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4234
PIANO & CLAVIERS
Piano seul
2672
Piano, Voix
755
Piano Facile
454
Piano, Voix et Guitare
380
Orgue
242
1 Piano, 4 mains
102
Accordéon
92
Instruments en Do
77
Piano grosses notes
65
Accompagnement Piano
57
2 Pianos, 4 mains
32
Piano Trio: piano, violon, violoncelle
30
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano (partie séparée)
8
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
6
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble d'Accordéons
1
Clavecin
1
2 Pianos, 8 mains
1
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GUITARES
Guitare
231
Guitare notes et tablatures
177
Basse electrique
49
Ukulele
42
Ligne De Mélodie, (Paroles) et Accords
38
2 Guitares (duo)
19
Mandoline
17
Banjo
14
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12
Dulcimer
11
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8
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
4
Ensemble de guitares
3
2 Ukuleles
2
Dobro
2
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2
3 Guitares (trio)
1
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Chorale SATB
649
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127
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123
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74
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62
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60
Chorale SSAA
53
Chorale 2 parties
53
Voix Soprano, Piano
52
Voix Alto, Piano
45
Voix Baryton, Piano
30
Voix Tenor, Piano
29
Voix haute
12
Voix duo, Piano
7
Chorale SSAATTBB
5
Voix duo
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix basse, Piano
4
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3
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3
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2
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1
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1
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1
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1
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1
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943
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433
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415
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276
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250
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195
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191
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176
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153
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122
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120
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117
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108
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105
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98
Saxophone Alto
97
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92
Flute (partie séparée)
72
Saxophone Tenor
71
Ensemble de Clarinettes
66
Saxophone (partie séparée)
62
Hautbois (partie séparée)
62
Saxophone Tenor et Piano
61
Ensemble de Flûtes
61
Saxophone Soprano et Piano
54
Ensemble De Flûte à bec
47
Piccolo, Piano
47
Clarinette (partie séparée)
44
Quatuor de Flûtes : 4 flûtes
44
Piccolo
44
3 Saxophones (trio)
43
2 Hautbois (duo)
43
Saxophone, Clarinette (duo)
42
Clarinette, Violon (duo)
42
Clarinette, Trompette (duo)
41
Flûte, Clarinette (duo)
41
Saxophone Soprano
37
Hautbois
36
Quatuor de Flûtes à bec
34
Saxophone Baryton, Piano
33
Flûte à Bec
32
Flûte à bec Soprano
28
Hautbois, Clarinette, Basson (trio d'anches)
27
Hautbois, Basson (duo)
26
Flûte, Violon
26
Hautbois, Clarinette (duo)
26
2 Flûtes traversières, Piano
25
Cor anglais, Piano
25
Trio de Flûtes: 3 flûtes
25
Quintette de Flûte : 5 flûtes
25
2 Flûte à bec (duo)
24
Clarinette et Alto
21
3 Clarinettes (trio)
21
Flûte, Alto (duo)
20
Flûte, Saxophone (duo)
20
Quintette de Clarinettes: 5 clarinettes
18
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Hautbois (duo)
17
Flûte et Guitare
15
Flûte, Trompette (duo)
15
Flûte à bec Soprano, Piano
15
Flûte à bec Tenor
15
Flûte à bec Alto
14
Hautbois, Flûte
12
Clarinette Basse, Piano
12
Saxophone Baryton
11
Hautbois, violon (duo)
10
Saxophone et Guitare
9
Ocarina
9
Harmonica
8
Flûte à Bec, Piano
8
Cor Anglais
7
Flûte à bec Alto, Piano
7
Clarinette, Basson (duo)
6
Flûte, Hautbois, Piano (trio)
5
Clarinette, Guitare (duo)
5
Instruments en Mib
4
Flûte, Violon, Piano
4
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4
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2
Clarinette, Violoncelle, Piano (trio)
2
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2
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2
Ensemble à vent
2
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2
Flute, harpe et violon
2
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2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Orchestre
2
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2
Hautbois, Clarinette et Piano (Trio)
1
Ensemble de Hautbois
1
3 Hautbois
1
Clarinette, Trombone (duo)
1
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1
Flûte à bec Soprano, Basse continue
1
Flûte à bec Alto, Basse continue
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
Flûte, Alto et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
5 Flûtes à bec
1
Cornemuse
1
Flûte à bec, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
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1
Flûte, Basson et Piano
1
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1
Flûte et Trio à cordes
1
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1
3 Flûtes à bec (trio)
1
2 Clarinettes, Piano
1
Flûte traversière, Orchestre
1
Flûte irlandaise
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CUIVRES
Trompette
405
Trombone
364
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319
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210
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107
Trombone et Piano
90
Cor et Piano
86
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82
Quatuor de Cuivres
68
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
Cor
66
2 Trompettes (duo)
61
Tuba et Piano
60
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58
Tuba
57
2 Trombones (duo)
53
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49
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46
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44
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36
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33
Cor (partie séparée)
30
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25
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23
2 Cors (duo)
21
Quatuor de cuivres: 4 cors
14
Tuba (partie séparée)
13
2 Tubas (duo)
12
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Ensemble de Cors
10
3 Trombones (trio)
9
Trio de Cuivres
7
Cor Anglais
7
Trombone basse
5
4 Tubas
5
Trompette, Cor (duo)
5
3 Trompettes (trio)
5
Cor, Tuba (duo)
4
2 Euphoniums et 2 Tubas
4
Trombone, Cor (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone basse et Piano
3
Cornet A Pistons
2
Tuba et Orgue
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Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Bass Clef Instruments
2
Instruments en Sib
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2
Trombone, Orgue
2
Cor et Orgue
1
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2 Euphoniums (duo)
1
Trompette et Guitare
1
Trombone et orchestre
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
3 Euphoniums
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
521
Violon
266
Violoncelle
203
Violon et Piano
197
Alto seul
181
Violon (partie séparée)
134
Violoncelle, Piano
124
Alto, Piano
113
Trio à Cordes: violon, alto, violoncelle
78
2 Violons (duo)
76
Harpe
70
2 Violoncelles (duo)
58
2 Altos (duo)
57
Quintette à cordes: 2 violons, alto, violoncelle, basse
53
Violon, Violoncelle (duo)
52
Contrebasse (partie séparée)
49
Contrebasse, Piano (duo)
48
Contre Basse
47
Violoncelle (partie séparée)
42
Violon, Alto (duo)
42
Alto (partie séparée)
42
2 Harpes (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
19
Trio à Cordes: 2 violons, violoncelle
17
4 Violoncelles
16
Violon, Guitare (duo)
12
2 Contrebasses (duo)
11
Trio à cordes: 3 violins
10
Quatuor à cordes: 4 violons
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Quatuor à cordes : 4 altos
6
Violoncelle , Guitare (duo)
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 altos
5
Harpe, Flûte (duo)
5
Trio à Cordes: 3 violoncelles
4
Harpe (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Contrebasse (duo)
2
2 Violons, Piano
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
2 Altos, Piano
2
Harpe, Voix
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Alto et orchestre
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Autoharp
1
Violon, Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4916
Orchestre
1061
Orchestre à Cordes
864
Cloches
426
Orchestre de chambre
272
Ensemble de cuivres
130
Ensemble de Percussions
115
Ensemble Jazz
91
Fanfare
56
Percussion (partie séparée)
37
Batterie
36
Jazz combo
31
Ensemble d'École
14
Orchestre Symphonique
6
Percussion
6
Piano et Orchestre
5
Batterie (partie séparée)
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre, Violon
4
Timbales (partie séparée)
3
Marimba
3
Instrumentation Flexible
2
Vibraphone
2
Caisse Claire
2
Xylophone, Piano
1
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
Big band
1
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Scherzo
Piccolo, Piano
Piccolo & Piano - Grade 5 - Digital Download SKU: R0.45469 Composed by Vjacheslav S…
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Piccolo & Piano - Grade 5 - Digital Download SKU: R0.45469 Composed by Vjacheslav Schelokov. Piccolo & Piano. Score and parts. 10 pages. Duration 3'09. Editions Marc Reift - Digital #45469. Published by Editions Marc Reift - Digital (R0.45469).
$16.95
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Piccolo, Piano
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Vjacheslav Schelokov
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Scherzo
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Editions Marc Reift - Digital
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.22 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Eros and Psyche - The music of the soul 12 compositions for piano
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.934246 Composed by Antonio Ce…
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String Orchestra - Level 2 - Digital Download SKU: A0.934246 Composed by Antonio Cericola. Concert,Contemporary,Holiday,Love,Standards,Wedding. Score and parts. 35 pages. Antonio Cericola #5017163. Published by Antonio Cericola (A0.934246). La storia di Amore e Psiche è la più bella storia d'amore di sempre, senza tempo. Simbolo dell'eterna lotta tra cuore e razionalità , la leggenda (raccontata da Apuleio nella sua Metamorfosi), non è più la storia di Dio Cupido e della bella Psiche. Le entità dei due amanti si trasformano con una nuova iniziazione in amore maturo e cosciente: rinascono e si completano a vicenda vivendo insieme superando ogni difficoltà tenendosi per mano. Questa è una delle poche storie, tra i miti greci, a lieto fine: i due amanti sono diventati il ​​simbolo dell'amore e della passione, per sempre. Le 12 composizioni per pianoforte (concepite anche nella versione per pianoforte e orchestra) combinando cuore e anima con mente e intelletto in un eterno abbraccio d'amore. Questa è la musica dell'anima per l'anima: per coloro che riescono a elevarsi oltre i sensibili e viventi di emozioni.
$9.90
9.05 €
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Orchestre à Cordes
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Antonio Cericola
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Eros and Psyche - The music of the soul 12 compositions for piano
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Antonio Cericola
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SheetMusicPlus
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
64 €
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Orchestre de chambre
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.66 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Schumann Kinderszenen op. 15 for orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1017422 Composed by Robert Schu…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017422 Composed by Robert Schumann. Arranged by R. C. Coleman. Romantic Period. Score and parts. 132 pages. R C Coleman #6620457. Published by R C Coleman (A0.1017422). Robert Schumman´s Kinderszenen op. 15R. C. Coleman orchestra transcriptionVon femden Länder und Menschen(Of foreign lands and people /Gens et pays étrangers)Curiose Geschichte(A curious story / Curieuse histoire)Hasche-Mann(Blind man´s bluff / Colin-maillard)Bittendes Kind(Pleading child / L'enfant suppliant)Glückes genug(Happy enough / Bonheur parfait)Wichtige Begebenheit(An important event / Un évènement important)Träumerei(Dreaming / Rêverie)Am Camin(At the fireside / Au coin du feu)Ritter vom Steckenpferd(Knight of the wooded horse / Cavalier sur le cheval de bois)Fast zu ernst(Almost too serious / Presque trop sérieusement)Fürchtenmachen(Frightening / Croquemitaine)Kind im Einsclummern(Child falling sleep / L'enfant s'endort)Der Dichter spricht(The poet speaks / Le poète parle)
$75.00
68.57 €
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Orchestre
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Robert Schumann
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R
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Schumann Kinderszenen op. 15 for orchestra
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R C Coleman
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SheetMusicPlus
South County Sketches: Piccolo
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016453_P1 Piccolo. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016453_P1 Piccolo. Composed by Brendan Mcbrien. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016453_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016453_P1). UPC: 038081483993.Depicting stunning points of interest, the history, and the geology from southern Orange County, California, this piece takes the listener on a musical tour of three of the composer's favorite places. Students and audiences will enjoy the strong, confident themes, and lush colorful writing in this original work. (3:10) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Brendan Mcbrien
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Festival.
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South County Sketches: Piccolo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
UKRAINE NATIONAL ANTHEM FOR ORCHESTRA - Shche ne vmerla Ukrainy
Orchestre
Full Orchestra - Digital Download Composed by Mykhailo Verbytsky (1815-1870). Arranged b…
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Full Orchestra - Digital Download Composed by Mykhailo Verbytsky (1815-1870). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #293682. Published by Colin Kirkpatrick Publications
$29.99
27.42 €
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Orchestre
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Mykhailo Verbytsky (1815-1870)
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Colin Kirkpatrick
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UKRAINE NATIONAL ANTHEM FOR ORCHESTRA - Shche ne vmerla Ukrainy
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Colin Kirkpatrick Publications
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
91.42 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus (S/A) and Symphony Orches
Orchestre
Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arrang…
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Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush #6629255. Published by Arkady Leytush (A0.1008427). Chedrik, chedrik, Carol of the Bells, written by the Ukrainian composer N. Leontovych is very well known in America as Christmas Carol. It takes one of the central piece in the bouquet of the best songs dedicated to Christmas. Orchestrating this work for a two-part children's choir and a symphony orchestra, I set myself the task of painting the score with all kinds of colors of a winter landscape and trying to create an atmosphere of the approaching Christmas.
$20.00
18.28 €
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Orchestre
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N
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A
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N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus
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Arkady Leytush
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SheetMusicPlus
Fugue and Divertimento for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier Ma…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier MartÃnez Maya. 20th Century,Baroque,Concert,Standards,World. Score and parts. 37 pages. Arte Nova Music Lab #14299. Published by Arte Nova Music Lab (A0.742331). Javier MartÃnez (Pd The Liverpool Institute for Performing Arts, MA Berklee College of Music) is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Ingeson Recording Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 6, Finale 2014, Musescore and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$30.00
27.43 €
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Orchestre de chambre
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Javier MartÃnez Maya
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Fugue and Divertimento for Chamber Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
Messiah, HWV 56 (arranged for Full Symphony Orchestra by Sir Eugene Goossens) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Hand…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroque,Christmas,Classical,Easter. 304 pages. Paladino Editions #872887. Published by Paladino Editions (A0.1281547). Sir Eugene Goossens' orchestration of Handel's Messiah was composed in 1959. The orchestral material is available for hire here.Sir Eugene Goossens’ monumental full symphony-sized orchestration of Handel’s Messiah from 1959 is now available in print for the first time. Formerly parts were falsely claimed by Sir Thomas Beecham and combined with other people’s work. However, this edition presents only Goossens’ version, which mysteriously appeared in the 1990s in England. This is the perfect version for playing the work in the context of a Romantic symphony orchestra.Orchestration: 3 Flauti (il 3o. anche piccolo) 4 Oboi (il 3o. anche corno inglese) 2 Clarinetti in Bb & A (il 2o. anche basso) 2 Fagotti 1 Contrafagotto 4 Corni 2 Trombe 3 Tromboni 1 Tuba Timpani Percossa (3 suonatori): Tamburo rullante, Triangolo, Piatti, Piatto sospeso, Gran Cassa Arpa Archi
$69.95
63.95 €
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Orchestre
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George Frideric Handel
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Sir Eugene Goossens
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A (il 2o
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Messiah, HWV 56
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Paladino Editions
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SheetMusicPlus
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
13.7 €
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Chorale SATB
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Antonio Cericola
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SheetMusicPlus
Murray - Four Sketches - Piccolo and Piano
Piccolo, Piano
Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - Digital Download SKU: A0.823986 Composed by TK Tim Murray. Concert,Contemporary. Score and parts. 12 pages. TK (Tim) Murray #4762619. Published by TK (Tim) Murray (A0.823986). Four Sketches contain 2 lyrical and 2 rhythmical miniature variations on a theme. They range from atmospheric to lively and make beautiful use of the Piccolo's unique character. They were commissioned and subsequently recorded by Dannielle Eden and TK Murray. (c.6 mins) Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murrayâ??s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as â??Corruscatingâ?? (Independent) and â??Highly imaginativeâ?? (The Sunday Times). Contact; tkmurraycomp@aol.com
$7.95
7.27 €
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Piccolo, Piano
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TK Tim Murray
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tkmurraycomp@aol
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Murray - Four Sketches - Piccolo and Piano
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TK
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.66 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
42.92 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.13 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
St Botolph's Suite for Orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1015101 Composed by Nigel Hildreth. Co…
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Chamber Orchestra - Digital Download SKU: A0.1015101 Composed by Nigel Hildreth. Contemporary. Score and parts. 232 pages. Nigel Hildreth #4613253. Published by Nigel Hildreth (A0.1015101). A suite of five movements especially written for an amateur orchestra in Colchester UK.
$15.99
14.62 €
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Orchestre de chambre
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Nigel Hildreth
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St Botolph's Suite for Orchestra
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Nigel Hildreth
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SheetMusicPlus
Marche Écossaise by Claude Debussy for String Orchestra + Piccolo
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.830813 Composed by Claude Debussy. Arr…
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Chamber Orchestra - Digital Download SKU: A0.830813 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 75 pages. Richard Byrnes #6064141. Published by Richard Byrnes (A0.830813). Â
$49.99
45.7 €
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Orchestre de chambre
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Claude Debussy
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Richard Byrnes
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Marche Écossaise by Claude Debussy for String Orchestra + Piccolo
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Richard Byrnes
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SheetMusicPlus
Der Mond ist aufgegangen - German Folk Song - String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.567744 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.567744 Composed by Traditional. Arranged by Thomas Graf. Christmas,Easter,Romantic Period,World. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #504859. Published by Thomas Graf - the-hit-factory.com (A0.567744). Colorful arrangement of one of the most popular and surely one of the most beautiful German folk songs. Ein abwechslungsreiches und farbenfrohes Arrangement dieses wunderschönen deutschen Volksliedes, das perfekt geeignet ist für ein beschwingtes Frühlingskonzert. Instrumentation: Violin 1+2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/DWfiVE9NscI .
$14.99
13.7 €
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Orchestre à Cordes
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Traditional
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Thomas Graf
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Der Mond ist aufgegangen - German Folk Song - String Orchestra
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
O du Fröhliche - Full Score
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasc…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
9.13 €
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Orchestre de chambre
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N
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O du Fröhliche - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
O du fröhliche - Orchestral parts set
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasc…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
18.28 €
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Orchestre de chambre
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N
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O du fröhliche - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
A. Borodin - Scherzo in A flat Major, (1885), Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1170960 Composed by Alexander B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1170960 Composed by Alexander Borodin. Arranged by A. Leytush. Classical. Score and parts. 25 pages. Arkady Leytush #771299. Published by Arkady Leytush (A0.1170960). ORCHESTRA: Piccolo Flute Oboe English horn  Clarinet B-flat Bass Clarinet 2 Bassoons 2 Horns (F) 2 Trumpets (B-flat) 2 Trombones Bass Trombone Tuba Timpani 4 Percussion: Triangle Tambourine Snare drum Cymbals Bass drum Harp Violins I Violins II Violas Cellos Basses Â
$40.00
36.57 €
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Orchestre
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Alexander Borodin
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A
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A. Borodin - Scherzo in A flat Major,
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Arkady Leytush
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SheetMusicPlus
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.805407 Composed by P. I. Tschai…
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Full Orchestra - Level 5 - Digital Download SKU: A0.805407 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃz. Romantic Period. Score and parts. 200 pages. Laura Quijada #3462859. Published by Laura Quijada (A0.805407). Arranged for advanced children symphony orchestra or for youth symphony orchestra. Original key. Abridged movement. Separate woodwinds/brass & percussion scores included for section teachers. Excellent for demanding the best out of the woodwind players! Details Duration: circa 00:04:40 minutes Key: original F major Measures: 306 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, bass trombone, tuba, timpani, snare drum, triangle, hand cymbals, strings Set includes: conductor's score, woodwinds score, brass & percussion score, parts
$70.00
64 €
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Orchestre
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P
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Laura C
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Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
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Laura Quijada
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SheetMusicPlus
Columbian National Anthem for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1499997 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1499997 By Keith Terrett. By Oreste Sindici, 1887. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Traditional,World. 13 pages. Keith Terrett #1076070. Published by Keith Terrett (A0.1499997). The National Anthem of the Republic of Colombia (Spanish: Himno Nacional de la República de Colombia, pronounced [ˌimno nasjoˈnal de la reˌpuβlika ðe koˈlombja]) is the official name of the national anthem of Colombia. It was originally written as a poem in 1850 by future President Rafael Núñez as an ode to celebrate the independence of Cartagena. The music was composed by Italian-born opera musician Oreste Síndici, at the request of Bogotan[1] actor José Domingo Torres, during the presidency of Núñez, and with lyrics refined by Núñez himself, it was presented to the public for the first time on 11 November 1887. The song became very popular and was quickly adopted, albeit spontaneously, as the national anthem of Colombia.It was made official through Law 33 of 18 October 1920. Colombian musician José Rozo Contreras [es] reviewed the scores and prepared the transcriptions for symphonic band, which was adopted as an official version by decree 1963 of 4 July 1946. The anthem has been performed in various versions, been the subject of attempted reforms and been widely performed in the arts.The lyrics of the anthem are composed of a chorus and eleven stanzas, though it is usually sung chorus–first verse–chorus.
$8.99
8.22 €
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Orchestre à Cordes
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Keith Terrett
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Keith Terrett
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Columbian National Anthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
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