nothing overly new, unusual or complicated in this piece. I chose, instead, to focus on lyricism, the main element that made me love Mendelssohn’s Songs Without Words so much. The subtitle, “Twilightâ€, came from my fascination with the time between sunset and evening. The piece is essentially divided into three sections; the first being a calm and warm melody, the second being more somber and melancholy, and the third being a triumphant return to the original calm and warm melody.
$7.99
7.36 €
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Hautbois, Piano (duo)
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Caelan Chan
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Song Without Words, "Twilight"
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Caelan Chan Music
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SheetMusicPlus
Bagatelles Chanteés
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexande…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexander Liebermann. Classical,Contemporary. Score. 12 pages. Abundant Silence #773511. Published by Abundant Silence (A0.1173365). Bagetelles Chanteés by Alexander Liebermann For Piano and Soprano, Early Advanced, 10 Pages The Bagatelles Chantées is a song cycle based on three poems that I wrote during my two first years in New York City. It is only after my studies at the Juilliard School in 2015 that I decided to set them to music. Each of the songs had to have, like the poems themselves, its distinct style. Accordingly, I came up with the idea of making them - to a certain extent - style studies. In the dedication line under every song title in this edition you will find the name of the composer whose style I gave my best to emulate. The first song, Spleen, is dedicated to Olivier Messiaen. The second song, Silence, is dedicated to Gérard Grisey. The third and last song, La Reine (The Queen), is dedicated to Francis Poulenc.​-Alexander Liebermann.
$20.00
18.43 €
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Piano, Voix
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Alexander Liebermann
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Bagatelles Chanteés
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Abundant Silence
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SheetMusicPlus
Mozart : La Flûte enchantée, K. 620 - Acte I. N° 2 Air de Papageno (der Vogelfänger bin ich ja)
Voix seule
Téléchargez la partition Chant La Flûte enchantée, K. 620 - Act…
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Téléchargez la partition Chant La Flûte enchantée, K. 620 - Acte I. N° 2 Air de Papageno (der Vogelfänger bin ich ja) de Mozart. Partition pour Avec piano d'accompagnement -- Classique
4.99 €
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Voix seule
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Mozart
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La Flûte enchantée, K. 620
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Tomplay
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.76 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mac's Song
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.921990 Composed by Cynthia…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.921990 Composed by Cynthia Chan. 20th Century,Instructional. Octavo. 5 pages. Cynthia Chan #3555103. Published by Cynthia Chan (A0.921990). A chase song between Mac (the thief) and the police. You determine who gets the happy ending.
$3.99
3.68 €
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Chorale SATB
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Cynthia Chan
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Mac's Song
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Cynthia Chan
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SheetMusicPlus
Traditionnel : Valse de l'aigle, Russie, Chant chamanique
Voix seule
Téléchargez la partition Chant Valse de l'aigle, Russie, Chant chamaniq…
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Téléchargez la partition Chant Valse de l'aigle, Russie, Chant chamanique de Musique du monde. Partition pour Avec accompagnement orchestre -- Musique du monde
7.99 €
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Voix seule
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Traditionnel
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Valse de l'aigle, Russie, Chan
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Tomplay
Elgar : War Song (A Soldier's Song), Op. 5 - BASSE
Voix seule
Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - BAS…
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Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - BASSE de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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War Song
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Tomplay
Elgar : War Song (A Soldier's Song), Op. 5 - TENOR
Voix seule
Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - TEN…
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Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - TENOR de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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War Song
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Tomplay
Elgar : War Song (A Soldier's Song), Op. 5 - SOPRANO
Voix seule
Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - SOP…
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Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - SOPRANO de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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War Song
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Tomplay
Elgar : War Song (A Soldier's Song), Op. 5 - ALTO
Voix seule
Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - ALT…
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Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - ALTO de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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War Song
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Tomplay
Elgar : War Song (A Soldier's Song), Op. 5 - MEZZO-SOPRANO
Voix seule
Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - MEZ…
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Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - MEZZO-SOPRANO de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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War Song
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Tomplay
Elgar : War Song (A Soldier's Song), Op. 5 - BARYTON
Voix seule
Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - BAR…
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Téléchargez la partition Chant War Song (A Soldier's Song), Op. 5 - BARYTON de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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War Song
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Tomplay
Elgar : Sept Lieder - VII. The Shepherd's Song, Op. 16, No. 1 - MEZZO-SOPRANO
Voix seule
Téléchargez la partition Chant Sept Lieder - VII. The Shepherd's Song, …
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Téléchargez la partition Chant Sept Lieder - VII. The Shepherd's Song, Op. 16, No. 1 - MEZZO-SOPRANO de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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Sept Lieder
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Tomplay
Elgar : Sept Lieder - VII. The Shepherd's Song, Op. 16, No. 1 - SOPRANO
Voix seule
Téléchargez la partition Chant Sept Lieder - VII. The Shepherd's Song, …
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Téléchargez la partition Chant Sept Lieder - VII. The Shepherd's Song, Op. 16, No. 1 - SOPRANO de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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Sept Lieder
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Tomplay
Elgar : Sept Lieder - II. Queen Mary's Song - MEZZO-SOPRANO
Voix seule
Téléchargez la partition Chant Sept Lieder - II. Queen Mary's Song - ME…
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Téléchargez la partition Chant Sept Lieder - II. Queen Mary's Song - MEZZO-SOPRANO de Elgar. Partition pour Avec piano d'accompagnement -- Classique
5.99 €
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Voix seule
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Elgar
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Sept Lieder
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Tomplay
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