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Vous avez sélectionné:
Chanson de Matin - Elgar
Partitions à imprimer
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Chansons de Bilitis (2024)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Chansons de Bilitis
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1405088 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 129 pages. Thomas Oboe Le...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1405088 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 129 pages. Thomas Oboe Lee #988125. Published by Thomas Oboe Lee (A0.1405088). Debussy's Trois Chansons de Bilitis was one of the works we studied in a seminar taught by Professor Earl Kim when I was a graduate student at Harvard University, 1977 to 1981. I then recently discovered that Debussy took twelve of the 158 poems from Pierre Louÿs' Les Chansons de Bilitis and wrote Musique de scéne pour les chansons de bilitis.' The texts in this version is not sung but recited by a narrator accompanied by two flutes, two harps and celesta. I immediately thought wouldn't it be cool if I took the same texts and set them to music for soprano and piano. That is exactly what I did ... I. Chant Pastoral II. Les Comparaisons III. Les Contes IV. Chanson (Ombre du bois) V. La Partie d'Osselets VI. Bilitis VII. Le Tombeau sans nom VIII. Les Courtisanes Égyptiennes IX. L'Eeau pure du bassin X. La Danseuse aux crotales XI. Le souvenir de Mnasidika XII. Le pluie au matin.
$9.99
Chansons de Bilitis (2024) piano vocal score
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Chansons de Bilitis
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1405090 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 83 pages. Thomas Oboe Lee...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1405090 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 83 pages. Thomas Oboe Lee #988127. Published by Thomas Oboe Lee (A0.1405090). Debussy's Trois Chansons de Bilitis was one of the works we studied in a seminar taught by Professor Earl Kim when I was a graduate student at Harvard University, 1977 to 1981. I then recently discovered that Debussy took twelve of the 158 poems from Pierre Louÿs' Les Chansons de Bilitis and wrote Musique de scéne pour les chansons de bilitis.' The texts in this version is not sung but recited by a narrator accompanied by two flutes, two harps and celesta. I immediately thought wouldn't it be cool if I took the same texts and set them to music for soprano and piano. That is exactly what I did ... I. Chant Pastoral II. Les Comparaisons III. Les Contes IV. Chanson (Ombre du bois) V. La Partie d'Osselets VI. Bilitis VII. Le Tombeau sans nom VIII. Les Courtisanes Égyptiennes IX. L'Eeau pure du bassin X. La Danseuse aux crotales XI. Le souvenir de Mnasidika XII. Le pluie au matin.
$9.99
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Chanson de matin
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Chanson de matin
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Schott Music - Digital
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SheetMusicPlus
String quartet - easy - SKU: S9.Q19531 8 Twentieth-Century Pieces. The Schott String Quartet Series. Downloadable, Score and parts. Schott Music ...
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String quartet - easy - SKU: S9.Q19531 8 Twentieth-Century Pieces. The Schott String Quartet Series. Downloadable, Score and parts. Schott Music - Digital #Q19531. Published by Schott Music - Digital (S9.Q19531). Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance.
$18.99
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