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Vous avez sélectionné:
Cherry Point: Score
Partitions à imprimer
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Cherry Point: Score
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PR-0000914 Score. Composed by Ne…
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Jazz Ensemble - Digital Download SKU: AX.00-PR-0000914 Score. Composed by Neal Hefti. Arranged by Roy Phillippe. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0000914. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0000914). UPC: 038081269993.A greasy swingin' blues with a very catchy riff! This great tune was composed by Neal Hefti and arranged by Roy Phillippe. Solos are written out for piano, trumpet and tenor sax. The lead trumpet plays to written F. This chart is easy to rehearse, and very effective! This title is available in SmartMusic.
$7.00
6.39 €
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Ensemble Jazz
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Neal Hefti
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Roy Phillippe
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Cherry Point: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Neal Hefti: Cherry Point - jazz band (full score)
Ensemble Jazz
Instantly printable sheet music by Neal Hefti for jazz band (full score) of VERY EASY skil…
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Instantly printable sheet music by Neal Hefti for jazz band (full score) of VERY EASY skill level. / instructional,children,jazz
$11.99
10.94 €
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Ensemble Jazz
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Neal Hefti
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Virtualsheetmusic
Neal Hefti: Cherry Point - guitar or voice (lead sheet)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Neal Hefti for guitar or voice (lead sheet) of EASY/MED…
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Instantly printable sheet music by Neal Hefti for guitar or voice (lead sheet) of EASY/MEDIUM skill level. / jazz
$3.97
3.62 €
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Ligne De Mélodie, (Paroles) et Accords
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Neal Hefti
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Virtualsheetmusic
Neal Hefti: Cherry Point - piano, voice or other instruments
Piano, Voix
Instantly printable sheet music by Neal Hefti for piano, voice or other instruments of EAS…
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Instantly printable sheet music by Neal Hefti for piano, voice or other instruments of EASY/MEDIUM skill level. / jazz
$5.97
5.45 €
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Piano, Voix
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Neal Hefti
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Virtualsheetmusic
Neal Hefti: Cherry Point - piano, voice or other instruments
Piano, Voix
Instantly printable sheet music by Neal Hefti for piano, voice or other instruments of EAS…
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Instantly printable sheet music by Neal Hefti for piano, voice or other instruments of EASY/MEDIUM skill level. / jazz
$5.97
5.45 €
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Piano, Voix
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Neal Hefti
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Virtualsheetmusic
Neal Hefti: Cherry Point (COMPLETE) - jazz band
Ensemble Jazz
Instantly printable sheet music by Neal Hefti for jazz band of VERY EASY skill level. / in…
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Instantly printable sheet music by Neal Hefti for jazz band of VERY EASY skill level. / instructional,children,jazz
$49.99
45.62 €
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Ensemble Jazz
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Neal Hefti
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Virtualsheetmusic
TRITONE Sonata for Trumpet in B-flat and Piano
Trompette, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st…
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00
27.38 €
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Trompette, Piano
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John Frith
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TRITONE Sonata for Trumpet in B-flat and Piano
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Cherry Classics Music
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.1 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.94 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.63 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Contrapunctus XV from "The Art of Fugue" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792497 Composed by Johann Sebas…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792497 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 27 pages. Gordon Cherry #4988365. Published by Gordon Cherry (A0.792497). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number 15 is an unfinished four-voice, quadruple fugue. Only the first three subjects are introduced, the third being a chromatic subject built from the letters of Bach’s name-B (B-flat), A, C, H (B-natural). Just at the point where all three subjects are combined, the manuscript breaks off, and C. P. E. Bach wrote in the score that the composer has died. Bach clearly intended that the original Art of Fugue theme was to be the final subject and all four themes would combine in a glorious climax. Whether he intended to finish the work or leave it up to others to complete is conjecture. About 8 minutes in length.
$22.50
20.53 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus XV from "The Art of Fugue" for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Prelude to an Afternoon of a Faun for Tuba or Bass Trombone and Piano
Tuba et Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.810798 Composed by Claude Debussy. …
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Piano,Tuba - Level 5 - Digital Download SKU: A0.810798 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century. Score and part. 20 pages. Gordon Cherry #3087967. Published by Gordon Cherry (A0.810798). One of the greatest works of the French impressionist era, Prélude à l’après-midi d’un faune by Claude Debussy evokes mystery, stillness, lyricism, finesse, sensuality, nature, dreams, and desires. Taken from a poem by Stéphane Mallarmé, this work is considered by some to be a turning point of musical history as an awakening of modern music as it stretches the limits of tonality. The work was later choreographed in 1912 by Nijinsky.This marvelous arrangement by Ralph Sauer, is appropriate for advanced performers and is about ten minutes in length.
$27.50
25.1 €
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Tuba et Piano
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Claude Debussy
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Sauer, Ralph
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Prelude to an Afternoon of a Faun for Tuba or Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
PreÌlude aÌ€ l’apreÌ€s-midi d’un faune- Afternoon of a Faun for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792371 Composed by Claude Debus…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792371 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 20 pages. Gordon Cherry #4820019. Published by Gordon Cherry (A0.792371). One of the greatest works of the French impressionist era, PreÌlude aÌ€ l’apreÌ€s-midi d’un faune by Claude Debussy evokes mystery, stillness, lyricism, finesse, sensuality, nature, dreams and desires. Taken from a poem by SteÌphane MallarmeÌ this work is considered by some to be a turning point of musical history as an awakening of modern music as it stretches the limits of tonality. The work was later choreographed in 1912 by Nijinsky. This marvelous arrangement by Ralph Sauer is appropriate for advanced performers and is about 10 minutes in length.
$22.50
20.53 €
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Trombone et Piano
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Claude Debussy
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Sauer, Ralph
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PreÌlude aÌ€ l’apreÌ€s-midi d’un faune- Afternoon of a Faun for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Three Pieces for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792414 Composed by Edward Elgar…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4821573. Published by Gordon Cherry (A0.792414). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
15.97 €
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Trombone et Piano
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Edward Elgar
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Ralph Sauer
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Three Pieces for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Three Pieces for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792275 Composed by Edward Elgar…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4803779. Published by Gordon Cherry (A0.792275). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
15.97 €
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Trombone et Piano
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Three Pieces for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792166 Composed by Edward Elgar…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820415. Published by Gordon Cherry (A0.792166). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$15.00
13.69 €
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Trombone et Piano
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Three Pieces for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792165 Composed by Edward Elga…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
13.69 €
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Euphonium, Piano (duo)
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Tsunami for 8-part Trombone Ensemble
Ensemble de Trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.1088224 Composed by Da…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.1088224 Composed by David F. Wilborn. Contemporary,Latin. Score and parts. 57 pages. Gordon Cherry #692477. Published by Gordon Cherry (A0.1088224). Here is a description of this fine work by the composer, Dr David F. Wilborn: Tsunami, for eight trombones, is designed to capture some of the energy and drama of a tsunami wave speeding towards a coastline. The opening musical themes are powerful and bold. These melodies are accompanied by pulsating and aggressive rhythms. After a while, the tension of the music subsides as a calm serene sound of Polynesian music emerges. Here the joyful entertaining atmosphere is a total contrast to the previous themes. The scene captures a moment of frivolity and images of participants who are totally unaware of impending danger. But that moment is brief as the tsunami music abruptly returns. The work concludes by capturing the image of the powerful tsunami wave racing for the coastline. At this point, a tsunami siren blares, and the music builds with great intensity. Upon hearing unexpected silence followed by a loud minor chord, it becomes clear that the massive wave has hit the coast. The destruction is done and the dreadful event is over. All seems well until the siren again sounds and the infamous opening tsunami music returns. This 8-minute work is appropriate for moderately advanced performers. The range is moderate and all the parts are in bass clef.
$42.50
38.79 €
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Ensemble de Trombones
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David F
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Tsunami for 8-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Blue Bells of Scotland for Trombone Quintet (solo shared by all parts)
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811187 Composed by Art…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811187 Composed by Arthur Willard Pryor. Arranged by Andrew Poirier. 20th Century,Folk,Holiday,Patriotic. Score and parts. 30 pages. Gordon Cherry #5987593. Published by Gordon Cherry (A0.811187). Hear ye! Hear ye! iTromboni hereby presents their kick at the Blue Bells of Scotland can! Cleverly arranged by our newly appointed second trombonist of the Vancouver Symphony and iTrombonistador Andrew Poirier, this virtuosic gem is a rite of passage for all trombonists. Our new version of Arthur Pryor's masterpiece tests the metal of the entire quintet with all parts getting a go at the solo. Go TEAM!
$30.00
27.38 €
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Arthur Willard Pryor
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Andrew Poirier
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Blue Bells of Scotland for Trombone Quintet
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Gordon Cherry
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SheetMusicPlus
Ring of the Nibelung compilation of Excerpts for Low Brass
Large Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792335
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Large Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792335 Composed by Richard Wagner. Arranged by Fissel, Stephen. 20th Century,Opera,Romantic Period,Standards. Score and parts. 129 pages. Gordon Cherry #4804647. Published by Gordon Cherry (A0.792335). This collection of orchestral excerpts from Der Ring des Nibelungen by Stephen Fissel represents some of the major portions of this great music that Richard Wagner composed for low brass. The selection of these excerpts comes from Mr. Fissel's own experience in preparing and performing the Ring Cycle with Seattle Opera. In conjunction with Ring performances in Seattle, he and his colleagues would often rehearse these sections and present them in a concert along with commentary to explain their importance, either elucidating a musical aspect or an element of plot narrative, or from the standpoint of the development of the low brass instruments of the orchestra. For the serious orchestral low brass performer, Mr. Fissel's compilation is a wonderful way to experience the highlights of Wagner's operatic genius embodied in the four Ring Cycle operas: Das Rheingold, Die Walkyrie, Siegfried and Gotterdammerung. There are 22 major excerpts from the four operas for Bass Trumpet (part supplied for original keys and transposed version in C or may be played by a Tenor Trombone), 2 Tenor Trombones, Bass Trombone, Contrabass Trombone (can be performed on a Bass Trombone as well), Tuba and a coil bound full score. Included in the 22 excerpt Fissel compilation are the following famous excerpts: Ride of the Walkyrie, Entrance of the Gods into Valhalla, Wotan's Farewell, Dragon Scene from Siegfried, Siegfried's Rhine Journey, Siegfried's Funeral Music and Walhalla, Spear and Immolation Scene (finale).
$40.00
36.51 €
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Richard Wagner
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Fissel, Stephen
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Ring of the Nibelung compilation of Excerpts for Low Brass
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Gordon Cherry
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SheetMusicPlus
Concerto for Alto Trombone and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.811000 Composed by Wagenseil, G…
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Full Orchestra - Level 5 - Digital Download SKU: A0.811000 Composed by Wagenseil, Georg Christoph. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance,Romantic Period. Score and Parts. 72 pages. Gordon Cherry #4726535. Published by Gordon Cherry (A0.811000). A beautiful performance edition of the Wagenseil Concerto for Alto Trombone & Orchestra. This version includes the full score and orchestra parts along with the solo Alto Trombone part including cadenzas. This version is sold in bound print format. Mr. Sauer, veteran Principal Trombone of the Los Angeles Philharmonic is a renowned editor of music for brass. You will not be disappointed in this edition.
$50.00
45.63 €
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Orchestre
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Wagenseil, Georg Christoph
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Sauer, Ralph
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Orchestra
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Concerto for Alto Trombone and Orchestra
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Gordon Cherry
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SheetMusicPlus
Three Romances Without Words for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.792377 Composed by Charles Fra…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820051. Published by Gordon Cherry (A0.792377). Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano. The three movements are titled: 1. The Periwinkle (La Pervenche) 2. The Brook (Le Ruisseau) 3. The Evening (Le Soir) The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
$15.00
13.69 €
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Euphonium, Piano (duo)
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Charles Francois Gounod
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Sauer, Ralph
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Three Romances Without Words for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Three Romances Without Words for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.792378 Composed by Charles Fran…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.792378 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820053. Published by Gordon Cherry (A0.792378). Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano. The three movements are titled: 1. The Periwinkle (La Pervenche) 2. The Brook (Le Ruisseau) 3. The Evening (Le Soir) The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
$15.00
13.69 €
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Trombone et Piano
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Charles Francois Gounod
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Sauer, Ralph
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Three Romances Without Words for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Sonata for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792532 Composed by Armand Russe…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792532 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 33 pages. Gordon Cherry #5008359. Published by Gordon Cherry (A0.792532). The first movement, Prologue, consists of an Exposition (bars 1-42) with a main theme followed by four development sections and ending with a return to the main theme before a short coda. The second movement, Variants is a set of seven variations on the theme presented in the opening with descriptive terms pointing out the contrasts between the variations. The final movement is titled an Epilogue follows the general structure of ABCDCEBA which is a modified arch form with an abundant use of dance-like syncopated rhythms but a lyric and less active middle section D for contrast. This work of about 17 minutes in length is suitable for advanced performers.
$22.50
20.53 €
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Trombone et Piano
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Armand Russell
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Sonata for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Dying and Dancing for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Sca…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
25.1 €
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Euphonium, Piano (duo)
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Russell Scarbrough
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Dying and Dancing for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
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