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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Charles Allan
Non classifié
5
Piano & claviers
Piano seul
10
Piano, Voix
4
Piano Facile
1
Piano, Voix et Guitare
1
Guitares
Dulcimer
1
Voix
Chorale 3 parties
1
Voix duo, Piano
1
Chorale SSAA
1
Chorale SATB
1
Vents
Cuivres
Quatuor de cuivres: 4 trompettes
1
Trompette
1
Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Orchestre & Percussions
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AUTRES INST…
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CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Charles Allan
Partitions à imprimer
30 partitions trouvées
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26
Rocky Top
Quintette à cordes: 2 violons, alto, violoncelle, basse
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1382…
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1382617 Composed by Charles Allan. Arranged by Daniel Zellers. Country,Folk,Instructional,Singer/Songwriter,Traditional. 16 pages. Daniel Zellers #967043. Published by Daniel Zellers (A0.1382617). Whether it be ruminating on the distinctive bluegrass sound of the Osbourne Brothers, the unforgettable sound of Dolly Parton, or the orange and white of Knoxville, Tennessee, this is an audience favorite. Original tune composed by Felice and Boudleaux Bryant. Arranged for five-part string orchestra. PDF includes both score and string parts. Run time approximately 2 minutes.
$19.99
18.33 €
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Charles Allan
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Daniel Zellers
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Rocky Top
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Daniel Zellers
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SheetMusicPlus
Rocky Top
Dulcimer
Dulcimer,Instrumental Solo - Level 1 - Digital Download SKU: A0.1181784 Composed by…
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Dulcimer,Instrumental Solo - Level 1 - Digital Download SKU: A0.1181784 Composed by Charles Allan. Arranged by Mandy Tyner. 20th Century,Contest,Festival. Individual part. 1 pages. Mandy Tyner #781553. Published by Mandy Tyner (A0.1181784). Mountain Dulcimer Tab / Beginner Here is a fun arrangement of Rocky Top for the Mountain Dulcimer.  This is in DAD tuning and includes notation, tablature, and chords.  Mandy runs Banjo Lemonade, with a YouTube channel under the same name and a teaching website banjolemonade.com.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$4.99
4.58 €
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Dulcimer
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Charles Allan
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Mandy Tyner
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Rocky Top
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Mandy Tyner
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SheetMusicPlus
The Gael
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1281419 Composed by Charles Allan a…
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Lever Harp - Level 3 - Digital Download SKU: A0.1281419 Composed by Charles Allan and Douglas MacLean. Arranged by Taryn Delaney Penning. 21st Century,Celtic,Contemporary,Film/TV,Folk,Irish. Score. 2 pages. Taryn Delaney Penning #872764. Published by Taryn Delaney Penning (A0.1281419). A captivating intermdiate arrangement which can be played on both pedal and lever harp.
$5.99
5.49 €
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Harpe
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Charles Allan and Douglas MacLean
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Taryn Delaney Penning
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The Gael
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Taryn Delaney Penning
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SheetMusicPlus
Sea Shanty The Wellerman - Score Only
String Ensemble - Level 2 - Digital Download SKU: A0.1425326 Composed by Allan Stew…
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String Ensemble - Level 2 - Digital Download SKU: A0.1425326 Composed by Allan Stewart. Arranged by Jess Charles. Folk,Pop. 7 pages. Jessica Charles #1006147. Published by Jessica Charles (A0.1425326). Arrangement of Wellerman Shanty for string ensemble and piano.
$4.99
4.58 €
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Allan Stewart
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Jess Charles
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Sea Shanty The Wellerman - Score Only
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Jessica Charles
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SheetMusicPlus
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Ha…
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Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
5.49 €
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Piano seul
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Martin Woodward
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SheetMusicPlus
Cruisin' For A Bruisin'
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1428364 Compos…
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Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1428364 Composed by Jason Charles Miller, Jason Evigan, Mitch Allan, and Nikki Leonti. Arranged by Caitlin P. Flemm. 21st Century,A Cappella,Film/TV. 11 pages. Caitlin Flemm #1009149. Published by Caitlin Flemm (A0.1428364). Want a quick learn for your next pops concert? This fun, energy-filled arrangement of Teen Beach Movie's Cruisin' for a Bruisin' is an arrangement dedicated to your ensemble having fun. With crisp harmonies, driving rhythms, and solo opportunities for each vocal section, your acapella group will have a blast learning this arrangement!
$2.75
2.52 €
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Chorale SSAA
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Jason Charles Miller, Jason Evigan, Mitch Allan, and Nikki Leonti
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Caitlin P
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Cruisin' For A Bruisin'
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Caitlin Flemm
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SheetMusicPlus
Feel The Beat
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1358408 By The Black Eyed Peas. By …
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Easy Piano - Level 2 - Digital Download SKU: A0.1358408 By The Black Eyed Peas. By Allan Pineda, B-fine, Baby Gerry, Brian George, Curtis Bedeau, Gerard R Charles, Jaime Gomez, Jimmy Gomez, Juan Arias, Juan Londono, Lucien George, Lucien George Jr., Paul George, Reynard K Bargmann, Will Adams, William Adams, Yonatan Goldstein, and etc. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 5 pages. O_Talentoso #942867. Published by O_Talentoso (A0.1358408). Black Eyed Peas-Feel The Beat (Piano Cover) + SHEET Partitura Intermediary.
$5.00
4.59 €
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Piano Facile
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The Black Eyed Peas
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eduardo
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Feel The Beat
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O_Talentoso
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SheetMusicPlus
(we're Gonna Be In) High Society
Quatuor de cuivres: 4 trompettes
Trumpet Quartet - Level 2 - Digital Download SKU: A0.1252121 By Bobby Hackett. By A…
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Trumpet Quartet - Level 2 - Digital Download SKU: A0.1252121 By Bobby Hackett. By Allan Copeland, Dan Swan, and Mort Greene. Arranged by David Freitas. 20th Century,Broadway,Comedy,Jazz,Musical/Show,Standards. 3 pages. David F. #846232. Published by David F. (A0.1252121). High Society is a 1956 American musical romantic comedy film directed by Charles Walters and starring Bing Crosby, Grace Kelly, and Frank Sinatra. The film was produced by Sol C. Siegel for Metro-Goldwyn-Mayer, and shot in VistaVision and Technicolor, with music and lyrics by Cole Porter. This is an arrangement made for a trumpet quartet taking influence from jazz music and Louis Armstrong interpretation of the song. Hope you enjoy.
$12.99
11.91 €
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Quatuor de cuivres: 4 trompettes
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Bobby Hackett
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David Freitas
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(we're Gonna Be In) High Society
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David F.
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SheetMusicPlus
March: Helping Hands (Rob Bushnell) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
41.26 €
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Passionate
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1176614 By The Backstreet Boys. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1176614 By The Backstreet Boys. By Andrew Charles Grammer, Lindy Robbins, Louis Schoorl, and Mitchell Allan Scherr. Arranged by Frank Pisani. Contemporary,Pop. Score. 7 pages. Frank Pisani #776688. Published by Frank Pisani (A0.1176614). Solo Piano arrangement for Backstreet Boys' hit pop song, Passionate, from their 2019 album DNA. This arrangement is in the original key and is perfect for intermediate pianists - featuring very accurate vocal lines/harmonies. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easy to know which fingers to use, and how to easily move around the keyboard. You may find it easier to learn how to play this song if you practice each hand separately first before trying to play them together. This arrangement is appropriate for schools and students. Arrangement Duration: 3:38.
$4.99
4.58 €
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Piano seul
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The Backstreet Boys
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Frank Pisani
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Passionate
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Frank Pisani
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SheetMusicPlus
Echoes in Variation
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1470460 By Tori Amos. By Charles-Va…
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Piano Solo - Level 3 - Digital Download SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix Bartholdy Mendelssohn, Franz Schubert, Frederic Chopin, Johann Sebastian Bach, Modest Petrovich Mussorgsky, and Robert Schumann. Arranged by Todd J. Scallan. Baroque,Classical,Romantic Period. Score. 48 pages. Todd J. Scallan #1048169. Published by Todd J. Scallan (A0.1470460). Echoes in Variation brings together the classical inspirations for the musical themes in Night of Hunters – a song cycle by Tori Amos. The songs from Night of Hunters are mainly variations on the classical pieces presented here as arrangements for solo piano. Each arrangement is faithful to the original piano score, but with cleaner formatting and clearer performance directions.This collection offers an excellent introduction to a range of brilliant composers spanning the 18th through early 20th centuries:- Alkan: Song of the Madwoman on the Seashore, Preludes Op. 31, No. 8- Granados: Añoranza from 6 Pieces on Spanish Folk Songs- Satie: Gnossienne No. 1- Granados: Spanish Dance No. 2 from 12 Spanish Dances- Chopin: Nocturne Op. 9, No. 1- Schubert: Andantino from Piano Sonata in A major, D. 959- Mendelssohn: Venetian Boat Song, from Songs Without Words Book 2, Op. 30- Schumann: Theme in E-flat Major for Piano (Ghost Variations), WoO 24- J. S. Bach: Siciliana from Flute Sonata in E-flat major, BWV 1031- Mussorgsky: The Old Castle from Pictures at an Exhibition- Gregorian chant: Salve Regina- Scarlatti: Sonata in F minor, K. 466- J. S. Bach: Prelude in C minor, BWV 999- Debussy: The Girl with the Flaxen Hair, Preludes Book 1, No. 8As a complement to these pieces, solo piano arrangements for the songs from Tori Amos’ Night of Hunters are also available.
$24.99
22.92 €
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Piano seul
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Tori Amos
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Todd J
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Echoes in Variation
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Todd J. Scallan
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SheetMusicPlus
Shattering Sea
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1249124 By Tori Amos. By Tori Amos.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1249124 By Tori Amos. By Tori Amos. Arranged by Todd J. Scallan. Classical,Romantic Period. Score. 7 pages. Todd J. Scallan #843585. Published by Todd J. Scallan (A0.1249124). Sheet music arrangement for solo piano of Shattering Sea, which is track #1 from the Tori Amos album Night of Hunters. This piece is a variation on Song of the Madwoman on the Seashore, Preludes Op. 31, No. 8 composed by Charles-Valentin Alkan in 1844.
$5.99
5.49 €
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Piano seul
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Tori Amos
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Todd J
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Shattering Sea
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Todd J. Scallan
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SheetMusicPlus
Heaven
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1167567 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Daniel Hall. Pop. Brass Band. 40 pages. Daniel Hall #767936. Published by Daniel Hall (A0.1167567). Heaven is a power ballad by Bryan Adams and his writing partner Jim Vallance. Arranged for Tenor Horn and Brass band was written for Tracey Osbourne & Mount Charles Brass Band.Duration: 4 MinutesSoloist Difficulty: 1/6Difficulty: 2/6.
$45.00
41.27 €
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Bryan Adams
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Daniel Hall
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Mount Charles Brass Band
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Heaven
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Daniel Hall
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SheetMusicPlus
Oh Holy Night Contemporary Arrangement
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.948748 Composed by Ad…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.948748 Composed by Adolphe-Charles Adam. Arranged by Ben Trickey. Christian,Christmas,Dance,Pop,Rock. Score. 11 pages. Ben Trickey #3381793. Published by Ben Trickey (A0.948748). A contemporary Electro-Pop arrangement of the classic Christmas carol 'Oh Holy Night'.This moody, modern Pop version of a haunting classic is certainly one to set the scene. Inspired by the likes of Nao, Jack Garratt and Gallant this arrangement will bring a 21st century edge to a timeless tune!
$1.99
1.83 €
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Piano, Voix et Guitare
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Adolphe-Charles Adam
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Ben Trickey
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Oh Holy Night Contemporary Arrangement
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Ben Trickey
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SheetMusicPlus
Still Be My Vision (SSA)
Chorale 3 parties
Composed by Charles Gabriel, Dallan Forgaill. Arranged by Rebecca Belliston. Christian, Sp…
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Composed by Charles Gabriel, Dallan Forgaill. Arranged by Rebecca Belliston. Christian, Spiritual, Sacred, Latter-Day Saints, Easter. 9 pages. Published by Rebecca Belliston (S0.258103). - - Christian,Spiritual,Sacred,Latter-Day Saints,Easter - Rebecca Belliston
$4.99
4.58 €
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Chorale 3 parties
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Charles Gabriel, Dallan Forgaill
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Rebecca Belliston
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Still Be My Vision
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Rebecca Belliston
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SheetMusicPlus
America for Trumpet Ensemble
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894425 Composed by Henr…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894425 Composed by Henry Carey. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 20 pages. Zack Richards #6427357. Published by Zack Richards (A0.894425). America (My Country, 'Tis of Thee) uses lyrics written by Samuel Francis Smith to the tune of the United Kingdom's national anthem, God Save the Queen. It was once the de facto national anthem of the U.S.A. before The Star-Spangled Banner was adopted. This arrangement adds to the fanfare and gallantry of the tune with many flourishes and ornaments. The second verse features a Charles Ives-like variation with a rhythmically augmented melody soaring over a three-part canon below. It is bound to give the audience a patriotic swelling in their chests! All of these works are available individually or all together in my United We Stand Collection.S0.1059707 United We Stand Collection for Trumpet Ensemble Each of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series. S0.1059731 America for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One Series Trumpet Ensemble 5-10 B-flat Trumpets Intermediate- Advanced Intermediate Approx. 2:15 Visit zackrichards.com for more from this composer!
$9.99
9.16 €
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Henry Carey
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Zack Richards
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America for Trumpet Ensemble
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Zack Richards
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SheetMusicPlus
America for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894420 Composed by Henry C…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894420 Composed by Henry Carey. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426683. Published by Zack Richards (A0.894420). America (My Country, 'Tis of Thee) uses lyrics written by Samuel Francis Smith to the tune of the United Kingdom's national anthem, God Save the Queen. It was once the de facto national anthem of the U.S.A. before The Star-Spangled Banner was adopted. This arrangement adds to the fanfare and gallantry of the tune with many flourishes and ornaments. The second verse features a Charles Ives-like variation with a rhythmically augmented melody soaring over a three-part canon below. It is bound to give the audience a patriotic swelling in their chests! Performance and Rehearsal mp3 Tracks available!S0.1059637 America Rehearsal TrackS0.1059679 America Performance Track All of these works are available individually or all together in my United We Stand Collection.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble. S0.1060253 America for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:15 Visit zackrichards.com for more from this composer!
$5.99
5.49 €
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Trompette
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Henry Carey
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Zack Richards
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America for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Still Be My Vision (Alto/Tenor Duet/MP3)
Alto Voice,Piano,Tenor Voice - Digital Download SKU: A0.1067939 Composed by Charles…
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Alto Voice,Piano,Tenor Voice - Digital Download SKU: A0.1067939 Composed by Charles Gabriel, Dallan Forgaill. Arranged by Rebecca Belliston. Christian,Easter,Religious,Sacred,Spiritual. Full Performance. Duration 223. Rebecca Belliston #5293007. Published by Rebecca Belliston (A0.1067939). â–º Medley of I Stand All Amazed and Be Thou My Visionâ–º Also available: Vocal Duet, SATB, and SSA. http://alturl.com/5fzioâ–º From the novel AUGUSTINA by Rebecca Belliston. http://www.rebeccabelliston.com/musicAbout the Arranger
$1.99
1.83 €
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Charles Gabriel, Dallan Forgaill
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Rebecca Belliston
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Still Be My Vision
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Rebecca Belliston
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SheetMusicPlus
The Woody Woodpecker Show
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1208208 Composed by Charles Dant, C…
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Piano Solo - Level 4 - Digital Download SKU: A0.1208208 Composed by Charles Dant, Clarence Wheeler, Gus Call, Irving Bibo, and Jack Carroll. Arranged by Marcello Gallante. Film/TV. Score. 2 pages. Axes Academy #806322. Published by Axes Academy (A0.1208208).
$10.00
9.17 €
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Piano seul
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Charles Dant, Clarence Wheeler, Gus Call, Irving Bibo, and Jack Carroll
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Marcello Gallante
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The Woody Woodpecker Show
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Axes Academy
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SheetMusicPlus
Looney Tunes Overture
Piano seul
Composed by Charles Tobias, Jeryy Livingston, Murray Mencher, Mack David, and Eddie …
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Composed by Charles Tobias, Jeryy Livingston, Murray Mencher, Mack David, and Eddie Cantor. Arranged by Marcello Gallante. Film/TV. Score. 1 pages. Axes Academy #643729. Published by Axes Academy
$10.00
9.17 €
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Piano seul
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Charles Tobias, Jeryy Livingston, Murray Mencher, Mack David, and Eddie Cantor
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Marcello Gallante
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Looney Tunes Overture
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Axes Academy
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SheetMusicPlus
Gounod, Charles : Ave Maria - Voix Graves (Collection Anacrouse)
Piano, Voix
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d 
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1853, Charles Gounod avait esquissé, à partir d’un poème de Lamartine, une mélodie basée sur le premier prélude en ut majeur du premier livre du Clavier bien tempéré de Jean-Sébastien Bach. Peu après, il arrangea cette mélodie pour choeur sur le texte latin de l’Ave Maria, et lui donna le titre de Méditation. Elle subit de nombreuses métamorphoses avant de devenir le célébrissime Ave Maria que nous connaissons aujourd’hui et qui participe de la renommée du compositeur, avec un succès qui ne s’est jamais démenti. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano, Voix
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Gounod, Charles
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Ave Maria - Voix Graves
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Note4Piano
Gounod, Charles : Ave Maria - Voix Moyennes (Collection Anacrouse)
Piano, Voix
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d 
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1853, Charles Gounod avait esquissé, à partir d’un poème de Lamartine, une mélodie basée sur le premier prélude en ut majeur du premier livre du Clavier bien tempéré de Jean-Sébastien Bach. Peu après, il arrangea cette mélodie pour choeur sur le texte latin de l’Ave Maria, et lui donna le titre de Méditation. Elle subit de nombreuses métamorphoses avant de devenir le célébrissime Ave Maria que nous connaissons aujourd’hui et qui participe de la renommée du compositeur, avec un succès qui ne s’est jamais démenti. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano, Voix
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Gounod, Charles
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Ave Maria - Voix Moyennes
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Note4Piano
Gounod, Charles : Ave Maria - Voix Elevées (Collection Anacrouse)
Piano, Voix
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d 
(+)
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1853, Charles Gounod avait esquissé, à partir d’un poème de Lamartine, une mélodie basée sur le premier prélude en ut majeur du premier livre du Clavier bien tempéré de Jean-Sébastien Bach. Peu après, il arrangea cette mélodie pour choeur sur le texte latin de l’Ave Maria, et lui donna le titre de Méditation. Elle subit de nombreuses métamorphoses avant de devenir le célébrissime Ave Maria que nous connaissons aujourd’hui et qui participe de la renommée du compositeur, avec un succès qui ne s’est jamais démenti. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano, Voix
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Gounod, Charles
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Ave Maria - Voix Elevées
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Note4Piano
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.72 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.72 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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