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--INSTRUMENTS--
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Crtitères actifs :
Chant du soir
Partitions à imprimer
22 partitions trouvées
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1
Chant du soir (Evening song)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Marco Enrico Bossi
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Giancarlo Colleoni
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Chant du soir
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Giancarlo Colleoni
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.961974 Composed by Marco Enrico Bossi. Arranged by Giancarlo Colleoni. 20th Century,Christian. Score and parts. 8 p...
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String Orchestra - Level 4 - SKU: A0.961974 Composed by Marco Enrico Bossi. Arranged by Giancarlo Colleoni. 20th Century,Christian. Score and parts. 8 pages. Giancarlo Colleoni #6718467. Published by Giancarlo Colleoni (A0.961974). Chant du soir (Evening song) was composed by Marco Enrico Bossi for organ as op.92 n. 1. It is a melodic composition and at the end a sound of a bell alludes the incoming evening and a melanchonic sunset.My arrangement is for String Orchestra and the bells stroke are represented by violin's harmonics. .
$5.29
Chants du Rhin for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 5...
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Euphonium,Piano - Level 5 - SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 52 pages. Gordon Cherry #5008345. Published by Gordon Cherry (A0.792530). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor. This version includes parts in B-flat treble clef as well as bass clef.
$22.50
Chants du Rhin for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44...
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Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008317. Published by Gordon Cherry (A0.792526). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.
$22.50
Chants du Rhin for Tuba or Bass Trombone and Piano
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Tuba et Piano
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Tuba or Bas
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.792527 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pag...
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Piano,Tuba - Level 5 - SKU: A0.792527 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008325. Published by Gordon Cherry (A0.792527). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.
$22.50
VIARDOT: Chant du soir (transposed to B-flat major)
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Piano, Voix
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Classique
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Pauline Viardot
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ArtSongTranspositions
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VIARDOT: Chant du soir
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.539789 Composed by Pauline Viardot. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications...
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Piano,Vocal,Voice - SKU: A0.539789 Composed by Pauline Viardot. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications, LLC #6246233. Published by AST Publications, LLC (A0.539789). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
VIARDOT: Chant du soir (transposed to A-flat major)
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Piano, Voix
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Classique
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Pauline Viardot
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ArtSongTranspositions
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VIARDOT: Chant du soir
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1300222 Composed by Pauline Viardot. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publication...
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Piano,Vocal,Voice - SKU: A0.1300222 Composed by Pauline Viardot. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications, LLC #889962. Published by AST Publications, LLC (A0.1300222). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
VIARDOT: Chant du soir (transposed to B major)
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Piano, Voix
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Classique
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Pauline Viardot
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ArtSongTranspositions
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VIARDOT: Chant du soir
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.539788 Composed by Pauline Viardot. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications...
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Piano,Vocal,Voice - SKU: A0.539788 Composed by Pauline Viardot. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications, LLC #6246225. Published by AST Publications, LLC (A0.539788). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
Chants du soir
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Flûte et Guitare
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INTERMÉDIAIRE
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Erik Marchelie
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Chants du soir
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Erik Marchelie (1957-). For guitar and flute. Level 3. Published by Les Productions d'OZ - Digital ...
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By Erik Marchelie (1957-). For guitar and flute. Level 3. Published by Les Productions d'OZ - Digital
$8.95
Schumann : 12 Pièces pour petits et grands enfants, Opus 85 - XII. Chant du soir
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Violon
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FACILE
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Classique
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Schumann
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12 Pièces pour petits et gran
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Tomplay
Telechargez la partition Violon 12 Pièces pour petits et grands enfants, Opus 85 - XII. Chant du soir de Schumann. Partition pour Duo (2 violons) -- Clas...
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Telechargez la partition Violon 12 Pièces pour petits et grands enfants, Opus 85 - XII. Chant du soir de Schumann. Partition pour Duo (2 violons) -- Classique
1.99€
Schumann : 12 Pièces pour petits et grands enfants, Opus 85 - XII. Chant du soir
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Piano seul
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FACILE
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Classique
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Schumann
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12 Pièces pour petits et gran
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Tomplay
Telechargez la partition Piano 12 Pièces pour petits et grands enfants, Opus 85 - XII. Chant du soir de Schumann. Partition pour Piano à quatre ma...
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Telechargez la partition Piano 12 Pièces pour petits et grands enfants, Opus 85 - XII. Chant du soir de Schumann. Partition pour Piano à quatre mains -- Classique
4.99€
Antoise Tisné: Impressions de Voyage for solo saxophone
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Saxophone Alto
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FACILE
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Antoine Tisne
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Antoise Tisné: Impressi
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone Solo - Level 2 - SKU: A0.533452 Composed by Antoine Tisne. Concert,Contemporary,Instructional,Standards. Individual part. 4 pages. Musik ...
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Alto Saxophone Solo - Level 2 - SKU: A0.533452 Composed by Antoine Tisne. Concert,Contemporary,Instructional,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #2916777. Published by Musik Fabrik Music Publishing (A0.533452). A suite in five movmeents for young musicians. Each movement uses different intervals.1. Complainte (major and minor seconds)2. Chant du Soir)major and minor thirds)3. Berceuse (perfect fourths)4. Vers le Fôret5. Fanfare (perfect fiths)
$7.75
Schubert : La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - TENOR
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Voix seule
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INTERMÉDIAIRE
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Classique
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Schubert
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La Belle Meunière, D. 795 Opu
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Tomplay
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - TENOR de Schubert. Partition pour...
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Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - TENOR de Schubert. Partition pour Avec piano d'accompagnement -- Classique
5.99€
Schubert : La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - SOPRANO
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Voix seule
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INTERMÉDIAIRE
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Classique
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Schubert
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La Belle Meunière, D. 795 Opu
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Tomplay
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - SOPRANO de Schubert. Partition po...
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Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - SOPRANO de Schubert. Partition pour Avec piano d'accompagnement -- Classique
5.99€
Schubert : La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - MEZZO-SOPRANO
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Voix seule
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INTERMÉDIAIRE
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Classique
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Schubert
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La Belle Meunière, D. 795 Opu
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Tomplay
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - MEZZO-SOPRANO de Schubert. Partit...
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Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - MEZZO-SOPRANO de Schubert. Partition pour Avec piano d'accompagnement -- Classique
5.99€
Schubert : La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - BASSE
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Voix seule
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INTERMÉDIAIRE
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Classique
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Schubert
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La Belle Meunière, D. 795 Opu
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Tomplay
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - BASSE de Schubert. Partition pour...
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Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - BASSE de Schubert. Partition pour Avec piano d'accompagnement -- Classique
5.99€
Schubert : La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - BARYTON
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Voix seule
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INTERMÉDIAIRE
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Classique
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Schubert
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La Belle Meunière, D. 795 Opu
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Tomplay
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - BARYTON de Schubert. Partition po...
(+)
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - BARYTON de Schubert. Partition pour Avec piano d'accompagnement -- Classique
5.99€
Schubert : La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - ALTO
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Voix seule
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INTERMÉDIAIRE
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Classique
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Schubert
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La Belle Meunière, D. 795 Opu
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Tomplay
Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - ALTO de Schubert. Partition pour ...
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Telechargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N° 5 'Le soir, au moment du repos' - ALTO de Schubert. Partition pour Avec piano d'accompagnement -- Classique
5.99€
ANTHOLOGY OF ORGAN MASTERPIECES - 4th Volume (of 10) - look at the list of songs inside
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Orgue
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Classique
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Various
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ANTHOLOGY OF ORGAN MASTERPIECE
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Renato Tagliabue
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SheetMusicPlus
Organ - Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 107 pages. Publi...
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Organ - Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 107 pages. Published by Renato Tagliabue
Quarter volume index
ANONIMO ........................................................... Elevazione
BACH Wilhelm Friedemann ............................. ...Jesu, meine Freude
BACH Wilhelm Friedemann ................................. Fuga
BÖHM Georg ....................................................... Allein Gott in der Höh sei Ehr
BÖHM Georg ...................................................... Christum wir sollen loben schon
BÖHM Georg ....................................................... Praeludium
BOSSI Marco Enrico ............................................ Chant du soir
BOSSI Marco Enrico ............................................ Intermezz0
BOYCE William ................................................... Voluntary
BRUNETTI Antonio ............................................. Sonata terza
BRUNETTI Antonio ............................................. Sonata quarta
CIMOSO Domenico ............................................. Andante Legato
COUPERIN François ........................................... Recit de Chromhorne
COUPERIN François ........................................... Fugue sur la Trompette
COUPERIN François ........................................... Chromhorne sur la Taille
COUPERIN François ........................................... Recit de tierce
DU MAGE Pierre ................................................. Tierce en taille
FRANCK César ................................................... Prélude
GERBER Heinrich Nikolaus ................................ Inventio
GERBER Heinrich Nikolaus ................................ Inventio
HERON Henry ..................................................... Voluntary
KIRNBERGER Johann Philipp ............................ Komm, o komm, du Geist des Lebens
KITTEL Johann Christian .................................... Freu dich sehr, o meine Seele
LÜBECK Vincent ................................................. Praeambulum
OLEY J. C. ........................................................... Herr Gott, dich loben alle wir
OXINAGAS Joaquin de ........................................ Fuga
SANDONI Pier Giuseppe ..................................... Sonata prima
TELEMANN Georg Philipp .................................. Nun freut euch lieben Christen gmein
VALERJ Gaetano ................................................ Sonata per Organo
VALERJ Gaetano ................................................. Sonata quinta
VALERJ Gaetano ................................................. Sonata seconda
WEST John E. ..................................................... Impromptu
$19.90
5 Morceaux Romantiques, Op.101 - II. Chant Du Soir
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Piano seul
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Classique
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Jean Sibelius
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5 Morceaux Romantiques, Op.101
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jean Sibelius. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.333595). - Piano - Classical - Hal Leonard - Digital Sheet Music...
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By Jean Sibelius. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.333595). - Piano - Classical - Hal Leonard - Digital Sheet Music
$4.99
Jean Sibelius: 5 Morceaux Romantiques, Op.101 - II. Chant Du Soir - piano solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jean Sibelius
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Virtualsheetmusic
Instantly printable sheet music by Jean Sibelius for piano solo of MEDIUM skill level. / classical
Instantly printable sheet music by Jean Sibelius for piano solo of MEDIUM skill level. / classical
$6.97
Ange Flégier: Le Cor for baritone voice and piano
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Voix basse, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Ange Flégier: Le Cor fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.533413 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing ...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.533413 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913381. Published by Musik Fabrik Music Publishing (A0.533413). A setting of a poem by Alfred de Vigny. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In D major Duration: aprox. 5 minutes 30 secondsThe original orchestration of this song is available on rental from the puboisher (2(pic)222/4231/timp/3perc/hp/strings)Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.J'aime le son du Cor, le soir, au fond des bois,Soit qu'il chante les pleurs de la biche aux abois,Ou l'adieu du chasseur que l'écho faible accueille,Et que le vent du nord porte de feuille en feuille.Que de fois, seul, dans l'ombre àminuit demeuré,J'ai souri de l'entendre, et plus souvent pleuré !Car je croyais ouïr de ces bruits prophétiquesQui précédaient la mort des Paladins antiques.Âmes des Chevaliers, revenez-vous encor?Est-ce vous qui parlez avec la voix du Cor ?Roncevaux ! Roncevaux ! Dans ta sombre valléeL'ombre du grand Roland n'est donc pas consolée !
$9.10
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
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